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TALIN, MARY KATE & ME is a theatre project between fiction and documentation in which three<br />
artists from Istanbul, London, and Vienna encounter each other on the <strong>brut</strong> stage. They are<br />
sitting with their babies in a surreal-poetic landscape of grass and moss and do what they always<br />
do day-in, day-out: they sustain their children. Yet at the same time they are doing something<br />
completely different: their daily routine becomes an experiment in the theatre space, a play with<br />
their roles as mothers and artists. For this project, French artist and stage designer Lise Lendais –<br />
known in the Viennese performance scene since her cooperation with Anne Juren at the latest –<br />
exchanged experiences across the distance with artists Talin and Mary Kate about their daily<br />
routines as mothers and their needs as individuals and documented these on the Internet.<br />
Konzept Lise Lendais Performance Sebastian Bauer, Mary Kate Connolly, Roza Mira Demirci,<br />
Talin Buyukkurkciyan Demirci, Adah Lendais, Lise Lendais, Finn Taylor Licht Andreas Lendais<br />
Ton Sebastian Bauer Praktikum Cédrine Scheidig<br />
Eine Koproduktion von Lise Lendais und <strong>imagetanz</strong>/<strong>brut</strong> Wien.<br />
Lise Lendais was born in France and developed her first work in Belgium. Now she lives and<br />
works in Vienna, Austria. Lise graduated from the French National School of Theatre ENSATT<br />
(École Nationale Supérieure des Arts et Techniques du Théâtre) in scenography. She also<br />
studied at the National School of Applied Art in Paris ENSAD (École Nationale Supérieure des<br />
Arts Décoratifs). She has been trained in scenography but layed no claim to any title. Rather,<br />
she believes in the undisciplined, active, and responsible participation of the protagonists in<br />
the project. Lise aims an independent theatre that takes part in daily life. The tools she dreams<br />
of for this adventure are made of games, of experimental fields, and of performers. It is the<br />
living body in the entirety of its capacities what is of interest. While working as costume or set<br />
designer she develops her own projects and collaborations with many different artists.<br />
Freitag, 22. März, 22 Uhr | <strong>brut</strong> im Konzerthaus<br />
Performance/Party<br />
Less Dress More Fun • Feuchte Perlen<br />
¤ 2,– pro Kleidungsstück<br />
Eintritt frei mit <strong>brut</strong>karte*, Festivalpass oder Wet-Look. Zutritt ab 18 Jahren.<br />
Nachdem im letzten Jahr mit Love for Gold die hedonistische Liebe zum Edelmetall zelebriert<br />
wurde, kulminiert das <strong>imagetanz</strong>-Festival heuer in einer Bubble-Action-Orgie: Zerplatzende<br />
Seifenblasen auf nackter Haut, der Deep Throat Darkroom, ein Wet Höschen Contest, gläserne<br />
Nasszellen und Bubble-Tea-Bäder erfreuen das freizügige Herz. Nach dem „Besser Blasen“-<br />
Workshop mit Pustefix, dürfen sich die hartgesottenen Bubble Boys & Girls bei einem feuchten<br />
Naked Run for Champagne, auf dem seifigen Cat-Walk oder beim Vogueing erneut beweisen.<br />
GET WET, BABY!<br />
After the piece Love for Gold celebrated the hedonist love for the noble metal last year, the <strong>imagetanz</strong><br />
festival culminates this year in a bubble-action orgy: bursting bubbles on naked skin, Deap<br />
Throat Darkroom, wet pants contest, wet rooms with glass walls, and bubble-tea baths please<br />
the generous heart. After the workshop “Besser Blasen” with Pustefix, the hard-boiled Bubble Boys<br />
& Girls may again prove themselves with a wet naked run for champagne, on the soapy catwalk,<br />
or during vogueing. GET WET, BABY!<br />
Von und mit Madame Snivlem, Frau Pfost la Most, Miss Tori Misspelling, Miss Kottlett,<br />
das_em
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