1999–2000 Annual Report - Canadian Museum of Civilization
1999–2000 Annual Report - Canadian Museum of Civilization
1999–2000 Annual Report - Canadian Museum of Civilization
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In September 1999, I began my term as Chairman<br />
<strong>of</strong> the <strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong> <strong>Civilization</strong><br />
Corporation, inheriting the role from Canada’s<br />
newly-appointed Governor General, Her Excellency<br />
The Right Honourable Adrienne Clarkson.<br />
Within a very short period <strong>of</strong> time, it became clear<br />
that this was no ordinary chairmanship. The<br />
<strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong> <strong>Civilization</strong> Corporation<br />
(CMCC) is an extremely active and high-pr<strong>of</strong>ile<br />
organization, constantly looking for ways to<br />
improve its exhibitions and programmes, expand its<br />
outreach activities, and present itself as an example<br />
<strong>of</strong> what modern museums are — or should be — all<br />
about.<br />
Never an organization to rest on its laurels, the day<br />
after the Corporation closed out its previous — and<br />
recordbreaking — fiscal year, it was celebrating the<br />
inauguration <strong>of</strong> Nunavut, in its role as the <strong>of</strong>ficial<br />
southern site <strong>of</strong> this important <strong>Canadian</strong> event.<br />
Declaring “The Great <strong>Canadian</strong> North” as its major<br />
high-season theme, the <strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong><br />
<strong>Civilization</strong> featured not one, but three, selfproduced<br />
exhibitions on the Inuit, including a live<br />
webcast <strong>of</strong> Iqqaipaa, an exhibition celebrating<br />
modern Inuit art.<br />
A month later, the <strong>Canadian</strong> <strong>Museum</strong> <strong>of</strong><br />
<strong>Civilization</strong> launched its major exhibition <strong>of</strong><br />
<strong>Canadian</strong> outdoor folk art, This Other Eden.<br />
Showcasing works from the CMC’s extraordinary<br />
folk art collection, the exhibition’s presentation at<br />
the CMC marked the first venue <strong>of</strong> an extensive<br />
national tour. The exhibition proved extremely<br />
popular with the public and the media. That an<br />
exhibition on the domestic artistry <strong>of</strong> ordinary<br />
<strong>Canadian</strong>s managed to strike such a national chord<br />
is, perhaps, a testament to the Corporation’s ability<br />
to give <strong>Canadian</strong> audiences the kind <strong>of</strong> content they<br />
are looking for.<br />
Despite an ongoing deficit in public-sector support,<br />
the Corporation also continued to complete longterm<br />
exhibition spaces in the Canada Hall and First<br />
Peoples Hall. It did this while maintaining an<br />
active slate <strong>of</strong> educational and interpretive<br />
programmes, special events, and more. Much <strong>of</strong><br />
this success has been achieved with the support <strong>of</strong><br />
public- and private-sector partners, to whom we are<br />
sincerely grateful.<br />
7<br />
Dr. John English<br />
Chairman, Board <strong>of</strong> Trustees<br />
Photo: H. Foster<br />
Chairman’s <strong>Report</strong>