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Bowie: A Biography - JFK247

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the young David <strong>Bowie</strong>. Kemp and Birkett seemed<br />

lifestyle models, like James Dean, Elvis and Little<br />

Richard were, only <strong>Bowie</strong> had never met Elvis or<br />

Little Richard and Dean was long dead. Here was<br />

someone who could influence <strong>Bowie</strong> directly and<br />

respond to his multiple queries in person.<br />

“I began to think about costuming music, creating<br />

an alternate version of reality onstage. I wasn’t quite<br />

sure what the balance would be but I was always<br />

open to other people’s ideas and always so<br />

influenced by something I found dramatic,” <strong>Bowie</strong><br />

has said.<br />

“I really taught him to be audacious, because he<br />

was a bit timid,” Kemp recalls. “Through example.<br />

My own example. My example offstage of course,<br />

but I mean my example in the theater, on the stage<br />

and in the workshop as well.”<br />

Kemp and <strong>Bowie</strong> enjoyed a brief physical affair as<br />

well, with Kemp expressing his desire and having his<br />

way with his starstruck new friend, although this act<br />

too seemed to be part of a larger curriculum. <strong>Bowie</strong><br />

plunged into this tutelage with everything he had and<br />

there was no longer much talk about shaving his<br />

head and fleeing to Edinburgh to become a monk.<br />

“I taught to David the technique of the hypnotist<br />

and the lover. One has to hypnotize an audience to<br />

enchant them and of course make them love you.<br />

The Casanova technique. Not that that I needed to<br />

teach him much about the Casanova technique,”<br />

Kemp proclaimed.<br />

“Lindsay always gave him hell,” Pierrot’s costume

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