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Orpheus - Haunting the Dead.pdf - Dice

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HAUNTING THE DEAD<br />

ALLEN RAUSCH<br />

Eileen turned and faced <strong>the</strong> driver. “Why is this a<br />

bad place? Do you know something about Francisco<br />

Arguelles?”<br />

Although <strong>the</strong> face of <strong>the</strong> skeleton didn’t—<br />

couldn’t—change, Eileen suddenly got <strong>the</strong> impression<br />

that <strong>the</strong> grin had disappeared. “I wouldn’t say that<br />

name too loudly, señora.”<br />

“Why? What do you know?”<br />

Marco shrugged his shoulders. “Señora, <strong>the</strong>re are<br />

things that even <strong>the</strong> dead should fear, fates worse than<br />

merely becoming a Paloma Negra, doomed to forever<br />

reenact <strong>the</strong> words of a mariachi.”<br />

“Is Francisco one of those things?” Eileen asked.<br />

“The rumor mill grinds <strong>the</strong> dead too,” <strong>the</strong> skeleton<br />

replied. “I don’t know anything beyond what I’ve heard<br />

in <strong>the</strong> last few months—that <strong>the</strong>re is a new movement<br />

among <strong>the</strong> spirits. Things have been seen and inoffensive<br />

ghosts that never bo<strong>the</strong>red anyone have vanished<br />

without a trace. Look around you.” Marco gestured to<br />

<strong>the</strong> empty streets. “No living—and no dead—reside<br />

here. Something in this place just sucks <strong>the</strong>m up—you<br />

stay here long enough and you will be, as well.”<br />

“Thank you for your advice, Marco, but I think we’ll<br />

stay.”<br />

The skeleton threw up his hands. “I tried, Señora.<br />

Buena suerte.” A crack of <strong>the</strong> whip and <strong>the</strong> hearse was<br />

rattling off.<br />

“Is it my imagination or is he traveling much faster<br />

to get out than he did getting us in?” Teo asked.<br />

Eileen said nothing, merely turned to look at <strong>the</strong><br />

large gate that fronted <strong>the</strong> construction zone. It was at<br />

least twenty feet wide, mounted on rollers that were<br />

apparently controlled from a small guard shack off to<br />

<strong>the</strong> side. There were also some smaller workers’ entrances<br />

that were closed and locked with big, thick<br />

padlocks. Through <strong>the</strong> shack’s tiny window she could<br />

see <strong>the</strong> still form of a man in tan staring at a small blue<br />

( 176 )<br />

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