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Bowie: A Biography - JFK247

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composing avant-garde pop singles. “Warm<br />

Leatherette” by the Normal was the first and among<br />

the finest. Even the classic guitar/bass/drums acts of<br />

the new wave, like Northhampton’s Bauhaus, were<br />

<strong>Bowie</strong>-informed. It must have been gratifying and<br />

infuriating at once. <strong>Bowie</strong> was only thirty-two, but<br />

already he was being treated like a great star from a<br />

bygone era. Worse, many of these acts were vying<br />

against him for chart success. Tubeway Army leader<br />

Gary Numan’s 1979 solo album The Pleasure<br />

Principle (powered by the chilly dance smash<br />

“Cars”) outsold <strong>Bowie</strong>’s release from the same year,<br />

Lodger. The Associates, a wry, romantic Scottish<br />

New Wave band, didn’t even bother to write their<br />

own <strong>Bowie</strong>-indebted hit that year but rather gained<br />

serious rock-press attention with an accelerated but<br />

faithful cover version of <strong>Bowie</strong>’s own ’79 single<br />

“Boys Keep Swinging.”

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