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Film & Digital Times Issues 36-38 - Imago

Film & Digital Times Issues 36-38 - Imago

Film & Digital Times Issues 36-38 - Imago

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Sensor Sensibility<br />

“Check the Gate.”<br />

Even after endless takes of the same scene, in which a director<br />

numbingly has actors repeat the same lines, the AD’s exhortation<br />

to move on is not “Check the script.”<br />

The AD asks the AC to remove the lens, peer inside the film camera<br />

cavity, and declare that all is well. Or not. If there’s a speck of dust<br />

anywhere in the picture area, the dreaded words ring out, “Hair<br />

in the gate,” and with a groan, the scene is usually repeated again.<br />

<strong>Digital</strong> cameras aren’t much different. You should check the gate<br />

as carefully and as often. Sometimes you can see smudges or<br />

specks on a good monitor. But not always. Therefore, whenever<br />

you change lenses, be careful about dirt or dust flying into the lens<br />

cavity. Watch out on windy days. Check the sensor the way you<br />

checked the gate on film cameras: with a lighted magnifier.<br />

An excellent magnifier is included in the LensPen SensorKlear<br />

Loupe Kit. It focuses, the light is LED, and there’s an opening on<br />

the side with access to clean the sensor. (www.lenspen.com)<br />

<strong>Digital</strong> sensors are protected by an expensive, coated cover<br />

glass and low-pass filter pack. This is what we’ll be cleaning,<br />

and it should not be the untouchable, forbidden territory we’ve<br />

been warned about. It’s a piece of glass very much like coated<br />

lens elements or mirror shutters we’ve cleaned before. We’re<br />

not touching the individual photosites of the sensor—they are<br />

mercifully protected by this cover glass.<br />

Cleaning the cover glass of sensors is delicate business, and there<br />

lurks great potential for great damage. It’s still best to leave this<br />

to skilled camera technicians. If you’re not comfortable with it,<br />

don’t do it. If the World’s Worst Assistant is working on your job,<br />

keep him away. But, more likely, you’re shooting on the Skeleton<br />

Coast of Namibia. The wind is howling, the salt spray and sand<br />

are flying, and something’s on the sensor from the previous lens<br />

change. You’re 1,100 miles away from Jannie van Wyk at Media<br />

<strong>Film</strong> Services in Cape Town. Are you feeling lucky?<br />

While there are as many opinions on cover glass filter cleaning as<br />

a New York cabbie’s opinions on the best route crosstown, I have<br />

several favorites. Remember, these are personal opinions. Test it<br />

on an inexpensive stand-in sensor first. It goes like this, in steps.<br />

1. Use the illuminated magnifier to determine what kind of<br />

schmutz is on the cover glass. It’s usually either dry or sticky.<br />

2. Peter Meurrens, VP Operations of Parkside Optical (makers<br />

of SensorKlear) says, “About 75% of the time a simple use of<br />

the hand blower solves the problem. It is quick and you do not<br />

actually touch the sensor surface. By holding the camera upside<br />

down, gravity and vortex swirl of the blower in the chamber takes<br />

the dust outside. Anything remaining after use of the blower is, by<br />

definition, stickier dust.”<br />

3. For stickier dust, use a LensPen. LensPens have been the<br />

winners of the Camera Cleaning Olympics held periodically and<br />

unofficially since 2000. They come in many shapes —our favorite<br />

is the new SensorKlear-II. It has a right-angle probe fitted with<br />

a small mushroom-shaped micro-fiber tip that contains carbon<br />

black to “wick” contaminants away from surfaces like lenses and<br />

cover glasses. Meurrens explains, “The function of the LensPen<br />

SensorKlear-II is to make the sticky dust particle stop sticking.<br />

Most of the sticky dust is held in place by static electricity or by<br />

a small bit of moisture caused by humidity. The SensorKlear-II<br />

Cleaning Pad has 3 corners—used for getting into the 90° corner<br />

of the sensor surface. It also has 3 sides; I like to use these edges<br />

to lightly ‘kick’ the sticky dust particle by approaching it from the<br />

side. The dust particle will either stick to the cleaning pad and I<br />

take it out and blow it away, or the dust particle will move, i.e., stop<br />

sticking. I do not use the flat surface of the Cleaning Pad as I do<br />

not want to push the dust particle down onto the sensor surface.”<br />

4. After removing sticky dust with the SensorKlear-II, use the hand<br />

blower to blow dust off the cleaning tip. One SensorKlear-II can last<br />

up to 200 cleanings, but at $24 each, it’s an inexpensive replacement<br />

to begin fresh with each job. What will severely shorten the useful<br />

life of the Cleaning Tip is to clean the messy residue left on the<br />

sensor surface by other products. For that, use Pancro.<br />

5. Pancro Lens Cleaning Fluid has been the perennial runner-up<br />

in the Camera Cleaning Olympics, and a longtime favorite for<br />

lenses, mirror shutters and eyepieces. Use Pancro if the speck on<br />

your sensor is salt spray, a stubborn stain, or gooey residue that<br />

requires a liquid solvent. Use sparingly. You don’t want the fluid<br />

to leak around the cover glass and onto the sensor’s photosites.<br />

(www.pancro.com) Apply Panchro with ITW Texwipe TX762<br />

Swabs. These are lint-free swabs for cleaning microscopes. (www.<br />

texwipe.com and www.soscleanroom.com)<br />

Dec 2010<br />

7

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