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<strong>Art</strong><br />
Available: April 2013<br />
ISBN: 9783864420269<br />
Price: £28.50<br />
Format: Hardback<br />
Pages: 180<br />
Illustrations: 500 colour<br />
Size: 290 x 240 mm<br />
Category: <strong>Art</strong><br />
Rights: UK & Eire, Scandinavia,<br />
Italy, Greece, Spain, Portugal<br />
and Eastern Europe only<br />
Der Spiegel des Narziss<br />
Der Spiegel des Narziss<br />
Vom mythologischen Halbgott zum Massenphänomen<br />
30 JOHN RULE Spring 2013<br />
Snoeck<br />
Available: April 2013<br />
ISBN: 9783864420306<br />
Price: £28.50<br />
Format: Hardback<br />
Pages: 176<br />
Illustrations: 100 colour<br />
Size: 280 x 220 mm<br />
Category: <strong>Art</strong><br />
Rights: UK & Eire, Scandinavia,<br />
Italy, Greece, Spain, Portugal<br />
and Eastern Europe only<br />
snoeck<br />
Peter Dreher: Homage to Painting<br />
Peter Dreher & Christine Litz<br />
The diverse oeuvre of Peter Dreher, who celebrated his 80th birthday<br />
this summer, has culminated in a continuing series initiated way back in<br />
1974. The 25 × 20 cm panels – oil on canvas or cardboard – perennially<br />
depict the same solitary glass and are all entitled Every Day is a Good<br />
Day. The artist recently described the genesis of the series as follows:<br />
One idea I had at the end of the 1960s, beginning of the 1970s, was to<br />
paint an invisible picture. Of course, it was an impossible undertaking.<br />
An undertaking that could only be realised by painting the simplest<br />
thing possible … I was always cautious about narrative pictures charged<br />
with meaning. But an individual painting loses its relationship with<br />
reality as soon as it is repeated. This is how I arrived at the idea of<br />
painting the same thing over and over again At first there were six,<br />
then I felt like doing another and another – and now there are 5,000.<br />
snoeck<br />
The Mirror of Narcissus: From<br />
Mythological Demigod to Mass<br />
Phenomenon<br />
Beate Ermacora et al<br />
This extensive catalogue accompanies a major exhibition at the Galerie<br />
Taxispalais in Innsbruck. It interprets the popular Narcissus theme, not<br />
merely from the mythological angle – Narcissus is considered to be the<br />
godfather of painting – or as a mirror image of Freudian psychoanalysis<br />
– but in particular to place the theme in the context of gender<br />
discourse. According to one of the theses, it is only through the blurring<br />
of gender roles that a masculine physical self-awareness has come into<br />
play, which, with vain self-reflection, blatantly and radically parades a<br />
different part of the essence of feeling, somewhere between denial and<br />
delusions of grandeur. Featuring works by Urs Lüthi, Niklas Goldbach,<br />
Ely Kim, Helmut Schober, Anan Tzukerman and Luis Camnitzer.