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10<br />
play; letters to the Enterprise team after a visit; posters about the danger <strong>of</strong><br />
fireworks, which are displayed <strong>in</strong> the local community <strong>in</strong> November; and letters<br />
to pen pals <strong>in</strong> another school.<br />
16. However, more than anyth<strong>in</strong>g, at the heart <strong>of</strong> the school’s success with writ<strong>in</strong>g<br />
is its approach to teach<strong>in</strong>g through writ<strong>in</strong>g workshops. The subject leader has<br />
produced detailed guidance <strong>for</strong> staff on teach<strong>in</strong>g writ<strong>in</strong>g and this <strong>in</strong>cludes how<br />
to conduct a writ<strong>in</strong>g workshop. Broadly, the strategy <strong>in</strong>volves a great deal <strong>of</strong><br />
writ<strong>in</strong>g and modell<strong>in</strong>g by the teacher, with plann<strong>in</strong>g <strong>in</strong>tegrated at all stages. It<br />
is a step-by-step approach with pupils and teachers work<strong>in</strong>g together on<br />
construct<strong>in</strong>g a piece <strong>of</strong> writ<strong>in</strong>g. In each lesson, the pupils work through a series<br />
<strong>of</strong> exercises be<strong>for</strong>e mov<strong>in</strong>g to a longer piece which is sharply focused on<br />
specific criteria. The pupils’ work, with its cross<strong>in</strong>gs-out and additions, shows<br />
how well these pupils operate as real writers, constantly look<strong>in</strong>g to rewrite and<br />
improve.<br />
17. The workshop approach to writ<strong>in</strong>g <strong>in</strong> the school has also developed teachers’<br />
own confidence as writers. As a result, they tend to write their own texts <strong>for</strong><br />
lessons rather than search<strong>in</strong>g the <strong>in</strong>ternet <strong>for</strong> examples that might not suit their<br />
particular purposes. Among a batch <strong>of</strong> examples provided by one teacher were<br />
the follow<strong>in</strong>g:<br />
‘Because it was such a pleasant warm day, Jane and her parents had<br />
decided to take their brand-new, leather-furnished, automatically<br />
controlled, convertible Lamborgh<strong>in</strong>i out <strong>for</strong> a sp<strong>in</strong> <strong>in</strong> the countryside.’<br />
‘I th<strong>in</strong>k that the people <strong>of</strong> Thornton should not rely on Jack and Jill to<br />
fetch the crucial pail <strong>of</strong> water every day. Firstly, it is important to consider<br />
the fact that they are extremely young and there<strong>for</strong>e barely developed<br />
physically to carry such heavy pails.’<br />
‘Early <strong>in</strong> the morn<strong>in</strong>g, the warm<strong>in</strong>g sun creeps like a timid child slowly<br />
over the horizon while br<strong>in</strong>g<strong>in</strong>g with it a warm<strong>in</strong>g glow cast<strong>in</strong>g long<br />
shadows.’<br />
18. One lesson observed showed how the writ<strong>in</strong>g workshop operated. The lesson<br />
was part <strong>of</strong> a unit <strong>of</strong> work on suspense writ<strong>in</strong>g. The learn<strong>in</strong>g objectives <strong>in</strong>volved<br />
us<strong>in</strong>g a range <strong>of</strong> suspense techniques and different sentence openers to vary<br />
their writ<strong>in</strong>g. The teacher provided a ‘suspense writ<strong>in</strong>g toolkit’ which <strong>for</strong>med<br />
part <strong>of</strong> the ‘work<strong>in</strong>g wall’. This <strong>in</strong>cluded questions, short sentences, prompts<br />
about noises and shadows, and <strong>in</strong>structions to ‘<strong>in</strong>troduce cold/dark, br<strong>in</strong>g <strong>in</strong> the<br />
unexpected’. The warm-up activities were to complete sentences such as<br />
‘Hardly dar<strong>in</strong>g to breathe, Andy…’ One pupil responded, ‘…crawled under the<br />
table’. The teacher immediately asked: ‘How did he crawl?’ Other exercises on<br />
sentence starters followed: ‘Without warn<strong>in</strong>g…’, ‘Shak<strong>in</strong>g with fear…’<br />
19. The teacher then read an extract from Danny, the champion <strong>of</strong> the world. The<br />
pupils’ task was to cont<strong>in</strong>ue it. A clear structure was provided by the teacher:<br />
<strong>Excellence</strong> <strong>in</strong> <strong>English</strong>: what we can learn from 12 outstand<strong>in</strong>g schools<br />
May 2011, No. 100229