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Orpheus - Haunting the Dead.pdf - Dice

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HAUNTING THE DEAD<br />

RICK CHILLOT<br />

in front of <strong>the</strong> doors. A younger one—short hair,<br />

tailored business suit—and an older one—hair neatly<br />

pinned up, dressed in a skirt and blazer. “I’m on <strong>the</strong><br />

patch,” <strong>the</strong> older woman says, her voice creased with<br />

irritation.<br />

“Hello,” Ed gasps. Then louder: “Hello? Can you<br />

hear me?”<br />

“Of course <strong>the</strong>y can’t,” Tina tells him. “Don’t you<br />

know anything?”<br />

The women continue <strong>the</strong>ir conversation, talking<br />

about lack of sleep, about a convention <strong>the</strong>y’d attended.<br />

“It’s true,” Ed says. “I’m like…a ghost. Unreal<br />

to <strong>the</strong>m.” He looks at Tina, who glares back at him.<br />

“But you can see me,” Ed says to her. “That means…”<br />

“Please,” Ed says, louder, standing directly behind<br />

<strong>the</strong> two women now. “Can’t you hear me? I need<br />

help….“<br />

The lights flicker and <strong>the</strong> elevator slams to a stop.<br />

The doors open, revealing a dimly lit hallway. “Fifth<br />

floor,” he hears one of <strong>the</strong> women say.<br />

Fifth floor. Ed had noticed <strong>the</strong> indicator light, but<br />

hearing it said aloud sparks some sort of alarm in his<br />

mind. He stares at <strong>the</strong> two women and for exactly three<br />

seconds he sees <strong>the</strong>m not as <strong>the</strong>y are, waiting impatiently<br />

in <strong>the</strong> elevator, but in a dark hallway somewhere,<br />

screaming.<br />

The older woman steps out of <strong>the</strong> elevator. “Stop!”<br />

Ed shouts. “Don’t get out!”<br />

She pauses, as if she’d heard him. “What?”<br />

“I didn’t say anything,” her friend answers.<br />

“Don’t go out <strong>the</strong>re,” Ed says to <strong>the</strong>m.<br />

The women have left <strong>the</strong> elevator and are walking<br />

down <strong>the</strong> hall.<br />

Ed forces himself out of <strong>the</strong> elevator and into <strong>the</strong><br />

circle of weak light given off by <strong>the</strong> only ceiling lamp.<br />

He glances backwards; Tina has followed and is watching<br />

him.<br />

The corridor is dark, but not so dark that Ed can’t<br />

see <strong>the</strong> shapes that are waiting <strong>the</strong>re. People, dozens of<br />

<strong>the</strong>m, some standing like statues, o<strong>the</strong>rs swaying slightly.<br />

( 244 )<br />

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