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1999–2000 Annual Report - Canadian Museum of Civilization

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In September 1999, I began my term as Chairman<br />

<strong>of</strong> the <strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong> <strong>Civilization</strong><br />

Corporation, inheriting the role from Canada’s<br />

newly-appointed Governor General, Her Excellency<br />

The Right Honourable Adrienne Clarkson.<br />

Within a very short period <strong>of</strong> time, it became clear<br />

that this was no ordinary chairmanship. The<br />

<strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong> <strong>Civilization</strong> Corporation<br />

(CMCC) is an extremely active and high-pr<strong>of</strong>ile<br />

organization, constantly looking for ways to<br />

improve its exhibitions and programmes, expand its<br />

outreach activities, and present itself as an example<br />

<strong>of</strong> what modern museums are — or should be — all<br />

about.<br />

Never an organization to rest on its laurels, the day<br />

after the Corporation closed out its previous — and<br />

recordbreaking — fiscal year, it was celebrating the<br />

inauguration <strong>of</strong> Nunavut, in its role as the <strong>of</strong>ficial<br />

southern site <strong>of</strong> this important <strong>Canadian</strong> event.<br />

Declaring “The Great <strong>Canadian</strong> North” as its major<br />

high-season theme, the <strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong><br />

<strong>Civilization</strong> featured not one, but three, selfproduced<br />

exhibitions on the Inuit, including a live<br />

webcast <strong>of</strong> Iqqaipaa, an exhibition celebrating<br />

modern Inuit art.<br />

A month later, the <strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong><br />

<strong>Civilization</strong> launched its major exhibition <strong>of</strong><br />

<strong>Canadian</strong> outdoor folk art, This Other Eden.<br />

Showcasing works from the CMC’s extraordinary<br />

folk art collection, the exhibition’s presentation at<br />

the CMC marked the first venue <strong>of</strong> an extensive<br />

national tour. The exhibition proved extremely<br />

popular with the public and the media. That an<br />

exhibition on the domestic artistry <strong>of</strong> ordinary<br />

<strong>Canadian</strong>s managed to strike such a national chord<br />

is, perhaps, a testament to the Corporation’s ability<br />

to give <strong>Canadian</strong> audiences the kind <strong>of</strong> content they<br />

are looking for.<br />

Despite an ongoing deficit in public-sector support,<br />

the Corporation also continued to complete longterm<br />

exhibition spaces in the Canada Hall and First<br />

Peoples Hall. It did this while maintaining an<br />

active slate <strong>of</strong> educational and interpretive<br />

programmes, special events, and more. Much <strong>of</strong><br />

this success has been achieved with the support <strong>of</strong><br />

public- and private-sector partners, to whom we are<br />

sincerely grateful.<br />

7<br />

Dr. John English<br />

Chairman, Board <strong>of</strong> Trustees<br />

Photo: H. Foster<br />

Chairman’s <strong>Report</strong>

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