Sprachen und Literaturen 2003 - LIT Verlag
Sprachen und Literaturen 2003 - LIT Verlag
Sprachen und Literaturen 2003 - LIT Verlag
Erfolgreiche ePaper selbst erstellen
Machen Sie aus Ihren PDF Publikationen ein blätterbares Flipbook mit unserer einzigartigen Google optimierten e-Paper Software.
FORECAAST<br />
(Forum for European Contributions<br />
to African American Studies)<br />
edited by Maria Diedrich, Alessandro Portelli and Justine Tally<br />
Maria Diedrich; Carl Pedersen; Justine Tally (eds.)<br />
Mapping African America<br />
History, Narrative Formation, and the Production of Knowledge<br />
Bd. 1, 1999, 256 S., 30,90 €, br., ISBN 3-8258-3328-3<br />
Stefanie Sievers<br />
Liberating Narratives<br />
The Authorization of Black Female Voices in African American<br />
Women Writers’ Novels of Slavery<br />
Bd. 2, 1999, 232 S., 25,90 €, br., ISBN 3-8258-3919-2<br />
Justine Tally<br />
Paradise Reconsidered<br />
Toni Morrison’s (Hi)stories and Truths<br />
Bd. 3, 1999, 112 S., 17,90 €, br., ISBN 3-8258-4204-5<br />
Dorothea Fischer-Hornung; Alison D. Goeller (eds.)<br />
EmBODYing Liberation<br />
The Black Body in American Dance<br />
A collection of essays concerning the black body in American dance,<br />
EmBODYing Liberation serves as an important contribution to the<br />
growing field of scholarship in African American dance, in particular<br />
the strategies used by individual artists to contest and liberate racialized<br />
stagings of the black body. The collection features special essays<br />
by Thomas DeFrantz and Brenda Dixon Gottschild, as well as an<br />
interview with Isaac Julien.<br />
Bd. 4, 2001, 152 S., 20,90 €, br., ISBN 3-8258-4473-0<br />
Patrick B. Miller; Therese Frey Steffen; Elisabeth Schäfer-<br />
Wünsche (eds.)<br />
The Civil Rights Movement Revisited<br />
Critical Perspectives on the Struggle for Racial Equality in the<br />
United States<br />
The crusade for civil rights was a defining episode of 20th century<br />
U.S. history, reshaping the constitutional, political, social, and economic<br />
life of the nation. This collection of original essays by both European<br />
and American scholars includes close analyses of literature and film,<br />
historical studies of significant themes and events from the turn-of-the<br />
century to the movement years, and assessments of the movement’s<br />
legacies. Ultimately, the articles help examine the ways civil rights<br />
activism, often gro<strong>und</strong>ed in the political work of women, has shaped<br />
American consciousness and culture until the outset of the 21st<br />
century.<br />
Bd. 5, 2001, 224 S., 24,90 €, br., ISBN 3-8258-4486-2<br />
Fritz Gysin; Christopher Mulvey (Eds.)<br />
Black Liberation in the Americas<br />
Bd. 6, 2001, 280 S., 24,90 €, br., ISBN 3-8258-5137-0<br />
Justine Tally<br />
The Story of Jazz<br />
Toni Morrison’s Dialogic Imagination<br />
Ever since its publication in 1992, Jazz, probably Toni Morrison’s most<br />
difficult novel to date, has elicited a wide array of critical response.<br />
Many of these analyses, while both thoughtful and thought-provoking,<br />
have provided only partial or inherently inconclusive interpretations.<br />
The title, and certain of the author’s own pronouncements, have led<br />
other critics to focus on the music itself, both as medium and aesthetic<br />
support for the narration.<br />
Bd. 7, 2001, 168 S., 20,90 €, br., ISBN 3-8258-5364-0<br />
Mar Gallego �<br />
Passing Novels in the Harlem Renaissance<br />
Identity Politics and Textual Strategies<br />
Passing Novels in the Harlem Renaissance offers an insightful study of<br />
the significance of passing novels for the literary and intellectual debate<br />
of the Harlem Renaissance. Mar Gallego effectively uncovers the<br />
presence of a subversive component in five of these novels (by James<br />
Weldon Johnson, George Schuyler, Nella Larsen, and Jessie Fauset),<br />
turning them into useful tools to explore the passing phenomenon in all<br />
its richness and complexity. Her compelling study intends to contribute<br />
to the ongoing revision of the parameters conventionally employed<br />
to analyze passing novels by drawing attention to a great variety of<br />
textual strategies such as double consciousness, parody, and multiple<br />
generic covers. Examining the hybrid nature of these texts, Gallego<br />
skillfully highlights their radical critique of the status quo and their<br />
celebration of a distinct African American identity.<br />
“Passing Novels in the Harlem Renaissance is an impressive work of<br />
scholarship and interpretation. It is well researched and stimulating to<br />
read.” Hanna Wallinger, University of Salzburg<br />
“Mar Gallego draws our renewed attention to the uses and subversions<br />
of the trope of passing that have characterized the African American<br />
novelistic tradition also in the twentieth century.” Giulia Fabi,<br />
University of Ferrara<br />
“Mar Gallego’s thorough scholarship now provides us with a new, indepth<br />
and refreshing reading of texts we thought we already knew<br />
something about. A provocative text and a welcome addition to the<br />
field!” Justine Tally, University of La Laguna<br />
Bd. 8, Frühj. <strong>2003</strong>, ca. 224 S., ca. 24,90 €, br., ISBN 3-8258-5842-1<br />
Paola Boi; Sabine Broeck (Eds.) �<br />
CrossRoutes – The Meanings of “Race” for the 21st<br />
Century<br />
This collection reflects the still urgent project of historical recuperation,<br />
as well as an examination of literary representations and other cultural<br />
manifestations of the Black Diaspora. Disciplinary work within the<br />
bo<strong>und</strong>aries of African American Studies has been enhanced by more<br />
general considerations of the history of raceänd racism in globalized<br />
contexts. The articles assembled here reflect recent empirical research<br />
as well as challenging theoretical considerations. Contributions address<br />
particular formations of racialized modernity owed to the impact of the<br />
Atlantic slave trade and slavery, and thus broaden the approach to the<br />
Middle Passage, to improve our <strong>und</strong>erstanding of it as a constitutive<br />
transatlantic phenomenon in the widest possible sense.<br />
Bd. 9, Frühj. <strong>2003</strong>, ca. 272 S., ca. 25,90 €, br., ISBN 3-8258-6651-3<br />
Anglistik/Amerikanistik<br />
Sylvia Mayer (ed.) �<br />
Restoring the Connection to the Natural World<br />
Essays on the African American Environmental Imagination<br />
Since its emergence in the second half of the nineteenth century<br />
American environmentalism had predominantly been a white, middleclass<br />
pursuit, preoccupied with notions of wilderness and wildlife<br />
preservation. Only fairly recently, with the advent of the environmental<br />
justice movement in the 1980s, has American environmentalism<br />
broadened its definition of “environment” to include the concerns<br />
relevant to a community’s way of living. Especially the concerns<br />
of poor urban communities of color, which have been exposed to<br />
environmental hazards disproportionately, have entered the political<br />
agenda. This volume - one of the first collections of ecocritical essays<br />
devoted exclusively to African American texts - shows that African<br />
Americans have contributed to the efforts of the environmental justice<br />
movement not only as political activists, but also as writers. The<br />
essays range from studies of nineteenth- century slave narratives to<br />
twentieth-century texts by Zora Neale Hurston, Claude McKay, Richard<br />
Wright, Charles Johnson, Toni Cade Bambara, Audre Lorde, and<br />
Octavia Butler. Employing a variety of theoretical and methodological<br />
premises, they provide insight into the texts’ various conceptualizations<br />
of “nature,” “culture,” and “humanness” and their implications for<br />
environmental ethics.<br />
Bd. 10, Frühj. <strong>2003</strong>, ca. 208 S., ca. 20,90 €, br., ISBN 3-8258-6732-3<br />
Kimberley Phillips; Hermine Pinson; Hanna Wallinger (eds.) �<br />
Liberation, Identity, and Resistance<br />
The contributions to “Critical Voices of Black Liberation in the<br />
Americas” originated from the 1999 CAAR Conference in Münster<br />
and from conferences held in the US in 2000 and 2001. More than half<br />
of the eleven essays consider black performances on stage, in so<strong>und</strong>,<br />
and on film; the remaining essays explore slavery, African American<br />
literature, and nineteenth-century black educators. These exciting<br />
essays creatively examine artistic and/or political articulation of black<br />
liberation as the construction of a new critical and signifyin(g) voice.<br />
This liberated and critical voice asserts itself as much as a communal<br />
expression of black subjectivities as it is an articulation of the black<br />
self.<br />
Bd. 11, Frühj. <strong>2003</strong>, ca. 208 S., ca. 20,90 €, br., ISBN 3-8258-6739-0<br />
Contributions to Asian American Literary<br />
Studies<br />
edited by Rocío G. Davis (University of Navarre)<br />
and Sämi Ludwig (University of Bern)<br />
Rocío G. Davis; Sämi Ludwig (Eds.) �<br />
Asian American Literature in the International Context<br />
Readings on Fiction, Poetry, and Performance<br />
In their different and yet complementary perspectives, all of the essays<br />
in Asian American Literature in the International Context: Readings<br />
on Fiction, Poetry, and Performance reiterate the universal lesson of<br />
pluralism. They are divided into sections that deal with biraciality<br />
and biculturality, interethnic negotiations, poetic creations, narrative<br />
experiments, and (re)constructing self. The wide variety of approaches<br />
reflects the contributors’ training in different cultures and across<br />
cultures. It showcases refreshing new perspectives in reading that<br />
combine the views of literary scholars from three different continents.<br />
This collection creates a space for discussion and commentary, of<br />
heightened appreciation and increased creativity, a forum that turns<br />
the discipline of Asian American Studies into a truly intercultural<br />
debate.<br />
Bd. 1, 2002, 272 S., 25,90 €, br., ISBN 3-8258-5710-7<br />
–8–<br />
Anglistik / Amerikanistik<br />
Jörg Rademacher<br />
James Joyce’s Other Image<br />
Essays in Joyce Criticism<br />
Bd. 2, 1996, 144 S., 20,90 €, br., ISBN 3-8258-2079-3<br />
Wolfgang Munzinger<br />
Das Automobil als heimliche Romanfigur<br />
Das Bild des Autos <strong>und</strong> der Technik in der nordamerikanischen<br />
Literatur von der Jahrh<strong>und</strong>ertwende bis nach dem 2. Weltkrieg<br />
Bd. 3, 1997, 224 S., 24,90 €, br, ISBN 3-8258-2741-0<br />
Jost Hindersmann<br />
MLAIB <strong>und</strong> ABELL<br />
Periodische Fachbibliographien, CD-ROM- <strong>und</strong> Online-<br />
Datenbanken zur Anglistik<br />
Bd. 4, 1997, 96 S., 10,90 €, br., ISBN 3-8258-3358-5<br />
Holger Boden<br />
TwoWorldWarsandOneWorldCup–Krieg,Sport<br />
<strong>und</strong> englischer Humor<br />
Bd. 5, 1998, 112 S., 15,90 €, br., ISBN 3-8258-3851-x<br />
Jörg Rademacher (Hrsg./Ed.) �<br />
Modernism and the Individual Talent/Moderne <strong>und</strong><br />
besondere Begabung<br />
Re-Canonizing Ford Madox Ford (Hueffer)/Zur Re-<br />
Kanonisierung von Ford Madox Ford (Hüffer). Symposium<br />
Münster June/Juni 1999<br />
Bd. 6, 2002, 224 S., 25,90 €, br., ISBN 3-8258-4311-4<br />
Ulrike Ernst �<br />
From Anti-Apartheid to African Renaissance<br />
Interviews with South African Writers and Critics on Cultural<br />
Politics Beyond the Cultural Struggle<br />
The focus of this collection is the cultural and literary policy of the<br />
tripartite alliance (ANC, SACP, COSATU) after its denouncement of<br />
‘culture as a weapon’. Three shifts are noted between 1990 – 2000:<br />
the end of apartheid, the alliance’s accession to power, and the change<br />
of presidency from Nelson Mandela to Thabo Mbeki, including the<br />
adoption of a neo-liberal macro-economic policy.<br />
The investigation stresses the importance of the role of writers and<br />
intellectuals in political and societal transformation processes that have<br />
a tendency to destroy the agency that initially set them in motion.<br />
Startling revelations are being made, which highlight the emptiness<br />
of much Rainbow Nation sloganeering.<br />
Bd. 7, 2002, 208 S., 20,90 €, br., ISBN 3-8258-5804-9<br />
Andreas Lienkamp; Wolfgang Werth;<br />
Christian Berkemeier (Hg.) �<br />
“As strange as the world”<br />
Annäherungen an das Werk des Erzählers <strong>und</strong> Filmemachers<br />
Paul Auster<br />
Paul Auster ist nicht nur einer der populärsten, sondern auch der interessantesten<br />
Autoren der amerikanischen Gegenwartsliteratur. Seine Bücher<br />
<strong>und</strong> Filme sind der gelungene Beweis, dass man auch im Zeitalter<br />
der Postmoderne spannend, unterhaltsam <strong>und</strong> dabei doch literarisch anspruchsvoll<br />
erzählen kann.<br />
Ohne Scheuklappen verbindet Auster Leichtigkeit <strong>und</strong> Tiefgang, eingängiges<br />
Fabulieren <strong>und</strong> erzähltechnische Finesse. Seine Romane <strong>und</strong><br />
Kurzgeschichten lassen sich als packende Detektivgeschichten, aber<br />
auch als metaphysische Spekulationen über Zufall, Schein <strong>und</strong> Identität<br />
lesen.<br />
Keineswegs erschöpfend angelegt, mag dieser Band Anregungen für die<br />
Auseinandersetzung mit dem Werk eines zeitgenössischen Erzählers <strong>und</strong><br />
Filmemachers bieten.<br />
Bd. 8, 2002, 170 S., 20,90 €, br., ISBN 3-8258-6046-9<br />
Christa Jansohn (Hg.) �<br />
„Ein Drama nicht von Shakespeare“<br />
Dokumentationsband zur Teilung der deutschen Shakespeare-<br />
Gesellschaft<br />
Bd. 9, Frühj. <strong>2003</strong>, ca. 304 S., ca. 30,90 €, gb., ISBN 3-8258-6094-9<br />
Victor Grove �<br />
Hamlet<br />
Das Drama des modernen Menschen<br />
Bd. 10, Frühj. <strong>2003</strong>, ca. 248 S., ca. 30,90 €, br., ISBN 3-8258-6224-0<br />
Hans Werner Breunig �<br />
Verstand <strong>und</strong> Einbildungskraft in der englischen<br />
Romantik<br />
S. T. Coleridge als Kulminationspunkt seiner Zeit<br />
Bd. 11, Frühj. <strong>2003</strong>, ca. 352 S., ca. 25,90 €, br., ISBN 3-8258-6244-5<br />
Birgit Lahaye �<br />
Pirating History<br />
Die Darstellung des haitianischen Unabhängigkeitskampfes in<br />
der Erzählliteratur<br />
Bd. 12, Frühj. <strong>2003</strong>, ca. 304 S., ca. 29,90 €, br., ISBN 3-8258-6718-8<br />
Radhouan Ben Amara �<br />
The Fragmentation of the Proper Name and The Crisis<br />
of Degree<br />
Deconstructing King Lear<br />
Bd. 13, Frühj. <strong>2003</strong>, ca. 160 S., ca. 20,90 €, br., ISBN 3-8258-6736-6<br />
Ana María Manzanas; Jesús Benito �<br />
Intercultural Mediations<br />
Hybridity and Mimesis in American Literatures<br />
Bd. 14, Frühj. <strong>2003</strong>, ca. 288 S., ca. 25,90 €, br., ISBN 3-8258-6738-2<br />
Tamara Hahn �<br />
It’s all a Question of Masks<br />
Selbstinszenierung <strong>und</strong> Modernität bei Noel Coward<br />
Bd. 15, Frühj. <strong>2003</strong>, ca. 176 S., ca. 25,90 €, br., ISBN 3-8258-6750-1