06.04.2013 Views

Orpheus - Haunting the Dead.pdf - Dice

Orpheus - Haunting the Dead.pdf - Dice

Orpheus - Haunting the Dead.pdf - Dice

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

HAUNTING THE DEAD<br />

RICK CHILLOT<br />

Terrence as everyone else. Terrance watches him approach,<br />

<strong>the</strong>n furrows his brows slightly and, just as <strong>the</strong><br />

policeman passes him, shouts, “Your fly’s open,<br />

mo<strong>the</strong>rfucker.” The policeman stops so suddenly that<br />

his pizza falls out of his hand; he spins around, but sees<br />

no one near him, certainly no one near enough to have<br />

shouted in his ear. Terrence, standing four inches to his<br />

right, laughs and goes back to his work. He pulls an oldstyle<br />

army radio out of his knapsack and opens <strong>the</strong><br />

circuit. A burst of static comes from <strong>the</strong> receiver. He<br />

lifts <strong>the</strong> handset to his mouth. “<strong>Orpheus</strong> is down,<br />

<strong>Orpheus</strong> is down. Any <strong>Orpheus</strong> operatives in <strong>the</strong> area,<br />

you’re in danger. <strong>Orpheus</strong> is down.”<br />

Blue Palace Hotel, Third Floor, East Hallway<br />

September 20, 10:14 a.m.<br />

Ed can see now that <strong>the</strong> corridor isn’t really endless;<br />

that had been an illusion caused by <strong>the</strong> dim lighting<br />

and dull walls. He feels a little calmer now. The hallway<br />

evokes a feeling of familiarity; <strong>the</strong>re’s something about<br />

<strong>the</strong> color of <strong>the</strong> walls, <strong>the</strong> feel of <strong>the</strong> carpet—even <strong>the</strong><br />

smell of <strong>the</strong> place—that makes Ed relax.<br />

“<strong>Orpheus</strong>… down.” The voice comes from behind<br />

him, above him. “<strong>Orpheus</strong>… down,” it says again, a<br />

man’s voice, loud, almost demanding. Ed turns around,<br />

looking for <strong>the</strong> source. He stares at a spot on <strong>the</strong> wall a<br />

few inches below <strong>the</strong> ceiling. Then he sees it, high on<br />

<strong>the</strong> wall next to a light fixture: a speaker, so covered<br />

with thick gray paint that it’s hard to separate from <strong>the</strong><br />

visual monotony of <strong>the</strong> wall.<br />

Ed waits, but <strong>the</strong> voice doesn’t come again. He<br />

reaches for <strong>the</strong> speaker. The wall feels strangely warm.<br />

Ed presses his palm to it, and <strong>the</strong> wall seems to give<br />

imperceptibly, as if it’s pliable. It seems to be moving,<br />

ever so slightly, slowly, pulsing out and <strong>the</strong>n in again.<br />

It feels moist, though he can’t see any moisture on <strong>the</strong><br />

wall or his hand.<br />

“Yes, <strong>the</strong> climate control in this hotel leaves something<br />

to be desired.”<br />

( 230 )<br />

6

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!