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20<br />
CVA three-year average School Significance<br />
<strong>English</strong> 101.5 Sig.+<br />
<strong>English</strong> (boys) 101.3 Sig.+<br />
<strong>English</strong> (girls) 101.6 Sig. +<br />
47. Most pupils <strong>in</strong> George Eliot Junior School come from m<strong>in</strong>ority ethnic groups and<br />
<strong>English</strong> is not the first language <strong>for</strong> 89% <strong>of</strong> its pupils. The largest groups are <strong>of</strong><br />
Asian or Black African heritage. The proportion <strong>of</strong> pupils with special<br />
educational needs and/or disabilities is very high. Atta<strong>in</strong>ment was above<br />
average <strong>in</strong> 2010. The headteacher <strong>of</strong> George Eliot School and her deputy<br />
emphasise the need <strong>for</strong> firm structure and consistency with<strong>in</strong> the school s<strong>in</strong>ce,<br />
<strong>for</strong> many <strong>of</strong> the pupils, life outside the school lacks stability. The school’s<br />
curriculum is dist<strong>in</strong>ctive and effective. It has been constructed around a very<br />
good understand<strong>in</strong>g <strong>of</strong> the needs and <strong>in</strong>terests <strong>of</strong> the pupils <strong>in</strong> the school.<br />
Curriculum decisions <strong>in</strong> this school are driven by a determ<strong>in</strong>ation to: promote<br />
an <strong>in</strong>ternational perspective; foster th<strong>in</strong>k<strong>in</strong>g and enquiry skills; appreciate and<br />
exploit the role <strong>of</strong> emotions <strong>in</strong> learn<strong>in</strong>g; and develop an understand<strong>in</strong>g <strong>of</strong> how<br />
children learn, through research, pr<strong>of</strong>essional tra<strong>in</strong><strong>in</strong>g and shared good<br />
practice.<br />
48. Because so many <strong>of</strong> the pupils struggle with <strong>English</strong>, the school has adapted an<br />
approach which focuses on us<strong>in</strong>g pictures and images to stimulate work <strong>in</strong><br />
<strong>English</strong>, <strong>in</strong>clud<strong>in</strong>g especially well-chosen multimodal texts. 7 Pupils enjoy the<br />
opportunities to explore theme, plot, po<strong>in</strong>t <strong>of</strong> view, characterisation and genre<br />
through images as well as words. For those still grappl<strong>in</strong>g with the basics <strong>of</strong><br />
<strong>English</strong> language, entry to a book through its pictures is a real bonus. As one<br />
pupil remarked: ‘Some people who don’t have much <strong>English</strong> can look at a<br />
picture and get more <strong>in</strong><strong>for</strong>mation.’ Importantly, pupils understand that the<br />
value <strong>of</strong> the pictures lies <strong>in</strong> the range and the complexity <strong>of</strong> what they<br />
communicate and that this has to be read and understood as much as any<br />
conventional language-based text. As a couple <strong>of</strong> Year 6 pupils expla<strong>in</strong>ed: ‘The<br />
author wants you to <strong>in</strong>fer through the pictures. To predict and to th<strong>in</strong>k…The<br />
author wants you to “write it” <strong>in</strong> your imag<strong>in</strong>ation.’<br />
49. Among the books that engage and challenge pupils most successfully are such<br />
contemporary texts as The arrival by Shaun Tan, The snowman by Raymond<br />
Briggs, Rose Blanche by Roberto Innocenti and The tunnel by Anthony Browne.<br />
Teachers use a range <strong>of</strong> approaches to develop pupils’ response to these texts.<br />
A Year 5 class, <strong>for</strong> example, approached The snowman through music. Us<strong>in</strong>g<br />
7 A multimodal text is one that comb<strong>in</strong>es two or more semiotic systems. Examples <strong>of</strong> multimodal texts<br />
are: a picture book, <strong>in</strong> which the textual and visual elements are arranged on <strong>in</strong>dividual pages that<br />
contribute to an overall set <strong>of</strong> bound pages; or a webpage, <strong>in</strong> which elements such as sound effects,<br />
oral language, written language, music and still or mov<strong>in</strong>g images are comb<strong>in</strong>ed.<br />
<strong>Excellence</strong> <strong>in</strong> <strong>English</strong>: what we can learn from 12 outstand<strong>in</strong>g schools<br />
May 2011, No. 100229