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Film & Digital Times Issues 36-38 - Imago

Film & Digital Times Issues 36-38 - Imago

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Steadicam from Tiffen<br />

Ed di Giulio licensed the “Brown Stabilizer” from Garrett Brown in 1974 and they<br />

promptly renamed it “Steadicam.” Two years later, and 200 years after a previous revolution<br />

in America, Garrett stirred things up again with his legendary Steadicam shot in Rocky.<br />

Moving cameras were never the same. In 2000, Tiffen purchased Cinema Products, and<br />

continues to design new generations of Steadicam Camera Stabilizing Systems.<br />

At IBC, we saw a lot of Transvideo Monitors attached to Steadicams. Shortly after, we<br />

learned that Tiffen International Ltd. was appointed official UK distributor for Transvideo<br />

It makes sense. The brightest monitors in bright daylight are Transvideo SuperBrights—<br />

and if you’re operating a Steadicam, it’s good to see what you’re shooting.<br />

(tiffen.com transvideo.fr)<br />

88 Dec 2010<br />

Steadicam Archer².<br />

Camera payloads: 10 -26 lbs (4.5 - 11.8 kg)<br />

32" boom range<br />

Steadicam Tango.<br />

Camera payloads: 6 lb<br />

9 feet continuous<br />

boom range

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