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60<br />
"Such a general had so many men, &c." <strong>Hogarth</strong> "remarked, that the muscles of<br />
Lovat's neck appeared of unusual strength, more so than he had ever seen."<br />
<strong>Hogarth</strong> returned to London <strong>and</strong> made a simple etching (pl. 207), one of his<br />
most accomplished works, <strong>and</strong> published it on 25 August: Lovat had reached<br />
the Tower on the fifteenth, Lords Kilmarnock <strong>and</strong> Balmerino <strong>and</strong> others had<br />
been executed <strong>and</strong> other indictments lodged on the eighteenth, <strong>and</strong> more<br />
rebels arrived in London on the twentieth, with three more rebel officers exe-<br />
cuted two days later. 4 The moment was opportune, <strong>and</strong> although the presses<br />
worked through the night for a whole week, not enough impressions could be<br />
made to meet the dem<strong>and</strong>. For several weeks thereafter the etchings were said<br />
to have brought <strong>Hogarth</strong> £12 a day; <strong>and</strong> the story circulated (said of other<br />
works as well) that when the plate was finished he was offered its weight in gold<br />
by a rival printseller. At a shilling a sheet, <strong>and</strong> assuming that many of these<br />
must have been sold wholesale to other print dealers, he would have sold some-<br />
thing like 10,000 impressions <strong>and</strong> earned upward of £300. Nor was the sale a<br />
matter of weeks: the prints were much in evidence at Lovat's trial the following<br />
March. Joseph Spence wrote his friend Massingberd on 23 March 1746/7:<br />
all the world here has been taken up with my L d Lovat's Tryal. There is a<br />
print of him, from a drawing of <strong>Hogarth</strong>, which is not unlike him; & a<br />
friend of mine has the design of a Satir's head, by Rubens, which is a good<br />
deal more like him: but, to say the truth, they are both likenesses of the<br />
caricatura-kind; for there is something of the Gentleman mixt in his ap-<br />
pearance, w ch is quite sunk in the other. 5<br />
<strong>Hogarth</strong> would have been amused if not annoyed to hear "caricature" extended<br />
to any representation that did not appear gentlemanly. Vertue was more compli-<br />
mentary of the print, though still critical of the moral implications:<br />
in august, the picture of L d Lovat sketchd drawn by M r <strong>Hogarth</strong> & etchd<br />
by him from the life in his drole nature & manner, was thought to be sur-<br />
prisingly like, <strong>and</strong> from his humorous Character, was greatly cryd up &<br />
sold every where at pr. 1 sh many many hundreds. <br />
this is according to the old saying of a Man that has the Vilest character.<br />
<strong>and</strong> the hatred of all partyes. & besides that a barefaced Rebel. if some per-<br />
sons had Engravd <strong>and</strong> publisht his picture, it had been highly Criminal—<br />
but as some are winkt at that steal a horse, whilst another is hangd for look-<br />
ing over a hedge.—but in this case <strong>Art</strong> overcomes Malice— 6<br />
Perhaps the financial success of a shilling print, quickly etched <strong>and</strong> yet sup-<br />
porting some thous<strong>and</strong>s of impressions, convinced <strong>Hogarth</strong> that he should<br />
undertake more of the same. Deep <strong>and</strong> repeated biting produced lines strong<br />
enough to approximate the durability of an engraving, with much less time ex-<br />
pended <strong>and</strong> no assistance needed. Nonetheless, the next few months were de-