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PORTLAND COMMUNITY COLLEGE THEATRE ARTS PROGRAM ...

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and the installation and maintenance of the lighting, and rentals at that time<br />

there were a much smaller number of rentals per year.<br />

The position has evolved over the years as the program needs and PAC<br />

rentals needs have changed. For example, several ballet companies have<br />

been regular clients of the PAC for 10 years plus.<br />

In 2006, Frances Marsh started work at the PAC as Rental and Technical<br />

Coordinator and PT faculty member in technical theatre.<br />

In this combined role she has brought together curriculum, the PAC labor<br />

needs and the TA technical theatre skill necessary to create a fluid TA<br />

program/PAC labor force linkage for students and alumnae of varying<br />

levels. To achieve this, she created a Stagecraft course (TA 116) that<br />

transfers to PSU and SOU and provides a base of safety and construction<br />

skills that students can utilize in our scene shop and far beyond. She also<br />

manages up to 35 casual labor employees (mostly current and former TA<br />

students) on the PAC rental crew. This allows PCC Theater Arts students<br />

to graduate from our non-degree bearing TA program with both practical<br />

and professional experience on their resumes, as the rentals that come<br />

through the PAC facility are often professional level productions.<br />

In order to bring consistency to the ever changing labor force (students<br />

and alumnae by their nature are not with us for long periods of time), she<br />

created rental crew training protocols as well as a policies and procedures<br />

manual. With the help of the PCC web team Frances has also created a<br />

PAC rental website, thus increasing PCC’s local and national exposure<br />

while deferring some of the labor needed to address the heavy traffic of<br />

telephone inquiries.<br />

She has also worked with the safety and risk department to create a fire<br />

evacuation procedure for the PAC and to train employees in important<br />

safety protocols. She has set standards for her event supervisors to have<br />

OSHA Rigging, and Ladder training as well as CPR and First Aid. In lieu<br />

of the unlikely creation of a CTE program in Technical Theatre, she has<br />

initiated and fostered a relationship with the local professional stagehands

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