PORTLAND COMMUNITY COLLEGE THEATRE ARTS PROGRAM ...
PORTLAND COMMUNITY COLLEGE THEATRE ARTS PROGRAM ...
PORTLAND COMMUNITY COLLEGE THEATRE ARTS PROGRAM ...
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program efforts on three different campuses. This has been the case since<br />
the college created a theatre program. We are at a juncture where the<br />
campuses are now individuating, and offering students many possibilities<br />
that were not offered before. This offers great possibilities, but also creates<br />
a new need for more structured logistics and more faculty and staff to<br />
support the growth, infrastructures and needs.<br />
Preamble:<br />
The PCC Theatre program has been Sylvania-centered since it’s inception<br />
in the early 1980’s. The SAC Chair/Artistic Director has been teaching<br />
and producing main-stage plays at Sylvania, and has been the sole FT<br />
Theatre SAC faculty member for the past 30 years. The position duties<br />
require producing three annual productions (one per quarter, excluding<br />
summer) at the Sylvania campus. Since the building of the Performing Arts<br />
Center in 1994, the Sylvania campus program has (out of both opportunity<br />
and necessity) deepened the relationship between courses and handson<br />
production. This model of courses/production is an overwhelmingly<br />
common one in Theatre programs at the college level internationally. One<br />
other reason has been the collaboration between Academic Professional<br />
& PT Scenic and Lighting Designer Dan Hays. His evolved role of PAC<br />
Coordinator, PT instructor, PT designer and building scheduler has been at<br />
the fulcrum of the Theatre program’s evolution as both a producing entity<br />
and LD course offerings. As the program has evolved on the Sylvania<br />
campus, it is also true that Rock Creek and Cascade are evolving into<br />
unique producing entities as well.<br />
Herein lies PCC Theatre Program’s challenge: As a multi-campus<br />
institution, the resources available for theatre production vary widely<br />
from campus to campus. However, in order to maintain consistency<br />
of instruction, the curriculum has had to embrace the methods that are<br />
effective on both producing and non-producing theatre campuses. In<br />
order to create a relatively consistent model of quality instruction, we<br />
are now challenged to look at ourselves simultaneously as one program<br />
with varying missions and resources, and therefore potentially variable<br />
curriculum. As Rock Creek and Cascade are now beginning to produce