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Hogarth: His Life, Art, and Times

Hogarth: His Life, Art, and Times

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"new kind of drunkenness . .. which, if not put a stop to, will infallibly destroy<br />

a great part of the inferior people"—that is, gin-drinking, which he has "great<br />

reason to think is the principal sustenance (if it may be so called) of more than<br />

a hundred thous<strong>and</strong> people in this metropolis." Giving examples of the conse-<br />

quences of this "diabolical liquor," he sounds as if he is recalling the gin-seller's<br />

baby in The March to Finchley, emaciated <strong>and</strong> evidently nourished only on its<br />

mother's wares: "What must become of the infant who is conceived in gin?<br />

with the poisonous distillations of which it is nourished both in the womb <strong>and</strong> at<br />

the breast." 57 In Gin Lane <strong>Hogarth</strong> has one mother pouring gin into her baby's<br />

mouth <strong>and</strong> another (the central figure) with exposed breasts that suggest she<br />

has been feeding her child, who is now falling to its death (in a later state Ho-<br />

garth gave the child a gin-ravaged face).<br />

As The March to Finchley was being engraved by Sullivan, <strong>Hogarth</strong> must<br />

have been working on his equivalent to Fielding's Enquiry. In the London<br />

Evening Post of 14-16 February he announced:<br />

This Day are publish'd, Price I s. each.<br />

Two large Prints, design'd <strong>and</strong> etch'd by Mr. <strong>Hogarth</strong>, call'd<br />

BEER-STREET <strong>and</strong> GIN-LANE<br />

A Number will be printed in a better Manner for the Curious, at 1s. 6d.<br />

each.<br />

And on Thursday following will be publish'd four Prints on the Subject<br />

of Cruelty, Price <strong>and</strong> Size the same.<br />

N.B. As the Subjects of these Prints are calculated to reform some reign-<br />

ing Vices peculiar to the lower Class of People, in hopes to render them of<br />

more extensive use, the Author has publish'd them in the cheapest Manner<br />

possible.<br />

To be had at the Golden Head in Leicester-Fields, Where may be had<br />

all his other Works.<br />

It is well to remember that <strong>Hogarth</strong> (like Fielding) is portraying vices "peculiar<br />

to the lower Class of People," but that while he has "publish'd them in the<br />

cheapest Manner possible," he has also had a number "printed in a better Man-<br />

ner for the Curious" at 6d more. The "cheapest Manner" must have referred to<br />

the light paper <strong>and</strong> the broad execution: relatively few lines were used. He had<br />

gone so far as to employ John Bell to make woodcuts of two of the Stages of<br />

Cruelty, but the project had to be ab<strong>and</strong>oned because it proved more expensive<br />

than copper engraving. The impressions "printed in a better Manner" make one<br />

suspect that the aesthetic effect—which was striking—was as important to Ho-<br />

garth as the need to reach the "lower Class of People."<br />

The advertisement was repeated frequently, <strong>and</strong> in the London Evening Post<br />

for 23-26 February the third paragraph was revised to read: "This Day were<br />

99

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