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Bowie: A Biography - JFK247

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in a profound and enduring way. Russia grew vast<br />

and wealthy in the postwar years, and by August of<br />

1949, it too was a nuclear superpower. No longer a<br />

necessary ally of the Americans, Russia, under the<br />

paranoid and xenophobic Joseph Stalin,<br />

disengaged. Stalin was no fan of Frank Sinatra,<br />

Mickey Mouse or Coca-Cola, which were<br />

considered corruptive. Victory and quieted munitions<br />

only seemed to illuminate the differences between<br />

America and Russia. The arms race between these<br />

rivals would, for all their cooperative war efforts, now<br />

end in mutually assured destruction if one or both<br />

giants pushed the conflict to the brink. Nearly a<br />

quarter of a million people were killed in the<br />

Hiroshima and Nagasaki bombings. The stalemate<br />

between the former allies promised to vaporize<br />

millions more in the same amount of time. The<br />

uncertainty of any future at all coupled with tales of<br />

horror and cruelty brought back by surviving soldiers<br />

elevated pop pleasures to a greater level of<br />

importance than they’d ever been. Cheap, fast<br />

pleasures became, for many, especially the young,<br />

the only pleasures that made sense during the Cold<br />

War years. This was the atmosphere that every child<br />

of David Jones’s age in England and America would<br />

grow up in. Sensory overload seemed newly<br />

practical. For his generation, pop was a powerful<br />

salve. Pop was everything.

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