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PORTLAND COMMUNITY COLLEGE THEATRE ARTS PROGRAM ...

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program efforts on three different campuses. This has been the case since<br />

the college created a theatre program. We are at a juncture where the<br />

campuses are now individuating, and offering students many possibilities<br />

that were not offered before. This offers great possibilities, but also creates<br />

a new need for more structured logistics and more faculty and staff to<br />

support the growth, infrastructures and needs.<br />

Preamble:<br />

The PCC Theatre program has been Sylvania-centered since it’s inception<br />

in the early 1980’s. The SAC Chair/Artistic Director has been teaching<br />

and producing main-stage plays at Sylvania, and has been the sole FT<br />

Theatre SAC faculty member for the past 30 years. The position duties<br />

require producing three annual productions (one per quarter, excluding<br />

summer) at the Sylvania campus. Since the building of the Performing Arts<br />

Center in 1994, the Sylvania campus program has (out of both opportunity<br />

and necessity) deepened the relationship between courses and handson<br />

production. This model of courses/production is an overwhelmingly<br />

common one in Theatre programs at the college level internationally. One<br />

other reason has been the collaboration between Academic Professional<br />

& PT Scenic and Lighting Designer Dan Hays. His evolved role of PAC<br />

Coordinator, PT instructor, PT designer and building scheduler has been at<br />

the fulcrum of the Theatre program’s evolution as both a producing entity<br />

and LD course offerings. As the program has evolved on the Sylvania<br />

campus, it is also true that Rock Creek and Cascade are evolving into<br />

unique producing entities as well.<br />

Herein lies PCC Theatre Program’s challenge: As a multi-campus<br />

institution, the resources available for theatre production vary widely<br />

from campus to campus. However, in order to maintain consistency<br />

of instruction, the curriculum has had to embrace the methods that are<br />

effective on both producing and non-producing theatre campuses. In<br />

order to create a relatively consistent model of quality instruction, we<br />

are now challenged to look at ourselves simultaneously as one program<br />

with varying missions and resources, and therefore potentially variable<br />

curriculum. As Rock Creek and Cascade are now beginning to produce

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