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Hogarth: His Life, Art, and Times

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76<br />

larly a scene of the shore with an immense piece of beef l<strong>and</strong>ing for the Lion<br />

d'Argent, the English inn at Calais, <strong>and</strong> several hungry friars following it. They<br />

were much diverted with his drawing, <strong>and</strong> dismissed him." It sounds as though<br />

Walpole talked to <strong>Hogarth</strong> in his studio as The Gate of Calais was unfolding on<br />

the easel, <strong>and</strong> the story grew in the telling. 19<br />

Nichols got his account from Dr. Ducarel, who had it from the Rev. William<br />

Gostling of Canterbury, with whom <strong>Hogarth</strong> stayed the night after his return to<br />

Engl<strong>and</strong>, <strong>and</strong> whom he regaled with the story. After being carried before the<br />

governor as a spy, <strong>and</strong> "after a very strict examination," he was "committed a<br />

prisoner to Gr<strong>and</strong>sire, his l<strong>and</strong>lord, on his promising that <strong>Hogarth</strong> should not<br />

go out of his house till it was to embark for Engl<strong>and</strong>." Then Nichols adds: "The<br />

same incident, however, has been more circumstantially related by an eminent<br />

English Engraver, who was abroad when it happened." This may have been<br />

Robert Strange, who was in France between 1748 <strong>and</strong> '50, or Thomas Major,<br />

who was there between 1745 <strong>and</strong> '48. If it was Major, the story becomes more<br />

poignant, for he had himself been seized one night in October 1746 <strong>and</strong> taken<br />

to the Bastille, in reprisal for the French <strong>and</strong> Irish prisoners taken after Cul-<br />

loden, <strong>and</strong> was only released after the strenuous intercession of Le Bas <strong>and</strong><br />

Gravelot with the Marquis d'Argenson. 20 This engraver's account, written down<br />

(<strong>and</strong> demonstrably embroidered) by Steevens, comes out as follows:<br />

While <strong>Hogarth</strong> was in France, wherever he went, he was sure to be dis-<br />

satisfied with all he saw. If an elegant circumstance, either in furniture, or<br />

the ornaments of a room, was pointed out as deserving approbation, his<br />

narrow <strong>and</strong> constant reply was, 'What then? but it is French! Their houses<br />

are all gilt <strong>and</strong> b -------- t.' 21 In the streets he was often clamorously rude. A<br />

tattered bag, or a pair of silk stockings, with holes in them, drew a torrent of<br />

imprudent language from him. In vain did my informant (who knew that<br />

many Scotch <strong>and</strong> Irish were often within hearing of these reproaches, <strong>and</strong><br />

would rejoice at least in an opportunity of getting our Painter mobbed) ad-<br />

vise him to be more cautious in his public remarks. He laughed at all such<br />

admonition, <strong>and</strong> treated the offerer of it as a pusillanimous wretch, un-<br />

worthy of a residence in a free country, making him the butt of his ridicule<br />

for several evenings afterwards. This unreasonable pleasantry was at length<br />

completely extinguished by what happened while he was drawing the Gate<br />

at Calais; for, though the innocence of his design was rendered perfectly<br />

apparent on the testimony of other sketches he had about him, which were<br />

by no means such as could serve the purpose of an Engineer, he was told by<br />

the Comm<strong>and</strong>ant, 'that, had not the Peace been actually signed, he should<br />

have been obliged to have hung him up immediately on the ramparts.'<br />

Two guards were then provided, to convey him on shipboard; nor did they<br />

quit him till he was three miles from the shore. They then spun him round

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