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Orpheus - Haunting the Dead.pdf - Dice

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HAUNTING THE DEAD<br />

RICK CHILLOT<br />

o<strong>the</strong>r, groping for each o<strong>the</strong>r. The air is intensely cold.<br />

The floor beneath his feet feels uneven, lumpy. Victoria’s<br />

shrieks echo strangely.<br />

He passes through a door and into a room in which<br />

every corner, every angle seems to be distorted and<br />

askew. The floor is tilted. Two smilers hold Victoria<br />

between <strong>the</strong>m while a third places its hands on her<br />

head. A gray arm skitters across <strong>the</strong> floor, its fingers<br />

wriggling like insect legs, and oozes into a wall.<br />

“Help me, Ed. Please,” Victoria moans.<br />

Ed steps toward <strong>the</strong> smilers, afraid he’ll slip if he<br />

moves too quickly across <strong>the</strong> slick floor. He feels<br />

himself smoldering with helplessness, and this makes<br />

him angry. He’s tired of fear.<br />

“Stop,” he says aloud. It’s as if something inside him<br />

is speaking through him. “Stop!” A force from his chest,<br />

he can feel it move through his throat and push itself<br />

out his mouth. His voice bounces through <strong>the</strong> room<br />

like thunder. The three monsters raise <strong>the</strong>ir blind faces<br />

toward him, <strong>the</strong>n fall back as if struck. Victoria slips to<br />

<strong>the</strong> floor, catching herself on her hands and knees.<br />

“Stop!” Ed shouts again, feeling <strong>the</strong> power release, a<br />

bit weaker this time. The smilers scurry away to a far<br />

corner. Ed reaches Victoria in careful steps, helps her to<br />

her feet.<br />

“Can you walk?” he asks, keeping his attention on<br />

<strong>the</strong> smilers. They’re crouching, motionless, <strong>the</strong>ir hands<br />

splayed out in front of <strong>the</strong>m for protection.<br />

Victoria doesn’t answer him; she’s leaning on him<br />

for support. Ed glances down at her. Her long black hair<br />

has fallen from its arrangement and is spread around<br />

her head and shoulders.<br />

“Are you alright?” he asks her. “Are you hurt?”<br />

Suddenly she pushes her body upright and throws<br />

her head toward him like a snake. Her lips press against<br />

his Adam’s apple and his entire throat is gripped in ice.<br />

The pain makes his eyes water, and now it’s he who<br />

must lean on her to remain upright. The numbness<br />

( 260 )<br />

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