imagetanz 2013 - brut wien

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Florentina Holzinger studied choreography at the School for New Dance Development (SNDO) in Amsterdam. She received the Danceweb Europe Scholarship 2008 at ImPulsTanz Vienna and various residencies at ImPulsTanz Vienna, Workspace Brussels, Frascati Amsterdam, PACT Zollverein and Performance Mix in New York. Amongst others she performed in works of Rob List, Ann Liv Young, Deborah Hay, Benoit Lachambre and Jeremy Wade. Her collaborations with Vincent Riebeek Kein Applaus für Scheiße and Spirit are touring internationally. Her Solo Silk was awarded the Prix Jardin d’Europe at ImPulsTanz 2012. Vincent Riebeek started dancing hip-hop and street dance in his pre-teens. He is currently graduating from the School for New Dance Development in Amsterdam. During his education he had a chance to work with a. o. Benoit Lachambre, Simon Aughterlony, Ibrahim Quraishi, Hooman Sharifi, David Zambrano, Gabriel Smeets, Robert Steijn, Renee Copraij, Bettina Masuch, David Zambrano, Jeremy Wade, Meg Stuart, Deborah Hay and Janine Durning. He was a recipient of the DanceWeb Scholarship at ImPulsTanz Vienna in 2010. His work is shown at various theatres in Belgium, Germany, The Netherlands, Austria, Switzerland, Slovenia and New Zealand and he received residencies at ImPulsTanz Vienna, Workspace Brussels, Frascati Amsterdam and PACT Zollverein. Montag, 11. und Dienstag, 12. März, 20 Uhr | brut im Künstlerhaus Tanz • in englischer Sprache Agnieszka Dmochowska & Mariana Tengner Barros (Wien/Lissabon) Star Diaries Erstaufführung „Du wirst vielleicht verstehen, dass auf den ersten Blick alles so seltsam für mich war und meine Lage war das Ergebnis aus dieser Fremdheit von diesem oder jenem über mich.“ H. G. Wells, The Island of Doctor Moreau „Straßen? Wohin wir gehen, brauchen wir keine Straßen.“ Zurück in die Zukunft Zwei entwickelte menschliche Wesen befinden sich in einer undefinierten Raum/Zeit Dimension, sie treiben durch den gewaltigen, dunklen Kosmos. Ihr Trip hat weder ein bestimmtes Ziel, noch einen besonderen Grund. Es ist mehr ein Beweis des Paradoxen, der Absurdität und des Widerspruchs der menschlichen Kultur und der Natur des Organismus. Die beiden Reisenden entdecken andere Räume, die mit alten menschlichen Ideen von „Land“, „Zuhause“, „fremd sein“, „ausländisch sein“ verbunden sind und die verwirrende und verlorene Konzepte wie „Zugehörigkeit“ und „Besitz“ auflösen – Erinnerungen an eine materielle Welt, die durch den Raum als archäologische Artefakte einer aufgebrauchten Sprache treiben. Was würde vom Körper und von der Sprache in einer post-kolonialen Space Odyssee bleiben? John Carpenter gewidmet. “You will perhaps understand that at first everything was so strange about me, and my position was the outcome of the relative strangeness of this or that thing about me.” H. G. Wells, The Island of Doctor Moreau “Roads? Where we‘re going we don‘t need roads.” Back to the future
Two “evolved” human beings are in an undefined space/time dimension, drifting through the vast dark cosmos. This trip is not after something, nor for any reason in particular. It‘s more like a proof of paradox, of the absurdity and contradiction of human culture and the nature of organisms. The two travelers are about to discover other ‘spaces’ connected to old human ideas of „land“, „home“, „being foreign“, „being alien“ which will unravel lost and puzzling concepts, such as „belonging“ and „ownership“- memories of the material world drifting in space as archeological artifacts of an exhausted language. What would remain of the body and of the language in a post-colonial space odyssey? Dedicated to: John Carpenter Idee Agnieszka Dmochowska Konzept und Performance Agnieszka Dmochowska, Mariana Tengner Barros Kostüm, Video, Requisiten António Mv Sound Alexander Kasses Dramaturgische Unterstützung Hugo Vieira da Silva Licht Yosi Wanunu Künstlerische Beratung Francisco Camacho Eine Koproduktion von imagetanz/brut Wien, EIRA und Fat Sun Kunstverein. Mit freundlicher Unterstützung des European Space Policy Institute (ESPI) und des Polnischen Instituts Wien. Dank an toxic dreams, Tanzquartier Wien, Forum Dança, o Rumo do Fumo, Real Pelágio und Tiago Cadete. Agnieszka Dmochowska born in Warsaw, Poland. Lives and works in Vienna. She graduated from the National Ballet School in Warsaw in 2000 and went on studying at the Institute for Dance Arts/IDA in Linz, Austria. For 2 years she was a member of a postgraduate company xIDA. Between 2006-2010 she has lived and worked as an independent performer and maker in Brussels, Belgium. She has worked with choreographers, film directors and visual artists among others: Andros Zins-Browne, Tom Heene, Kenji Oullet, Yael Davids. She collaborated in an ensemble agnieszka&agnieszka, together with Agnieszka Ryszkiewicz, on a project Things We Can Still Do On Stage (2008/09). In 2009 she was part of the group of the 50 years of dance (flip book) directed by Boris Charmatz, in frames of Choreographer’s Venture at the ImPulsTanz Festival in Vienna. The following year she assisted Davis Freeman in his project Too Shy To Stare. Since 2010 she has been working mainly with Vienna based groups and independent makers, a. o: Alexander Gottfarb, toxic dreams, Milli Bitterli, Oleg Soulimenko. She is collaborating continuously with Karin Pauer, on a cycle of lecture presentations called nomasterpieces and at the same time with Mariana Tengner Barros, a Portuguese performer and creator. Mariana Tengner Barros lives and works in Lisbon as a performer and creator. She graduated from The Northern School of Contemporary Dance-NSCD in 2003 and was an apprentice dancer with Ballet Theatre Munich under the direction of Philip Taylor and one of the first Associated Artist at NSCD. Furthermore she completed the Choreographic Creation, Dance Research and Training Programe-PEPCC at Fórum Dança. Mariana is regularly supported and produced by Eira. She created and performed the plays And So?…The End (2010); Après le bain (2011), The Trap (2011) and Piece of The Heart: for him (2012). In 2009 she worked with Deborah Hay, as part of The Solo Performance Commissioning Project in Findhorn, Scotland, being awarded a scholarship by The Calouste Gulbenkian Foundation. Since 2009 she has been regularly working as a performer with the Portuguese choreographer Francisco Camacho in various projects. As a performer she also collaborates frequently with the Portuguese theater director John Romão and playwriter Mickael de Oliveira (Colectivo 84) and highlights the collaboration in projects by Abraham Hurtado and Vânia Rovisco- AADK, Pedro Bandeira, Rafael Alvarez, Carlota Lagido, Andreas Dyrdal, André Guedes, João Pedro Vale/Nuno Alexandre Ferreira and Mark Tompkins. She has been a Guest Choreography Lecturer at The Northern School of contemporary Dance (UK).
Seite 1 und 2: www.brut-wien.at 8. bis 22. März i
Seite 3 und 4: Konzerthaus Lothringerstraße 20
Seite 5 und 6: 8 to 22 March imagetanz 2013 Festiv
Seite 7: Von Diego Agulló & Dmitry Paranyus
Seite 11 und 12: Donnerstag, 14. und Freitag, 15. M
Seite 13 und 14: Margrét Sara has worked as a perfo
Seite 15 und 16: Montag, 18. und Dienstag, 19. März
Seite 17 und 18: Nanina Kotlowski, 1984 in Wien gebo
Seite 19 und 20: imagetanz 2013 Festival für Choreo

imagetanz 2013 - brut wien

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