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Bowie: A Biography - JFK247

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like KSAN in San Francisco. He and Defries knew<br />

that American radio was his way in, and blue-collar<br />

Cleveland was isolated as the somewhat<br />

improbable beachhead. “Changes” and “Life on<br />

Mars?” from the previous year’s Hunky Dory were<br />

WMMS staples already. “Suffragette City” and the<br />

title track of Ziggy Stardust were in heavy rotation.<br />

U.S. tour number one would launch from Ohio.<br />

“In Cleveland we were early,” says Denny<br />

Sanders, then a DJ at WMMS. “So as soon as<br />

Ziggy was released, man, that audience was ready<br />

and they were familiar with <strong>Bowie</strong> and they were<br />

accepting of his style. And it just exploded. It was<br />

only natural that it’d be done in Cleveland. They were<br />

barely playing it in Boston. Boston is a hip city but it<br />

was late when it came to David <strong>Bowie</strong>. You don’t<br />

want to play to a half a house in a market where he’s<br />

barely being played.”<br />

<strong>Bowie</strong> and Angie sailed to New York City on<br />

September 10, 1972, aboard the cruise ship Queen<br />

Elizabeth II. They arrived one week later and this<br />

time, like Oscar Wilde, the press was there to greet<br />

him, along with assorted RCA executives; MainMan<br />

staff, including road manager Leee Black Childers;<br />

and a handful of hipper New York music fans.<br />

Between his first American promotional tour and this<br />

one, <strong>Bowie</strong> had developed a fear of air travel. While<br />

morbid, it was yet another opportunity, according to<br />

Defries, to exploit his grandeur and uniqueness. The<br />

<strong>Bowie</strong>s, it had been announced, would “sail” to the<br />

New World in style, creating an air of great

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