You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
HAUNTING THE DEAD<br />
RICK CHILLOT<br />
back in college, he straddled his body and looked into<br />
his own dead eyes. He feels dizzy. Is this happening now<br />
or is he somewhere else, remembering it?<br />
He raises a hand to steady himself, <strong>the</strong>n reaches to<br />
touch his own face through <strong>the</strong> glass.<br />
Blue Palace Hotel, Third Floor, East Hallway<br />
September 20, 10:45 a.m.<br />
Ed stands in front of <strong>the</strong> phone booth, hands shaking.<br />
He doesn’t want to remember anymore. He feels<br />
stupid as he wonders who exactly he should call. The<br />
<strong>Orpheus</strong> emergency number, he thinks, staring at <strong>the</strong><br />
keypad. He’ll just start dialing and <strong>the</strong> numbers will<br />
come….<br />
He feels <strong>the</strong> hairs on <strong>the</strong> back of his neck stand up,<br />
one by one by one.<br />
Ed jerks his head and looks up and down <strong>the</strong> silent<br />
hall. There’s nothing to be seen but rows of doors, all<br />
closed. He takes a breath, <strong>the</strong>n a deeper one. There is<br />
a smell in <strong>the</strong> air. He sniffs. Something musky and wet<br />
fills his nostrils. His earlobes feel hot. There’s a tickle<br />
in his throat.<br />
“What <strong>the</strong> hell is that?” Ed whispers, and backs<br />
away from <strong>the</strong> phone booth. The smell—raw meat,<br />
mixed with animal musk and sweat. The skin on <strong>the</strong><br />
back of his arms itches. His mouth is dry. There’s a<br />
sound, somewhere, a noise that he feels more than<br />
hears, a low rumbling.<br />
A growling.<br />
A formless dread rises in Ed, and he can’t touch it<br />
with coherent thought. Do something! His body won’t<br />
respond. He can’t make his arms move or lift his feet.<br />
He’s a fly caught between two window panes, paralyzed.<br />
Don’t move!<br />
There, at <strong>the</strong> far end of <strong>the</strong> hallway. A shadow falls<br />
across <strong>the</strong> floor. Angles. Curves. Motion.<br />
Ed turns. Ed runs.<br />
He’s barely aware of <strong>the</strong> doors flashing past him as<br />
he pumps his legs forward, again and again, pushing<br />
himself as fast as he can. He turns a corner, almost<br />
( 238 )<br />
6