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Volume 10 - Issue 1, February 15, 2008 - Lake Chapala Review

Volume 10 - Issue 1, February 15, 2008 - Lake Chapala Review

Volume 10 - Issue 1, February 15, 2008 - Lake Chapala Review

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Page 48 <strong>Lake</strong> <strong>Chapala</strong> <strong>Review</strong><br />

<strong>February</strong> <strong>2008</strong><br />

Maestros del Arte<br />

by Marianne Carlson Art-Hippocrates to Oscar Wilde<br />

If Hippocrates or Oscar Wilde said to you, “Hey, if you’re<br />

shopping for unusual and unique art, be sure you go to<br />

Galería Maestros del Arte,” would you listen to them?<br />

Well, I know I might‑would‑well, probably would‑should!<br />

Galería Maestros del Arte has moved (yet again) to join<br />

Galería La Puerta in bringing to Ajijic the most eclectic<br />

collection of art to be found at <strong>Lake</strong>side. All this can be<br />

found at Colon #13, Ajijic.<br />

Here is what a few famous people from history (and<br />

one friend) had to say about art. Hopefully, they will<br />

entice you into our galleries, to explore and learn more<br />

about the vast array of art available in Mexico, and more<br />

particularly, here at <strong>Lake</strong>side.<br />

“The color! The color!” A friend visiting me for the first<br />

time..<br />

She was referring to the Mexican art in my home<br />

that surrounds my everyday life.<br />

“Art is the most intense mode of individualism that the<br />

world has known.” Oscar Wilde<br />

The artisan (he or she) has always been an<br />

important factor in the equation of their society<br />

and culture. He earned for himself a certain status<br />

and a responsible position in society. He made<br />

things mainly for the use of the people around him<br />

and not so much for sale in a distant marketplace.<br />

He was an heir to the people’s traditions and he<br />

wove them into his craft, making it into an art.<br />

“Art hath an enemy called ignorance.” Ben Johnson<br />

I don’t think I would be inaccurate to assume that<br />

most of Mexico’s visitors do not know very much<br />

about folk art. Most tourists do not realize that<br />

pottery they purchased may have been made in<br />

the same family for generations. Neither do they<br />

know it can take a month to weave a rebozo.<br />

And it’s almost certain they are unaware that<br />

the woman who wove the huipile they believe<br />

is priced “too high” may give up weaving these<br />

indigenous garments to weave placemats for<br />

tourists because she cannot get a “fair” price for<br />

her work.<br />

“Art is long, life is short.” Hippocrates<br />

Craftsmanship has no boundaries and systems of<br />

government, it outlives republics and empires: the<br />

pottery, basketwork, and weaving have survived<br />

Mayan priests, Aztec warriors, and Mexican<br />

presidents. They will also survive American<br />

tourists. Craftsmen have no country; they are from<br />

their village. What is more, they are from their<br />

neighborhood and their family. The craftsman<br />

does not define himself in terms of nationality or<br />

religion. His workday is not ruled by a rigid time<br />

schedule but by a rhythm linked more to his body<br />

and sensibility than to the abstract necessities of<br />

production. As the artisan works he may talk with<br />

others and sometimes sing.<br />

“Art is a deliberate recreation of a new and special reality<br />

that grows from your response to life. It cannot be copied;<br />

it must be created.” Anonymous

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