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Textbook of Gregorian Chant (1930) - MusicaSacra

Textbook of Gregorian Chant (1930) - MusicaSacra

Textbook of Gregorian Chant (1930) - MusicaSacra

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Part One.<br />

In 1673 Bononcini changed the name ut to that <strong>of</strong> do. The<br />

name <strong>of</strong> the note si, composed <strong>of</strong> the first two letters <strong>of</strong> the<br />

last two words, was introduced later. Before Guido d'Arezzo, the<br />

notes were known by the letters <strong>of</strong> the alphabet :<br />

C D E F G A B<br />

do re mi fa sol la si (% or b ).<br />

The ordinary note in <strong>Gregorian</strong> chant is called a punctum<br />

quadratum and written thus :<br />

Its value is differently modified by the addition <strong>of</strong> a dot,<br />

doubling its length: ••<br />

or by the horizontal episema, marking a slight prolongation <strong>of</strong><br />

the note: i<br />

The notes are placed on a stave <strong>of</strong> four horizontal lines and<br />

three white spaces :<br />

Lines 2 2 Spaces<br />

When the notes go beyond the stave, other lines are used for<br />

them, known as leger lines :<br />

!=£<br />

The name <strong>of</strong> the notes on the stave is marked by a sign called a<br />

clef. These clef signs are borrowed from the ancient musical letters.<br />

Nowadays only two clefs are used in <strong>Gregorian</strong> chant,<br />

the do clef \ / £ ) and the fa clef ^ l j \<br />

All the notes occurring on the same line as the clef bear its name.<br />

This line is taken as the starting-point whence to count the names<br />

<strong>of</strong> the other notes, whether ascending or descending.

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