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PORTLAND COMMUNITY COLLEGE THEATRE ARTS PROGRAM ...

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B. Describe current and projected demand and enrollment<br />

pattern. Include discussion of any impact this will have on the<br />

program/discipline.<br />

Our Technical Theatre classes often fill and overload. TA 111-<br />

Fundamentals of Technical Theatre, 112-Introduction to Scenic Design,<br />

113-Introduction to Stage Lighting are always well registered. One<br />

possibility to allow for the growth factor has been to teach a co-listed<br />

course at the 200 level (TA 211, 212, and 213) that incorporates students<br />

who wish to further their skills/training in these particular areas, and who<br />

may support the classroom activities based their experiences. For example<br />

a student wishing to further develop lighting design skills might take the colisted<br />

TA 213 Lighting Design Seminar (aka Lighting Design 2). Of course,<br />

these courses are still to be created, and are likely only if we continue to<br />

see growth in our design area.<br />

Our ideal model of growth would be targeted. Recruiting students from<br />

strong high school programs isn’t formalized, and finding ways to do so<br />

would be worth the time invested, but support would be needed in order to<br />

make the best use of that time.<br />

C. What strategies are used within the program/<br />

discipline to facilitate access and diversity?<br />

In the classroom, we make efforts to maintain materials (scripts, texts,<br />

exercises) that are inclusive, if not adaptable, to students with varying<br />

needs. Our primary strategic tool in theatre production is choosing plays<br />

and producing works that can incorporate diverse populations (be that in<br />

age, race, socio-economic background, religion, ability and gender identity)<br />

is not an easy challenge, but we do make great efforts to have at least one<br />

production per year that has a flexible cast size to accommodate as many<br />

interested actors and technicians as possible.<br />

We have had disabled students, and have utilized the resources available<br />

to support the students. We have also written parts for disabled students<br />

when the dramatic cannon has not always called for specifics.

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