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Sprachen und Literaturen 2003 - LIT Verlag

Sprachen und Literaturen 2003 - LIT Verlag

Sprachen und Literaturen 2003 - LIT Verlag

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FORECAAST<br />

(Forum for European Contributions<br />

to African American Studies)<br />

edited by Maria Diedrich, Alessandro Portelli and Justine Tally<br />

Maria Diedrich; Carl Pedersen; Justine Tally (eds.)<br />

Mapping African America<br />

History, Narrative Formation, and the Production of Knowledge<br />

Bd. 1, 1999, 256 S., 30,90 €, br., ISBN 3-8258-3328-3<br />

Stefanie Sievers<br />

Liberating Narratives<br />

The Authorization of Black Female Voices in African American<br />

Women Writers’ Novels of Slavery<br />

Bd. 2, 1999, 232 S., 25,90 €, br., ISBN 3-8258-3919-2<br />

Justine Tally<br />

Paradise Reconsidered<br />

Toni Morrison’s (Hi)stories and Truths<br />

Bd. 3, 1999, 112 S., 17,90 €, br., ISBN 3-8258-4204-5<br />

Dorothea Fischer-Hornung; Alison D. Goeller (eds.)<br />

EmBODYing Liberation<br />

The Black Body in American Dance<br />

A collection of essays concerning the black body in American dance,<br />

EmBODYing Liberation serves as an important contribution to the<br />

growing field of scholarship in African American dance, in particular<br />

the strategies used by individual artists to contest and liberate racialized<br />

stagings of the black body. The collection features special essays<br />

by Thomas DeFrantz and Brenda Dixon Gottschild, as well as an<br />

interview with Isaac Julien.<br />

Bd. 4, 2001, 152 S., 20,90 €, br., ISBN 3-8258-4473-0<br />

Patrick B. Miller; Therese Frey Steffen; Elisabeth Schäfer-<br />

Wünsche (eds.)<br />

The Civil Rights Movement Revisited<br />

Critical Perspectives on the Struggle for Racial Equality in the<br />

United States<br />

The crusade for civil rights was a defining episode of 20th century<br />

U.S. history, reshaping the constitutional, political, social, and economic<br />

life of the nation. This collection of original essays by both European<br />

and American scholars includes close analyses of literature and film,<br />

historical studies of significant themes and events from the turn-of-the<br />

century to the movement years, and assessments of the movement’s<br />

legacies. Ultimately, the articles help examine the ways civil rights<br />

activism, often gro<strong>und</strong>ed in the political work of women, has shaped<br />

American consciousness and culture until the outset of the 21st<br />

century.<br />

Bd. 5, 2001, 224 S., 24,90 €, br., ISBN 3-8258-4486-2<br />

Fritz Gysin; Christopher Mulvey (Eds.)<br />

Black Liberation in the Americas<br />

Bd. 6, 2001, 280 S., 24,90 €, br., ISBN 3-8258-5137-0<br />

Justine Tally<br />

The Story of Jazz<br />

Toni Morrison’s Dialogic Imagination<br />

Ever since its publication in 1992, Jazz, probably Toni Morrison’s most<br />

difficult novel to date, has elicited a wide array of critical response.<br />

Many of these analyses, while both thoughtful and thought-provoking,<br />

have provided only partial or inherently inconclusive interpretations.<br />

The title, and certain of the author’s own pronouncements, have led<br />

other critics to focus on the music itself, both as medium and aesthetic<br />

support for the narration.<br />

Bd. 7, 2001, 168 S., 20,90 €, br., ISBN 3-8258-5364-0<br />

Mar Gallego �<br />

Passing Novels in the Harlem Renaissance<br />

Identity Politics and Textual Strategies<br />

Passing Novels in the Harlem Renaissance offers an insightful study of<br />

the significance of passing novels for the literary and intellectual debate<br />

of the Harlem Renaissance. Mar Gallego effectively uncovers the<br />

presence of a subversive component in five of these novels (by James<br />

Weldon Johnson, George Schuyler, Nella Larsen, and Jessie Fauset),<br />

turning them into useful tools to explore the passing phenomenon in all<br />

its richness and complexity. Her compelling study intends to contribute<br />

to the ongoing revision of the parameters conventionally employed<br />

to analyze passing novels by drawing attention to a great variety of<br />

textual strategies such as double consciousness, parody, and multiple<br />

generic covers. Examining the hybrid nature of these texts, Gallego<br />

skillfully highlights their radical critique of the status quo and their<br />

celebration of a distinct African American identity.<br />

“Passing Novels in the Harlem Renaissance is an impressive work of<br />

scholarship and interpretation. It is well researched and stimulating to<br />

read.” Hanna Wallinger, University of Salzburg<br />

“Mar Gallego draws our renewed attention to the uses and subversions<br />

of the trope of passing that have characterized the African American<br />

novelistic tradition also in the twentieth century.” Giulia Fabi,<br />

University of Ferrara<br />

“Mar Gallego’s thorough scholarship now provides us with a new, indepth<br />

and refreshing reading of texts we thought we already knew<br />

something about. A provocative text and a welcome addition to the<br />

field!” Justine Tally, University of La Laguna<br />

Bd. 8, Frühj. <strong>2003</strong>, ca. 224 S., ca. 24,90 €, br., ISBN 3-8258-5842-1<br />

Paola Boi; Sabine Broeck (Eds.) �<br />

CrossRoutes – The Meanings of “Race” for the 21st<br />

Century<br />

This collection reflects the still urgent project of historical recuperation,<br />

as well as an examination of literary representations and other cultural<br />

manifestations of the Black Diaspora. Disciplinary work within the<br />

bo<strong>und</strong>aries of African American Studies has been enhanced by more<br />

general considerations of the history of raceänd racism in globalized<br />

contexts. The articles assembled here reflect recent empirical research<br />

as well as challenging theoretical considerations. Contributions address<br />

particular formations of racialized modernity owed to the impact of the<br />

Atlantic slave trade and slavery, and thus broaden the approach to the<br />

Middle Passage, to improve our <strong>und</strong>erstanding of it as a constitutive<br />

transatlantic phenomenon in the widest possible sense.<br />

Bd. 9, Frühj. <strong>2003</strong>, ca. 272 S., ca. 25,90 €, br., ISBN 3-8258-6651-3<br />

Anglistik/Amerikanistik<br />

Sylvia Mayer (ed.) �<br />

Restoring the Connection to the Natural World<br />

Essays on the African American Environmental Imagination<br />

Since its emergence in the second half of the nineteenth century<br />

American environmentalism had predominantly been a white, middleclass<br />

pursuit, preoccupied with notions of wilderness and wildlife<br />

preservation. Only fairly recently, with the advent of the environmental<br />

justice movement in the 1980s, has American environmentalism<br />

broadened its definition of “environment” to include the concerns<br />

relevant to a community’s way of living. Especially the concerns<br />

of poor urban communities of color, which have been exposed to<br />

environmental hazards disproportionately, have entered the political<br />

agenda. This volume - one of the first collections of ecocritical essays<br />

devoted exclusively to African American texts - shows that African<br />

Americans have contributed to the efforts of the environmental justice<br />

movement not only as political activists, but also as writers. The<br />

essays range from studies of nineteenth- century slave narratives to<br />

twentieth-century texts by Zora Neale Hurston, Claude McKay, Richard<br />

Wright, Charles Johnson, Toni Cade Bambara, Audre Lorde, and<br />

Octavia Butler. Employing a variety of theoretical and methodological<br />

premises, they provide insight into the texts’ various conceptualizations<br />

of “nature,” “culture,” and “humanness” and their implications for<br />

environmental ethics.<br />

Bd. 10, Frühj. <strong>2003</strong>, ca. 208 S., ca. 20,90 €, br., ISBN 3-8258-6732-3<br />

Kimberley Phillips; Hermine Pinson; Hanna Wallinger (eds.) �<br />

Liberation, Identity, and Resistance<br />

The contributions to “Critical Voices of Black Liberation in the<br />

Americas” originated from the 1999 CAAR Conference in Münster<br />

and from conferences held in the US in 2000 and 2001. More than half<br />

of the eleven essays consider black performances on stage, in so<strong>und</strong>,<br />

and on film; the remaining essays explore slavery, African American<br />

literature, and nineteenth-century black educators. These exciting<br />

essays creatively examine artistic and/or political articulation of black<br />

liberation as the construction of a new critical and signifyin(g) voice.<br />

This liberated and critical voice asserts itself as much as a communal<br />

expression of black subjectivities as it is an articulation of the black<br />

self.<br />

Bd. 11, Frühj. <strong>2003</strong>, ca. 208 S., ca. 20,90 €, br., ISBN 3-8258-6739-0<br />

Contributions to Asian American Literary<br />

Studies<br />

edited by Rocío G. Davis (University of Navarre)<br />

and Sämi Ludwig (University of Bern)<br />

Rocío G. Davis; Sämi Ludwig (Eds.) �<br />

Asian American Literature in the International Context<br />

Readings on Fiction, Poetry, and Performance<br />

In their different and yet complementary perspectives, all of the essays<br />

in Asian American Literature in the International Context: Readings<br />

on Fiction, Poetry, and Performance reiterate the universal lesson of<br />

pluralism. They are divided into sections that deal with biraciality<br />

and biculturality, interethnic negotiations, poetic creations, narrative<br />

experiments, and (re)constructing self. The wide variety of approaches<br />

reflects the contributors’ training in different cultures and across<br />

cultures. It showcases refreshing new perspectives in reading that<br />

combine the views of literary scholars from three different continents.<br />

This collection creates a space for discussion and commentary, of<br />

heightened appreciation and increased creativity, a forum that turns<br />

the discipline of Asian American Studies into a truly intercultural<br />

debate.<br />

Bd. 1, 2002, 272 S., 25,90 €, br., ISBN 3-8258-5710-7<br />

–8–<br />

Anglistik / Amerikanistik<br />

Jörg Rademacher<br />

James Joyce’s Other Image<br />

Essays in Joyce Criticism<br />

Bd. 2, 1996, 144 S., 20,90 €, br., ISBN 3-8258-2079-3<br />

Wolfgang Munzinger<br />

Das Automobil als heimliche Romanfigur<br />

Das Bild des Autos <strong>und</strong> der Technik in der nordamerikanischen<br />

Literatur von der Jahrh<strong>und</strong>ertwende bis nach dem 2. Weltkrieg<br />

Bd. 3, 1997, 224 S., 24,90 €, br, ISBN 3-8258-2741-0<br />

Jost Hindersmann<br />

MLAIB <strong>und</strong> ABELL<br />

Periodische Fachbibliographien, CD-ROM- <strong>und</strong> Online-<br />

Datenbanken zur Anglistik<br />

Bd. 4, 1997, 96 S., 10,90 €, br., ISBN 3-8258-3358-5<br />

Holger Boden<br />

TwoWorldWarsandOneWorldCup–Krieg,Sport<br />

<strong>und</strong> englischer Humor<br />

Bd. 5, 1998, 112 S., 15,90 €, br., ISBN 3-8258-3851-x<br />

Jörg Rademacher (Hrsg./Ed.) �<br />

Modernism and the Individual Talent/Moderne <strong>und</strong><br />

besondere Begabung<br />

Re-Canonizing Ford Madox Ford (Hueffer)/Zur Re-<br />

Kanonisierung von Ford Madox Ford (Hüffer). Symposium<br />

Münster June/Juni 1999<br />

Bd. 6, 2002, 224 S., 25,90 €, br., ISBN 3-8258-4311-4<br />

Ulrike Ernst �<br />

From Anti-Apartheid to African Renaissance<br />

Interviews with South African Writers and Critics on Cultural<br />

Politics Beyond the Cultural Struggle<br />

The focus of this collection is the cultural and literary policy of the<br />

tripartite alliance (ANC, SACP, COSATU) after its denouncement of<br />

‘culture as a weapon’. Three shifts are noted between 1990 – 2000:<br />

the end of apartheid, the alliance’s accession to power, and the change<br />

of presidency from Nelson Mandela to Thabo Mbeki, including the<br />

adoption of a neo-liberal macro-economic policy.<br />

The investigation stresses the importance of the role of writers and<br />

intellectuals in political and societal transformation processes that have<br />

a tendency to destroy the agency that initially set them in motion.<br />

Startling revelations are being made, which highlight the emptiness<br />

of much Rainbow Nation sloganeering.<br />

Bd. 7, 2002, 208 S., 20,90 €, br., ISBN 3-8258-5804-9<br />

Andreas Lienkamp; Wolfgang Werth;<br />

Christian Berkemeier (Hg.) �<br />

“As strange as the world”<br />

Annäherungen an das Werk des Erzählers <strong>und</strong> Filmemachers<br />

Paul Auster<br />

Paul Auster ist nicht nur einer der populärsten, sondern auch der interessantesten<br />

Autoren der amerikanischen Gegenwartsliteratur. Seine Bücher<br />

<strong>und</strong> Filme sind der gelungene Beweis, dass man auch im Zeitalter<br />

der Postmoderne spannend, unterhaltsam <strong>und</strong> dabei doch literarisch anspruchsvoll<br />

erzählen kann.<br />

Ohne Scheuklappen verbindet Auster Leichtigkeit <strong>und</strong> Tiefgang, eingängiges<br />

Fabulieren <strong>und</strong> erzähltechnische Finesse. Seine Romane <strong>und</strong><br />

Kurzgeschichten lassen sich als packende Detektivgeschichten, aber<br />

auch als metaphysische Spekulationen über Zufall, Schein <strong>und</strong> Identität<br />

lesen.<br />

Keineswegs erschöpfend angelegt, mag dieser Band Anregungen für die<br />

Auseinandersetzung mit dem Werk eines zeitgenössischen Erzählers <strong>und</strong><br />

Filmemachers bieten.<br />

Bd. 8, 2002, 170 S., 20,90 €, br., ISBN 3-8258-6046-9<br />

Christa Jansohn (Hg.) �<br />

„Ein Drama nicht von Shakespeare“<br />

Dokumentationsband zur Teilung der deutschen Shakespeare-<br />

Gesellschaft<br />

Bd. 9, Frühj. <strong>2003</strong>, ca. 304 S., ca. 30,90 €, gb., ISBN 3-8258-6094-9<br />

Victor Grove �<br />

Hamlet<br />

Das Drama des modernen Menschen<br />

Bd. 10, Frühj. <strong>2003</strong>, ca. 248 S., ca. 30,90 €, br., ISBN 3-8258-6224-0<br />

Hans Werner Breunig �<br />

Verstand <strong>und</strong> Einbildungskraft in der englischen<br />

Romantik<br />

S. T. Coleridge als Kulminationspunkt seiner Zeit<br />

Bd. 11, Frühj. <strong>2003</strong>, ca. 352 S., ca. 25,90 €, br., ISBN 3-8258-6244-5<br />

Birgit Lahaye �<br />

Pirating History<br />

Die Darstellung des haitianischen Unabhängigkeitskampfes in<br />

der Erzählliteratur<br />

Bd. 12, Frühj. <strong>2003</strong>, ca. 304 S., ca. 29,90 €, br., ISBN 3-8258-6718-8<br />

Radhouan Ben Amara �<br />

The Fragmentation of the Proper Name and The Crisis<br />

of Degree<br />

Deconstructing King Lear<br />

Bd. 13, Frühj. <strong>2003</strong>, ca. 160 S., ca. 20,90 €, br., ISBN 3-8258-6736-6<br />

Ana María Manzanas; Jesús Benito �<br />

Intercultural Mediations<br />

Hybridity and Mimesis in American Literatures<br />

Bd. 14, Frühj. <strong>2003</strong>, ca. 288 S., ca. 25,90 €, br., ISBN 3-8258-6738-2<br />

Tamara Hahn �<br />

It’s all a Question of Masks<br />

Selbstinszenierung <strong>und</strong> Modernität bei Noel Coward<br />

Bd. 15, Frühj. <strong>2003</strong>, ca. 176 S., ca. 25,90 €, br., ISBN 3-8258-6750-1

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