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Pacific Palace

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01 02<br />

01<br />

the living room and dining room<br />

mingle together with the breathtaking<br />

view of the waterfront, which can be<br />

seen from the expansive windows on<br />

the first floor.<br />

02<br />

the steps of the entryway are lit with<br />

a soft glow casting down from the<br />

protective canopy roof.<br />

03<br />

the master bathroom window looks<br />

out onto the Olympic peninsula, and<br />

a pair of illuminated mirrors and<br />

medicine cabinets open behind flush<br />

birch panels.<br />

Now they are home by 6 p.m. every night and<br />

are able to spend time with their children. “Life<br />

is pretty terrific,” says Brachvogel. “It is a different<br />

lifestyle that adds new facets to how we approach<br />

projects.”<br />

The company styles its work to accommodate<br />

how the client wants to live and thrives on a<br />

measure of completeness in its concepts. “It is<br />

more than a front and a back held together with<br />

sides,” says Brachvogel. “We are practicing in the<br />

Northwest so we do take on a certain aesthetic,<br />

but we aren’t style or fad-driven.”<br />

The Olympic View House on Bainbridge Island<br />

personifies the notion of unique design inspired<br />

by lifestyle. The owners are empty nesters living<br />

the dream of early retirement. “They wanted<br />

something fresh and modern and not stoically<br />

trying to be hip,” says Brachvogel.<br />

03<br />

Inspired by Darryl Fish, an industrial designer<br />

on the eastern seaboard who “understands the<br />

evolution of materials,” Brachvogel used wood<br />

for its classic beauty and for the opportunity to<br />

explore how to accommodate the harsh, oceanside<br />

environment.<br />

Generous overhangs protect the exterior, but<br />

the trick was keeping the slope of the roof down<br />

so as to avoid creating a huge ground shadow.<br />

The house is designed around light penetration<br />

because the island is starved for light for much<br />

of the year.<br />

A framework of battered bases on each corner of<br />

the building forms the strength of the structure.<br />

From the water, the result is a series of negative<br />

and positive—a membrane of glass, a massing,<br />

back to glass—that provide recessions for doors<br />

and generous outdoor areas.<br />

aRchitects<br />

Inside, the main floor is all living space, including<br />

a master bedroom and a great room for entertaining<br />

and relaxing with an easy flow to the<br />

waterfront terrace. Upstairs the glass-enclosed<br />

media room is directly over the living room and<br />

a shallow-hipped roof stretches out over the<br />

windows. The tops of the battered bases are positioned<br />

to end two feet short of the roof plane,<br />

which appears then to float on the glass, leaving<br />

room for light to escape onto the street at night.<br />

“Twenty years from now the house will still be<br />

classically balanced,” says Brachvogel. “At the<br />

firm we are about understanding the difference<br />

between this not being about us and being solely<br />

focused on the art of architecture.”<br />

“At the end of the day it is about making sure the<br />

buildings stay up, respond to everything and are<br />

beautiful.”<br />

SPrING 2012 luxury home quarterly<br />

143

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