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Orpheus - Haunting the Dead.pdf - Dice

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HAUNTING THE DEAD<br />

STEFAN PETRUCHA<br />

Kleck’s face went blank. He looked as if he’d heard<br />

<strong>the</strong> voice of God and it had told him, in one sentence,<br />

all he’d ever needed to know.<br />

“Everyone hear that?” he asked, wanting confirmation<br />

of his senses. Then he laughed, and repeated,<br />

louder: “Everyone hear that?”<br />

Jobe nodded, transfixed. “Play it again.”<br />

“Maybe you just picked up a horror film on a<br />

channel right near it,” Shutty suggested. But by <strong>the</strong><br />

time she finished <strong>the</strong> sentence, <strong>the</strong> file was playing<br />

again. Only now, it sounded different, saying something<br />

like:<br />

Thank you.<br />

“Oh my god! It’s <strong>the</strong> same file, <strong>the</strong> exact same<br />

fucking file, but it changed. It’s not saying <strong>the</strong> same<br />

thing!” Kleck insisted gleefully.<br />

He played it again:<br />

One for you.<br />

A voice spoke between static.<br />

You crazy bastard, ano<strong>the</strong>r voice said. Then <strong>the</strong><br />

flashes again, firecrackers. Screams—just like in <strong>the</strong><br />

movies, only infinitely sadder.<br />

“Wait a minute, I know those voices—that’s you<br />

and Jobe,” Bilka said. Then she turned her pale white<br />

face accusingly toward her boyfriend, one eyebrow<br />

raised, and said, “Are you trying to trick us? To scare<br />

us?”<br />

“No, I swear,” said Jobe. “You think that sounds like<br />

me?”<br />

“Yeah, if you were trying to sound all spooky,” Bilka<br />

accused.<br />

“Play it again,” Shutty said. She was focused now,<br />

feeling adamant.<br />

“I don’t know….” Kleck began.<br />

“Oh, for fuck’s sake, play it again!” Shutty shouted.<br />

Across <strong>the</strong> room, inside <strong>the</strong> dusty bulb of a standard-issue,<br />

white-shade-and-black-base lamp, <strong>the</strong><br />

hair-thin filament snapped with a pop, giving more of<br />

<strong>the</strong> room to shadow. While <strong>the</strong> o<strong>the</strong>rs turned to stare<br />

( 36 )<br />

6

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