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Textbook of Gregorian Chant (1930) - MusicaSacra

Textbook of Gregorian Chant (1930) - MusicaSacra

Textbook of Gregorian Chant (1930) - MusicaSacra

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Part One.<br />

The comma or virgula (3) indicates a very rapid breath taken<br />

<strong>of</strong>f the value <strong>of</strong> the preceding note :<br />

The quarter bar and the half bar mark secondary pauses taken<br />

in a similar manner <strong>of</strong>f the value <strong>of</strong> the note before:<br />

The whole bar indicates a silence lasting one whole beat, or the<br />

value <strong>of</strong> a note:<br />

The bars in <strong>Gregorian</strong> music do not indicate time-divisions.<br />

The part played by each <strong>of</strong> these signs in the punctuation <strong>of</strong> a<br />

musical phrase will be noted later on.<br />

Lesson II.<br />

The Diatonic Scale. Tones and Semitones. The Flat.<br />

The Natural. The Chromatic Scale.<br />

In defining <strong>Gregorian</strong> chant we called it diatonic music. In<br />

order to understand the first part <strong>of</strong> this definition it must be made<br />

clear that.the scale or diatonic scale is a progression <strong>of</strong> seven<br />

sounds following one another in a natural gradation by tones and<br />

semitones. There are only two semitones in the diatonic scale.<br />

They occur between mi and fa and again between si and do.<br />

All the other notes are at intervals <strong>of</strong> a tone.<br />

I ; m<br />

• tone lone x /2 tone tone tone tone ]/2 tone<br />

A single exception is allowed in the chant. It consists in<br />

transposing the semitone between si and do to place it between<br />

la and si. This operation is carried out by means <strong>of</strong> B flat:<br />

S r-ti——<br />

a —~<br />

tone tone x /2 tone tone tone l /z tone tone

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