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Textbook of Gregorian Chant (1930) - MusicaSacra

Textbook of Gregorian Chant (1930) - MusicaSacra

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10 Part One.<br />

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Lesson VI.<br />

Voice-production, (*) Rules, Vocalisation; Rules: Exercises.<br />

As soon as the musical scale can be gone over perfectly and<br />

without hesitation, it is necessary before proceeding further, to<br />

teach the pupils what is needed for good voice-production, as<br />

otherwise it is to be feared that the faults which they may have<br />

contracted will have become so habitual as to render them incapable<br />

<strong>of</strong> singing the plainsong melodies as they should be sung.<br />

The voice has been called the fine instrument with which divine<br />

Providence has endowed us in order to express our thoughts and<br />

feelings. Man has never succeeded in inventing anything so perfect<br />

as the human voice, but it must be cultivated in order to bring uut<br />

the latent aptitudes which it possesses for singing sacred words<br />

with grace and true expression.<br />

(') Valuable hints on this important subject — only slightly touched upon by<br />

Dom Sunol — may be gained from the Stanbrook " Grammar <strong>of</strong> Flainsong ",<br />

Chapter XIV. New Edition 1926.

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