Exploring Illustration - Delmar Learning
Exploring Illustration - Delmar Learning
Exploring Illustration - Delmar Learning
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
fle26210_fm.qxd 9/30/03 2:37 PM Page VII<br />
preface<br />
INTENDED AUDIENCE<br />
If you were stuck on a desert island (with your client just on the other side of the sand<br />
dune, waiting for that job), what are the brushes you hope made it off the wreck of the<br />
good ship Winslow Homer?<br />
Of course, we’re simply trying to make a point. But reading this book just might throw you<br />
a lifeline to the answer. <strong>Exploring</strong> <strong>Illustration</strong> is designed to immerse the reader in both<br />
the theory and practice of illustration—a heady mix of promise and challenge.<br />
That mix involves process and product, metaphor and mechanics, not to mention analog<br />
directions and digital trends. Intended for a college illustration program, <strong>Exploring</strong> <strong>Illustration</strong><br />
was actually written for all students of illustration, regardless of where they are<br />
on the learning curve or professional ladder.<br />
BACKGROUND OF THIS TEXT<br />
<strong>Exploring</strong> <strong>Illustration</strong> was written to address a variety of concerns. If you survey the field,<br />
it becomes apparent that illustration teachers are looking for a “good illustration book.”<br />
Students often ask for a resource text to supplement their illustration endeavors. But<br />
many teachers—myself included—have yet to find a book that works for them, in their<br />
classroom. There are books we suggest, but without a full endorsement.<br />
If you are devoted to education, and you teach illustration, you are—more than likely—<br />
an active and proactive teacher. If you love to paint and draw, and are a freelance illustrator,<br />
it’s a safe bet you are passionate about the art and occupation of illustration.<br />
After years of juggling the classroom and the field, you probably have some things to say<br />
about illustration, and much to articulate about being (or becoming) an illustrator.<br />
This is your kind of book!<br />
<strong>Exploring</strong> <strong>Illustration</strong> responds to student needs, present market concerns, and emerging visual<br />
objectives. This is accomplished by examining influences and connections, current thinking<br />
and modern method, as well as historical and available tools. We do this by exploring a<br />
cornucopia of techniques with a broad range of viewpoints (and a variety of personalities).<br />
# 41921 Cust: <strong>Delmar</strong> Au: Fleishman Pg No VII K<br />
PREFACE<br />
VII