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Orpheus - Haunting the Dead.pdf - Dice

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HAUNTING THE DEAD<br />

RICK CHILLOT<br />

back in college, he straddled his body and looked into<br />

his own dead eyes. He feels dizzy. Is this happening now<br />

or is he somewhere else, remembering it?<br />

He raises a hand to steady himself, <strong>the</strong>n reaches to<br />

touch his own face through <strong>the</strong> glass.<br />

Blue Palace Hotel, Third Floor, East Hallway<br />

September 20, 10:45 a.m.<br />

Ed stands in front of <strong>the</strong> phone booth, hands shaking.<br />

He doesn’t want to remember anymore. He feels<br />

stupid as he wonders who exactly he should call. The<br />

<strong>Orpheus</strong> emergency number, he thinks, staring at <strong>the</strong><br />

keypad. He’ll just start dialing and <strong>the</strong> numbers will<br />

come….<br />

He feels <strong>the</strong> hairs on <strong>the</strong> back of his neck stand up,<br />

one by one by one.<br />

Ed jerks his head and looks up and down <strong>the</strong> silent<br />

hall. There’s nothing to be seen but rows of doors, all<br />

closed. He takes a breath, <strong>the</strong>n a deeper one. There is<br />

a smell in <strong>the</strong> air. He sniffs. Something musky and wet<br />

fills his nostrils. His earlobes feel hot. There’s a tickle<br />

in his throat.<br />

“What <strong>the</strong> hell is that?” Ed whispers, and backs<br />

away from <strong>the</strong> phone booth. The smell—raw meat,<br />

mixed with animal musk and sweat. The skin on <strong>the</strong><br />

back of his arms itches. His mouth is dry. There’s a<br />

sound, somewhere, a noise that he feels more than<br />

hears, a low rumbling.<br />

A growling.<br />

A formless dread rises in Ed, and he can’t touch it<br />

with coherent thought. Do something! His body won’t<br />

respond. He can’t make his arms move or lift his feet.<br />

He’s a fly caught between two window panes, paralyzed.<br />

Don’t move!<br />

There, at <strong>the</strong> far end of <strong>the</strong> hallway. A shadow falls<br />

across <strong>the</strong> floor. Angles. Curves. Motion.<br />

Ed turns. Ed runs.<br />

He’s barely aware of <strong>the</strong> doors flashing past him as<br />

he pumps his legs forward, again and again, pushing<br />

himself as fast as he can. He turns a corner, almost<br />

( 238 )<br />

6

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