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Photography<br />
Available: January 2013<br />
ISBN: 9783936165586<br />
Price: £22.50<br />
Format: Paperback<br />
Pages: 68<br />
Illustrations: 50 b/w photos<br />
Size: 250x 200 mm<br />
Category: Photography<br />
Rights: Worldwide, except<br />
Germany, Austria and<br />
Switzerland<br />
Available: January 2013<br />
ISBN: 9783936165746<br />
Price: £42.50<br />
Format: Paperback<br />
Pages: 76<br />
Illustrations: 50 col<br />
Size: 260 x 320 mm<br />
Category: Photography<br />
Rights: Worldwide, except<br />
Germany, Austria and<br />
Switzerland<br />
8 JOHN RULE Spring 2013<br />
Deborah Parkin<br />
William Ropp<br />
"The world of children in these portraits is not the sweet, impossible,<br />
and perfect idyll that Heinrich Kühn always photographed his<br />
children basking in nor is it that tragic world of the children Dr.<br />
Bernardo commissioned to be photographed in order to shock the<br />
Victorian consciousness into compassion, just as his contemporary<br />
humanitarians Charles Dickens, Frederick Engels, and the 7th Earl<br />
of Shaftesbury did in their work. Parkin has written that, though not<br />
challenging the actual "innocence" of children, she "is challenging<br />
the notion of childhood being innocent. We shouldn't sentimentalize<br />
childhood, to do this would be a grave disservice to our children. It<br />
would be a lie. It would suggest that a child lives in a blissful bubble<br />
and doesn't feel things that we do as adults…Childhood is what shapes<br />
us into the adults we become." And, as we all know, it can shape us for<br />
good or ill…” Prof. <strong>John</strong> Wood<br />
Vis-à-Vis : Portraits of New Woman<br />
Chin-Chin Wu<br />
In 2006, Chin-Chin Wu began photographing a systematic series<br />
of intimate portraits in Paris that would later be entitled Vis-à-vis:<br />
Portraits of New Women. Originally small-scaled and experimental in<br />
nature, by 2008, Wu had evolved the project into its present form of<br />
large-format, spectacularly subtle images of female empowerment.<br />
Shooting in Paris and Beijing, Wu engaged 50 women from 18 countries<br />
as subjects. The women voluntarily posed for their portraits and spoke<br />
for the record about their intentions. Dialoguing intimately with the<br />
history of photography and its representation of the female genitalia,<br />
Vis-à-vis intentionally flirts with ideas of fragility and power, eroticism<br />
and raw objectivity, medical precision and sexual primacy, generating<br />
an emotional tension that is both uneasy and arresting. The portraits<br />
included in this book are presented anonymously, with the place of the<br />
shooting, the date of the session and original words from each model.