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... Open and transparent — ironic? 21
Page 1 and 2: DISASTERS OF PEACE: PART 2 2011
Page 3 and 4: ‘Made to measure’ by Diane Vict
Page 6 and 7: The politics of horror art, freedom
Page 8 and 9: art on their behalf’ 6 while Van
Page 10 and 11: 2.2 How do we categorise art? The d
Page 12 and 13: this kind of innocence, of superfic
Page 14 and 15: we want to advocate in the Law Facu
Page 16 and 17: Following my support for Van Marle
Page 18 and 19: (iii) Thirdly, the University — w
Page 20 and 21: Returning to my earlier point about
Page 24 and 25: Horror art as impetus for activism
Page 26 and 27: mind selects, screens and filters i
Page 28 and 29: In the last three lines of her poem
Page 30 and 31: 5 Interior design and relevance to
Page 32 and 33: 6 Recent examples In July 2010, two
Page 34 and 35: come to terms with eventually. 22 F
Page 36: such a ‘controversial’ topic. D
Page 39 and 40: 38 ‘Somewhat kitsch’, was the s
Page 41: 40 ‘You are such prudes’ said t

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