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HAUNTING THE DEAD<br />
RICK CHILLOT<br />
“You’re here because this hotel isn’t finished with<br />
you yet.” Goodman pauses, looking down at Tina, who<br />
is sitting cross-legged on <strong>the</strong> floor and inspecting her<br />
doll’s dress for rips. “I’ll explain what I mean.”<br />
“Go ahead.” Ed glances around <strong>the</strong> room, sees piles<br />
of newspapers, shelves of books, a coil of rope, a fire ax<br />
leaning in a corner, cardboard boxes with dented<br />
corners, jars of dark liquid with darker shapes floating<br />
inside. He imagines his own body suspended in a giant<br />
tube of formaldehyde somewhere, slowly dissolving<br />
into nothing. “It’s about time somebody explained<br />
something.”<br />
“I wish you could have met all <strong>the</strong> fascinating souls<br />
who used to dwell in this house, Mr. Lighthouse. Such<br />
history.” Goodman’s eyes grow distant. “In <strong>the</strong> basement,<br />
<strong>the</strong>re was a crazy medicine man named<br />
Crooked-Foot, leading a group of his braves in search<br />
of vanished trails. And poor Jane Brown, <strong>the</strong> trapper’s<br />
wife, she used to wander <strong>the</strong> third floor, searching for<br />
her starved children. The streams of blood from her<br />
slashed wrists trailed behind her like pretty red ribbons.<br />
The newlyweds who had OD’d on heroin lay toge<strong>the</strong>r<br />
on <strong>the</strong> king-sized bed in room 715, picking <strong>the</strong> insects<br />
off each o<strong>the</strong>r’s skin….”<br />
Ed can only stare at him.<br />
“They’re all gone now, Mr. Lighthouse. Taken away<br />
by a dark storm that blew through this house years ago,<br />
or dragged away by <strong>the</strong> things that came soon after. I<br />
was one lucky survivor; Tina, here, was ano<strong>the</strong>r.”<br />
Goodman glances at Tina, who nods intently back<br />
at him. “The living who come and go here, well, <strong>the</strong>y<br />
never noticed <strong>the</strong> difference, of course.” He leans<br />
forward, and Ed finds himself doing <strong>the</strong> same. “But <strong>the</strong><br />
house noticed, Mr. Lighthouse.” His voice is nearly a<br />
whisper. “After centuries of accommodating <strong>the</strong> deceased,<br />
<strong>the</strong> house just did not like being so empty. It<br />
craved <strong>the</strong> deep vibrations of <strong>the</strong> dead, <strong>the</strong>ir sighs and<br />
<strong>the</strong> trace of <strong>the</strong>ir fingertips across <strong>the</strong> walls. It needed<br />
<strong>the</strong>m.”<br />
( 248 )<br />
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