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Bowie: A Biography - JFK247

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me banned from school. I was a straight-A student<br />

until around this time.” After school in 1976, Strange<br />

took up an offer from then–Sex Pistols bassist Glen<br />

Matlock to come down to London and stay at his<br />

apartment. He decided this was his way out. “After<br />

school you were either going to be very athletic and<br />

take up rugby and become a rugby player or you’d<br />

have to do what your father and your grandfather did<br />

before and go down the mines,” Strange recalls. In<br />

London he fell in with the Pistols-following “Bromley<br />

Contingent,” which included Siouxsie Sioux,<br />

Generation X’s Tony James and Billy Idol, and future<br />

Pistols bassist and junkie death icon Sid Vicious,<br />

among others. Strange worked for Pistols manager<br />

Malcolm McLaren, selling and modeling clothes at<br />

Seditionaries, the shop he’d opened with Vivienne<br />

West-wood. He also made paste-up posters for<br />

Pistols gigs and roadied on the Anarchy tour. A<br />

record collector, by punk’s flame-out, he’d amassed<br />

an impressive collection of hard-to-find “new” music,<br />

browsing in local bins along each tour stop. A local<br />

scenester named Rusty Egan, also bored with punk,<br />

had been doing the same, and one night while sitting<br />

around the stereo in a friend’s flat, they determined<br />

that the “new” music sounded excellent when mixed<br />

in with the glitter “oldies.” “We’d play Nina Hagen,<br />

Bauhaus, early Eno, Kraftwerk. We thought, ‘What if<br />

we had a club and between this new futuristic music<br />

we would mix in favorite <strong>Bowie</strong> tracks and glamperiod?’”<br />

Strange had been ensconced in the punk<br />

scene long enough to know that just about every

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