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Duncan's Ritual of Freemasonry.pdf - FatimaMovement

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tomb was in the rubbish and filth cast forth from<br />

the Temple, and acacia waved its branches over<br />

her monument. In this state <strong>of</strong> darkness and<br />

despair she lay until the Saviour came, instituted<br />

the five points <strong>of</strong> Christian fellowship, and raised<br />

her from the dust, in which she had been<br />

indecently interred, to a more glorious<br />

inheritance."--Theo. Phil., p. 309.<br />

This interpretation is borne out in the higher<br />

Degrees <strong>of</strong> sublime Masonry. Thus, in the thirtysecond,<br />

or Degree <strong>of</strong> Prince <strong>of</strong> the Royal Secret,<br />

according to the Continental nomenclature, the<br />

following analogies are p. 147 explained: "The<br />

symbolical mystery <strong>of</strong> the death <strong>of</strong> (Hiram Abiff)<br />

represents that <strong>of</strong> the Messiah; for the three<br />

(blows) which were given to him at the three<br />

gates <strong>of</strong> (the Temple) allude to the three points <strong>of</strong><br />

condemnation against Christ at three separate<br />

places, viz.: before Caiaphas. Herod, and Pilate.<br />

It was from the last that he was led to that most<br />

violent and excruciating death. The three (blows)<br />

were given with the three (tools, i.e., gauge,<br />

square, and gavel). These are symbols <strong>of</strong> the<br />

blow on the cheek <strong>of</strong> Christ, the flagellation, and<br />

the blow with the spear. Some substitute for the<br />

latter, but with less propriety, the crown <strong>of</strong><br />

thorns. The brethren assembled around the grave<br />

<strong>of</strong> (Hiram Abiff) is a representation <strong>of</strong> the<br />

disciples lamenting the death <strong>of</strong> Christ. The<br />

Word, which was said to be lost, was pronounced<br />

upon the cross, which the Jews could not<br />

comprehend. The false brethren are represented<br />

by Judas, who proved false to his Master; and the<br />

sprig <strong>of</strong> cassia represented the cross, <strong>of</strong> which<br />

wood it is said to have been composed."--<br />

Historical Landmarks, vol. ii. p. 176.<br />

I am decidedly <strong>of</strong> opinion that our tradition is<br />

merely allegorical; for there can be no doubt but

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