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<strong>Art</strong><br />

Available: April 2013<br />

ISBN: 9783864420269<br />

Price: £28.50<br />

Format: Hardback<br />

Pages: 180<br />

Illustrations: 500 colour<br />

Size: 290 x 240 mm<br />

Category: <strong>Art</strong><br />

Rights: UK & Eire, Scandinavia,<br />

Italy, Greece, Spain, Portugal<br />

and Eastern Europe only<br />

Der Spiegel des Narziss<br />

Der Spiegel des Narziss<br />

Vom mythologischen Halbgott zum Massenphänomen<br />

30 JOHN RULE Spring 2013<br />

Snoeck<br />

Available: April 2013<br />

ISBN: 9783864420306<br />

Price: £28.50<br />

Format: Hardback<br />

Pages: 176<br />

Illustrations: 100 colour<br />

Size: 280 x 220 mm<br />

Category: <strong>Art</strong><br />

Rights: UK & Eire, Scandinavia,<br />

Italy, Greece, Spain, Portugal<br />

and Eastern Europe only<br />

snoeck<br />

Peter Dreher: Homage to Painting<br />

Peter Dreher & Christine Litz<br />

The diverse oeuvre of Peter Dreher, who celebrated his 80th birthday<br />

this summer, has culminated in a continuing series initiated way back in<br />

1974. The 25 × 20 cm panels – oil on canvas or cardboard – perennially<br />

depict the same solitary glass and are all entitled Every Day is a Good<br />

Day. The artist recently described the genesis of the series as follows:<br />

One idea I had at the end of the 1960s, beginning of the 1970s, was to<br />

paint an invisible picture. Of course, it was an impossible undertaking.<br />

An undertaking that could only be realised by painting the simplest<br />

thing possible … I was always cautious about narrative pictures charged<br />

with meaning. But an individual painting loses its relationship with<br />

reality as soon as it is repeated. This is how I arrived at the idea of<br />

painting the same thing over and over again At first there were six,<br />

then I felt like doing another and another – and now there are 5,000.<br />

snoeck<br />

The Mirror of Narcissus: From<br />

Mythological Demigod to Mass<br />

Phenomenon<br />

Beate Ermacora et al<br />

This extensive catalogue accompanies a major exhibition at the Galerie<br />

Taxispalais in Innsbruck. It interprets the popular Narcissus theme, not<br />

merely from the mythological angle – Narcissus is considered to be the<br />

godfather of painting – or as a mirror image of Freudian psychoanalysis<br />

– but in particular to place the theme in the context of gender<br />

discourse. According to one of the theses, it is only through the blurring<br />

of gender roles that a masculine physical self-awareness has come into<br />

play, which, with vain self-reflection, blatantly and radically parades a<br />

different part of the essence of feeling, somewhere between denial and<br />

delusions of grandeur. Featuring works by Urs Lüthi, Niklas Goldbach,<br />

Ely Kim, Helmut Schober, Anan Tzukerman and Luis Camnitzer.

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