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Institute of Art History of the Latvian Academy of Art Anna Ancāne ...

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happened in several phases, as <strong>the</strong> initial core formed and <strong>the</strong> town’s<br />

territory gradually expanded north-westwards and south-eastwards. The<br />

basis <strong>of</strong> street network has remained unchanged since <strong>the</strong> 13 th century.<br />

Kaļķu Street and <strong>the</strong> perpendicular Šķūņu-Skārņu Street emerged as <strong>the</strong><br />

axes <strong>of</strong> <strong>the</strong> structure. Street network acquired a regular, semi-circular<br />

shape between <strong>the</strong> present Zirgu, Rozena, Kungu and Grēcinieku Streets,<br />

marking <strong>the</strong> routes towards <strong>the</strong> main dominants <strong>of</strong> urban space. Riga’s<br />

plan took shape according to similar principles as in o<strong>the</strong>r Hanseatic<br />

towns, but here it developed after a peculiar, individual pattern<br />

conditioned by topographical, political, social, economic and religious<br />

factors. The interaction <strong>of</strong> all <strong>the</strong>se elements created <strong>the</strong> early Riga, <strong>the</strong><br />

basis for evolution during <strong>the</strong> next centuries.<br />

I.2. Types <strong>of</strong> Riga’s medieval dwelling houses<br />

In 1293 <strong>the</strong> first building regulations <strong>of</strong> <strong>the</strong> town were passed, requiring<br />

building all constructions <strong>of</strong> firepro<strong>of</strong> materials. Regulations also set <strong>the</strong><br />

maximum <strong>of</strong> dwelling house height and width as well as established <strong>the</strong><br />

perimetric building practice. From <strong>the</strong> 13 th to <strong>the</strong> 15 th century, local<br />

modifications <strong>of</strong> <strong>the</strong> town’s dwelling houses were largely related to <strong>the</strong><br />

forms <strong>of</strong> gables. The dominant type <strong>of</strong> building with a vestibule (diele)<br />

rapidly spread from Lübeck to <strong>the</strong> coastal regions <strong>of</strong> <strong>the</strong> Baltic Sea,<br />

including Riga.<br />

I.3. Changes in Riga’s buildings in <strong>the</strong> 16 th century<br />

This period was particularly adverse to cultural and artistic developments<br />

in Livonia as post-Reformation turmoil and war hindered <strong>the</strong> growth. The<br />

number <strong>of</strong> inhabitants increased significantly in Riga; as a result, all<br />

construction limits were exhausted by 1500. Since <strong>the</strong> building <strong>of</strong><br />

ramparts had started in <strong>the</strong> mid-century, <strong>the</strong> old defensive wall lost its<br />

significance and was built over from both sides. A quite wide zone<br />

emerged between <strong>the</strong> ramparts and <strong>the</strong> wall where new streets were<br />

created. In <strong>the</strong> last quarter <strong>of</strong> <strong>the</strong> 16 th century <strong>the</strong> town received fresh<br />

impulses regarding construction forms and types <strong>of</strong> buildings. Dutch<br />

trade expansion was an important factor in <strong>the</strong> exchange <strong>of</strong> cultural<br />

inventions: master builder Joris Joriszen Frese brought <strong>the</strong> traits <strong>of</strong> late<br />

Renaissance architecture to Riga. Side-gabled solutions started to<br />

increase in <strong>the</strong> architecture <strong>of</strong> dwelling houses, <strong>the</strong>ir volumes got bigger<br />

and <strong>the</strong> spatial structure – more complex.<br />

I.4. Innovations in Riga’s architecture <strong>of</strong> <strong>the</strong> 1 st half <strong>of</strong> <strong>the</strong> 17 th<br />

century<br />

Construction <strong>of</strong> secular buildings came to <strong>the</strong> foreground on <strong>the</strong> threshold<br />

<strong>of</strong> <strong>the</strong> 17 th century. Stylistic traits <strong>of</strong> <strong>the</strong> new epoch were manifested in<br />

both church spires and silhouettes <strong>of</strong> public buildings. Changes in <strong>the</strong><br />

street network were related to <strong>the</strong> plan <strong>of</strong> improving Riga’s fortification<br />

6

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