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Photography<br />

Available: January 2013<br />

ISBN: 9783936165586<br />

Price: £22.50<br />

Format: Paperback<br />

Pages: 68<br />

Illustrations: 50 b/w photos<br />

Size: 250x 200 mm<br />

Category: Photography<br />

Rights: Worldwide, except<br />

Germany, Austria and<br />

Switzerland<br />

Available: January 2013<br />

ISBN: 9783936165746<br />

Price: £42.50<br />

Format: Paperback<br />

Pages: 76<br />

Illustrations: 50 col<br />

Size: 260 x 320 mm<br />

Category: Photography<br />

Rights: Worldwide, except<br />

Germany, Austria and<br />

Switzerland<br />

8 JOHN RULE Spring 2013<br />

Deborah Parkin<br />

William Ropp<br />

"The world of children in these portraits is not the sweet, impossible,<br />

and perfect idyll that Heinrich Kühn always photographed his<br />

children basking in nor is it that tragic world of the children Dr.<br />

Bernardo commissioned to be photographed in order to shock the<br />

Victorian consciousness into compassion, just as his contemporary<br />

humanitarians Charles Dickens, Frederick Engels, and the 7th Earl<br />

of Shaftesbury did in their work. Parkin has written that, though not<br />

challenging the actual "innocence" of children, she "is challenging<br />

the notion of childhood being innocent. We shouldn't sentimentalize<br />

childhood, to do this would be a grave disservice to our children. It<br />

would be a lie. It would suggest that a child lives in a blissful bubble<br />

and doesn't feel things that we do as adults…Childhood is what shapes<br />

us into the adults we become." And, as we all know, it can shape us for<br />

good or ill…” Prof. <strong>John</strong> Wood<br />

Vis-à-Vis : Portraits of New Woman<br />

Chin-Chin Wu<br />

In 2006, Chin-Chin Wu began photographing a systematic series<br />

of intimate portraits in Paris that would later be entitled Vis-à-vis:<br />

Portraits of New Women. Originally small-scaled and experimental in<br />

nature, by 2008, Wu had evolved the project into its present form of<br />

large-format, spectacularly subtle images of female empowerment.<br />

Shooting in Paris and Beijing, Wu engaged 50 women from 18 countries<br />

as subjects. The women voluntarily posed for their portraits and spoke<br />

for the record about their intentions. Dialoguing intimately with the<br />

history of photography and its representation of the female genitalia,<br />

Vis-à-vis intentionally flirts with ideas of fragility and power, eroticism<br />

and raw objectivity, medical precision and sexual primacy, generating<br />

an emotional tension that is both uneasy and arresting. The portraits<br />

included in this book are presented anonymously, with the place of the<br />

shooting, the date of the session and original words from each model.

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