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Ad Quadratum Construction and Study of the Regular Polyhedra

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157<br />

The Millennium Sphere <strong>and</strong> <strong>the</strong> Liberal Arts Curriculum:<br />

The early Pythagoreans were reputedly <strong>the</strong> first to link arithmetic, geometry, music <strong>and</strong><br />

astronomy toge<strong>the</strong>r, <strong>and</strong> to organize <strong>the</strong>ir teaching into a curriculum 61 , on which <strong>the</strong><br />

earliest statement came down to us through Archytas, a contemporary <strong>of</strong> Plato (4 th C.<br />

BC). That four-fold part <strong>of</strong> <strong>the</strong> curriculum to be known later as <strong>the</strong> quadrivium became<br />

canonical in <strong>the</strong> schools <strong>of</strong> Greece <strong>and</strong>, through Rome <strong>and</strong> Boethius (470-525 AD), it reemerged<br />

in <strong>the</strong> West with <strong>the</strong> Carolingian Renaissance. Scotus among o<strong>the</strong>rs, was one <strong>of</strong><br />

its proponents. In a document <strong>of</strong> <strong>the</strong> ninth Century, <strong>the</strong> Musica Enchiriadis <strong>and</strong> its<br />

commentary by an anonymous author, <strong>the</strong> Scholia Enchiriadis, we find a good example<br />

<strong>of</strong> how early medieval school men thought about <strong>the</strong>se matters. In a passage <strong>of</strong> <strong>the</strong><br />

Scholia, we find <strong>the</strong> following “dialog” in catechismal form between a teacher <strong>and</strong> his<br />

student: 62<br />

Pupil: How was harmony born <strong>of</strong> arithmetic as from a<br />

mo<strong>the</strong>r? And what is harmony, <strong>and</strong> what is music?<br />

Teacher: We regard harmony to be a mixed symphonia <strong>of</strong><br />

different sounds, altoge<strong>the</strong>r dependent on <strong>the</strong> <strong>the</strong>ory <strong>of</strong><br />

numbers, like all <strong>the</strong> o<strong>the</strong>r ma<strong>the</strong>matical disciplines, it is<br />

only through numbers that we underst<strong>and</strong> it.<br />

Pupil: Which are <strong>the</strong> ma<strong>the</strong>matical disciplines?<br />

Teacher: Arithmetic, geometry, music, <strong>and</strong> astronomy.<br />

Pupil: What is ma<strong>the</strong>matics?<br />

Teacher: A doctrinal science.<br />

Pupil: Why doctrinal?<br />

Teacher: Because it deals with abstract quantities.<br />

Pupil: What are abstract quantities?<br />

Teacher: Abstract quantities are those embraced only by<br />

<strong>the</strong> intellect because <strong>the</strong>y lack material, i.e., physical<br />

admixture. And fur<strong>the</strong>r: multitudes, magnitudes, <strong>the</strong>ir<br />

opposites, forms, similarities, relations <strong>and</strong> many o<strong>the</strong>r<br />

things … change when connected with physical substance.<br />

These quantities are each directly treated in arithmetic, in<br />

music, in geometry <strong>and</strong> in astronomy. It is thus because<br />

<strong>the</strong>se four disciplines are not skills <strong>of</strong> human invention but<br />

important researches in holy works; <strong>and</strong> <strong>the</strong>y support in <strong>the</strong><br />

most wondrous way acute minds in <strong>the</strong> underst<strong>and</strong>ing <strong>of</strong><br />

Creation.<br />

This four-fold ma<strong>the</strong>matical curriculum, toge<strong>the</strong>r with <strong>the</strong> trivium <strong>of</strong> grammar, rhetoric,<br />

<strong>and</strong> dialectic, flourished in <strong>the</strong> medieval universities <strong>and</strong>, with it, formed <strong>the</strong> curriculum<br />

<strong>of</strong> <strong>the</strong> seven liberal arts, providing <strong>the</strong> foundations for higher studies in philosophy <strong>and</strong><br />

<strong>the</strong>ology. The ad quadratum diagram can <strong>the</strong>refore be conceived <strong>of</strong> as an accurate<br />

though stylized compendium <strong>of</strong> <strong>the</strong> quadrivium since it embodies some <strong>of</strong> <strong>the</strong><br />

61 David Wagner, Ed.: The Seven Liberal Arts in <strong>the</strong> Middle Ages. Indiana U.P. Bloomington, 1983.<br />

62 Quoted in Nils Wallis’ article in David Wagner, Op. cit.

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