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34<br />

The later move <strong>in</strong> 2010, to purpose built premises on the site <strong>of</strong> the school that<br />

closed, <strong>in</strong>cluded an agreement with the local authority that one third <strong>of</strong> places<br />

each year would be allocated to the local community.<br />

90. Boys per<strong>for</strong>m better than expected at St Paul’s. Students expla<strong>in</strong> this by<br />

speak<strong>in</strong>g first <strong>of</strong> teachers’ dedication, their desire to help all students and the<br />

vast range <strong>of</strong> out-<strong>of</strong>-school activities and support available. As one student said<br />

<strong>of</strong> his teachers, ‘They are always there <strong>for</strong> you.’ They say that teachers make<br />

them feel com<strong>for</strong>table <strong>in</strong> class so that they are encouraged to jo<strong>in</strong> <strong>in</strong> and to<br />

give their op<strong>in</strong>ions. Lessons have the right balance <strong>of</strong> ‘fun’ with serious work<br />

and challenge. Teachers stress that relationships are the key. They say: ‘We<br />

don’t shout. We like children. We treat them like adults and value their work.’<br />

Students say: ‘We are not afraid to get it wrong. All teachers expect the best <strong>of</strong><br />

you and push you. They don’t patronise you but treat everyone as an<br />

<strong>in</strong>dividual. Lessons are never bor<strong>in</strong>g and teachers always get you <strong>in</strong>volved.’<br />

91. The department feels that strong relationships are at the heart <strong>of</strong> their success<br />

and that this enables boys, <strong>for</strong> example, to speak openly about their feel<strong>in</strong>gs.<br />

This was seen <strong>in</strong> one very successful lesson observed with a middle-ability Year<br />

11 class work<strong>in</strong>g on love poems. This lesson was judged to be outstand<strong>in</strong>g<br />

because the (male) teacher:<br />

engaged students with a starter activity the moment they entered the<br />

classroom<br />

used physical objects (chosen from a bag) to <strong>in</strong>trigue and provide a<br />

start<strong>in</strong>g po<strong>in</strong>t <strong>for</strong> writ<strong>in</strong>g<br />

modelled the whole process unselfconsciously himself (first through his<br />

own metaphor based on ‘My love is like an old tra<strong>in</strong>er…’ and later his own<br />

full sonnet)<br />

used visual images to pre-figure the poem and arouse discussion<br />

selected students <strong>in</strong> advance to provide a careful read<strong>in</strong>g <strong>of</strong> Shakespeare’s<br />

My mistress’ eyes are noth<strong>in</strong>g like the sun.<br />

92. Although the department is very successful with boys, this is not because it<br />

targets specifically male <strong>in</strong>terests. As the head <strong>of</strong> department said, ‘We ignore<br />

that they are boys.’ What she meant by this was that they do not provide a<br />

curriculum heavily dependent on football and war. However, it is the nature <strong>of</strong><br />

the curriculum more than anyth<strong>in</strong>g else that has had the most impact on<br />

atta<strong>in</strong>ment <strong>in</strong> the school. In discussion, boys listed a number <strong>of</strong> common<br />

features <strong>of</strong> <strong>English</strong> lessons that appealed to them, <strong>in</strong>clud<strong>in</strong>g:<br />

lessons that build on what students like and do outside school<br />

breadth and variety <strong>of</strong> approach <strong>in</strong> lessons<br />

lots <strong>of</strong> opportunities to use modern technology <strong>in</strong> <strong>English</strong><br />

emphasis on drama <strong>in</strong> <strong>English</strong><br />

<strong>Excellence</strong> <strong>in</strong> <strong>English</strong>: what we can learn from 12 outstand<strong>in</strong>g schools<br />

May 2011, No. 100229

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