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“<br />

ON THE TOWN: ORLANDO<br />

HOUSE MUSIC<br />

A private living room in a private house in a residential neighborhood is quickly becoming the<br />

hottest venue in Orlando for sophisticated jazz concerts.<br />

We’re going to take you on<br />

a complicated journey,”<br />

saxophonist Jack Wilkins<br />

declares, introducing his<br />

Appalachian Mountainsinfl<br />

uenced compositions before<br />

launching into a multi-layered<br />

song accompanied by trombonist<br />

Keith Oshiro and fellow sax player<br />

Tamara Danielsson. Wilkins’<br />

original jazz works are being played<br />

by 16 musicians—two guitarists, a<br />

full horn section, three marimbas<br />

and a jazz triangle player—all<br />

crammed into Benoit Glazer’s<br />

living room.<br />

This living room is known<br />

as the Timucua White House,<br />

a mostly undiscovered musical<br />

haven in Orlando, and Glazer’s life<br />

passion. The plain, modern exterior<br />

gives little hint to the wood lined,<br />

multi-leveled performance space<br />

inside, dominated by a two-tier<br />

balcony and hung with art created during<br />

concerts by local painters. Combining<br />

advanced design with acoustically perfect<br />

construction, the family’s private quarters<br />

share the building with the three-story<br />

“living room.”<br />

Glazer, the musical director for the<br />

Cirque du Soleil’s La Nouba show for almost<br />

14 years, plays trumpet in the Downtown<br />

Disney complex fi ve days a week. That<br />

leaves him just enough time to plan two<br />

shows a month at the House—his house.<br />

We believe the arts<br />

and music belong<br />

to everyone<br />

He’s been producing this non-profi t, private<br />

music series since 1998, dedicating his home<br />

to the sounds he loves. “After moving to<br />

Orlando, I realized there wasn’t anywhere<br />

to hear new contemporary music on<br />

weeknights, so my only choice was to do it in<br />

our house,” he explains. “I started by playing<br />

shows with my family, but by the second<br />

night, it had already become an outlet for<br />

other musicians. We’ve become a part of the<br />

circuit for players from all over the world,<br />

and that’s fantastic.”<br />

Glazer’s French-Canadian accent sings<br />

as he talks about growing up with the music<br />

his father played on the fi ddle, and how<br />

the family tradition continues through him<br />

and his wife, Élaine Corriveau, a piano<br />

teacher and accomplished vocalist. Their<br />

three talented children open most White<br />

House concerts: Charles-Édouard, 18, on<br />

GLAZER’S TOP 5 GLAZER HAS BEEN SHOWCASING MUSICIANS IN HIS HOME FOR 13 YEARS AND HIS FAVORITES INCLUDE:<br />

▪ Jazz-fusion trumpeter Tiger ▪ Jazz legend Sam Rivers and his ▪ Trio BraamDeJoodeVatcher, a ▪ “He played two weeks before<br />

Okoshi in 2003. “He was the first orchestra, and classical trumpeter contemporary Dutch jazz group, he won the Pulitzer Prize for music<br />

internationally-known musician to Jens Lindemann headlined the were joined by guitar great Larry in 2008,” Glazer recalls about<br />

play at the House,” Glazer says. “He Glazer-organized Orlando Brass Coryell in 2009. “It was a very composer David Lang, known for<br />

put us on the map.”<br />

Festival in 2006.<br />

thrilling surprise to have Larry here.” his work with Bang on a Can.<br />

APRIL <strong>2012</strong> 86<br />

GO MAGAZINE<br />

BY JOSEPH HAYES<br />

bass or violin; Camille, 16, on the piano; and<br />

14-year-old Jean-Marie on drums.<br />

Admission to these concerts is a simple<br />

potluck—your entrance fee is a bottle of<br />

wine. The audience of up to 150 musicphiles<br />

is an eclectic mix of students, seasoned jazz<br />

afi cionados and those curious about this<br />

underground jazz club/house party hybrid.<br />

The schedule focuses on jazz and<br />

modern classical music, but those with<br />

diverse taste will also fi nd shows by artists<br />

such as the contemporary Japanese koto<br />

player Tomoko Kawahara, avant-garde jazz<br />

pianist Matthew Shipp, and klezmer and<br />

classical music from clarinetist Christine<br />

Barron to be just the (BYOB) ticket.<br />

Glazer’s credo is a simple one. “We<br />

believe the arts and music belong to<br />

everyone,” he says, “and they belong in the<br />

living room.” timucua.com<br />

1 2 3 4 5<br />

▪ Japanese percussionist Tatsuya<br />

Nakatani played a spectacular solo<br />

show in 2011. “He included us in<br />

his <strong>2012</strong> world tour in March,”<br />

Glazer said.

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