4 unités LC - Architecture Insights
4 unités LC - Architecture Insights
4 unités LC - Architecture Insights
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were located independently, on a nearby site, incorporated into the whole<br />
urban design scheme of which this ‘Unité’ was a part). The school in Rezé<br />
presently consists of around 40 students divided into two classes. The children<br />
are between the ages of 2 – 6 years old and must either live in the building or<br />
have a relative as an inhabitant to be admitted (as ruled by the local<br />
governing authorities). When the school first opened in 1955, it consisted of<br />
around 100 students, but with the reduction of the average number of children<br />
per family in France, the school population as since declined.<br />
24 This view was expressed in an interview with one of the teachers of the<br />
school, Isabelle Termeau, who demonstrated the ill functioning of much of<br />
the school equipment, especially of the toilet and wash facilities that had not<br />
been changed since the building’s construction. Many of the built in facilities<br />
typical of Le Corbusier’s designs were also deteriorating, with cast concrete<br />
tables and children’s seats cracked, chipped and with pealing paint.<br />
25 Children’s play equipment on the roof terrace is limited due to the above<br />
air flight traffic, as anything considered distracting for the pilots flying<br />
overhead is strictly prohibited. Balls, for example, are not allowed, nor the<br />
playing of any games such as hopscotch, that would involve the painting of<br />
the terrace surface (also considered distracting to the overhead air traffic).<br />
The wind provides additional limitations to types of play equipment that may<br />
be used as much of it could easily be blown off.<br />
These problems regarding the playing area on the roof terrace were raised by<br />
the school’s teacher Isabelle Termeau.<br />
26 Another concern expressed by Mlle Termeau.<br />
27 Le Corbusier’s original theoretical studies for Rezé, as with the first designs<br />
for Marseilles, envisaged the school to be situated at the base of the building,<br />
set in the natural surroundings of the park. It was to be accessible to all<br />
children in local area, to prevent the social isolation of the children living in<br />
the building. Unfortunately, due to the proximity of the nearby school of<br />
Rezé-Bourg, the municipal council would permit only the inclusion of a small<br />
pre-school of three classes, situated on the roof of the building, in the design.<br />
28 This quote was Le Corbusier’s reaction to the transformations inhabitants<br />
had made to his designs in the case of the Quartier Moderne Frugès in Pessac.<br />
See Boudon, Phillipe Lived-in <strong>Architecture</strong>: Le Corbusier’s Pessac Revisited,<br />
The MIT Press, Cambridge Massachusetts, 1979, p. 2.<br />
159 160<br />
29 The restrictions placed on the school were equally mentioned in the<br />
interview with Mlle Termeau, who expressed frustration and exasperation<br />
regarding the conditions of the school and the demands of the building’s<br />
association.<br />
30 Le Corbusier painted murals on many building walls, the most notable of<br />
which are in the Pavillon Suisse (1930-32), The Chapel of Ronchamp<br />
(1953), the Studio at 35, rue de Sèvres, Paris (where his practice was<br />
originally based), and later in the House at Cap-Martin (in fact designed by<br />
Eileen Gray, 1926-29). Such works feature in the book Boesiger, W.,<br />
Girsberger, H., text by Le Corbusier, Le Corbusier 1910-65, Thames and<br />
Hudson, London, 1967, pp. 299, 305-06 + 312, in a section dedicated to Le<br />
Corbusier’s paintings, sculptures and tapestries that so often feature in his<br />
designs.