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Download PDF - John Rule Art Book Distribution

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Photography<br />

Available: January 2013<br />

ISBN: 9788895157382<br />

Price: £19.95<br />

Format: Hardback<br />

Pages: 84<br />

Illustrations: 36 col photos<br />

Size: 280 x 280 mm<br />

Language: English/Italian<br />

Category: Photography<br />

Rights: Worldwide<br />

Available: January 2013<br />

ISBN: 9788895157399<br />

Price: £22.95<br />

Format: Hardback<br />

Pages: 112<br />

Illustrations: 56 col photos<br />

Size: 280 x 280 mm<br />

Language: English/Italian<br />

Category: Photography<br />

Rights: Worldwide<br />

10 JOHN RULE Spring 2013<br />

Roberto Kusterle: Stone Marks<br />

Roberto Kusterle<br />

It has often been said that Roberto Kusterle is not just a photographer,<br />

but we should repeat it again while presenting this new work. It requires<br />

a meticulous observation of nature and the establishment of a dialogue<br />

with its elements, in this particular case, stone. Simple and humble<br />

stones that he seeks out, chooses, collects with patience and curiosity<br />

and photographs, appreciating their shape, surface, texture, design and<br />

colour. He appropriates all these aesthetic values and transfers them<br />

on to nude bodies and his models’ skins, adapting to the materials they<br />

are wearing, to form a single entity. In this way surprising and surreal<br />

connections are created between man and element, smooth and rough,<br />

hot and cold, living and dead. Sometimes, the sensation is that of<br />

osmosis and complicity, other times of contrast and hostility. In other<br />

cases, the figure reflects the element itself, melting into it.<br />

Damson: Life, Death, Love, Loss<br />

Melissa Wauchope<br />

“Nothing afflicts us like pain; nothing is feared, held distant or removed<br />

like pain or death” says Melissa Wauchope, in art “Damson”, the<br />

Australian artist who for many years has been based almost exclusively<br />

in Italy. Our culture hides that which is considered disagreeable. We<br />

hide the non-decorative, the unproductive, that which repels or brings<br />

to mind uncomfortable truths. Women hide even better than others.<br />

We hide our blood, our age, at times the bruises we collect; we hide<br />

our fear, our bodies if they don’t correspond to imposed ideals.. In<br />

this recent series of works, Damson pauses to analyze the dialogue<br />

that each person undertakes with love, death, life and loss. Each<br />

such encounter appears in the form of ritual. She uses photography<br />

and collage, luminous, informal installations which combine video,<br />

graffiti, words, alphabets, items of clothing, to interrogate our culture’s<br />

relationship with death.

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