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MUsiC<br />
By Ally Embleton<br />
Have you ever made a mixtape? Like, a<br />
real one? Maybe you sat eagerly by<br />
the stereo, waiting for <strong>your</strong> song to<br />
play, winding the take-up reel on the cassette<br />
by hand so you could get that perfect transition<br />
timing. Or sat in a locked bedroom with <strong>your</strong><br />
friends playing a “borrowed” tape/CD from a<br />
sibling on one recorder (eyes watering with<br />
the effort required to resist making fart noises)<br />
as you recorded <strong>your</strong> favourite tracks to share<br />
on a<strong>not</strong>her? Maybe someone made you one?<br />
Could you have compiled an eight-track pack<br />
of <strong>your</strong> favorite lusty songs for a secret crush?<br />
Even if these activities didn't occur during <strong>your</strong><br />
childhood, you could hardly have lived through<br />
the ’90s/00s without encountering the NOW!<br />
Mixes, movie soundtracks, or more recently, the<br />
42<br />
MIXeD MessAges<br />
compilation albums sent out by record labels<br />
featuring mixes from all the bands they're promoting.<br />
There's even a pretty decent website<br />
called 8track where anyone can upload their<br />
mixes. Mixtapes (albeit in various forms) are<br />
all around you. You can't avoid them, so get<br />
amongst it.<br />
Don't be frightened. There seems to be a lot<br />
of snobbery surrounding mixtapes. I find this a<br />
little curious given that they're usually made<br />
for a very small audience, so opportunities for<br />
judgment will be pretty limited. Surely you can<br />
make a tape of whatever YOU want, right? Not<br />
everyone enjoys seeking out obscure bands or<br />
spending hours getting the transition between<br />
songs just right (I do, but I also like fashioning<br />
small armies of critters out of discarded breadbag<br />
ties, so what the hell do I know?).<br />
I grew up with mixtapes. A friend of my<br />
Music editor | Isaac McFarlane | music@critic.co.nz<br />
dad's routinely sent him hilarious compilations<br />
on cassettes. They were always pretty botched<br />
jobs: the songs would cut out 20 seconds early,<br />
or there would be inexplicable interludes of<br />
random songs in the middle of others, or he<br />
would mumble to himself in the middle of the<br />
recordings. BUT they were always incredible<br />
mixes. Aside from the entertainment factor,<br />
exposure to the art of mixtaping from a young<br />
age instilled in me a life-long love for the craft,<br />
and with that devotion came a little knowledge.<br />
<strong>I'm</strong> certainly no authority, but I like to think that<br />
there are a few rules one should consider:<br />
Don't be put off including tracks because the<br />
band/song has a stupid name. In fact, you could<br />
gift a mixtape sans track listings. Try withholding<br />
the names until after the first listen in order<br />
to shield <strong>your</strong> recipient from the unavoidable<br />
human reflex of judgment.<br />
Try <strong>not</strong> to make the tape too long. Traditionally cassettes had room<br />
for eight tracks, so that's always a good starting point.<br />
Don't just throw it together like some kind of audio Rorschach test –<br />
that’s plain bad manners. Think about it a little. Nobody wants to listen to<br />
the theme from Star Wars right after T-Pain's “Church”... that's just stressful!<br />
However, don't fall into the trap of playing lots of songs that sound<br />
the same either. Everyone loves a theme, but you've got to keep things<br />
interesting.<br />
You can find ways to make the tape more interactive. I once made a<br />
compilation for someone's 21st birthday, and wrote a story incorporating<br />
all the song titles (I wouldn't recommend that too highly though, it took<br />
FOREVER). Or you can line up tracks to play as you follow a recipe – a<br />
mixtape cake, if you will. “Cream butter and sugar for as long as it takes<br />
John Lennon to Twist and Shout” – you get the idea.<br />
But sometimes the best way is to be a maverick and do whatever<br />
the hell you want. <strong>I'm</strong> sure someone will want to listen to <strong>your</strong> two-hour<br />
compilation of Alvin and the Chipmunks singing Muddy Waters covers.<br />
So, here is my mixtape for you today. It's compiled of songs that came<br />
to mind (God knows why) as I listened to the one before. My starting point<br />
was Dead and Lovely – Tom Waits:<br />
1.Winter – The Dodos, 2. Steak Knives – Man Man, 3. Riot Rhythm –<br />
Sleigh Bells, 4. Are You Pretty Enough – The Murderchord, 5. There There<br />
– Radiohead, 6. See America Right – The Mountain Goats, 7. Gamma Ray<br />
– Beck, 8. There Are Birds – The Ruby Suns. Check it out.<br />
So go on, make a tape. Send one to whoever has had some kind of<br />
musical influence on <strong>your</strong> life. Slip one under <strong>your</strong> flatmate's door, drop<br />
it in a stranger’s mailbox, whatever. Just make one – because it's fun.