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166 - ketab farsi

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1<br />

“The twelve tribes of Israel each had their own family,<br />

yet they remained united through their conviction and this<br />

is the secret of Israel’s strength and survival, like a branch<br />

growing from one stem.”<br />

Rabbi Samson Rafael Hirsch<br />

“kôAqkû Úõï AupADýê øpÞlAï gBðlAó gõk oA kAyPñl, AìB AüíBó ô<br />

øíHvPãþ @ó øB oAq ÚloR ô GÛBF üùõküBó yl. ìBðñl yBgú øBDþ Þú<br />

Aq üà o üzú o ôDýlû Aðl.”<br />

oGBÿ uBìvõ ó oAÖBDê øp}<br />

OBGvPBó ô KBDýr 9831gõoyýlÿ, 0102 ìýçkÿ, 1775 ÎHpÿ


.¥n¼Ä¼Ãº ÁIÀ ¦ºIM ¸ÄoT¬nqM 14 ¸ÃM<br />

.ÁjI¹wH ÁIÀnILTøH n»kÅ nj I§ÄoH ©nqM ÁIÀ ¦ºIM %10 ¸ÃM<br />

.x»oÎ ½kµø ÁIÀ ºIPµ¨ ÁHoM ÂUnI\U ÁIÀ ³H»<br />

( Moti Levy ) ¡k~ļ² jHjo¿ ÁI¤A IM Iÿõ² RIø°öH Kv¨ ÁHoM<br />

.kÃGIoÎ ®ÅIe tIµU 213 -861-6440¸ÿ±U ½nIµ{ IM<br />

¦ºIM RIL÷{ tnjA:<br />

.·I¿] ´¿ ÁI¿§ºIM oX¨H IM óILUnH<br />

.IÀ S¨o{ » |Ih{H ÁHoM §ºIM ÁIÀ uÄ»ow » IÀ ½joPw ÌH¼ºH<br />

FDIC ¼ñø» ¾£MIw ÏIw 50 IM ´§dTv »oLT÷ §ºIM<br />

9401 Wilshire Blvd # 600 Beverly Hills, CA. 90212 (Tel’310-860-6320)<br />

888 S. Figueroa St. # 550 Los Angeles, CA. 90017 (Tel’ 213-861-6440)<br />

511 Fifth Ave, NY, NY. 10017, (Tel’: 212-551-8500) (The main office)<br />

1350 Broadway, NY, NY. 10018 (Tel’: 212-714-5662)<br />

18851 NE 29th Ave, # 600 Aventura, FL. 33180 (Tel’: 305-682-3700)<br />

IDB Bank is a registered service mark of Israel Discount Bank of New York. Member FDIC<br />

www.idbbank.com


ÞPBJ OBoüi üùõk /04<br />

^ãõðú Kpôðlû @üzíò, üßþ Aq<br />

Gh{ ÖBouþ<br />

Kýzã×PBo/6<br />

·¼ÃwHnkÎ ¾Äozº<br />

IúoÿòI¨ ºHoÄH ·IÄj¼¿Ä<br />

1317 N. Crescent Height blvd.<br />

West Hollywood, CA 90046<br />

Tel: (323) 654-4700<br />

Fax: (323) 654-1791<br />

ÁkÃ{n¼i 1389<br />

Áj°Ã 2010<br />

ÁoLø 5771<br />

oLÀn ³k£ ·I¬s : oÃMjow<br />

jI\ÄH ýkÀ IM ºHoÄH ·IÄj¼¿Ä ·¼ÃwHnkÎ ·I¬nH nIμ{<br />

Á°TøH » ¾÷I] jHoÎH » ·¼ÃwHnkÎ ¸ÃM ´Ã£Tv óILUnH<br />

,I¿ºIpIw ¸ÃM «¹ÀIµÀ jI\ÄH » ºHoÄH ·IÄj¼¿Ä ª¹ÀoÎ<br />

.kÀkà ¾HjH Hn j¼i SòI÷Î ·¼¬Iº¼¬ ÁI¿±vº » IÀ ½»o¬<br />

c²I~ Éÿe » ·¼T yÄHoÄ» ,K²Iõ JIhTºH nj nIμ{<br />

.SwH jHpA ¾÷I]<br />

nIμ{ nj Znk¹ R¯I£ » nIYA<br />

JIUpIM » ½j¼M R¯I£ ·A ·I¬k¹vļº RHoʺ o«ºIÃM<br />

.k{IM µº ·A ·I¬k¹ºHjo¬ EHnA » kÄI£ø<br />

.Svú nIμ{ ½k¿ø ¾M IÀ ¿¬A RI]nk¹ Sò¼Fv<br />

ÁHoM ´±¤ ®ÀH » ·Iµ]oT ,·I¬k¹vļº ¾Ã±¨ pH nIμ{<br />

.k¹¨  ÁnI§µÀ ¾M R¼øj ï,þ±Th ÁIÀ yhM<br />

KýBï oDýw øýBR AWpADþ /7<br />

¾Äozº K²Iõ » R¯I£ ®£º<br />

.k{IM Â jHpA miáI o¨l IM<br />

IÀ ¿¬A ,k±] » RIdÿÅ ÂeHoö ,¹Ã`λoe<br />

(310) 601-0770 Án¼§{ °Ã{<br />

AgHBo ÖloAuýõó üùõküBó AüpAðþ /01<br />

yíBoû OBGvPBó ô KBDýr<br />

ÚlokAðþ Aq kô yh¿ýQ ÎBèýÛlo/21<br />

ðãBøþ Gú glìPãrAoAó WBìÏú üùõkÿ AüpAó /41<br />

ouBèQ üùõkÿ AüpAðþ/ 61<br />

“Gp GBë gpk” /81<br />

ÞPBJ oôqðú Aÿ Gú küBo oôyñBüþ /12<br />

kô oGýò ÎßBuþ “æüßB”<br />

ô üùõküBó ko Wñä WùBðþ kôï /22<br />

ôAÞñ{ ìßíê øBÿ kAoôDþ<br />

ô ÒnADþ ko osüî ÒnADþ uBèíñlAó /42<br />

koìBó GB AuP×Bkû Aq uéõë øBÿ GñýBkÿ/52<br />

AôÂBÑ @y×Pú ô kâpâõ ó gBô oìýBðú/82<br />

uýp OBoühþ yßõÖBüþ @SBo ÖBouýùõk<br />

oyl ô OßBìê AkGýBR ÖBouþ /23<br />

AupADýê - ÖévÇýò<br />

ìlüpüQ GdpAó üB AkAìú oôðl ¾ée /63<br />

WñBüPßBoAó Úp ó GývPî GvPú yl /34<br />

info@IAJF.org<br />

Æpf oô ÿ Wél :<br />

“kôAqkû Úõï AupADýê”<br />

ÞBokuPþ GB yýzú øBÿ oðãþ<br />

(ìÛBèú ko ¾×dú 31 Gh{ Aðãéývþ)


üBCx ô gõk âî Þpkó ðú OñùB Aq kô oAó uhQ<br />

qðlâþ @ó OXpGú Aÿ oAÞú GBül ðíþ @ìõqüî<br />

Géßú Aq èdËBR yýpüò qðlâþ ðýr @ó ènOþ oA<br />

Þú GBül ðíþ Gpüî.<br />

AðvBðþ Þú ôAÚØ Gú Aüò “@qAkÿ AðPhBJ”<br />

AuQ ðú OñùB Gú ÎñõAó qðlAðþ ko ôczPñBá<br />

Kýzã×PBo<br />

@qAkÿ ko AðPhBJ<br />

Opüò AokôâBû Wñãþ, Géßú øñãBï ânoAOpüò<br />

ðBìpAkÿ oôqìpû ðýr ìþ OõAðl qüHBüþ qðlâþ<br />

Aq : ìtâBó ìÛlï oøHp (upkGýp)<br />

ô @qAkâþ oôAðþ oA AðPhBJ Þñl.<br />

OÏlAk GvýBoÿ Aq ìB cPþ uÏþ ìþ<br />

Þñýî Þú GB KñùBó Þpkó ô ðBkülû âpÖPò uhQ<br />

Op üò ôÚBüÐ qðlâýíBó Gú WBÿ Knüp} ô<br />

@ó kuPú Aÿ Þú Gú ÎñõAó ÞBoâp ô Gpkû Aq @ðùB<br />

Gùpû âýpÿ ìþ yl, cPþ Aâp Aq ðËp Wvíþ<br />

“kÞPp ôüßPõ o ÖpAðßê”, oôAðLryà üùõkÿ<br />

AOpüzþ Þú Gý{ Aq uú uBë Aq Îíp gõk oA<br />

Gpgõ ok GB @ó oôü{ up Kõ} GãnAoüî. ÒBÖê<br />

Aq Aüñßú GB Aüò oÖPBo èrôìB« qyPþ øB ô ðBâõAoÿ<br />

ô ÚloR Glðþ ÚBko Gú Odíê ìzÛ©BR o ô qìpû<br />

Gõkðl, ôÚPþ Aq ðËp oôAðþ gõk oA ìþ GBgPñl<br />

ko AokôâBû øBÿ ðBq ÿ øB ko Wñä WùBðþ kôï<br />

ânoAðl ô øívp ô ôAèlüò gõk oA ko Þõ oû<br />

øB oA Aq ^zî ìpkï ìh×þ ðíþ Þñýî, Géßú gõk<br />

oA âõë ìþ qðýî ô ìPBCu×Bðú kouþ oA Þú ìþ<br />

ko ìlR ÞõOBøþ Aq Gýò ìþ oÖPñl.<br />

@ó Îlû Aÿ Þú ÖpAìõ} ìþ Þññl ko<br />

øBÿ @kï uõq ÿ Aq kuQ kAk, ko âõyú Aÿ<br />

Aq ÞPBG{ Gú ðBï “AðvBó ko WvPXõÿ ìÏñB”<br />

OõAðvPýî Aq @ó kô oAó uhQ GýBìõqüî, OB ko<br />

@üñlû oAøñíBÿ ìB GByl, üBk ðíþ âýpüî ô OñùB<br />

qðlâþ, øp^Ûlo øî ìõÚÏýQ uùíñBá ô<br />

kok@ô o GByl, øíýzú “@qAkÿ AðPhBJ” ko<br />

ko ìõ ok Aüò OXpGú Oéi, ðBâõAo ô kokðBá<br />

qðlâý{ ^ñýò ìþ ðõüvl:<br />

AcvBx gvPãþ ô ðB Aìýlÿ @ó uhPþ øB oA<br />

upAup Îíp GB gõk cíê ìþ Þñýî.<br />

oô} Gpgõ ok GB AO×BÚBR oôqìpû GB gõk ìB<br />

“@ó kuPú Aq ìB Þú ko AokôâBû øBÿ<br />

ðBq ÿ øB qðlAðþ Gõkû Aüî, AyhB¾þ oA Gú<br />

ko uBë 2991 , ko üßþ Aq @gpüò<br />

ì¿BcHú øBÿ gõk ÚHê Aq ìpâ{ ko uBë<br />

üBk kAoüî Þú GpAÿ Ovéþ kAkó küãp qðlAðýBó<br />

ô cPþ Ghzýló @gpüò Oßú ðBó gõk Gú üà<br />

7991 , “kÞPp ÖpAðßê” ko ìõ ok ìõÖÛýQ ÞPBJ<br />

“AðvBó ko WvPXõÿ ìÏñB” ìþ âõül: “ìò Aüò<br />

qðlAðþ âpuñú küãp Aq ÞéHú Aÿ Gú ÞéHú küãpÿ<br />

oÖPñl. OÏlAk Aüò AyhBÁ GvýBo Þî Gõk<br />

ÞPBJ oA Gú ÎñõAó KBuhþ Gú kok ô oðY gõk ô<br />

AÖpAkÿ Þú ko ìõÚÏýPþ GvýBo kokðBá cÛýÛPB«<br />

AìB ôWõkyBó SBGQ ìþ Þñl Þú øíú ^ýr oA<br />

ìþ OõAó Aq üà AðvBó âpÖQ Gú Òýp Aq @gpüò<br />

Auýp ô qðlAðþ Gõkðl ðõyPî. AìB ìõÖÛýQ<br />

ô Öpô} GBæÿ @ó ko Æþ kô oAó ðzBðãp<br />

“@qAkÿ” ìPÏéÜ Gú Aô ƒ @qAkÿ ko AðPhBJ ðõ Ñ<br />

Gpgõ ok ô ðãp} yhÀ Gú ìXíõÎú Aÿ Aq<br />

6<br />

Gý`Boâþ ô gçC oôAðþ ìõWõk ko kðýBÿ<br />

Aìpôq AuQ. Gú Aüò kèýê AuQ Þú ¾løB ørAo<br />

ìõÚÏýQ øBüþ Þú qðlâþ ko oAø{ ÚpAo ìþ<br />

kølƒ AðPhBJ oAû ô oô} Gpgõ ok GB ìvBDê<br />

ð×p Gú kðHBë ìÇBèÏú ÞPBGþ ìþ oôðl Þú ÎñõAó<br />

@ó ìÏñBÿ qðlâþ oA qüp uõAë ÚpAo ìþ køl.<br />

øíýzú GB gõk ìB AuQ.”<br />

ko Aüò ÞPBJ, Þú øñõq Kw Aq KñXBû uBë<br />

ðPýXPB« Aüò uõCAèþ AuQ Þú møò øíú ìB oA Gú<br />

gõk ìzÓõë ìþ Þñl.”<br />

üßþ Aq KpÖpô} Opüò ÞPBJ øB ko upAup kðýB<br />

AuQ, “ÖpAðßê” uÏþ ìþ Þñl Þú AgçÝ, oôAó,<br />

yBül øýa üà Aq ìB Æþ kô oAó qðlâþ<br />

gõk ìÏñþ ôAÚÏþ qðlâþ ko Aüò ÎBèî gBÞþ<br />

oôcýú ô Îßw AèÏíê øBÿ ìP×BôR qðlAðýBó oA<br />

ko Æþ kô oAó AuBoR ô ðB Aìýlÿ Gpouþ Þñl<br />

oA ð×ùíýî, cPþ Aâp OB @gpüò ð×w ko cBë<br />

WvPXõ GByýî, AìB OñùB üà ^ýr ôAÂe AuQ<br />

AuQ, gýéþ qôk Ovéýî üBCx ô ðBAìýlÿ ìþ<br />

yõðl ô @ð`ú oA Þú GBül ko Æõë Îíp gõk<br />

ô OB cl AìßBó kèýéþ GpAÿ qðlû ìBðló ô üB Aq<br />

Gýò oÖPò AÖpAk ko ^ñýò ypAüÈ kokðBÞþ Gú<br />

ô @ó “AðPhBJ” ìB AuQ ko oôyþ Þú GpAÿ<br />

qðlâþ ko Ký{ ìþ âýpüî. ^Ûlo gõJ AuQ<br />

GýBìõqðl øñõq ÖpAðãpÖPú Aq Gýò ìþ oôðl.<br />

Glô ó yà oôqøBÿ gõJ ô Gl ko qðlâþ øp<br />

kuQ @ô ok. ìzBølAR Aô ðzBó ìþ køl Þú<br />

WlA Aq @ó kuPú qðlAðýBðþ Þú GñB Gú GBô oøBÿ<br />

Þú øpâr Aq üBk ðHpüî Þú “@qAkÿ AðPhBJ” Aüò<br />

oô} øíýzú GB ìB AuQ. OñùB @qAkÿ Þú øýa<br />

AðvBðþ Gú ðdõ ÿ ôWõk kAok ô Aüò ÞBìç«<br />

AðPhBJ ìBuQ Þú @üB ìþ gõAøýî Aüò OXpGýBR<br />

Þw ÚloR uéI @ó oA Aq ìB ðlAok.<br />

yh¿þ øp Þw üB GpcvI OÛlüp ô upðõyQ<br />

ô üB AO×BÝ ô O¿BkÙ, ìvPÛýî Gú AOBÝ øBÿ âBq<br />

oA, ^ú Oéi ô ^ú yýpüò, ìPÏéÜ Gú gõk GlAðýî<br />

ô Aq @ó Gùpû Gãýpüî? ô üB GB AGpAq οHBðýQ,<br />

ô Þõ oû øBÿ @kï uõ q ÿ o ôAðú ìþ ylðl,


7<br />

KýBï oDýw øýBöR AWpADþ<br />

gBðî yùç qoâpüBó WBôkAó<br />

GÏlÿ ìB, ÖpqðlAó AüpAðþ @ìpüßBDþ, üßþ Kw<br />

Aq küãpÿ Aq ìíPBqOpüò kAðzãBû øBÿ ìíéßQ<br />

ðíBüzãp Aüò ouî Gõkðl. Aüò Òpô o ìéþ ô<br />

øî ðõ Ñ KpuPþ Aÿ Þú qADýlû Öpøñä ìB Gõkû,<br />

ìB ^ú Úõï AuPTñBDþ, GB ^ú øõüQ üãBðú Aÿ<br />

øvPýî!<br />

ÖBoÕ AèPd¿ýê ylû ô GBÎU AÖPhBo ô upGéñlÿ<br />

WBìÏú ìB øvPñl.<br />

up^zíú ÚloOþ Gþ AðPùB AuQ.<br />

ko uBë 1891 Aüò uBqìBó øBÿ Òýp<br />

AüpAðþ²üùõkÿ² @ìpüßBDþ!<br />

ìéPþ Þú ìõWõküP{ Aq uú ìéýQ KpAoq}<br />

@ìBo ìhPéØ Þzõ oÿ, ìùBWpüò<br />

AüpAðþ oA ko oACx ìùBWpüñþ ðzBó kAkû AuQ<br />

AðP×BÎþ GB WíÐ yló qüp ^Pp ÖloAuýõ ó<br />

üùõküBó AüpAðþ, øíHvPãþ ô üãBðãþ ìéQ<br />

ôèþ “ko uýBuQ ìPÃBk” uBgPú ylû AuQ.<br />

ôèþ ÎzÜ Aüò øpuú ôÆò ko oå øBÿ ìB ^ñBó<br />

Þú GBæOpüò Od¿ýçR ÎBèüú ô ìõÖÜ Opüò<br />

ìõÚÏýQ øBÿ AWPíBÎþ oA ÞvI Þpkû Aðl.<br />

ìB oA Gú ASHBR ouBðlðl. GB Aüò AOdBk, Æñýò<br />

ouBÿ KýBï üãBðãþ üùõküBó AüpAðþ @ìpüßBDþ<br />

Gú ylR oôAó AuQ Þú ko Aüò ìõÚÏýQ uýBuþ<br />

ìPÃBk Aìpôqû, Aüò uú GýãBðú uýBuþ oA ko<br />

AìB ìPBCu×Bðú øíBðÇõ o Þú ìõÖÛýQ øBÿ<br />

WBìÏú ìB Gþ yíBo ylû Aðl, Gú øíBó AðlAqû øî<br />

ko WùBó Ký`ýl ô Aüò ÚloR üãBðãþ ìB Gú kðýB<br />

KýÓBï ouBðl Þú “küãp øpâr” üùõkÿ AüpAðþ<br />

ÚéI , ko oÖPBo ô ÞpkAo, ô ko OBo ô Kõk ôWõk<br />

gõk üãBðú Þpkû Aüî!<br />

ìzßçR, oðY øBÿ AWPíBÎþ ô ìvBDê Wlül<br />

Gþ yíBo ÿ ko ìÛBGê WõAðBó ìB ÚpAo kAkû<br />

üà üùõkÿ upâpkAó ðhõAøl Gõk ô küãp<br />

øpâr ðBìpDþ Gõkó oA ðhõAøl KnüpÖQ.<br />

ìB Aq GýãBðãþ øB üãBðãþ øB @Öpülû Aüî!<br />

ô Aüò oìr GÛBF Úõï ìB Gõkû AuQ: KBulAoÿ Aq<br />

ylû AuQ.<br />

ølÙ ÖloAuýõ ó üùõküBó AüpAðþ cíBüQ<br />

Aq cÜ ô cÛõ Ý üßBüà AüpAðýBó Gh¿õÁ<br />

Öpøñä Òñþ gõkøírìBó GB OõAðBDþ øíBøñãþ<br />

GB ìdýÈ qüvQ gõk.<br />

Gú øíýò kèýê AÞñõ ó ÖloAuýõ ó<br />

üùõküBó AüpAðþ glìBR gõk oA OõuÏú kAkû<br />

üùõküBó AüpAðþ ko upAup kðýB Gõkû ô<br />

gõAøl Gõk.<br />

Kw Aq AðÛçJ 9791 ko AüpAó ô Þõ b<br />

AWHBoÿ OÏlAk ÞTýpÿ Aq Úõï ìB Gú upAup<br />

ô øýBR AWpADþ GpAÿ yñBgPò ô Gpouþ Aüò<br />

ìvBDê AWPíBÎþ Gý{ Aq 0005 KpuzñBìú<br />

Aq Wíéú glìBR ìP×BôR ÖloAuýõ ó Gú WBìÏú<br />

ìþ OõAó ÖÏBèýQ øBÿ qüp oA ðBï Gpk:<br />

kðýB, WBìÏú üùõkÿ AüpAðþ ko @ìpüßB ko<br />

OçÆî ô Ozõ ü{ ô ðãpAðþ Gþ KBüBó koGBoû<br />

Gýò AÖpAk WBìÏú Gh¿õÁ ðvê WõAó<br />

Kh{ Þpkû ô KBui øBDþ Þú OBÞñõ ó ouýlû<br />

- Þíà Gú ìùBWpüò GpAÿ koüBÖQ AWBqû AÚBìQ<br />

- GñýBk üà ¾ñlô Ý AÂÇpAoÿ GpAÿ ouBðló<br />

@üñlû ðBìÏéõï gõk Gú up ìþ Gpk.<br />

Úõï ìB, cýpAó ô ìPÏXI Aq Aüñßú<br />

ðíBüBðãp ðãpAðþ øBÿ ylülÿ ko WBìÏú ìB<br />

Gh¿õÁ ko WõAðBó ìB AuQ. GB OõWú Gú<br />

Þíà Öõ oÿ Gú ðýBqìñlAó<br />

- ÖÏBèýQ øBÿ Þzõoÿ GpAÿ Þíà Gú øî ôÆñBó<br />

ðú Ayßþ GpAÿ Gþ gBðíBðãý{ oühPú yl, ðú<br />

æüdú Aÿ ko kðýB GpAÿ ÆpÖlAoÿ Aq Aô ô gBðõAkû<br />

Aüñßú WõAðBó ìB ðú OñùB ÖpkAÿ ìB ô @üñlû kðýBÿ<br />

ìB øvPñl, Géßú qðlâþ Aìpôq ìB ðýr ôAGvPú<br />

- AüXBk ÞíýPú cê AgPçÖBR<br />

- AðPzBo AoâBó ouíþ ÖloAuýõ ó Gú ðBï<br />

A} Aq ìXéw ânyQ, ô ðú O¿õüHñBìú Aÿ<br />

ko uBqìBó ìéê ìPdl GpAÿ c×BÊQ cÛõ Ý<br />

Gú yBkÞBìþ @ðùB AuQ, GÏl Aq Gpouþ kÚýÜ<br />

ðPBüY ouýlû, GpðBìú øBÿ ì׿ê ô Wlülÿ GB<br />

ìXéú yõÖBo<br />

- AüXBk üà ¾lAÿ KpÚloR ô üãBðú ô ôAcl<br />

Gzpü{ AìÃBF yl, Kw Gú oAû øB ô ouõï<br />

Öpøñãþ gõk KñBû @ô ok, “ìò oA ÖpAìõ} Þò ô<br />

øíßBoÿ ÞBoyñBuBó GB OXpGú ko Aüò oyPú<br />

øB Æpf oürÿ ô Gú ìpcéú AWpA ko@ìlðl. ìBðñl<br />

Aìpôqû, GB cíBüQ Kpô okâBo, 13 uBë<br />

Kw Aq @ó AðÛçJ ô Þõ b AWHBoÿ GvýBoÿ<br />

Gú ìB GýBðlü{“. “ øívBüú AR oA øí`õ ó gõk<br />

kôuQ GlAo” ô “Aâp ìò GpAÿ gõk ðývPî ^ú<br />

GpârAoÿ ^ñlüò uíýñBo ìõÖÜ ô oAüãBó ko<br />

oAGÈú GB ÖzBoøBÿ WBìÏú oô ÿ ðvê WõAó<br />

Aq ìéQ ìB, ko Gloÿ øB, upâpkAðþ øB, Gþ<br />

gBðíBðþ øB, ko KzQ ìpqøBÿ Þzõ oøBÿ<br />

Þvþ GpAÿ ìò gõAøl Gõk ô Aâp ÖÛÈ OñùB Gú<br />

Ößp gõk øvPî ^ú øvPî?”<br />

GpAÿ ouýló Gú ìõÚÏýQ øBÿ ÒýpÚBGê AðXBï Aq<br />

ðËp kAðzþ ô ìBèþ, koâýpÿ GB AÎPýBk Gú ìõAk<br />

ÒpüHú ^zî Gú AðPËBo ouýló ôürA ìBðló,<br />

oðY GýãBðãþ ô GBægpû Gþ qGBðþ ô ko Gloÿ<br />

GñBGpAüò GBô o, uBqìBó øBÿ ÒýpAðP×BÎþ<br />

üùõkÿ AüpAðþ GpAÿ Þíà Gú øî ðõ Ñ gõk<br />

ìhlo ô ìzpôGBR Aèßéþ ô ìzßçR ðByþ<br />

Aq @ó ko WBìÏú Þõ^à ìB, @yñBDþ ôAèlüò GB<br />

AWPíBÑ ìB gBOíú üBÖPú AuQ. Aìpôqû ðvê<br />

ko âõyú ô ÞñBo Ozßýê ylðl Þú âõüB ô


ÚõAðýò Wlül ô Ký`ýlû @ìõq} ô Kpô o} GpAÿ<br />

oAû üBÖPò ðvê WõAó Gú ÞBèY øB, kAðzãBû øB<br />

AgýpA« yßBüQ Aq ouõï, @kAJ ô ÎBkAR<br />

ô GpârAoÿ GÏÃþ Aq ìXBèw ko WBìÏú ìB<br />

ÖpqðlAó, ÖlAÞBoÿ Glô ó ypÉ ô ypôÉ GpAÿ<br />

kôuPBó, ÎzÜ ô AcPpAï GpAÿ KBülAoÿ A¾õë<br />

ô ìlAox GpAÿ koüBÖQ koWBR ÎBèþ Îéíþ ô<br />

Òýpû ô øpüà Aq Aüò uíýñBoøB ô ðzvQ øBÿ<br />

ìõÂõ Ñ oôq GÏÃþ Aq ðzpüBR @ìpüßBDþ<br />

ylû AuQ. ìÛBæOþ koGBoû Wzò øBÿ Öõ Ý<br />

üùõküQ, OÏùl Gú Þíà Gú øíñõ Ñ, øíHvPãþ ô<br />

üãBðãþ ko ìõAÚÐ AcPýBZ øp Öpkÿ Aq WBìÏú,<br />

ìhPéØ GB ypÞQ ìPh¿¿ýò GpWvPú ô<br />

ÞBokAó ko @ó oyPú Gh¿õÁ GpârAo ylû<br />

AèÏBkû GByßõû ô oôüBüþ ô üB ÎBkR “æyõ ó<br />

øBoA” ko WBìÏú ìB, ô cPþ ìzßçR ô ìvBDê<br />

OíBï Aüò Aoq} øBÿ AðvBðþ ko gõ ó ìéQ ìB<br />

oôAó AuQ ô Aüò GBæOpüò âñXýñú Aÿ AuQ Þú<br />

AuQ ô ô oôk GpAÿ øíãBó @qAk ô oAüãBó Gõkû<br />

AuQ.<br />

ìBèþ Þú GpAÿ OÏlAkÿ Aq AÖpAk WBìÏú ìB Ký{<br />

@ìlû ko ðzpüBR ìP×BôR Gú ^BN ouýlû AuQ<br />

Úõï ìB Gú ÖpqðlAð{, Gú ðõAkâBð{ ô Gú OíBìþ<br />

kðýB AoADú kAkû ô gõAøl kAk.<br />

8<br />

GpðBìú GvýBo ìùî küãp @yñBüþ<br />

WõAðBó GB OBoüi ìloó upqìýò AupADýê ô<br />

Þú GBÎU ðBoAcPþ GvýBoÿ Aq AÖpAk ylû AuQ.<br />

OíBìþ Aüò ìvBDê Opìýî Knüp øvPñl Aâp<br />

ko gBOíú Aq üßBüà AÎÃBF øýBR AWpADþ,<br />

øýBR ìlüpû ô ÞíýPú øBÿ ìhPéØ ¾íýíBðú<br />

yñBgPò ìvBDê Þñõðþ @ó AuQ. Æþ ðzvQ<br />

øB ô uíýñBoøBÿ ìhPéØ uÏþ Þpkû Aüî Þú<br />

ìB GB cvò ðýQ oAuPýò AyßBæR cÛýÛþ gõk<br />

oA GBô o Þñýî ô ìvEõèýQ oÖÐ Þpkó ô kouQ<br />

uLBuãrAoï. glìBR Gþ yBDHú oôqìpû @ó<br />

øB GBÎU AÖPhBo yh¿þ ìò, ÖloAuýõ ó<br />

ôAÚÏýQ OBoühþ ô uýBuþ oA Gú @ðùB GýBìõqüî<br />

OB GB kAyPò kAð{ ¾dýe GPõAðñl OÏ¿HBR<br />

Þpkó Aüò ìzßçR oA üßBüà ìB yh¿B« Gú<br />

Îùlû âpÖPú ô GB @ó Gú ìÛBGéú GLpkAqüî.<br />

üùõküBó AüpAðþ ô WBìÏú AuQ .<br />

Aq WñBJ kÞPp ÞBìpAó Gpôgýî oDýw<br />

ìõWõk ko WõAìÐ ìhPéØ oAAq Gýò GHpðl.<br />

üùõkÿ ìõÖÜ @ó Þvþ AuQ Þú Öpøñä<br />

ôèþ øíBðÇõ o Þú Aüò ìzßçR cÛýÛPþ koGBoû<br />

qðlâþ ko WBìÏú Þñõðþ øvPñl èÇ×B« ÖpAìõ}<br />

øýBR ìlüpû ô WñBJ ìñõ^ùp ðËpüBó oDýw<br />

ÚHéþ ÖloAuýõó GpAÿ Þíà øBÿ øíýzãþ @ó øB<br />

ô AðvBðýQ üùõkÿ oA Gú ÞõkÞBó ô ðõû øBÿ<br />

gõk GýBìõqk.<br />

ðßñýî Þú AÖPhBo ìB Gú ìéýQ ô ouî ô ouõï<br />

¾dýe ô Òñþ ìB ðýr cÛýÛþ ô Gú WB AuQ,<br />

Gþ ðùBüQ ìPzßpï. ô üà Ozßp Gh¿õÁ Aq<br />

ÆpÙ gõkï ô øýBR AWpADþ Gú ìùñlx ÎBèýÛlo,<br />

ølÙ ÖloAuýõ ó Aq GpÚpAo Þpkó Aüò<br />

uíýñBoøBÿ @ìõqyþ kðHBë Þpkó ìÏñBÿ<br />

AüpAðýBó üùõkÿ A¾ýê ko upAup kðýB uíHê<br />

ô ðzBðú GBæOpüò ¾×BR AðvBðþ øvPñl.<br />

WñBJ ÎHlÿ gpìýBó kAoï Þú ko 5uBë Agýp<br />

GB WlüQ Öõ Ý AèÏBkû ô ÖÏBèýQ øBÿ gvPãþ<br />

ôAÚÏþ üùõküQ ko AoOÛBF ð×w AuQ. AoOÛBF<br />

ð×w Gú ôuýéú Kpô o} kAkó oôAó ko oAû GùPp<br />

AcPpAï øíýzãþ Gú Klo ô ìBko, Gú KBÿ AôèýBF<br />

Kýp gõk ðzvPò ô οBÿ kuQ kô oAó ðýBq<br />

ðBKnüp Kpô sû KBoÞýñä uBgPíBó ìpÞr<br />

ÖloAuýõ ó oA Æpf ô kðHBë Þpkû Aðl. GB @oqô ÿ<br />

uBgPò AðvBó ko øp oôq qðlâþ. ìPBCu×Bðú<br />

@ó øB Gõkó, ÎzÜ ô OÏùl Gþ KBüBó ô AGlÿ Gú<br />

ìõÖÛýQ ô yBkìBðþ GpAÿ OíBï AÖpAk WBìÏú.


ÚõAðýò Wlül ô Ký`ýlû @ìõq} ô Kpô o} GpAÿ<br />

oAû üBÖPò ðvê WõAó Gú ÞBèY øB, kAðzãBû øB<br />

AgýpA« yßBüQ Aq ouõï, @kAJ ô ÎBkAR<br />

ô GpârAoÿ GÏÃþ Aq ìXBèw ko WBìÏú ìB<br />

ÖpqðlAó, ÖlAÞBoÿ Glô ó ypÉ ô ypôÉ GpAÿ<br />

kôuPBó, ÎzÜ ô AcPpAï GpAÿ KBülAoÿ A¾õë<br />

ô ìlAox GpAÿ koüBÖQ koWBR ÎBèþ Îéíþ ô<br />

Òýpû ô øpüà Aq Aüò uíýñBoøB ô ðzvQ øBÿ<br />

ìõÂõ Ñ oôq GÏÃþ Aq ðzpüBR @ìpüßBDþ<br />

ylû AuQ. ìÛBæOþ koGBoû Wzò øBÿ Öõ Ý<br />

üùõküQ, OÏùl Gú Þíà Gú øíñõ Ñ, øíHvPãþ ô<br />

üãBðãþ ko ìõAÚÐ AcPýBZ øp Öpkÿ Aq WBìÏú,<br />

ìhPéØ GB ypÞQ ìPh¿¿ýò GpWvPú ô<br />

ÞBokAó ko @ó oyPú Gh¿õÁ GpârAo ylû<br />

AèÏBkû GByßõû ô oôüBüþ ô üB ÎBkR “æyõ ó<br />

øBoA” ko WBìÏú ìB, ô cPþ ìzßçR ô ìvBDê<br />

OíBï Aüò Aoq} øBÿ AðvBðþ ko gõ ó ìéQ ìB<br />

oôAó AuQ ô Aüò GBæOpüò âñXýñú Aÿ AuQ Þú<br />

AuQ ô ô oôk GpAÿ øíãBó @qAk ô oAüãBó Gõkû<br />

AuQ.<br />

ìBèþ Þú GpAÿ OÏlAkÿ Aq AÖpAk WBìÏú ìB Ký{<br />

@ìlû ko ðzpüBR ìP×BôR Gú ^BN ouýlû AuQ<br />

Úõï ìB Gú ÖpqðlAð{, Gú ðõAkâBð{ ô Gú OíBìþ<br />

kðýB AoADú kAkû ô gõAøl kAk.<br />

8<br />

GpðBìú GvýBo ìùî küãp @yñBüþ<br />

WõAðBó GB OBoüi ìloó upqìýò AupADýê ô<br />

Þú GBÎU ðBoAcPþ GvýBoÿ Aq AÖpAk ylû AuQ.<br />

OíBìþ Aüò ìvBDê Opìýî Knüp øvPñl Aâp<br />

ko gBOíú Aq üßBüà AÎÃBF øýBR AWpADþ,<br />

øýBR ìlüpû ô ÞíýPú øBÿ ìhPéØ ¾íýíBðú<br />

yñBgPò ìvBDê Þñõðþ @ó AuQ. Æþ ðzvQ<br />

øB ô uíýñBoøBÿ ìhPéØ uÏþ Þpkû Aüî Þú<br />

ìB GB cvò ðýQ oAuPýò AyßBæR cÛýÛþ gõk<br />

oA GBô o Þñýî ô ìvEõèýQ oÖÐ Þpkó ô kouQ<br />

uLBuãrAoï. glìBR Gþ yBDHú oôqìpû @ó<br />

øB GBÎU AÖPhBo yh¿þ ìò, ÖloAuýõ ó<br />

ôAÚÏýQ OBoühþ ô uýBuþ oA Gú @ðùB GýBìõqüî<br />

OB GB kAyPò kAð{ ¾dýe GPõAðñl OÏ¿HBR<br />

Þpkó Aüò ìzßçR oA üßBüà ìB yh¿B« Gú<br />

Îùlû âpÖPú ô GB @ó Gú ìÛBGéú GLpkAqüî.<br />

üùõküBó AüpAðþ ô WBìÏú AuQ .<br />

Aq WñBJ kÞPp ÞBìpAó Gpôgýî oDýw<br />

ìõWõk ko WõAìÐ ìhPéØ oAAq Gýò GHpðl.<br />

üùõkÿ ìõÖÜ @ó Þvþ AuQ Þú Öpøñä<br />

ôèþ øíBðÇõ o Þú Aüò ìzßçR cÛýÛPþ koGBoû<br />

qðlâþ ko WBìÏú Þñõðþ øvPñl èÇ×B« ÖpAìõ}<br />

øýBR ìlüpû ô WñBJ ìñõ^ùp ðËpüBó oDýw<br />

ÚHéþ ÖloAuýõó GpAÿ Þíà øBÿ øíýzãþ @ó øB<br />

ô AðvBðýQ üùõkÿ oA Gú ÞõkÞBó ô ðõû øBÿ<br />

gõk GýBìõqk.<br />

ðßñýî Þú AÖPhBo ìB Gú ìéýQ ô ouî ô ouõï<br />

¾dýe ô Òñþ ìB ðýr cÛýÛþ ô Gú WB AuQ,<br />

Gþ ðùBüQ ìPzßpï. ô üà Ozßp Gh¿õÁ Aq<br />

ÆpÙ gõkï ô øýBR AWpADþ Gú ìùñlx ÎBèýÛlo,<br />

ølÙ ÖloAuýõ ó Aq GpÚpAo Þpkó Aüò<br />

uíýñBoøBÿ @ìõqyþ kðHBë Þpkó ìÏñBÿ<br />

AüpAðýBó üùõkÿ A¾ýê ko upAup kðýB uíHê<br />

ô ðzBðú GBæOpüò ¾×BR AðvBðþ øvPñl.<br />

WñBJ ÎHlÿ gpìýBó kAoï Þú ko 5uBë Agýp<br />

GB WlüQ Öõ Ý AèÏBkû ô ÖÏBèýQ øBÿ gvPãþ<br />

ôAÚÏþ üùõküQ ko AoOÛBF ð×w AuQ. AoOÛBF<br />

ð×w Gú ôuýéú Kpô o} kAkó oôAó ko oAû GùPp<br />

AcPpAï øíýzãþ Gú Klo ô ìBko, Gú KBÿ AôèýBF<br />

Kýp gõk ðzvPò ô οBÿ kuQ kô oAó ðýBq<br />

ðBKnüp Kpô sû KBoÞýñä uBgPíBó ìpÞr<br />

ÖloAuýõ ó oA Æpf ô kðHBë Þpkû Aðl. GB @oqô ÿ<br />

uBgPò AðvBó ko øp oôq qðlâþ. ìPBCu×Bðú<br />

@ó øB Gõkó, ÎzÜ ô OÏùl Gþ KBüBó ô AGlÿ Gú<br />

ìõÖÛýQ ô yBkìBðþ GpAÿ OíBï AÖpAk WBìÏú.


âélGpå, oDýw ÚvíQ ðBï ðõüvþ kAðzãBû<br />

üõ-Ax-uþ, gBðî WvýßB ìlüñB, oDýw kÖPp<br />

Þíà øBÿ ìBèþ kAðzãBû üõ-Ax-uþ, ô gBðî<br />

kAèýBìÛ©õï, ìzBô o ko Aìõ o kAðzãBøþ, @ÚBÿ<br />

kÞPp øçÞõDþ, oôAðzñBx ô GpðBìú uBq<br />

ìdHõJ oAküõ ô Oéõürüõ ó, Æþ uhñBðþ ko<br />

AgHBo ÖloAuýõó<br />

üùõküBó AüpAðþ<br />

Aüò GpðBìú ko ìõ ok AuPÛçë WõAðBó ô ðõ Ñ<br />

Gpgõ ok GB @ðùB ko gBðõAkû ô AøíýQ GpÚpAoÿ<br />

âpk@ô oðlû: sAðPþ Gpgõ okAo ÖpyBkÖp<br />

OíBx ¾dýe GB WõAðBðþ Þú ko ìñrë qðlâþ<br />

ìþ Þññl ¾dHQ Þpkðl. uBÎQ @gp uíýñBo<br />

uíýñBo “AupADýê küpôq ô Aìpôq”<br />

Gú uõAë ô WõAJ ypÞQ ÞññlâBó Aq âpôû<br />

ìPh¿¿ýò AgP¿BÁ kAkû yl. Gú gBÆp<br />

AøíýQ kAyPò ìÏéõìBR ÞBÖþ ô ¾dýe ko<br />

Aüò ìõ ok Gh¿õÁ GpAÿ ðvê WõAó ¾dHQ<br />

AuPÛHBë GvýBo Aq Aüò uíýñBo ÞíýPú GBðõAó<br />

ko¾lk AuQ Þú GpðBìú øBÿ küãp ÿ Aq Aüò<br />

30 Years After<br />

Þpkðl. Aüò GpðBìú GB AuPÛHBë GvýBoÿ Aq ÆpÙ<br />

ypÞQ ÞññlâBó oôGpô yl.<br />

Stand With Us<br />

ÞíýPú GBðõAó ÖloAuýõ ó üùõküBó AüpAðþ GB<br />

øípAøþ âpôû ÒýpAðP×BÎþ ô GvýBo ìÏPHp<br />

ÚHýê ko ìBû øBÿ @üñlû GpârAo Þñl.<br />

“ÞBìpA” ô KzPýHBðþ âpôû “ “ ,<br />

ÞçuùBÿ gõkyñBuþ GpAÿ OíBï WBìÏú<br />

uíýñBo “ôoôk Gú kAðzãBû øB”<br />

“WõAðBó GñýBk ìãHýQ”, “øýéê üõ-uþ-Aë-Aÿ”<br />

ô âpôû “ “ ko oôq 6 ìþ 0102<br />

ko ^ñl ìBû Agýp kô Þçx OõuÈ kô<br />

ìPh¿À GpAÿ GùHõk oôAGÈ Gýò ÖpqðlAó<br />

uíýñBo “AupADýê küpôq ô Aìpôq” oA ko ìõ ok<br />

OBoüi ô @üñlû Þzõ o AupADýê GpârAo Þpkðl.<br />

oôq üßzñHú 21uLPBìHp 0102 Gú øíQ ô GB<br />

GpðBìú oürÿ ÞíýPú GBðõAó ÖloAuýõ ó üùõküBó<br />

ô ôAèlüò ô GùPp qüvPò ko ìpÞr ÖloAuýõ ó<br />

üùõküBó AüpAðþ Ozßýê yl Þú GB AuPÛHBë<br />

uhñpAðBó Aüò GpðBìú @ÚBÿ “küõül uõDývB”,<br />

sô oðBèývQ, gBðî “OBèýB yõèíò âél”,<br />

AüpAðþ uíýñBoÿ koGBoû ypAüÈ Auî ðõüvþ ô<br />

ô oôk Gú kAðzãBû øB ô ÞBèY øBÿ ìhPéØ GpAÿ<br />

ÖpAôAó ypÞQ ÞññlâBó oôGpô Gõk. Þçx<br />

“^ãõðãþ Gpgõok ôAèlüò ô ÖpqðlAó Oýò AüXp”<br />

øíBøñä Þññlû âpôû “ÞBìpA” ko ìñÇÛú<br />

èw @ðXéw , kÞPp “koüê Oíßýò”, oDýw<br />

10<br />

kAðzXõüBó ô gBðõAkû øBÿ @ðùB OpOýI kAkû<br />

yl. ko Aüò GpðBìú ìPh¿¿ýò ìPÏlk ko<br />

OõuÈ gBðî øíB céýíþ ð¿ýpqAkû, ìzBô o<br />

gBðõAkû, Gú Æõ o ø×Pãþ ko ìBû AÞPHp 0102<br />

ô GñýBðãrAo AðvPýPõ KýzpÖQ Aðp s ÿ ko<br />

AupADýê, ô KpôÖvõ o “øñpÿ âpüò”, AuPBk<br />

ìõ ok oAû øBÿ ìhPéØ GpAÿ ðBï ðõüvþ ô âpÖPò<br />

Þíà øBÿ ìBèþ GpAÿ Od¿ýçR ÎBèýú ypÞQ<br />

GpârAo yl. Þçx “ÞñPpë upðõyQ gõk<br />

oA Gú kuQ Gãýpüî” OõuÈ gBðî kÞPp Öéõ oA<br />

koôx ìnøHþ ko kAðzãBû ìýBìþ, øpÞlAï<br />

ko ìõ ok OBoüi Þzõ o AupADýê ô Úõï üùõk ô<br />

ÞññlâBó oA oAøñíBDþ Þpkðl. ìPh¿¿ýò<br />

ko Aüò qìýñú ÎHBoR Gõkðl Aq : gBðî ìõ oüò<br />

qìpkÿ, oôAðzñBx Gú ¾õ oR ÞBoâBû ko<br />

OBoüi 31 AÞPHp 0102 Aq uBÎQ 7 OB 9 yI<br />

GpârAo yl. GpAÿ âpÖPò AÆçÎBR GýzPp ko<br />

ìõ ok Aüò Þçx øB ô GpðBìú øBÿ @üñlû<br />

ÖloAuýõ ó ìþ OõAðýl GB kÖPp ÖloAuýõ ó<br />

üùõküBó AüpAðþ OíBx Gãýpül.<br />

yBï ô upôüw yI yHBR<br />

WíÏú 92AÞPHp uBë 0102 kôìýò âpkøíBDþ<br />

yBï ô ìpAuî yHBR Þú OõuÈ ÞíýPú GBðõAó<br />

ÖloAuýõ ó üùõküBó AüpAðþ GpðBìú oürÿ ylû<br />

Gõk ko ÞñývBÿ “GQ Aë” øípAû GB oøHpÿ oGBÿ<br />

“@üpA oôqð×él” ô ¾lAÿ qüHBÿ grAó ìdHõJ<br />

“ÆñBq Gùpû ìñl ÖpôqAðLõ o” GpârAo yl. üßþ Aq


11<br />

30 Years After<br />

30 Years After<br />

AølAÙ Aüò âpkøî @Dþ, GroâlAyQ @Dýò cÛõ Ý<br />

Gzp ðõyPú KBkyBû AüpAðþ “Þõ oô} ÞHýp”<br />

Gõk Þú Aìpôq Gú ÎñõAó uíHéþ Aq AuPÛçë ô<br />

@qAkÿ Öpkÿ ko upAup WùBó ìõ ok AcPpAï<br />

AuQ. gBðî yùç WBôkAó, oDýw øýBR AWpADþ<br />

ÖloAuýõ ó üùõküBó AüpAðþ, ko ìõ ok Aüò<br />

ðõyPú OBoühþ ô AøíýQ @ó ko WBìÏú WùBðþ<br />

Aìpôq ¾dHQ Þpkðl ô ko ìõ ok AøíýQ Odíê<br />

ô GpkGBoÿ ô oÎBüQ cÛõ Ý AÖpAk ko Aüò kô oû<br />

ðBâõAoÿ øBÿ AÚP¿Bkÿ ô uýBuþ OBÞýl<br />

ðíõkðl. Aüò âpkøî @Dþ GB ypÞQ Gý{ Aq 003<br />

ð×p Aq ìlÎõüò ko OBæoÿ GByßõû ô kÞõ oøBüþ<br />

Þú üBk@ô o kô oAó KBkyBøþ “Þõ oô} ÞHýp”<br />

Gõk GpârAo yl ô @ÚBÿ ìBoá ÎBìéþ, ðBìrk<br />

ìýLê, ô AkAoû Kéýw èw @ðXéw ðýr ko ÒpÖú<br />

øBÿ ìP×BôR Gú uõAæR ypÞQ ÞññlâBó KBui<br />

AðPhBGBR GpAÿ kAkâBû ÎBèþ AüBèQ ÞBèý×pðýB,<br />

ìùíBó ÎBèýÛlo Aüò ìpAuî Gõkðl.<br />

koá AÎPýBk<br />

Aüò âpkøî @Dþ GB øñpðíBDþ ô ìõqüà<br />

@o} ô ¾lAÿ kèñzýò ìdíõk ÚpGBðþ ô<br />

@øñä øBÿ kÿ-Wþ ìdHõJ yBøpj uLýp,<br />

ô OÏéýî oÚÀ øBÿ âpôøþ AupADýéþ OõuÈ<br />

oôq kôyñHú 4 AÞPHp 0102 Gý{ Aq 002 ð×p<br />

GpAÿ ypÞQ ko uíýñBo “koá AÎPýBk” Þú<br />

ìpAuî oô} øzBðB ô üõï ÞýLõo<br />

gBðî Aô oèþ uPBoû OB KBuþ Aq ðýíú yI<br />

AkAìú kAyQ.<br />

OõuÈ ÞíýPú uçìPþ ô OñlouPþ ÖloAuýõ ó<br />

üùõküBó AüpAðþ, GpârAo yl ko ìpÞr<br />

uíýñBo “AcPpAï ìPÛBGê”<br />

ÖloAuýõ ó âpkøî @ìlðl. Aüò uíýñBo Gú<br />

ìñËõ o @yñBDþ AÖpAk Gh¿õÁ ôAèlüò ô<br />

ÞñývBÿ “GQ Aë” ôAÚÐ ko ìpÞr ÖloAuýõ ó<br />

üùõküBó AüpAðþ ìBðñl øp uBë ìpAuî oô}<br />

ÖpqðlAó ðõWõAó @ðùB GB gÇpAR AÎPýBk ô<br />

^ãõðãþ Kýzãýpÿ Aq @ó ô oÖPBo ¾dýe GB<br />

øzBðB ô üõï ÞýLõ o oA GB ðËî GvýBo ko ìdýÇþ<br />

GvýBo oôcBðþ GpârAo Þpk. WlA Aq GpðBìú øB<br />

üßzñHú 81 @Kpüê 0102 ÞíýPú uçìPþ ô<br />

OñlouPþ ÖloAuýõ ó üùõküBó AüpAðþ Gú<br />

Öpk ìÏPBk, GB ypÞQ uhñpAðBó ìPh¿À<br />

GpârAo yl. ìPh¿¿ýñþ Þú ko Aüò GpðBìú<br />

ô ìpAuî ìnøHþ Þú GB øíßBoÿ oGBðõR ô<br />

grAó Aüò ÞñývB Gú ¾õ oR GvýBo kèñzýò<br />

oøHpÿ gBðî øB yHñî ÞýíýB ô Aèùú Gpôgýî<br />

ìýrGBó Gý{ Aq 003 ð×p ypÞQ Þññlû GpAÿ<br />

¾dHQ Þpkðl, ÎHBoR Gõkðl Aq: kÞPp Öpøñä<br />

øçÞõDþ, oôAðzñBx; âpôøHBó “ÖBoë” ÎÃõ<br />

GpârAo yl, kô uhñpAðþ GvýBo WBèI GpAÿ<br />

oôq ÞýLõ o ðýr GpðBìú oürÿ ylû Gõk Þú GB<br />

uíýñBo “AcPpAï ìPÛBGê” Gõk. Aüò uíýñBo<br />

uBÎQ 2GÏlAqÊùp GB KnüpADþ ^Bÿ ô yýpüñþ<br />

AkAoû Kéýw yùp èw @ðXéw, @ÚBÿ kAoA<br />

@GBDþ, ÎÃõ ÖÏBë WBìÏú ko oAGÇú GB AðõAÑ<br />

AuPÛHBë ÖpAôAó ypÞQ ÞññlâBó oôGpô yl.<br />

GpðBìú Aô ë GdU ô â×Pãõ üþ Gõk<br />

ô ðíBüzãBû ðÛByþ øñpìñl Aoqðlû gBðî oôüB<br />

ÖBgpÿ ypôÑ ylû ô GB Wévú uhñpAðþ ô<br />

ìzßçOþ Þú gBðõAkû øB ô WõAðBó üùõkÿ<br />

ko uÇe WBìÏú GB @ó oôGpô øvPñl; kÞPp<br />

koGBoû ìÏñþ üùõkÿ, AüpAðþ ô @ìpüßBDþ Gõkó<br />

ko WBìÏú Aìpôq ìB Þú OõuÈ gBðî WýñB ðùBDþ,<br />

uõAë ô WõAJ OB 6 GÏlAqÊùp AkAìú kAyQ.<br />

GpAÿ Aüñßú Þéýú ypÞQ ÞññlâBó GPõAðñl<br />

KpüvB èõÿ Aèlüò, oôAðzñBx, ô kÞPp AüpZ<br />

yívýBó, oôAðzñBx. Aüò uíýñBo GB KzPýHBðþ<br />

ðõüvñlû GpWvPú;‰ gBðî üBuíýò AôGpìò,<br />

ôÞýê kAkâvPpÿ ô ÎÃõ øýBR ìlüpû âpôû<br />

Aq AÆçÎBR uhñpAðBó ìPh¿À AuP×Bkû<br />

Þññl Aüò uíýñBo Gú øp kô qGBó Aðãéývþ ô<br />

ìBèþ<br />

; ô @ÚBÿ uBï üHpÿ, ôÞýê<br />

“Vantage Point Recovery in<br />

West Lake, California”<br />

øívpAó @ðùB ô ^ßõðãþ Gpgõ ok GB ìvBDê<br />

âõðBâõ ó ko Aüò oôAGÈ ¾dHQ Þpkðl.<br />

ÖBouþ AoADú yl Þú GB AuPÛHBë ìlÎõ üò<br />

o ôGpô Gõk. uhñpAðBó Aüò GpðBìú ÎHBoR<br />

ìõuvú Aÿ Þú<br />

ko Opá AÎPýBk ô ðãùlAoÿ Aq AÖpAk ìÏPBk Æþ<br />

kAkâvPpÿ ô oDýw øýBR ìlüpû âpôû<br />

AWpA yl. uhñpAó GpðBìú<br />

Gõkðl Aq: kÞPp Öpøñä øçÞõDþ, oôAðzñBx;<br />

kÞPp KpüvB èõÿ Aèlüò, oôAðzñBx; kÞPp<br />

kô oAó ðÛBøQ @ðùB Oh¿À kAok GpârAo yl.<br />

ìõuvBR küãpÿ Aq Wíéú: GQ OzõôA, gBðú<br />

kôï gBðî ypèþ glAkAk, oôAðzñBx, koGBoû<br />

cÃõ o kAyPò ô ìÏñõüQ ko WBìÏú ¾dHQ<br />

Þpkðl.<br />

kAkû ô ko ìõ ok ÖÏBèýQ øBÿ gõk AÆçÎBOþ ko<br />

kuPpx ìlÎõüò ÚpAo kAkðl. Aüò uíýñBo ìBðñl<br />

Þéýú GpðBìú øBÿ ÞíýPú uçìPþ ô OñlouPþ<br />

oAüãBó ô ô oôk GpAÿ Îíõï @qAk Gõk.<br />

ìýñõ yýçOþ, oôAðzñBx; ô gBðî ìvPBðú<br />

ìÛlï, ìlkÞBo AWPíBÎþ. uhñãõüBó koGBoû<br />

ìÏBèXú ìÏPBkAó ô Opá AÎPýBk ìBèýHõ, gBðú<br />

Opá AÎPýBk èýà øBôx, ìpÞr ìzBô o üò<br />

oôAGÈ ôAèlüò GB ÖpqðlAó GroâvBë gõk ô


ÎñõAó oDýw øýBR ìlüpû, Gp OõuÏú ÞBðõ ó<br />

gýpgõAû, üßþ Aq ìXùrOpüò OBuývBR<br />

koìBðþ AüpAó, ðËBoR ìvPÛýî kAyPñl.<br />

Kw Aq AðÛçJ AüpAó ko uBë 9791<br />

kÞPp @ÚBDþ Gú gBÆp AøíýQ ÖÏBèýQ øBÿ<br />

¾ùýõðývPþ ô GBðßþ gõk ko ânyPú ìõ ok<br />

ÚlokAðþ Aq kô yh¿ýQ ÎBèýÛlo<br />

kÞPp uéýíBó @ÚBüþ, oDýw Kýzýò ÖloAuýõó üùõküBó AüpAðþ<br />

@qAo ô AmüQ ìnøHýõ ó ÚpAo âpÖPñl. AüzBó Gú<br />

ðB^Bo GB gBðõAkû gõk Aq AüpAó âpühPú ô Gú èw<br />

@ðXéw ìùBWpR ðíõkðl. Þú ìXlkA« ÖÏBèýQ<br />

øBÿ GBðßþ gõk oA ko ìÛBï ìÏBô ó AWpADþ<br />

ô kÞPp AìBó Aèéú oÖõ@û, Kryà kAðzíñl<br />

OñËýî Aq: ôüõèQ uBuõðþ<br />

GBðà oüLBGéýà ðzñBë Aq upâpÖPú ô uLw<br />

Gú ìlüpüQ Aoyl GBðà Aìpüßò AÞvLpx ðBDê<br />

ylðl. AüzBó ko uBë 8991 Aq ìzBÒê GBðßþ<br />

ÞñBoû âpÖPñl.<br />

kÞPp @ÚBDþ ko @ìpüßB, GB ypÞQ ÖÏBë gõk<br />

ko ÞñBo @ÚBÿ kÞPp czíQ Aèéú ÞpìBðzBø`þ,<br />

Gú glìBR gõk Gú WBìÏú üùõkÿ AüpAðþ AkAìú<br />

kAkû ô ÖloAuýõ ó üùõküBó AüpAðþ oA OBuýw<br />

ðíõkðl, Þú gõk AüzBó 51 uBë oüBuQ<br />

ÖloAuýõ ó ô ìlüpüQ ìXéú yõÖBo oA Gú Îùlû<br />

kAyPñl. AüzBó ðýpô ÿ ìdpÞú OBuýw kô<br />

ÞñývBÿ Gñþ AìõðB ô Gñþ A³o Gõkðl.<br />

kÞPp @ÚBDþ Gú gBÆp glìBOzBó Gú<br />

AüpAðýBó ô øíú WBìÏú üùõkÿ, GloüBÖQ<br />

OÛlüpðBìú øBÿ ìPÏlk ðBDê ylû Aðl.<br />

Gú ÎñõAó GùPpüò ðíõðú “øíú üùõküBó<br />

üà GBo küãp AÖPhBo ÚlokAðþ Aq glìBR ô<br />

ÖÏBèýQ øBÿ uBqðlû ô ìTHQ kô yh¿ýQ<br />

ÞñPpë Aoq AüpAó ðBDê ylðl.<br />

ko uBë øBÿ 3791 ô 5791 kÞPp @ÚBDþ<br />

ìvEõë üßlüãpðl”, kÞPp @ÚBDþ Aq ÆpÙ<br />

ðíBüñlâBó ìñPhI üùõküBó ko AupADýê ô<br />

GpWvPú, ÖpøýhPú ô glìPãrAo WBìÏú ìBó,<br />

ð¿ýI âpôû GBðõAó ÖloAuýõ ó üùõküBó<br />

Gú ÎÃõüQ øýBR ðíBüñlâBó AüpAó ìñ¿õJ<br />

ylðl OB ko Þíývýõ ó OõuÏú AÚP¿Bkÿ<br />

âBèõR Aq Wíéú ðhvQ ôqüp ìñhî Gãýò,<br />

oüBuQ Wíùõ o yýíõ ó Kpq, oGBÿ ÎõGlüB<br />

AüpAðþ ylû AuQ. @ÚBüBó kÞPp uéýíBó @ÚBDþ<br />

ô kÞPp AìBó Aèéú oÖõ@û GpAuPþ yBüvPãþ Aüò<br />

@uýBÿ WñõJ ypÚþ uBqìBó ìéê ìPdl ko<br />

OBüéñl ô ìBèrÿ ypÞQ GñíBüñl.<br />

üõuØ, yùpkAo Olÿ Þõèà ô GvýBoÿ küãp<br />

Gú koüBÖQ èõcú AÖPhBoÿ ðBDê âpkülû AuQ<br />

oA kAoðl Þú qcíBOzBó oA AoZ Gñùýî.<br />

ìpAuî GByßõû GroâlAyQ Aüò kô Îrür,<br />

AüzBó uLw Gú ìÛBï oüBuQ GBðà<br />

A¾ñBÙ ô GBðà AüpAðzùp ouýlðl Þú GBðà<br />

Þú ko ÞPBJ ÆçDþ AOdBk üùõküBó Gú ðBï<br />

AüzBó Gú SHQ ouýlû AuQ.<br />

12<br />

oôq üßzñHú 91 kuBìHp uBÎQ 5 GÏlAqÊùp<br />

ko uBèò ðÏíBó ÖloAuýõ ó üùõküBó AüpAðþ<br />

AüpAðzùp oA Gú ¾õ oR üßþ Aq ìõÖÜ Opüò<br />

ìõuvBR ìBèþ GB Gý{ Aq 074yÏHú ko<br />

kÞPp @ÚBDþ ô øívp ìùpGBðzBó ìùpÿ<br />

gBðî ko Gõ oèþ øýér qðlâþ ìþ Þññl ô ^ùBo<br />

ko gýBGBó ÞpuñQ øBüPr yíBèþ GpârAo<br />

gõAøl yl.<br />

upAup Þzõ o ko @ô okðl.<br />

kÞPp @ÚBDþ üßþ Aq oøHpAó WBìÏú<br />

Öpqðl ìõÖÜ Gú ðBï øBÿ ìtâBó, uýíB, oôüB ô<br />

oôìýñB kAoðl Þú øíãþ Gú ôÞBèQ AyPÓBë kAoðl.<br />

kÞPp uéýíBó @ÚBDþ, ìPõèl øílAó, Kw<br />

Aq Aüñßú GB gBðõAkû Gú OùpAó @ìlðl, Od¿ýçR<br />

üùõkÿ ko AüpAó, glìBR AWPíBÎþ gõk oA<br />

Gú ÎñõAó ÎÃõ ¾ñlô Ý ìéþ ko ìÛBï ìÏBô ó<br />

kÞPp AìBó Aèéú oÖõ@û ko uBë 2031 ko<br />

Gñlo Kùéõÿ ìPõèl ylðl. Od¿ýçR AGPlADþ oA<br />

gõ oA Oßíýê ðíõkû ô ìõÖÜ Gú koüBÖQ kÞPpAÿ<br />

AÚP¿Bk âpkülðl.<br />

oüBuQ ypôÑ Þpkðl ô Kw Aq @ó GB ÎÃõüQ<br />

ko ÞíýPú ìpÞrÿ üùõküBó ko ìÛBï grAðú kAo<br />

ko ìlouú Öpkôuþ Gú KBüBó ouBðlðl ô Kw Aq<br />

AðPÛBë gBðõAkû Gú OùpAó ko ìlouú ÖBoAGþ Gú<br />

AüzBó ÖÏBèýQ øBÿ GBðßþ gõk oA Aq<br />

GBðà ìéþ AüpAó ypôÑ ðíõkû ô uLw ko GBðà<br />

Gú ÖÏBèýQ KpkAgPñl Þú ko ðPýXú qcíBR<br />

gvPãþ ðBKnüpyBó ìõÖÜ Gú gpül gBðú Aÿ<br />

Od¿ýê gõk AkAìú kAkðl. ko uBë 5131 ôAok<br />

ÞBèY @ìpüßBDþ OùpAó ylðl ô ko Þçx ø×Pî<br />

ìpÞrÿ AüpAó Gú ìÛBï øíßBo ÿ GB ô qAoR<br />

GpAÿ ÖÏBèýQ øBÿ WõAðBó ylðl. AüzBó Gú


13<br />

GB GBæOpüò ìÏlë ko uÇe ìlouú yBâpk Aô ë<br />

ylðl. Gú Oõ¾ýú ìlüpAó ÞBèY Þçx øzPî oA<br />

ko OBGvPBó ìpô o ðíõkû ô uBë GÏl Gú Þçx<br />

ðùî AoOÛBF üBÖPñl. ^õ ó AìBó Aèéú oÖõ@û øíú<br />

Þçx øB oA GB oOHú Aô ë Gú KBüBó ìþ ouBðlðl,<br />

ÚpAo Gõk GB Gõ ox Od¿ýéþ Aq kôèQ @ìpüßB<br />

GpAÿ AkAìú Od¿ýê Gú @ìpüßB GýBüñl ôèþ ko<br />

uBë yzî Gú Aìp oÂB yBû, ìõuvBR<br />

oÚÀ KBDýr<br />

Aq: á . ìú Kõ o<br />

@ìõqyþ @ìpüßBDþ OÏÇýê ylðl ô GB OÓýýp<br />

oüBuQ ÞBèY ìvBèú Gõ ox Od¿ýéþ AüzBó<br />

ìñP×þ yl.<br />

AüzBó ko uBë 0231 ko Þñßõ o<br />

Kryßþ kAðzãBû OùpAó ÚHõë ylðl ô OB uBë<br />

6231 kô oû Kryßþ oA GB koWú ìíPBq Gú KBüBó<br />

ouBðlðl. uBë @gp GB ôWõk ÞBoyßñþ øBÿ<br />

GBk ìþ oÚ¿ýl GB Gpå<br />

Gpå ìþ èÓrül ko GBk<br />

uBüp kAðzXõüBó ô AuBOýl Gú gBÆp üùõkÿ<br />

Gõkó AüzBó, GBægpû Gýò 021 ð×p yBâpk Aô ë<br />

oÚÀ Gpå ô GBk<br />

øýùBR<br />

ylû ô ìõÖÜ Gú koüBÖQ ìlAë Æç Aq kuQ<br />

AÎéýdÃpR ìdíloÂB yBû Kùéõÿ âpkülðl,<br />

øýùBR<br />

AìB üà GBo küãp ô Aüò GBo Gú gBÆp ÖÛlAó GõkWú<br />

ÞBÖþ kôèQ, ÖpuPBkó AüzBó Gú gBoZ GpAÿ<br />

ðõ o gõ oyýl ko GÏlAqÊùp<br />

ìýrGBó Aüò kô kèlAkû<br />

âpÖPò Oh¿À Gú gpZ kôèQ ìñP×þ yl.<br />

kÞPp oÖõ@û ko uBë 1331 GB gBðî Kpôüò<br />

ô ðõADþ @oAï<br />

Aq Æñýò Gpå ô GBk<br />

âézò AqkôAZ ðíõkðl Þú Sípû Aüò AqkôAZ kô<br />

Öpqðl ìõÖÜ AüzBó, kÞPp sAðQ ô kÞPp ìvÏõk<br />

géÜ üà yBøßBo<br />

WBôkAðú ko üBkï ìBðl<br />

øvPñl Þú øp kô kðlAðLryà ìþ GByñl. kÞPp<br />

oÖõ@û Kw Aq ^ñl uBë ÆHBGQ, GBægpû GB<br />

Gõ ox uBqìBó GùlAyQ WùBðþ Gú èñló oÖPú<br />

ô ko oyPú øBÿ kAgéþ ô Òlk ìPpydú kAgéþ<br />

GBk ìþ oÚ¿ýl GB Gpå<br />

Gpå ìþ èÓrül ko GBk<br />

Oh¿À âpÖPñl ô ko GBqâzQ Gú AüpAó Gú<br />

AuPBkÿ kAðzßlû Kryßþ Gpârülû ylðl.<br />

oÚÀ Gpå ô GBk<br />

øýùBR<br />

AüzBó OB qìBó AðÛçJ AüpAó GB gõyñBìþ<br />

ô ìõÖÛýQ ô yùpR Gú OzhýÀ upüÐ ô<br />

øýùBR<br />

Gpå øBÿ qok ô upj ô AoÒõAðþ oðä<br />

¾dýe Gú ÆHBGQ AkAìú kAkðl.<br />

Kw Aq AðÛçJ GB ÖpAo Aq oAû OpÞýú gõk<br />

æGçÿ @ÖPBJ èýíõDþ oðä<br />

kuPú kuPú<br />

oA Gú uõDýw ô uLw èw @ðXéw ouBðlðl.<br />

ko uò y¿Q uBèãþ ìõÖÜ Gú ânoAðló<br />

ÖõZ ÖõZ<br />

ìþ èÓrülðl ko GBk<br />

AìPdBðBR ìzßê Kryßþ ÞBèý×pðýB ylðl ô<br />

Kw Aq üà uBë ÞBo@ìõqÿ ko<br />

oÚÀ Gpå ô GBk<br />

øýùBR<br />

øýùBR<br />

Harbor UCLA<br />

ko uBë 5891 ìõÖÜ Gú koüBÖQ WõAq ÆHBGQ<br />

ÞBèý×pðýB ylðl ô Aq @ó Kw Gú ìlAôAÿ GýíBoAó<br />

ko ìÇI yh¿þ gõk ìzÓõë øvPñl.


ºHoÄH ·IÄj¼¿Ä ·¼ÃwHnkÎ nj<br />

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½¼§{IM » ÂGI¹XTwH ºI§<br />

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.kÃGIoÎ ®ÅIe tIµU<br />

ðãBøþ Gú glìPãrAoAó WBìÏú<br />

üùõkÿ AüpAó<br />

AudÜ Öpøíñl Kõo, Aôèýò ðíBüñlû ìñPhI<br />

WBìÏú üùõkÿ ko ìXéw ðíBüñlâBó WíùõoÿAuçìþ<br />

Aq kÞPp ðBøýl KýpðËp<br />

“Only Jew in<br />

Parliament Is Expelled by Iranians”،<br />

ko uBë ânyPú WB ìÏú üùõkÿ AüpAðþ üßþ Aq<br />

glìPãrAoAó ÖpøýhPú ô Öpøñãþ gõk oA ko<br />

ìPíBkÿ ko ÞñBo ìzBÒê Öpøñãþ gõk ko Aüò<br />

uíQ ðýr ìzÓõë Gú Oloüw Gõk.<br />

GÇõ o A¯Î¯î ASpârAo Gõkû Aðl. ko @üñlû ðBìùBÿ<br />

yßpAèéú ô AudÜ ÖpøíñlKõ o Gþ yà ko Aüò<br />

kë gBá uLpk. A¾õæ« üùõküBó AüpAðþ Æþ<br />

Úp ó ânyPú ÖpqðlAó GvýBoÿ oA Gú AWPíBÑ ô<br />

ko @ÒBq osüî Wíùõ oÿ Auçìþ,<br />

AudÜ ÖpøíñlKõ o GpüBuQ ìlouú Þõ o}<br />

èývQ ÚpAo gõAøl kAyQ. yBkoôAó AudÜ<br />

ÖpøíñlKõ o ko OBoüi 02 @Kpüê 0102 ko yùp<br />

Öpøñä AüpAðþ Odõüê kAkû Aðl Þú øp üà GñõGú<br />

gõkyBüvPú Oßpüî ô AÖPhBo üùõküBó AüpAó<br />

ìñ¿õJ ylû OB KBüýr uBë 9791, GÏé©Q ypÞQ<br />

ko AðPhBGBR ìXéw yõ oAÿ Auçìþ, ko Aüò<br />

yýßBâõ GÏl Aq üà Îíê WpAcþ, GñBâBû ^zî<br />

Aq WùBó ÖpôGvQ. oôAð{ yBk<br />

Gõkû Aðl. üßþ Aq Aüò AÖpAk, oôAðzBk AudÜ<br />

ÖpøíñlKõ o, glìPãrAo Öpøñãþ ô Aôèýò<br />

ìÛBï glìQ ìýßpk. ko @ðvBë Aq ÆpÙ WBìÏú<br />

üùõkÿ AüpAó, GñíBüñlâþ üùõküBó ko ìXéw<br />

ðíBüñlû ìñPhI WBìÏú üùõkÿ ko ìXéw<br />

ðíBüñlâBó Wíùõ oÿ Auçìþ Gõkû AuQ. qðlû<br />

yõoAÿ Auçìþ ìñPhI ô Gú @ðXB ÖpuPBkû yl.<br />

Aì©B ìPBu×Bðú AÎPHBoðBìú AüzBó ko ìXéw, GB<br />

üBk AudÜ ÖpøíñlKõ o ko uBë 3391 ìýçkÿ<br />

ko ÞpìBðzBû ^zî GXùBó âzõk. Od¿ýçR<br />

@ô okó 07 oAÿ ìhBèØ, 63 oAÿ ìõAÖÜ ô 98<br />

oAÿ ìíPñÐ O¿õüI ðzlô Gú â×Pú oôqðBìú<br />

AGPlAüþ ô kGýpuPBðþ gõk oA ko ìlAox<br />

@èýBðw ô yBøLõ o² ÞpìBðzBû Æþ Þpkû, Kw Aq<br />

OdQ ÎñõAó ìÛBèú Aÿ GñBï ,<br />

91, 08 AôR 71 üi GPBo KvQ, ôAyñãPò<br />

@ó, ìloá èývBðw gõk oA Aq kAðzãBû OùpAó<br />

ko oyPú Îéõï oüBÂþ Agn ðíõkû uBèýBó<br />

14<br />

Aô Þú OñùB ðíBüñlû üùõkÿ ko KBoèíBó Gõk Aq<br />

ìXéw AgpAZ âpkül ô ðB^Bo yl Þú GÇõ o<br />

ìPíBkÿ ko kGýpuPBðùBÿ Þõ o} KvpAó ô<br />

kgPpAó, @ìõqyãBû A³pR ô ìlouú AôO¿p<br />

Òýp ouíþ gBá ôÆñ{ oA Opá Þñl. Kw<br />

Aq ìùBWpR Gú @ìp üßB, GB OíBï ìzßçR<br />

øBOõoA Gú Oloüw oüBÂþ ìzÓõë Gõk. AüzBó<br />

ko @ÒBq kô oAó Oloüw GB øíßBo Öpøñãþ gõk<br />

ìùBWpR GB øíßBoÿ øívpyBó gBðî Öùýíú<br />

küBðþ OõAðvPñl uú ÖpqðlæüÜ ô yBüvPú gõk<br />

gBðî Öùýíú k¯üBðþ @yñB ylû, AqkôAZ ðíõkðl.<br />

cB¾ê Aüò AqkôAZ uú Öpqðl yBüvPú Gú<br />

oA GB Od¿ýçR ÎBèþ Gú AWPíBÑ Odõüê køñl.<br />

qðlû üBk AudÜ ÖpøíñlKõ o Aq gBðõAkû Aÿ<br />

ðBìùBÿ ìùpAó, ÞBìpAó ô ÞýõAó ìýHByñl.<br />

uBGÛú Oloüw ìíPl ô OBèýØ ÞPBJ oüBÂýBR<br />

Aøê Îéî GpgBuPú Gõk. øíýò g²¿Bë Öpøñãþ<br />

ô Úõ©û GýBó Úõÿ oA ko GpAko Aoyl AüzBó @ÚBÿ<br />

GpAÿ kGýpuPBðùBÿ upAup Þzõ o, kAð{ Aô<br />

ko Îéõï oüBÂþ oA Gp øíãBó ìÏéõï ô GBÎU<br />

yßpAèéú ÖpøíñlKõ o ðýr Þú uBèýBó ìPíBkÿ<br />

ìÛBï oüBuQ ìlouú @èýBðw ÞpìBðzBû oA Gp<br />

yùpR Aô ko ìdBÖê Öpøñãþ AüpAó âpkül.<br />

Aüò yñBgQ OB Gú cl©ÿ Gõk Þú Glô ó<br />

Îùlû kAyQ ìþ OõAó ìzBølû ðíõk.<br />

ko @uíBó Kp ÖpôÕ WBìÏú üùõküBó<br />

øýa ôAGvPãþ² yh¿þ GB koGBo yBøñzBøþ,<br />

GpAÿ Oloüw g¿õ¾þ oüBÂýBR, Gú<br />

AüpAðþ, øíõAoû uPBoâBó Gþ yíBoÿ kogzýlû<br />

Aðl Þú øpüà Gvùî gõk ko GBæGpkó Öpøñä<br />

ÖpqðlAó ô ðõ WõAðBó gBðlAó Kùéõÿ ìñvõJ<br />

âpkül ô OB kô oû AðÛçJ 9791 ìýçkÿ, uBèýBó<br />

üùõküBó AüpAðþ GÇõ o A¯g¯À© ô Öpøñä AüpAðþ


Love shouldn’t hurt you!<br />

Don’t be silent! Call us!<br />

For more information on “Domestic Violence”,<br />

getting help and finding shelter.<br />

you can call<br />

the “Yaran” Help-Line at (818) 464-2864<br />

You can leave us a message in Persian.<br />

Confidentiality and anonymity of your message<br />

are guaranteed.<br />

Has your spouse or partner ever:<br />

- Beaten or physically abused you?<br />

- Has stopped you from meeting your friends or<br />

relatives?<br />

- Forbid you from working outside the house?<br />

- Threatened you, your children or pets?<br />

- Destroyed your personal belongings?<br />

- Scold, accuse or humiliated you?<br />

- Forced you to have sex?<br />

Are You:<br />

- Afraid of your spouse or partner?<br />

- Always concede from fear before him or her?<br />

- Feeling afraid, lonely, and insecure?<br />

If your answers to these questions are yes,<br />

you are a victim of “Domestic Violence”<br />

Violence injures all members of a family.<br />

For the sake of your children and yourself,<br />

ask for help today.<br />

Made possible by a grant from California<br />

Community Foundation and Jewish Family<br />

Service of Los Angeles<br />

Yaran: Iranian Peer Counselors and Advocates<br />

- GB gzõðQ ô OdÛýp@ìýr GB yíB oÖPBo Þpkû ô yíB oA ìÛ¿p yípkû?<br />

- GB qô o yíB oA ôAkAo Gú øî @Òõyþ Þpkû?<br />

ÎzÜ ðHBül Gú AðvBó ¾lìú Grðl!<br />

ußõR ðßñýl! GB ìB OíBx Gãýpül!<br />

GpAÿ AÆçÎBR GýzPp koGBoû “gzõðQ øBÿ gBðõAkâþ” ô<br />

ko üBÖQ Þíà ô üB AÚBìQ ko KñBøãBû øBÿ ìh¿õÁ ìþ<br />

OõAðýl GB<br />

âpôû üBoAó yíBoû Oé×ò 42uBÎPú 4682 - 464 (818)<br />

OíBx Gãýpül<br />

ìþ OõAðýl Gú qGBó ÖBouþ GpAÿ ìB KýÓBï GãnAoül ô ìÇíEò<br />

GByýl Þú KýÓBï yíB ìdpìBðú ô g¿õ¾þ GBÚþ gõAøl ìBðl.<br />

@üB øívp ô üB ypüà qðlâþ yíB OB Gú cBë:<br />

- yíB oA ìõ ok ÂpJ ô yPî ô üB @qAo Wvíþ ÚpAo kAkû?<br />

- Aq ìçÚBR yíB GB kôuPBó ô üB AÖpAk gBðõAkû OBó Wéõâýpÿ Þpkû?<br />

- Gú yíB AWBqû ÞBo gBoZ Aq gBðú ðíþ køl?<br />

- yíB, ÖpqðlAó ô üB cýõAó gBðú oA Oùlül Þpkû?<br />

- AyýBÿ yh¿þ yíB oA Aq Gýò Gpkû?<br />

@üB yíB:<br />

- Aq øívp ô üB ypüà qðlâþ OBó ìþ Opuýl?<br />

- Aq Opx øíýzú Aq Aô AÆBÎQ ìþ Þñýl?<br />

- AcvBx OñùBDþ, Opx ô Gþ KñBøþ kAoül?<br />

Aâp KBui yíB Gú Aüò uõAæR ìTHQ AuQ, yíB ìõ ok Êéî ô<br />

gzõðQ gBðõAkâþ ôAÚÐ ylû Aül.<br />

gzõðQ ko gBðõAkû Gú OíBï AÎÃBÿ gBðõAkû ¾lìú ìþ qðl.<br />

Gú gBÆp gõk ô ÖpqðlAðPBó Aq Aìpôq GpAÿ koüBÖQ Þíà AÚlAï Þñýl.


üùõküBó ^ú uùî âpAðþ ko c×Ì ô cpAuQ<br />

Öpøñä A¾ýê AüpAó kAyPú ô kAoðl:<br />

AüpAó ôÆò ìò AuQ, Opkül ìßò<br />

AðßBo ÖpôÕ ÚpÁ gõoyýl ìßò<br />

gõk ôAoV ô KBulAo Aüò gBá ìñî<br />

Opkül ko Aüò GBôo WBôül ìßò<br />

AìB, yõ oGhPBðú Gú Îééþ âõðBâõ ó<br />

Þú ko cýÇú Aüò ìÇéI ÞõOBû ðývQ, ko<br />

ouBèQ üùõkÿ AüpAðþ<br />

Aq: WùBðãýp ¾lAÚQ Öp<br />

ÞíPp ðõyPBo ìvPñl OBoühþ KýpAìõ ó uùî<br />

Gú urADþ Þú üùõküBó AüpAó ðú OñùB ko uýp<br />

ìÇéI qüp ìPò uhñpAðþ ìùñlx WùBðãýp ¾lAÚQ Öp, yBÎp ìdHõJ ìÏB¾p, ko ìpAuî ÞýLõo<br />

uBë 0102 ko ÞñývBÿ “gBðú uBèíñlAó” ko èw @ðXéw AuQ.<br />

OdõæR Öpøñãþ, AWPíBÎþ, AÚP¿Bkÿ, ô cPþ<br />

øñpÿ Aüò @J ô gBá kAyPú Aðl, Géßú ko c×Ì ô<br />

üà ^ñl Gú ÞBo gzQ ôAkAo ylüî üà ^ñl Auýp g¿î ÚùBo ylüî<br />

qAó Kw kô ørAo uBèú ko ÒpGQ gBá ÚpGBðþ ÖPñú øBÿ GvýBo ylüî<br />

AyBÎú @ó ðýr øíõAoû Þõyýlû Aðl ƒ uhò â×Pú<br />

ylû AuQ. ôAÚÏýQ AìB Aüò AuQ Þú ÎéýpÒî<br />

Aüò gç¾ú ÿ upðõyQ Úõìþ AuQ Þú ko<br />

ørAoû øBÿ OBoüi Gú oÒî @ðùíú uhPþ øB ô<br />

ko gBá KùñBô o AüpAó, cPþ Gú qìBðþ Ký{<br />

Aq OBoüi OBCuýw uévéú ÿ øhBìñzþ ìþ<br />

AkôAoÿ Þú üùõküBó ìõ ok Gþ ìùpÿ GÏÃþ<br />

qìBï kAoAó ô øî ìýùñBó ìPÏ¿I gõk ÚpAo<br />

ì¿ýHQ øB, upuhPBðú ko cpAuQ øõüQ<br />

Úõìþ / ìnøHþ gõü{ Þõyýlû ô OB Aìpôq ô<br />

oul. ô Gp AuBx Aüò GBô o ìþ OõAó AkÎB Þpk<br />

Þú üùõküBó ÚHê Aq @ÒBq OBoüi ìlô ó AüpAó, Þú<br />

âpÖPú ô ìPdíê oðY OHÏýÄ ô ÎnAJ OdÛýp ô<br />

OBqüBðú øBÿ Êéî ylû Aðl, ìÏùnA øíõAoû ko<br />

øñõq AuPõAo ô KBGpWB ìBðlû AuQ;<br />

üÏñþ:<br />

ìHlAC @ó GñýBðãnAoÿ cßõìQ øhBìñzþ AuQ,<br />

ko Aüò gÇ©ú ußõðQ ârülû Gõkðl.<br />

Æõë AοBo kèHvPãþ gõk oA Gú gÇú Aÿ Þú<br />

Kw Aq upqìýò AupADýê Úlüíþ Opüò ìõÆò<br />

OBoüh`ú ìlô©ó Úõï üùõk<br />

küõAó cíBuú ÿ ÖpAq AuQ ô Öpôk<br />

Aq WùPþ küãp, @qAkÿ AuýpAó üùõkÿ<br />

GBGê Gú ÖpìBó Þõ o} Groå üßþ Aq ìùî Opüò<br />

@ðBó Gõkû AuQ, Gú ASHBR ouBðýlû ô Gú Kýpô ÿ<br />

Aq kuPBô okøBÿ AðvBðþ küò ô @Dýò gõk,<br />

ôÚBüÐ OBoüi KpðzýI ô ÖpAq ìBuQ ô ðýBq ÿ<br />

Gú GBqâõDþ @ó ðÛÇú ÿ ÎÇØ upðõyQ uBq<br />

ÞíBÞBó Gú ìýùò ô Gú øíõÆñBó gõk ôÖBkAo<br />

ìBðlû ô ÎzÜ ô oqülû Aðl:<br />

AÖvBðú ÿ oôkÿ AuQ ko @Òõ} qìBó<br />

øíõAoû oôAó Gú uõÿ koüBÿ ôWõk<br />

ðývQ. øíýò Gw Þú Gú AÎPÛBk Ktôøzãp<br />

ÖÛýl, qðlû ðBï KpôÖvõ o Aìñõ ó ðP¿p : “ Kw<br />

Aâp ÞíBGý{ ðrküà Gú ^ùBo ørAo<br />

uBë Aq Aüò OBoüh`ú - üÏñþ Aq @ÒBq ouBèQ<br />

øíñõÑ gõkR oA ^õ gõkR kôuQ GlAo<br />

ÖpìBó glAuQ Aüò, ðú üà ÆpÖú yÏBo<br />

Aq ôAÚÏú ÿ gpôZ Aq ì¿p, Kýõðl kèùB ìýBó<br />

üùõküBó ô AüpAðýBó, Þú ÎÛl @ó OõuÈ Þõ o}<br />

cÃpR AGpAøýî Gú ÖpAgõAðþ Gzp GpAÿ<br />

yñBgQ ô KpuP{ glAôðlÿ üãBðú- ìþ ânok,<br />

ko ÞñBo ðùpøBÿ GBGê GvPú ylû, kôìýò<br />

o ô ülAk gBÆpû Aðãýr ô ìùî OBo üi üùõk<br />

ìB ìéQ ÆBÎPýî ô Wr Aüò ðßñýî,<br />

yBèõkû küò ìB Gp ÎzÜ AuQ ÚpAo.<br />

ìB üùõküBó AüpAðþ OlAôï 0072 uBèú ÿ Aüò<br />

Kýzýñú oA ðú OñùB yBøl Gõkû Aüî, Géßú ìB gõk<br />

ìdvõJ ìþ yõk.” (1)<br />

ôðýr Gú oôAüPþ küãp, üùõküBó GBGê<br />

AìB @ð`ú ìpA Gp @ó kAyQ Þú ko Aüò<br />

qìBó ìdlôk Gú Aüò ìÛõèú GLpkAqï, Aüò<br />

Þõèú GBo ouBèQ² Aüò ìBðlâBoÿ oA Gp kô}<br />

Þzýlû Aüî. Aüò GlAó ìÏñþ AuQ Þú upqìýò<br />

16<br />

GpAÿ ÖPe Aüò Þzõ o OõuÈ Þõ o} KBkyBû Gú<br />

AoO{ Aô üBoÿ øBÿ AuPpAOtüßþ kAkû Aðl. (2) ô<br />

ôAÚÏýQ AðßBo ðBKnüp AuQ Þú ko Aüò Gpøú Aq<br />

OBoüi ô ðýr Gú gBÆp oglAk AðÛçGþ Þú ìõWI<br />

AüpAó Gý{ Aq ðýíþ Aq Aüò koAqðBÿ ^ùBo ørAo<br />

uBèú GBèýl ðãBû Úõï üùõk Gõkû AuQ. Gþ Opkül<br />

øp @ó âBû Aüò kAuPBó ìÛpô ó Gú cÛýÛQ GByl,<br />

Aüò oglAk oA ìþ OõAó ðhvPýò øî Kýõðlÿ ô<br />

ìùBWpR AWHBoÿ GýzíBoÿ Aq ìB ô KloAó ìB<br />

yl ƒ ðvê ìB ðBgõAuPú ô Gú âõðú Aÿ “ üBkâBo<br />

Aüò üà AkÎBÿ ìõSÜ OBoühþ AuQ.<br />

ìþ kAðýî Þú Aq @ó qìBó Þú @yõ oüBó<br />

øíýBoÿ AüpAðýBó ô Úõï üùõk Gú yíBo @ô ok.<br />

Gú øp oô ÿ, ìvéíB« Aüò Úõï Gú üÛýò Úlüíþ<br />

AðÛpAÅ ðvéþ, ô ðÛÇú KBüBó Oéi Ö¿éþ” Aq<br />

OBoüi kôørAo ô ø×P¿l uBèú üùõküBó AüpAó<br />

ørAoAó Oò Aq yùpôðlAó AupADýê oA Gú yp Ý<br />

AìLpAÆõ oÿ gõk Gú AuBoR Gpkðl, @ðBó ko<br />

Opüò AÚéýQ ìnøHþ / Öpøñãþ/ WÓpAÖýBüþ<br />

KùñlyQ AüpAó qìýò Gõkû AuQ Þú ko koAqðBÿ<br />

AuQ. GñBGpAüò GpìBuQ Þú @ð`ú ko OõAó<br />

kAoüî oA Gú ÞBo GãíBoüî Þú GBo ouBèPþ kôâBðú<br />

AoAÂþ upqìýò øBDþ Þú ÆHÜ OÛvýî Gñlÿ<br />

øBÿ WÓpAÖýBüþ Wlül yBìê AuPBó øBDþ<br />

qìBó GB Öpøñä ô @kAJ ô uñò ìýùò ìýrGBó<br />

gõk ko@ìýhPú ô Gú ÒñBÿ @ó Öpøñä ôAæÿ<br />

oA Þú upðõyQ Gp âpkû ìB ðùBkû AuQ Gú<br />

upìñrë ìpAk GpuBðýî. Aâp uhò Aq ouBèPþ<br />

^õ ó ÞpkuPBó, @moGBüXBó, ô âýçó<br />

ìþ yõk, ußñþ ârülðl. GñBGpAüò Gú GBô o<br />

kôâBðú ìþ âõüî, GpAuPþ Aüò ôÊý×ú ìBuQ<br />

Gpgþ AüpAðzñBuBó, ÚlìQ cÃõ o Aüò Úõï<br />

GBuPBðþ AÖrôkû AuQ. Gú AÎPHBo øíýò AìPrAZ<br />

ô @yPþ kô oô} qðlâþ ìþ OõAó koüBÖQ Þú


17<br />

Þú Gú yßpAðú ìõÖÛýQ øBÿ oyà GpAðãýrìBó<br />

Þú Gþ Opkül GB KzPõAðú Aÿ Aq OÏBèýî üùõküQ<br />

ðÏíQ øB<br />

ìò Aq øp yBgú, Aq øp Gpå, Aq øp âê<br />

@ðXéw Gú qüõ o ÆHÐ @oAuPú ylû üBk Þñýî.<br />

Aüò uú ìXíõÎú Gú ðBï “KBküBôðl” @ÒBqüñú<br />

Þú üÛýñB« GB @ìõgPú øBÿ Öpøñä AüpAó ko@ìýhPú<br />

AuQ ƒ ÞvI Þpkû Aüî, Gú cpAuQ Aq Aüò<br />

Gú kyQ ìýrGBó ÎÇp ÆpAôR, ÎÇp GpÞQ,<br />

ÎÇp ÎzÜ ô ìùp KByýlï;<br />

You are, my son, the first of a new<br />

generation in our history. You are<br />

the first American grandchild of your<br />

grandparents, who like millions of<br />

other Jews before them, experienced<br />

yet another mandatory exile- or<br />

migration if you will- because of their<br />

religious beliefs.<br />

Remember! Your grand<br />

parents are the inheritors of one of the<br />

most ancient Jewish cultures in the history<br />

of Diaspora. It is your responsibility<br />

above all, to understand, respect,<br />

and learn from their very rich culture.<br />

You are, my son, uniquely qualified<br />

to learn first hand about the history<br />

of our ancestors and the strong ties,<br />

and cumulative cultural and religious<br />

principals that have safeguarded our<br />

survival as an “International” nation<br />

since time immemorial... cherish all of<br />

this treasure my son, and pledge that<br />

you too will in turn pass on to your<br />

own children, both our Jewish and<br />

Persian heritage.<br />

ìÇBèÏBR ô Ktôø{ ko Kýzýñú ô Öpøñä<br />

küpuBë üùõküBó AüpAó ô oôyñãp ÒñBÿ ìýpAV<br />

ìýpAV ÎPýÜ Þíp øíQ GHñlüî ô GB @âBøþ ô<br />

koAüQ, ìzÏê KBülAoÿ @kAJ ô uñò soÖBðãp<br />

ìò Gú ìBko gBá<br />

-^õ ó géØ qAkAó GB AüíBó - ôÖB Þpkï, ìùp<br />

üùõküQ ô ASpânAoÿ A} Gp Öpøñä AüpAó<br />

AuQ. GvýBo WBÿ OBCuØ AuQ Þú Kw Aq ìpå<br />

ô upyBo Aq ìÏpÖQ ðýBÞBó oA Gú ðvê<br />

@üñlû GvLBoüî.<br />

ô oqülï.<br />

(üBkOBó GByl ôèþ, ko âpk} Gý{ ô Þî Aü©Bï<br />

ðõ ox KpÖvõ o ðP¿p, Aüò ìdÛÜ üãBðú Þú<br />

AuPBk Þpuþ AüpAðzñBuþ ko kAðzãBû ÎHpÿ<br />

ìò q ÂpJ Oýzú øBÿ Wùê,<br />

ìò q uñä AðlAq ÿ ðBGhpkAó øpâr ðPpuýlï.)<br />

AÞñõ ó, Aq @ðXB Þú ¾l AèHPú oô ÿ uhñî<br />

Gú ðvê WõAðíBó ðýr øvQ, og¿Q køýl OB<br />

Aô oyéýî Gõk ô Gú øp kô Öpøñä Aq ¾íýî WBó<br />

ÎzÜ ìþ ô oqül, yPBJ Kýãýpÿ Aüò ìÇBèÏBR<br />

ÚvíQ ÞõOBøþ Aq uhñBðþ oA Þú ko uBë øBÿ<br />

@ÒBqüñú ÿ ìùBWpOíBó ko ìpAuî GpìýP¿õAÿ<br />

oô Gú Þñlÿ âpADýl.<br />

Gú oAuPþ, cíBüQ Aq AkAìú Aüò Þõy{<br />

ko Ö¿õë GpâpürAó AuPÛBìQ øBÿ Kýãýpï<br />

cßíQ @ìõqAðú ðÛzþ Aq GùBo WBôkAó: O¿õüp<br />

Öpqðlï ÚpADQ Þpkï, GpAÿ küãp ÖpqðlAðíBó<br />

GBqgõAðþ Þñî:<br />

øB yBüvPú AøíýQ ô OõWùþ Gú urAuQ.<br />

ko gBOíú, kôuQ ìþ kAoï Aüò ðõyPú oA<br />

ÆõGB Gõk;<br />

Oß`pAÕ øp yßõÖú Gp Oñî ðõ oÿ Gú ÖpkA Gõk,<br />

oøñíõ ó oøpôAó ko ÊéíPBÿ OñãñBøB Gõk.<br />

GB upôkû Aÿ Aq ÞPBJ “@qìõ ó Gpârülâþ” Ú¿úC<br />

Ò¿ú øB ô upðõyQ upâzPãþ üà Úõï” Gú<br />

KBüBó GHpï. Aüò yÏp “upôkÿ GpAÿ kogPþ<br />

Þùò Kýõðl” ðBï kAok ô Aq Kýõðl ðBâvvPñþ<br />

ko ânAo èzãp OBoüi<br />

oüzú Aï uíßõJ gzî g¿î<br />

ðùBë ÞùñvBë Úõï ìB GB upqìýñþ uhò ìþ<br />

âõül Þú oüzú ko soÖBÿ gBÞ{ kAoüî.<br />

yBgvBoï yBøl oÚÀ ðvýî ÎBkæó GõkuQ;<br />

¾Hp AüõGüî<br />

yBCó ðrô ë Aüò ÚÇÏú ôAÚÏú kuPãýpÿ<br />

uýrkû Oò Aq øíõÆñBó üùõkÿ Gú Wpï ôAøþ<br />

KBulAo uñQ ô Öpøñä ôAæÿ ðýBÞBó<br />

ko yHýhõ ó qìBó Gõkû uQ.<br />

WBuõuþ ko yýpAq Gõk. øíßýzBðþ Þú<br />

^õðBó AuçÙ gõü{, øíõAoû ko Æõë Úpô ó<br />

Aüò qìBó, AìB<br />

upÖpAq Aq @qìõ ó Úp ó GÏl Aq Úp ó<br />

Gú gBá øíýzú Îrür AüpAó ìùp ô oqülû ô<br />

ôÖBkAo Gõkû Aðl.<br />

up Gú GBkAGBk OùíQ øBÿ Gþ WB gî ðhõAøl<br />

yl;<br />

upôkÿ GpAÿ kogPþ Þùò Kýõðl<br />

ìpA OB oüzú ko soÖBuQ<br />

Aq koôÕ ô AÖPpAÿ ðBWõAðípkAó<br />

moû Aÿ Aq AÎPHBo oAuPýñî Þî ðhõAøl yl.<br />

Gú ðý{ Oýzú Aq Gò Þñló @uBó ðývQ;<br />

¾Hõo ô uhQ up AuPBkû Aï ko oøãnAo üõ o}<br />

ìò AüñXB üBkâBo oôqâBo Kp Òpôo oAkìpkAðî<br />

üBkGõk Aôèýò ìñzõo @qAkÿ q οp Kpyßõû<br />

AοBo<br />

ìpA GBÞþ q OõÖBó ðývQ.<br />

yBû yBøBðî.<br />

ko øíýò oAuOB, AìB, koüÔ AuQ AâpAq<br />

Þõy{ øBÿ Kýãýp ô Ktôø{ øBÿ müÛýíQ<br />

ìò Aq Aüò gBá ouPî - âýpï Aq Gno ÒpüHþ Aq<br />

küBoÿ kô o-,<br />

WBôkAó ðBï KpôÖvõ o Aìñõ ó ðP¿p, Þú Îípÿ<br />

oA ko WvPXõÿ oüzú øBÿ Kýzýñú ÿ AWlAk<br />

ìò AüñXB oüzú ko AÎíBÝ<br />

GB Òpôo ô AÖPhBo ô ÎzÜ ìýíBðî;<br />

GBo øXpR GvPú Gp üBë uíñl ôczþ OÛlüp;<br />

ìò GlüñXB kë uLpkï<br />

ìB ânoAðl üBkÿ ðßñýî ô kuQ @ô okøBÿ Aô oA<br />

AoZ ðñùýî.<br />

ko Kw Aüò AGpøBÿ OBo Gþ ìùpÿ<br />

ðõAq} øBÿ âpï Gõuú ÿ gõoyýl KñùBó<br />

AuQ; ìýlAðî - ìýlAðî.<br />

âýpï Aq ìùp ðùBðþ ko ÎíýÜ uýñú g×Pú Aq<br />

qìBðþ küp.<br />

Gú â×Pú Aô üùõküBó AüpAó ko WpüBó<br />

“ðrküà Gú 72 Úp ó cBìê ô cBÖÌ Öpøñä<br />

A¾ýê AüpAó ìBðlû Aðl; Öpøñãþ Òñþ Þú @ìýrû<br />

Aÿ Aq kô Öpøñä AüpAó ô üùõk AuQ...” (3) ô Gú<br />

ìò ko AüñXB øî GùBoAó, øî gpAó külï:<br />

øî Aq ίÇzBó² Oíõq ÿ ìpA @ôðl øB gõyýl<br />

1- “KBküBôðl”; Wél üßî; ¾×dú 11<br />

2- øíBðXB;<br />

3- øíBðXB;<br />

WBuQ Þú g¿õ¾B« Aq uú Wél “KtôøzñBìú<br />

üùõk AüpAó” , Þú Gú Þõy{ @ó oôAó KBá, ô GB<br />

øî Aq upìBÿ kÿ Gp gõü{ èpqülï;<br />

GùBoAó âp^ú ÞõOú Gõk, AìB Aq up yßpAó<br />

upìBüú ô øíQ GñýBk WBìÏú kAðzõ oAó èw


“Gp GBë gpk”<br />

WBìÏú üùõküBó AüpAó ô ø×PBk uBë oøHpÿ ìnøHþ<br />

âBï Gú âBï GB cBgBï ülülüB yõÖÈ<br />

ko ÞByBó, OùpAó ô èw @ðXéw<br />

Ktôøzþ Aq KpôÖvõ o âõDê Þùò -èw @ðXéw 0102 ìýçkÿ<br />

ðÛl Aq: ÞBìpAó oAìýò Öpk<br />

Aüò ÞPBJ ko 91 Ö¿ê ô 284 ¾×dú ô AðHõøþ Aq AuñBk ìÏPHp ô O¿Bôüp ô GBoôÿ Wélÿ KpìÏñB<br />

Gú ^BN ouýlû AuQ.<br />

øB ô @oyýõøBÿ ìéþ AoôKB ânoAðlû AuQ ô<br />

ì¿BcHú øBÿ GvýBoÿ oA AðXBï kAkû AuQ,<br />

Ö¿õë GpWvPú ÞPBJ:<br />

1- ìlouú AOdBk ÞByBó ô ðÛ{ cBgBï ülülüB Á 59 OB 031<br />

uLw GB ørüñú Þpkó ôÚQ ô cõ¾éú ÖpAôAó<br />

OíBï Oßú øBÿ Aüò Wlô ë oA ko ÞñBo øî ÚpAo<br />

2- ko ÖÃBÿ upyBo Aq WñH{ øBÿ OBqû AWPíBÎþ ô Öpøñãþ Á 94 1 OB 9 71<br />

3 - AðPhBGBR kôoû GývPî ìXéw yõoAÿ ìéþ: üà OXpGú Oéi Á 592 OB 923<br />

kAkû OB GPõAðl O¿õüpÿ oôyò ô y×BÙ Aq<br />

OBoüi ìB oA ko GpAGp küløíãBó ÚpAo køl.<br />

oAqÿ Þú Gp Òýp ðã×Pýî ô ðãõDýî GB kôuQ GãõDýî Þú Aô ìdpï oAq AuQ.<br />

4- ôAKvýò oôqøBÿ ðËBï yBøñzBøþ ô Gp@ìló Wíùõoÿ Auçìþ Á 783 OB 304<br />

“Gp GBë gpk” GpAðãýrðlû yõ Ý ìÇBèÏú<br />

ô ÖpAâýpÿ Îéíþ ko øp gõAðñlû KõüBüþ AuQ.<br />

ìò cBgBï ülülüB oA øpâr Gú ¾õ oOþ Þú<br />

KpôÖvõ o Þùò ìÏpÖþ Þpkû AuQ ðíþ<br />

A¾ç« ðíþ kAðî ^pA ìò ^ñýò ìvEõèýQ Groâþ<br />

oA KnüpÖPî, GBül AmÎBó Þñî Þú Kw Aq ìÇBèÏú<br />

Aüò ÞPBJ Gp ìHñB ô KBüú ÞBô} øBÿ<br />

Îéíþ, Þñl ô ÞBô ô Gp ouþ ¾løB Gpå Aq<br />

yñBgPî. ÞPBJ “Gp GBëgpk” üßvpû gÈ GÇçó<br />

Gp oô ÿ O¿õüpÿ Þú Aq AüzBó kAyPî Þzýl.<br />

ÞíPp Aq ð¿Ø ìÈBèI ÞPBJ gõk oA GvýBo<br />

ðBOõAó AcvBx ìþ Þñî Þú GPõAðî ko Aüò ìõ ok<br />

AuñBk OBoühþ, Îéíþ, Öpøñãþ, AWPíBÎþ,<br />

øñpÿ, uýBuþ, Kryßþ ô GBægpû ô oqyþ<br />

@gp ìþ kAðýl ìò øî üßþ Aq AÖpAk øíýò Úõï<br />

Gpârülû ô GùBðú âýp glAôðl øvPî Þú øpâr<br />

^ýrÿ Gú oô ÿ ÞBÒn GýBô oï, kAðzíñlÿ ðBGÓú<br />

qðlâþ ðBìú ðBGÓú Aÿ küãp oA Gpouþ Þpkû ô<br />

GñB ylû AuQ. Aüò øíBó uHßþ AuQ Þú<br />

AüzBó ko kôìýò ÞPBJ gõk “øípAû GB Öpøñä”<br />

Aq oøHpAó gõk uLBuãrAo ðHõkû Aï ô øýa âBû<br />

Þõ^à Opüò gÇBøBÿ ðBÞpkû ô üB Þpkû @ðùB oA<br />

cB¾ê OdÛýÛBR gõk oA ko ÞPBGþ Aoqðlû Gú<br />

^BN ouBðlû AuQ.<br />

üB âõyú Aÿ Aq OBoüi ìõuvú @èýBðw ko AüpAó<br />

Gp KBüú gBÆpAR AèýBx AudBÚýBó ô Aôèýò<br />

Gú ^zî AÒíBÅ ðãBû ðßpkû Aï ô AðPËBoï<br />

Aq @ðùB øpâr KBüBðþ ðlAyPú AuQ. ÚvíQ øBüþ<br />

ÞBoÿ Þú KpôÖvõ o âõDê Þùò ko ÞPBJ<br />

Ktôøzþ Agýp gõk AðXBï kAkû AuQ Gþ ðËýp<br />

ÞPBJ gõk Gú øíýò oôAë Gú ðBï “clüU üà<br />

Öpøñä” üB OBoüi ìlAox ô Öpøñä üùõküBó<br />

Aq ìÇBèI ìP×BôR ko ÞPBJ “Gp GBë gpk” :<br />

“ôoôk ðBgõAuPú Gú ¾dñú AðPhBGBR ô<br />

AuQ. æAÚê ìò @ðpA ko WBÿ küãpÿ ðýBÖPî.<br />

ÞPBJ “Gp GBë gpk” uõAèþ GpAÿ Þvþ Gþ<br />

yýpAq GpìHñBÿ gBÆpAR ìByBAèéú Öpüõ o AGlAÑ<br />

Þpkû AuQ.<br />

KýBìløBÿ @ó<br />

ìò Aq kô uõ, ìõAWú GB OÛBÂB GpAÿ<br />

WõAJ ðãnAyPú AuQ ô ìò Gú Wr uhò KBá,<br />

gBèÀ ô ìvPñl ko @ó ìÇéI küãpÿ ðýBÖPî.<br />

qðlâþ ðBìú cBgBï ülülüB, ÚùpìBðþ<br />

Þú OBoüi üùõküBó AüpAðþ oA oÚî qkû AuQ ô<br />

cÃõ o ÖÏBë ko ÖpAüñl AðPhBGBR ylï ô<br />

ko WùQ gõAuQ Oùlül@ìýr ô ìñPvI Gú<br />

y×BÖýQ ôütû Aÿ Þú âõDê Þùò Gú OBoüi<br />

üùõküBó AüpAó Æþ ø×PBk uBë oøHpÿ cBgBï<br />

gpkâpADþ Aüò oøHp ô yh¿ýQ küñþ ko<br />

ìõ ok O¿íýíBR upðõyQ uBq ÿ Þú GpAÿ<br />

18<br />

ìÛBìBR, âpôû ÖzBo ô W©õ ìõWõk ko Þzõ o,<br />

yõ oGhPBðú Gp gçÙ uñQ oôcBðýQ, ðBârüp<br />

ülülüB yõÖÈ kAkû AuQ, cBÞþ Aq Ktôøzþ<br />

soÙ, uPpá ô ðõ ko OBoüi ìÏB¾p ìBuQ<br />

Úõï gõk AOhBm ìþ Þpkû AuQ, qðlâþ ðBìú<br />

uBkû Aÿ ðývQ Þú @ó oA Gú ¾õ oR kAuPBðþ<br />

ìõÂÐ âýpÿ Þpkû ô ko ðùBüQ Gú ¾lô o ìPò<br />

ÞõOBû qüp KpkAgPî.<br />

Þú ðú OñùB GpAÿ AüpAðýBó üùõkÿ cBDr AøíýQ<br />

AuQ Géßú uñlÿ ìÏPHp ô ÚBGê ìpAWÏú AuQ<br />

Kpyõ o Gú gõAðñlû Odõüê kAk. âõDê Þùò GB<br />

ðãBo} Aüò ÞPBJ ø×PBk uBë OBoüi ìÏB¾p<br />

Aüò ÖpAgõAó, Aq @ó Kw, OõuÈ Wízýl<br />

Þz×þ ô WñBf ÆpÖlAo Aô qüp ÎñõAó “AÆçÎýú<br />

Þú øíú ÖBouþ qGBðBó WùBó Aq øp Úõï ô ìéýQ<br />

ô ìnøHþ Þú GByñl Gú @ó ðýBq kAoðl.<br />

üùõküBó oA GpAÿ ìB ô @üñlâBó Gú oyPú Odpüp<br />

ko@ô okû AuQ. Aô ko Aüò ÞBô} ô Kpx ô Wõ<br />

KýzõAÿ Groå ÞéýíýBó koGBoû Þz×þ” Gú<br />

ylR ìõ ok OHéýÔ ìÇHõÎBOþ ÚpAo âpÖQ ô<br />

KpôÖvõ o âõDê Þùò GB ÚÇpû Aÿ Aq<br />

kAð{ GýßpAó gõk, üà koüB Îéî ô ìÏpÖQ oA<br />

ko oAuPBÿ ìvPñl uBq ÿ øíú üBÖPú øBü{<br />

kô u×p Gú AüpAó kAyPú AuQ, ô oôqøB ô yI<br />

^ñlüò GBo ko ¾×dBR A¾éþ ìÇHõÎBR<br />

ÞTýpAæðPzBo OùpAó Gú ^BN ouýl:<br />

ko ÞPBJ “Gp GBë gpk” AoADú kAkû AuQ.<br />

øBÿ ìPõAèþ oA ko GroâPp üò ÞPBGhBðú


19<br />

Encyclopedia<br />

ô ÞýLõ o O×ýç ô OzõôA ô ¾lAÚBÿ øíú üùõküBó<br />

kðýB Gú koâBû Kpô okâBo ÎBèî ìvPXBJ ylû<br />

Gú ðBï glAôðl ìPÏBë<br />

øíßýzBó ìdPpï - ÞéýíýBó OùpAó<br />

GByl ô Gú øíú AÖpAk üùõküBó OñlouPþ<br />

Þ B ì ê ô Î í p Æ õæ ð þ ô g ý p ô u Ï B k R<br />

AÞñõ ó Þú cvI Aæìp ìHBoá yBøñzBû ìÏËî,<br />

ÖpìBó AðPhBGBR ¾Bko ylû AuQ GB gõ}<br />

ì p c í Q G×pìBül.<br />

ÎrürAðî GÇõ oüßú yñýlû Aï GÏÃþ<br />

ôÚPþ Aq cvò AðPhBJ @ÚBÿ kÞPp AÚHBë oøHp<br />

ìdPpï crJ ìéýõ ó- @ÚBÿ Wízýl Þz×þ,<br />

ìþ âõüñl Þú üùõküBó AüpAðþ ÞñvpôAOýõ Gõkû<br />

üB øvPñl Aüñà æqï kAðvPî Gú ÎpÅ ìHBoá<br />

glìPãrAo ¾lüÜ yBû ô ìíéßQ ô WBìÏú oA<br />

GpAÿ ðíBüñlâþ kô oû GývPî ìXéw yõ oAÿ<br />

ÎrürAðî GpuBðî Þú üùõküBó AüpAðþ ÞñvpôAOýõ<br />

ðHõkû, ðíõðú @ó KloAó ô ìBkoAó ìB ìþ GByñl<br />

ìéþ Gú Îíõï øíßýzBó ìdPpï ìÏpÖþ ô<br />

Oõ¾ýú ìþ ðíBüî.<br />

øíú üùõkÿ ìnøHþ Gõkû Aüî ô AðzBèéú Gùíýò<br />

ÎñõAó ô ÎÛýlû ìnøHþ GBÚþ GíBðýî.<br />

cBgBï ülülüB yõÖÈ 18”<br />

(¾×dú 203 ÞPBJ Gp GBë gpk)<br />

uçìPþ ô GÛBÿ øíú oA gõAuPBoï. kÎBâõÿ ô<br />

glìQ ârAo øíú<br />

“ðíBüñlû küpKBÿ qAkû ÞByBó<br />

ìpAk Aoüú Þú Gú üBoÿ “ÖpZ Aèéú kèýXBðþ” ko<br />

ülülüB yõÖÈ<br />

WíÏú ìõÎl uõÞB 0 67 GpAGp 42 uLPBìHp<br />

WùQ AyPÓBë Aq ÞByBó Gú OùpAó @ìlû Gõk<br />

ìBðñl Gpgþ küãp Aq øíßýzBó ÞByBðþ ô<br />

9991 ìýçkÿ èw @ðXéw”<br />

(¾×dú 2 3 4 ÞPBJ GpGBë gpk)<br />

A¾×ùBðþ gõk, ko oyQ AÚBìQ ârülû, Gú GBÞõ<br />

ô AoôKB oÖQ ô OBWpÿ ìõÖÜ yl. Aô GB qGBó øBÿ<br />

Þú koüBÖQ Þññlû GB yõ Ý ÖpAôAó Gú ìÇBèÏú<br />

@ó GLpkAqk ô ðBgõk@âBû ìB oA Gú üBk @ô ok ô Gú<br />

cBæ gõAðñlû âpAìþ @üB øñõq øî ìñPËp<br />

@ó øvPýl Þú ìò gç¾ú Aÿ Aq ÞPBJ oA GpAÿ<br />

Aðãéývþ, ÖpAðvú, @èíBðþ, oôuþ ô ÎHpÿ ô<br />

âõü{ ÞByþ ðýr @yñB ô Aq AÆçÎBR küñþ ko<br />

cvò uéýÛú ìB koôk G×puPl Þú ÎzÜ ô yõ o<br />

ÞPBJ gõAðþ oA Þú üßþ Aq GùPpüò ènADn qðlâþ<br />

yíB Gñõüvî ô cw ÞñXßBô ÿ yíB oA GB @ó<br />

AoÂB ðíBüî?<br />

gõ o OõWùþ Gpgõ okAo Gõk. ô ÿ Aq uBë øBÿ<br />

Wñä WùBðþ kôï Gú ðíBüñlâþ WBìÏú ÞéýíýBó<br />

AuQ ko Aô GýlAo Þpkû Aüî.<br />

“Gp GBë gpk” oA GhõAðýl Aq @ó Gùpû ìñl<br />

^ñýò ^ýrÿ AìßBó Knüp ðývQ. Aq<br />

ÞlAï Wíéú üB KBoAâpAÙ üB ìÇéI @ó ìþ OõAðýl<br />

Gú ìXéw yõ oAÿ ìéþ oÖQ ô ko Aüò WBüãBû<br />

^ñlüò kô oû glìQ Þpk.” (¾×dú 592 ÞPBJ<br />

gõAøýl yl ô ènOþ yýpüò oA OXpGú gõAøýl<br />

Þpk ô øp Aq ^ñlâBû Gú ìBðñl üà Öpøñä ðBìú<br />

^zî Kõyþ Þñýl, ko øp Wíéú @ó ¾løB<br />

Îéî ô ìÏpÖQ ðù×Pú AuQ ìãp ìþ OõAó Aq @ó<br />

Gp GBë gpk)”<br />

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¾pÖñËp Þpk.<br />

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“GýBðýú cBgBï ülülüB GB kuPhÈ gõk<br />

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ìnøHþ ìB Aq AôuQ. oôAð{ yBk GBk.<br />

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ô kÞPp uýBô} ìz×Ü øílAðþ Gú ìpAOI Gý{<br />

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ðzpüú yõÖBo


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upqìýò ìBkoÿ uBgPò ô âvPp} @GBkÿ ô<br />

ìBû ânyPú @ÚBÿ uýpôx cçô ÿ üßþ Aq<br />

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20<br />

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21<br />

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yh¿þ ìBðñl @ÚBÿ uéýíBó ì¿B^þ, Öpkÿ<br />

ÞPBJ oôqðú Aÿ Gú küBo oôyñBüþ<br />

ðÛl Aq: ìtâBó ìÛlï oøHp<br />

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22<br />

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ÞvI ðíõk.<br />

Gú ìdÄ Aüñßú @kôèØ øýPép, ko uBë<br />

( GÏl Aq Wñä ÞBó-æüPr Gú gBÆp Þõy{ øBÿ<br />

AðvBðþ gõk Gú koüBÖQ AÖPhBoAR ìPÏlkÿ<br />

kocBèþ Þú OíBï Aüò ìBWpA Gú Æõ o<br />

ìh×ýBðú AðXBï ìþ yl, ko uBèùBÿ 8391ô<br />

3391, Gú ìÛBï ¾loAÎËî @èíBó ìñ¿õJ yl,<br />

AoðvQ æüPrkôï ypôÑ Gú koüBÖQ kogõAuQ<br />

ðBDê yl AqWíéú ìlAë AÖPhBo @ÞBkìþ ðhê øB<br />

Aq ÖpAðvú ko uBë 6 591 ô ìlAë AÖPhBo<br />

AôAüê 9391, “Op ó @qAkÿ æüßB” ko AôZ ÖÏBèýQ<br />

gõk, øp ^ñlø×Pú üßHBo, âpôû øBÿ ìùBWpüò<br />

øBÿ ôczQ qkû Aq øíßBoAó üùõkÿ gõk Þpk<br />

Þú Aq Aô ìþ gõAuPñl Gú @ðùB ô gBðõAkûøBüzBó<br />

@oüvPBülGpüBðl Aq @ÞBkìþ Aoô KB ko uBë<br />

øBÿ 0791 )<br />

oA Gú ðýõüõ oá ìþ ouBðl.<br />

uLw GB cíéú Gú èùvPBó ko Aô ë<br />

GpAÿ gpôZ Aq Þzõ o Þíà Þñl.<br />

æüPr ô gBðõAkû A} Gú gBÆp Aüñßú<br />

^pA Aüò kAuPBó oA OBÞñõ ó Þvþ OÏpüØ<br />

ðßpkû AuQ?<br />

uLPBìHp 9391, @èíBó ìpqøBÿ gõk oA GvQ.<br />

OB @ó qìBó ¾løB üùõkÿ Þú WBðzBó ko gÇp<br />

ìvýdþ Gõkðl, Aq ÚõAðýò ðõ oìHpå, Þú<br />

WBGXBüþ üùõküBó oA ìíñõ Ñ ô ÖÏBèýQ øBÿ<br />

GñB Gú â×Pú ðõ oìò èýLPõ ó ÖÛýl, üà<br />

ðõüvñlû ô upkGýp ìvPÛê, gBðõAkû æüPr<br />

Gõk, uLBuãrAo Aq Þõy{ øBÿ æüPr, Gú<br />

@ìpüßB âpühPú Gõkðl.<br />

yÓéþ yBó oA ìdlôk ìþ Þpk, ìÏBÙ Gõkðl.<br />

æüPr GpAÿ Þíà Gú ÞBoâpAó ô øíßBoAó<br />

GpAÿ Þõy{ øBÿ ÚùpìBðBðú gõk øýa ðõ Ñ<br />

OHéýÓBOþ ðíþ gõAuPñl. ÖÛÈ Kw Aq ìpå<br />

ko Aüò ìBWpA ^ú Gp up AoðvQ æüPr<br />

kôï ô øíßBoAð{ @ìl?<br />

üùõkü{, uývPíþ oA AüXBk Þpk Þú ko Gýò<br />

ìõ ogýò øBèõÞBuQ Gú ðBï “ Op ó @qAkÿ æüßB”<br />

@gpüò ÎÃõ gBðõAkû æüPr, GBægpû ìBWpAÿ<br />

“Op ó @qAkÿ æüßB” ìõ ok OõWú ÚpAo âpÖQ. Aüò<br />

ypÞQ æüPr, ìBoÞþ Þú yùpR Gýò<br />

Aèíééþ kAyQ, GpAÿ crJ ðõgBuPú» oAü{<br />

ìÏpôÙ yl. ôuýéú Aÿ ìh×ýBðú GpAÿ kAkó<br />

AWBqû gpôZ Aq @èíBó Gú üùõküBó ko ðÛ{<br />

GBÎU AÎPHBo Gõk. Aüò ypÞQ GpAÿ AoO{<br />

@èíBó kuPãBû øBÿ G³pk uñY ô kô oGýò øBÿ<br />

ÞBoìñlAó æüPr ko @ðvõÿ koüBøB. ÞBoìñlAó,<br />

ÖpôyñlâBó, AÎÃBÿ gBðõAkû ô cPþ<br />

kAuPBó AÞñõ ó ìõÂõ Ñ ÞPBGþ AuQ Gú ðBï<br />

“GroâPpüò AgPpAÑ gBðõAkû æüPr: Op ó @qAkÿ<br />

æüßB” ðõyPú ÖpAðà kAGB AuíýQ.<br />

gBÆpAR ðýßõÞBoAó GBül qðlû GíBðl.<br />

ìh¿õÁ Oõèýl ìþ Þpk. øí`ñýò cßõìQ<br />

ðBq ÿ AcPýBZ ìHpï Gú Aoq gBoWþ kAyQ ô<br />

kôuPBðzBó Gú KvQ øBüþ ko kÖBOp Öpô}<br />

æüPr ko ÖpAðvú, GpüPBðýB, øñä Þñä ô @ìpüßB<br />

OñùB ô GroâPpüò GBqAo ¾ñBüÐ kô oGýò uBq ÿ<br />

ìñ¿õJ ìþ ylðl.


FDA<br />

FDA<br />

Administration<br />

FDA<br />

) üB ( ) Þú ìvEõë<br />

ÞñPpë kAoôøB ô ìõAk ÒnADþ ko @ìpüßB AuQ<br />

ko ÞñPpë ìßíê øBÿ ÒnADþ kAoôDþ ðÛ{<br />

GvýBo Þõ^ßþ Gú Îùlû kAok. ÞBogBðú øBÿ<br />

Oõèýl Þññlû Aüò ìõAk ìõÊØ øvPñl Þú Gú Éõ o<br />

kAôÆéHBðú ìd¿õæR gõk oA GBqouþ Þññl<br />

ô AÆíýñBó kAyPú GByñl Þú Aüò ìd¿õæR<br />

ôAÞñ{ ìßíê øBÿ kAoôDþ<br />

ô ÒnADþ ko osüî ÒnADþ uBèíñlAó<br />

kAoAÿ Þý×ýQ ÎBèþ øvPñl ô AuP×Bkû Aq @ðùB<br />

ÞBìç«Gþ Âpo ô gÇp ìþ GByl.<br />

Aq: oôüB oøHp KõèlAo (ìPh¿À OÓnüú)&<br />

ÞíLBðþ øBDþ Þú ìßíê øBÿ ÒnADþ<br />

kAoôDþ oA Gú GBqAo ÎpÂú ìþ Þññl ìþ OõAðñl<br />

Glô ó Aüñßú OdÛýÛBR qüBkÿ oô ÿ ìd¿õæR<br />

@ðBó ylû GByl, ìd¿õæR gõk oA Gú GBqAo<br />

AoADú Þññl ô GB oô} øBÿ GBqAoüBGþ ô OHéýÓBOþ<br />

ôuýÐ Kõë qüBkÿ oA Gú WýI Grðñl. ÖÛÈ ko<br />

qìBðþ Þú yßBüQ øBÿ qüBkÿ Aq ÆpÙ ì¿pÙ<br />

ÞññlâBó Aüò ìõAk Gú Gzõk, @ó ôÚQ<br />

Ginkgo<br />

Glucosamine<br />

AuQ Þú Aüò ìõAk oA Aq Öp ôyãBû<br />

øB WíÐ @ô oÿ ìþ Þñl. AÖpAk uBèíñl Gú ÎéQ<br />

AuP×Bkû GýzPp Aq ìßíê øBÿ ÒnADþ kAoôDþ,<br />

Gú g¿õÁ øî qìBó GB kAoôøBÿ OXõür ylû<br />

KryßBó ô OÓýýpAOþ Þú ko Æpq ÞBo AÎÃBF<br />

ìùî Gló @ó øB Gú ÎéQ ÞùõèQ uò Ký{ ìþ<br />

@ül, ko ìÏpÅ gÇpAR GýzPpÿ GpAÿ ôAÞñ{<br />

AÖpAk uBèíñl (uñýò 56uBë Gú GBæ) ^ùBo<br />

ko¾l WíÏýQ AüBæR ìPdlû @ìpüßB oA Ozßýê<br />

Aüò kAoôøB Gú OXõür KryßBó ìþ GByl ôèþ<br />

GýzPp Aüò kAoôøB AcPýBWþ Gú ðvhú Kryà<br />

øBÿ ìÃp Gýò kAoôøB ô ìßíê øBÿ ÒnADþ<br />

kAoôDþ øvPñl ô GBül Gú Aüò ìvEéú OõWú<br />

24<br />

ìþ køñl. GB KýzpÖQ øBÿ ÎËýíþ Þú ko<br />

05uBë ânyPú ko oyPú øBÿ ìhPéØ Kryßþ<br />

ðlAoðl ô üB kAoôøBÿ âýBøþ ô ÆHýÏþ, Gú<br />

¾õ oR gõ oAÞþ øBÿ ìßíê ko kAoôgBðú øB ô<br />

qüBkÿ kAyPú GByñl.<br />

ko ASp GBæoÖPò uò, GvýBoÿ Aq<br />

ô GùHõk oô} øBÿ qðlâþ gBðõAkû øB, OBìýò<br />

AÚP¿Bkÿ uBèíñlAó ô ôWõk Gýíú øBÿ Kryßþ<br />

üB ÖpôyãBû øBÿ ÒnAøBÿ GùlAyPþ ko ìÏpÅ<br />

Öpô} øvPñl. Aüò ìõAk ÒnADþ ìßíê yBìê<br />

uývPî øBÿ Gló AðvBó ìTê qìBó WõAðþ ÞBo<br />

ðíþ Þñl. Gú ÎñõAó ìTBë GBqkû ÞBo Wãp Þî ìþ<br />

Gú ôWõk @ìlû AuQ, Aüò ÆHÛú Aq WõAìÐ AðvBðþ<br />

Gh¿õÁ ko AüBæR ìPdlû @ìpüßB Aq oyl<br />

ìõAk âýBøþ ìTê âýñßõ ( ), uýñQ<br />

AuýløB,<br />

@ìýñõ ìÏlðþ, ìõAk ôüPBìýñùB, AðõAÑ<br />

yõk ô Aüò ÎÃõ küãp ðíþ OõAðl ìvEõèýQ<br />

gõk oA Þú kÖÐ ìõAk uíþ Gló AuQ oA Gú<br />

GýzPpÿ Aq øp âpôû uñþ küãpÿ ko WBìÏú<br />

Gpgõ okAo AuQ. Ohíýò qkû ìþ yõk Þú OB<br />

küãpÿ ìTê âõèõÞõqAìýò ( ),<br />

ô ìõAk<br />

uýp ), ( oR ô WBðr<br />

gõGþ AðXBï Gløl ô GñBGpAüò Aüò ìõAk Gú ìlR<br />

GýzPpÿ Gú ¾õ oR ÖÏBë ko Gló GBÚþ ìþ<br />

uBë 0302 GývQ ko¾l Aq WíÏýQ @ìpüßB oA<br />

Aüò âpôû uñþ Ozßýê gõAøñl kAk.<br />

( ) ìþ GByñl.<br />

ìçOõðýò<br />

ô ) ( yýò ÞBðlôAuþ<br />

ìBðñl ô ìþ OõAðñl AüXBk ìvíõìýQ øBÿ<br />

ìhPéØ GñíBüñl.<br />

ko¾l GýíBoÿ øBÿ cBk ô ìrìò ko Aüò<br />

âpôû uñþ Gú ìpAOI GýzPp Aq âpôû øBÿ uñþ<br />

@ìBo ðzBó ìþ køl Þú clôk KñXBû<br />

ko¾l uBèíñlAó Aq Aüò ìßíê øBÿ ÒnADþ,<br />

üßþ küãp Aq uývPî øBDþ Þú ko uñýò<br />

GBæ k^Bo Þî ÞBoÿ ìþ yõk kuPãBû Þéýú øB<br />

küãp ìþ GByl. GñBGp @gpüò @ìBo ko @ìpüßB<br />

^ùê ko¾l kAoôøB ìò Wíéú kAoôøBÿ âýBøþ<br />

kAoôDþ AuP×Bkû ìþ Þññl. kæüê qüBkÿ GpAÿ<br />

AuP×Bkû Aq Aüò ìõAk ôWõk kAok, ìò Wíéú âpAó<br />

AuQ Þú ìvEõë O¿×ýú ìõAk qADl Gló ìþ<br />

GByl. ko uñýò GBæ Þéýú øB üßþ Aq kuPãBû øBÿ<br />

ô ÆHýÏþ ìõ ok ì¿pÙ Aüò âpôû ÚpAo ìþ<br />

âýpk. kocBèýßú Aüò âpôû øíýò Æõ o Þú ÚHç«<br />

Gõkó kAoôøBÿ OXõür ylû Gú ôuýéú KryßBó<br />

ô ÎõAoÅ WBðHþ AuQ Þú ko AuP×Bkû Aq Aüò<br />

Gló øvPñl Þú GýzPp Aq øíú k^Bo AyßBë ìþ<br />

yõk. ôÚPþ Aüò kuPãBû gõJ ÞBo ðßñl ìõAk<br />

mÞp yl ÖÛÈ ^ùBokû ko¾l WBìÏú @ìpüßB oA<br />

yBìê ìþ yõk.<br />

kAoôøB ko GÏÃþ AÖpAk ìzBølû ìþ yõk.<br />

ìvEéú GvýBo ìùíþ Þú GBül Gú @ó OõWú<br />

qADl ìò Wíéú kAoôøB Aq Gló Gú gõGþ kÖÐ ðíþ<br />

yõðl ô ko Gló Gú ìlR Æõæðþ Opÿ GBÚþ ìþ<br />

Food and Drug<br />

St Johns’ Wort<br />

Chondroitin<br />

Melatonin<br />

GvýBoÿ Aq AÖpAk uBèíñl øî qìBó Aq<br />

kAoôøBÿ ìhPéØ AuP×Bkû ìþ Þññl. GÏÃþ Aq<br />

kAyQ Aüò AuQ Þú uBqìBó Gpouþ ìõAk<br />

ÒnADþ ô kAo ôDþ @ìp üßB (


25<br />

Stem cell<br />

ìBðñl ô Aüò ìvEéú ìþ OõAðl AyßBæR qüBkÿ<br />

Gú ôWõk GýBô ok.<br />

ko GvýBoÿ Aq ìõAok ôAÞñ{ øBÿ Gýò<br />

kAoôøBÿ OXõür ylû KryßBó ô ìßíê øBÿ<br />

koìBó GB AuP×Bkû Aq<br />

uéõë øBÿ GñýBkÿ<br />

ÒnADþ kAoôDþ Gú ¾õ oR Oñãþ ð×w øBÿ<br />

ðBâùBðþ ô ÎõAoÅ KõuPþ øípAû GB gBo} Gú<br />

OpWíú : sAðQ øBoôðýBó<br />

ÎéQ @èpsÿ øBÿ ìhPéØ Ký{ ìþ @ül Þú æqï<br />

AuQ Öõ oA«Gú Kryà ìpAWÏú Þpk.<br />

ìñHÐ: AüñPpðQ ô ÞPBJ .<br />

ìvEéú küãpÿ Þú ko uBèíñlAó GBül<br />

OõWú kAyQ Aüò AuQ Þú GvýBoÿ Aq @ðBó<br />

@gpüò Klülû, koìBó AìpAÅ Gú ôuýéú uéõë<br />

øBÿ GñýBkÿ Ohî AðvBó AuQ.<br />

ìþ Þñl? uBÚú uéõë Wñýñþ ^ývQ? oüzú<br />

@ó ko ÞXBuQ? koìBó Gú ôuýéú AüñùB ko ^ú<br />

k^Bo “ÖÛp ÒnADþ” øvPñl. Aüò AyhBÁ GBül<br />

Aq ìÛBküp ÞíPpÿ Aq kAoô AuP×Bkû Þññl. Aâp<br />

OdÛýÜ ko ìõ ok Aüò ðõ Ñ uéõë øB<br />

Öp¾Q Gþ uBGÛú Aÿ ko ÆI koìBðþ Gú ôWõk<br />

ìõAokÿ uõk ô üB Âpo kAok? ^ãõðú ìþ OõAó<br />

Gp ìõAðÐ ko oAû ouýló Gú ðPýXú ìÇéõJ ÒéHú<br />

Aüò AyhBÁ Aq ìÛBküp ìÏíõèþ kAoô AuP×Bkû<br />

Þññl ìíßò AuQ ko @ðBó ìvíõìýQ øBÿ<br />

@ô okû AuQ. uéõë øBÿ Wñýñþ oA Aq ÚvíQ<br />

uBèî Gló âpÖPú, Kw Aq ÞzQ ko @qìBüzãBû<br />

Þpk? @üB GBægpû ìB AðvBó øB ko ìÛBGê Îéî ô<br />

ÚBðõ ó ¾çcýQ kAoüî Aq uéõë øBÿ Wñýñþ<br />

ÎÃõÿ AüXBk yõk.<br />

GBül ko AuP×Bkû Aq GÏÃþ Aq ìõAk<br />

Gú ÚvíQ Öpuõkû ô GýíBo Gló OroüÜ ìþ Þññl.<br />

Aüò uéõë øB Þú AuPÏlAk KñùBðþ OõuÏú¨ ,<br />

Gló AuP×Bkû Þñýî? ko ÎpÅ02 uBë Agýp<br />

@qìBüzBR AðXBï ylû oô ÿ ìõ} ô cýõAðBR<br />

âýBøþ ô ÆHýÏþ cPþ GÏÃþ ìõAk ÒnADþ ôÚPþ<br />

Þú yhÀ Aq kAoôøBÿ OXõür ylû Kryà<br />

oyl ô OÏíýp kAoðl, Gú ìdÄ ô oôk Gú ìßBó<br />

Wlül gõk ko kô cBèQ ypôÑ Gú Opìýî ìþ<br />

Groå Op ìBðñl gõá Gõkû AuQ ô ko cBë<br />

cBÂp GùPp AuQ @qìBüzBR ô ìÇBèÏú oA ko<br />

AuP×Bkû ìþ Þñl gõkkAoÿ Þpk. GvýBoÿ<br />

Aq Aüò ìõAk oA ðHBül GB kAoôøBÿ OXõür ylû<br />

Þññl. üB øíBó Îíê uéõë øBÿ Úlüíþ oA Aq Kþ<br />

ìþ âýpðl ô üB Aüñßú GB Odpüà, OHlüê Gú uéõë<br />

koìBó AðvBó Gú ÞBo Gpk ^õ ó O×BôR Gýò Gló<br />

AðvBó ô cýõAó GvýBo AuQ.<br />

Kryà AuP×Bkû Þpk ^õ ó ìþ OõAðñl AyßBæR<br />

qüBkÿ GpAÿ ìpüÄ AüXBk Þññl. Gú ÎñõAó ìTBë<br />

øBÿ ðõ Ñ küãp ìþ yõðl, ô ôÊý×ú OBqû Aÿ Gú<br />

Îùlû ìþ âýpðl. ìTç« GB ìédÜ yló Gú uéõë<br />

OBÞñõ ó ìÏBèXBOþ Þú oô ÿ AðvBó øB<br />

AðXBï ylû OB KñXBû ko¾l ìõÖÛýQ @ìýr Gõkû<br />

Aq gõ okó ìýõû âpüM ÖpôR GB GvýBoÿ Aq<br />

kAoôøB ìò Wíéú kAoôøBÿ Âl ÖzBo gõ ó<br />

øBÿ ÎÃéú, gõ ó ìþ uBqðl ô üB ko uéõë ìÓr<br />

o³ë küãpÿ Gú Îùlû ìþ âýpðl.ko øp ¾õ oR<br />

ôèþ oüvà Kw qkó ô ðLnüpÖPò uéõë Wlül<br />

ko Gló qüBk AuQ. GpAÿ Aüñßú ko¾l Knüp}<br />

ô ÞévPpë GBül gõkkAoÿ Þpk. kèýê @ó Aüò<br />

AuQ Þú âpüM ÖpôR (ìýõû ô üB @J ìýõû)<br />

oë AuBuþ @ðùB ðõuBq ÿ ô koìBó AuQ.<br />

Aq ðõ Ñ GùPpüò uéõë øB<br />

uéõë Wlül GýzPp yõk uÏþ ko Aüò AuQ Þú<br />

uéõë øBÿ Aôèýú Aq gõk yhÀ âpÖPú ylû<br />

cBô ÿ @ðrüíþ AuQ Þú GBÎU ìþ yõk Gló<br />

ðPõAðl Aüò kAoôøB oA gñTþ áñl. Aüò kAoôøB Gú<br />

AuQ ^õ ó GB øíú ðõ Ñ uéõèþ uBq} ô<br />

øíßBoÿ ìþ Þñl ô Aq @ó ko GýíBoÿ KBoÞýñvõ ó<br />

ô Gú Aô Or o üÜ yõk OB gËp Îlï ÚHõ ë @ó<br />

ÞíPp GByl.<br />

ìlR GýzPpÿ Aq @ó Þú æqï AuQ ko Gló GBÚþ<br />

ìþ ìBðñl ô ìþ OõAðñl ìvíõìýQ AüXBk Gßññl.<br />

ô GpAÿ uBgQ kAoô AuP×Bkû ìþ yõk.<br />

ÚBGê OõWú Aüò AuQ Þú uéõë øBÿ<br />

ko cBë cBÂp ko GýzPp ìíBèà kðýB<br />

koìBó Gú ôuýéú uéõ ë øBÿ GñýBkÿ o ôAZ<br />

ASp âpüM ÖpôR OB uú oôq oô ÿ<br />

uývPî Gló AðvBó GBÚþ ìþ ìBðl. GñBGpAüò Aâp<br />

ÞzQ ylû, ko ìdê Wlül gõk Gú Æõ oÿ<br />

ìvPÛp ìþ yõðl Þú OB Gló qðlû AuQ oyl ô<br />

ðlAok ô AÒéI ÖÛÈ qüp OdÛýÜ AuQ. GýíBoÿ<br />

øBüþ Þú OB Gú cBë Gú Aüò ôuýéú koìBó ylû<br />

Aq kAoôøBÿ mÞp ylû ô GvýBoÿ Aq kAoôøBÿ<br />

küãp AuP×Bkû ìþ Þñýl, Aq gõ okó âpüM<br />

ðíõ ìþ Þññl ô uéõèùBÿ Úlüíþ küãp ìdPBZ @ðùB<br />

ylû Glô ó @ðùB ìõWõküQ gõk oA Aq kuQ ìþ<br />

Aðl ô OB KñXBû ko¾l ASp AìýlôAo Þññlû<br />

kAyPú Aðl ÎHBoOñl Aq :GýíBoÿ küBGQ, @èrAüíp,<br />

ÖpôR gõkkAoÿ Þñýl!<br />

cPíB« Aq üà ÞBoyñBx GùlAyQ ko<br />

køñl. uéõë øBÿ Wñýñþ küãp ko ìÛBGê cíéú<br />

GýíBoÿ Gú Gló ôWõk ìHBoq gõk oA ðzBó ðíþ<br />

ußPú ÚéHþ, uõgPãþ ô oìBOývî.<br />

ko @ìpüßB øp 43 SBðýú yh¿þ ko ASp<br />

køñl ô ìíßò AuQ üà Îíp ko âõyú Aÿ Gþ<br />

cpÞQ ðù×Pú GíBðñl.<br />

ì¿pÙ kAoôøBÿ gõk ô ASp ìõAk âýBøþ<br />

ô ÆHýÏþ Gp oô ÿ Aüò kAoôøB uõAë Þñýl ô<br />

ußPú ÚéHþ OéØ ìþ yõk. ìÇBèÏú ðzBó kAkû<br />

AuQ Þú OroüÜ uéõë øBÿ GñýBkÿ ÞzQ ylû<br />

ko OBoüi 1002/22/ 6 ÞBoâBøþ Aq<br />

ìPh¿¿ýò ô GýõèõsüvQ øB Gú ìñËõ o<br />

ìvPÛýî Gú ÚéI ko ìõÚÐ WpAcþ ÚéI ìõüpå<br />

øBÿ Êpü×þ Gú ôWõk ìþ @ô ok Þú ASp ìTHQ<br />

ìÇíEò yõül Þú AuP×Bkû @ðùB ASpAR Glÿ<br />

o ô ÿ Gló ô OBCSýp kAo ôøBÿ OXõ ür ylû<br />

OdÛüÜ ô Gpouþ uéõë Wñýñþ Ozßýê yl. GB<br />

ôWõk øýXBó AìýlôAo Þññlû ô ASp ìTHQ ôütâþ<br />

o ô ÿ koìBó kAok. GB ôWõk OíBï øýXBó ô<br />

ðPBüY AìýlôAo Þññlû, koìBó Gú ôuýéú uéõë<br />

ðlAyPú GByl.<br />

&oôüB oøHp KõèlAo, ìPh¿À OÓnüú ô AuPBk OÓnüú ko<br />

AuP×Bkû Aq uéõë øB øñõq GdU ko ìõ ok @ó<br />

GvýBo AuQ, ô kAðzíñlAó oA Gú O×ßp ôAkAyPú<br />

kAðzãBû AüBèPþ ÞBèý×pðýB ko ðõ oOpüY AuQ ô üßþ Aq<br />

øíßBoAó âpôû Kryßþ “oøHp” ko ÞBèý×pðýB.<br />

øBÿ GñýBkÿ øñõq ko ìpcéú Aôèýú AuQ ô<br />

AcPýBZ Gú OdÛýÜ GvýBo kAok.<br />

PLILRIPOTENT<br />

Þú ìB ÞývPýî? ^ú ÎBìéþ ìB oA AðvBó ÖpÅ


uÇe qðlâþ AÎpAJ uBÞò AupADýê ô AÎpAJ<br />

uBÞò ÒpJ oôk Aokó ðvHQ Gú uÇe qðlâþ<br />

@ôAo âBó ko Òrû ô ko Þzõ o øBÿ ÎpJ Òýp<br />

ÚBGê ìÛBüvú AuQ.<br />

AÞTp AÎpAJ AupADýê ko oÖBû qðlâþ<br />

ìýßññl. ko KBoèíBó Gýò 21-01 ðíBüñlû<br />

kAoðl ô Aq @qAkÿ ÞBìê Gpgõ okAoðl. @ðBó GpAÿ<br />

GpAkoAó ÖévÇýñþ gõk uýñú ìýpðñl ôèþ ko<br />

ìõAokÿ Þú GÏÃþ Aq uýBuPílAoAó AupADýéþ<br />

KýzñùBk Þpkû Gõkðl Þú @ðBó ô ìñBÆÛþ Þú ko<br />

AôÂBÑ @y×Pú ô kâpâõó gBôoìýBðú<br />

ðõyPú ìùpkAk èõü¿lÝ&<br />

Klülû @ôAoû âBó ÎpJ:<br />

@ó qðlâþ ìýßññl Gú kôèQ gõk ìhPBoÖévÇýò<br />

ìédÜ yõðl ÖpüBk @ðBó Gú @uíBó GBæ oÖQ Þú<br />

Gý{ Aq 3 ìéýõ ó ð×p AÖrAü{ üBÖPú (ô Gú â×Pú<br />

AÎpAJ Gú 5 ìéýõ ó ouýlû) cíBüQ ìýßñl. Aüò<br />

^ú Þvþ WpACR kAok Gú @ðBó ^ñýò KýzñùBkÿ<br />

Gløl.<br />

OñùB âpôû @ôAoâBðývQ Þú ko Æõë 06 uBë<br />

(ðvê kôï ô uõï AôAoû âBó) Aq ÆpÙ uBqìBó<br />

GÏl Aq AÎçï AuPÛçë AupADýê ko uBë 8491<br />

KñY Þzõ oÎpJ yBìê ì¿p, Aokó, uõ oüú,<br />

AøBèþ ìñBÆÜ OdQ OvéÈ kôèQ gõk<br />

ìhPBoÖévÇýò Þú ko uBèùBÿ Agýp Aq<br />

ìéê GB gpZ ìHBèÔ øñã×Q ¾l øB ìéýBok kæo<br />

cíBüQ ìýzõðl. yBül ìýPõAó clV qk Þú<br />

èHñBó ô ÎpAÝ Gú AupADýê cíéú ô o ylðl<br />

ô ÚpüI Gú 000,004 ð×p Aq ÖévÇýñýBó,AÞTpA<br />

Opô oürï kô o ylû ô GB Þíà AupADýê GpAÿ<br />

GùHõk qðlâþ gõk ÖÏBèýQ ìýßññl kAoAÿ üßþ<br />

Aüò uBqìBó GõAuÇú OõWýú ôWõk gõk<br />

AuQ Þú Aüò cíBüQ oA ko Æõ ë 26 uBë<br />

GõAuÇú OzõüÜ Þzõ oøBÿ ìPùBWî ô Gpgþ<br />

ko ðPýXú Wñãþ Þú Gp AupADýê Odíýê ylû<br />

Aq upüÐ Opüò KýzpÖQ øBÿ AÚP¿Bkÿ ko kðýB<br />

øvPñl ô ko uBë ânyPú AÚP¿Bk @ðBó 7 ko<br />

AkAìú ìýløl.<br />

OBìýò ìBüdPBZ oôqAðú @ôAoøãBó<br />

Gõk yùp øB ô køßlû øBÿ gõk oA Opá Þpkû ô<br />

Gú Þzõ o øBÿ ÎpJ KñBøñlû ylðl Gú Aüò Aìýl<br />

¾l OpÚþ kAyQ.<br />

ôèþ GéÏßw, @ôAoâBó Òrû ô Þzõ o<br />

GBÎU ylû Þú GvýBoÿ Aq ìpkAó ko AokôâBû<br />

øB, GpAÿ gõk kô üB uú ô üB ^ùBoqó AðPhBJ<br />

Þú GB Kýpôqÿ AÎpAJ, Gú ÖévÇýò GBqâpkðl ô gBðú<br />

øB ô AìõAë üùõküBó oA O¿BcI Þññl. ôèþ<br />

øBÿ ÎpJ, GõAuÇú Aðãýrû øBÿ âõðBâõ ó,<br />

yvPzõÿ ìÓrÿ ôÎlï ÞBo ô Od¿ýê ko<br />

Þññl ô OÏlAk qüBkÿ G`ú kAyPú GByñl ô ^õ ó<br />

AìßBðBR ÞBo ô Od¿ýê ko AokôâBû øB GvýBo<br />

ìvýp cõAkV ÆHÜ ìýê @ðBó Ký{ ðpÖQ<br />

ô Gú Aüò Æp üÜ ìvEéú @ôAoâBó ÖévÇýò<br />

ÖçÞQ qðlâþ ìýßññl.<br />

Aâp Þzõ o øBÿ ÎpJ cBÂp Gõkðl<br />

ìdlôk øvPñl GvýBoÿ Aq WõAðBó Gú âpôû<br />

øBÿ Opô oüvPþ ìýLýõðlðl.<br />

GõWõk @ìl.<br />

AüXBk Aüò ìvEéú ô AkAìú @ó oA OB Þñõ ó<br />

ìÛlAoÿ WrDþ Aq SpôR øñã×Q gõk oA GpAÿ<br />

GùHõk qðlâþ “GpAkoAó” gõk AgP¿BÁ køñl<br />

üà ÂpJ AèíTê ^ýñþ ìýãõül “Gú @kï<br />

ìdPBZ ìBøþ ðlû. Gú Aô üBk Glû ìBøþ Gãýpk”.<br />

ìýPõAó ìlüõ ó “GpAko kôuPþ” Þzõ o øBÿ<br />

ÎpJ ôAðãýrû øBÿ uýBuþ ÞíýPú KñBøñlâBó<br />

ô @ðBó oA GB cÛõ Ý ìvBô ÿ ko Þzõ o øBÿ<br />

gõk WéI Þññl ÎéPþ ôWõk ðlAyQ Þú ôÂÐ<br />

Aâp ko Æõë Aüò ìlR, ÞíýPú KñBøñlâBó Þú<br />

ìBðñl gõk uBqìBó ìéê OdQ OvéÈ Gý{ Aq 55<br />

uBqìBó ìéê kAðvQ.<br />

Þzõ o øBÿ èHñBó, uõ oüú ôAokó<br />

28<br />

AÚP¿Bkÿ ô AWPíBÎþ @ðBó yHýú ô üB GùPp Aq<br />

AÎpAJ AupADýê ðHByl ô ìvéíB kðýB øî gýéþ<br />

Þzõ o ÎpGþ ô Auçìþ ÚpAo kAok AìßBðBR<br />

ÞBo ô Od¿ýê oA ko AokôâBû øB AüXBk ìýñíõk ô<br />

ÖévÇýñýBðþ oA Þú Gú @ðBó KñBøñlû ylû Gõkðl<br />

ko AokôâBû øB ìPípÞr ðíõkðl Glô ó Aüñßú Gú<br />

ÞíPp Aq Opô o ô Opô oürï ÎpGþ @uýI ìýlül.<br />

ôèþ @ðBó kèzBó GpAÿ ÖévÇýñþ øB ðíývõqk<br />

OBCìýò ìBüdPBZ @ðBó oA ìzpôÉ Gú ÞBo ô Od¿ýê<br />

ìýñíõk, yBül OB GdBë ìvEéú @ôAoâBó Gßéþ<br />

@ðBó Þõ^ßPpüò Þíßþ Gßññl. @ðBó Aq øýa<br />

âõðú cÛõ Ý ìlðþ Gpgõ okAo ðHõkðl oÖQ<br />

ô GpAÿ KýzHpk AølAÙ kAgéþ gõk OpWýe<br />

ìýløñl Þú ìõÂõ Ñ ÖévÇýò “âpï” GíBðl OB<br />

ìñP×þ ylû Gõk ô @ðBó Aq qðlâþ ÖçÞQ GBo<br />

Þñõðþ ðXBR üBÖPú Gõkðl. ÞíB Aüñßú ko Æõë<br />

ô @ìl @ðBó OdQ ÞñPpë ÞBìê ÚpAo kAkû yl<br />

ô ^õ ó Gú @ðBó OBGÏýQ kAkû ðzl Aq @ó ôÚQ<br />

AÖßBo Îíõìþ ìpkìBó Þzõ oøBüzBó Gú Aó<br />

ìzÓõë GByñl.<br />

Aüò ìlR OÏlAkÿ Aq @ôAoâBó Þú Gú Þzõ oøBÿ<br />

AoôKB, AìpüßBÿ ìpÞrÿ ô WñõGþ ìùBWpR<br />

OB GdBë Gú ÎñõAó KñBøñlû ìdvõJ ìþ yõðl<br />

. uBÞñBó ðõAo Òrû øî Þú OdQ OvéÈ ì¿p<br />

Þpkû Aðl ìõÖÜ ylû Aðl ko Þzõ o øBÿ WéI<br />

Þññlû Gú qðlâþ ìÏíõèþ AkAìú køñl.<br />

ÚpAo kAyPñl ÞBìç ko AðrôA ô ìdB¾pû Gõkðl<br />

ô AWBqû gpôZ Aq ìñÇÛú ô üB ô oôk Gú ì¿p<br />

cÛBüÛþ ko ìõok ìdB¾pû Òrû:<br />

ko uBèùBÿ Agýp kôèQ AupADýê ^ñl KBoá<br />

oA ðlAyPñl.<br />

Aq @ó ìõÚÐ OB GdBë ÞíýPú KñBøñlâBó<br />

¾ñÏPþ oA ko ìpq øBÿ gõk GB Aokó ô ÞñBoû<br />

Òrû AüXBk ðíõk OB GpAÿ AÎpAJ AìßBðBR ÞBo<br />

uBqìBó ìéê Aq Aüò @ôAoâBó Þú yíBoyBó Gú<br />

ìÛBüvú qðlâþ AÎpAJ OdQ OvéÈ AupADýê<br />

ô @ôAo âBó Òrû ô Þzõo øBÿ ÎpJ:<br />

AüXBk Þñl Gú Aüò Aìýl Þú GùHõk ôÂÐ ìBèþ,


29<br />

AKP<br />

ERDOGAN<br />

HELEN THOMAS<br />

@ðBó oA Aq Opô o kô o Þñl.<br />

KBoá øBÿ Gp KBylû ko ìpq Aokó GB<br />

cíw GB KpoôDþ OíBï WñXBë Gp KB ìýßññl ô<br />

GB Ayà øBÿ OívBf uBgPíBó ôüpAó ylû<br />

ÞBoüßBOõ oÿ ko üà oôqðBìú uõDývþ ^BN<br />

yl Þú ðzBó ìýløl Þú cPþ ko@ó ìõÚÐ<br />

ìõÖÛýQ GßBo gõk AkAìú ìýløñl ôèþ KBoá<br />

øBÿ ìp q Òrû Þú GpAÿ ÞBo ô OBCìýò ìÏB}<br />

oA Gú gHpðãBoAó ðzBó kAkû ô Aq Êéî AupADýê<br />

yßBüQ ìýßññl Þú ^pA Aq gõk kÖBÑ ìýßñl.<br />

Þú Þzõ o OBqû Gp KB ylû AupADýê ìlAï GB<br />

gpAGßBoÿ øBÿ AÎpAJ oôGpô Gõk Gú gzõðQ<br />

@ôAoû âBó Òrû uBgPú ylû Gõkðl GBo øB ìõ ok<br />

cíçR Opô oüvPþ AÖpAk cíw ÚpAo âpÖPñl ô<br />

@ðBó ÖpAìõ} ðíõkû Aðl Þú OB ^ñl uBë Ký{<br />

AupADýê oôqAðú Gú 001 OB 002 ørAo ÞBoâp<br />

ô KpgByãpÿ ìPùî ìýzl. ( kAôül Gò âõüõ ó<br />

ko ìÛBGê WíBë ÎHlAèñB¾p).<br />

Gú ðB^Bo GvPú ylðl.<br />

Aq ìõÚÐ GpÚpAoÿ ìdB¾pû ðõAo Òrû<br />

ÎpJ AWBqû ô oôk Gú AupADýê ìýlAk ôèþ ko<br />

ìõAok qüBkÿ Îlû Aÿ Aq Aüò ÞBoâpAó ÞBoÖpìB<br />

kôèQ AupADýê oôqAðú ¾l øBÞBìýõ ó cBìê<br />

¾l øB Oò ÒnA ô @môÚú oA OB koôAqû ô oôkÿ Gú<br />

øBÿ üùõkÿ gõk ô üB ìpkï ÎBkÿ oA Gú ÚPê<br />

ouBðýlðl ô üB qüBó øBÿ ÎËýíþ ôAok @ô okðl<br />

Òrû ìýpuBðl OB ko @ó ðÛÇú Gp ÞBìýõ ó øBÿ Òrû<br />

GBo yõðl. ko Îýò cBë kôèQ AupADýê ìýßõyl<br />

ô ko ðPýXú kôèQ ìXHõ o yl Aq ô oôk @ðBó Gú<br />

AupADýê Wéõâýpÿ Þñl ô GXBÿ @ðBó AWBqû ÞBo<br />

Gú ÞBoâpAó Aq Þzõ oøBÿ küãp Gløl.<br />

Þú Aq ouýló ìõAk ô ÞBæ øBDþ Þú ìíßò AuQ<br />

GpAÿ uBgQ Auédú ô üB GñýBk Oõðê øBÿ qüp<br />

qìýñþ AuP×Bkû yõðl Wéõâýpÿ ðíBül.<br />

ko uBë Aô ë ìßp oA « ÞBìýõ ó øBÿ<br />

AupADýéþ cBìê @môÚú GB ouýló Gú ðrküßþ<br />

Òrû ìõ ok cíçR ìvédBðú AÖpAk cíw ÚpAo<br />

ìýãpÖPñl ô ko ^ñl ìõ ok oAðñlû øB ô üB küãpAó<br />

ÞzPú ô üB qgíþ ylðl. yýÇBó ¾×Pþ<br />

upAó cíw Þú cPþ cBÂpðl ìpkï gõk oA<br />

GB gÇp âpuñãþ oôGpô Þññl Aìpôqû øî Gú<br />

ðdõ küãpÿ AkAìú kAok. @ðBó ÚvíPþ Aq @môÚú<br />

AouBèþ oA ÂHÈ Þpkû ô Gýò gõk ô ðrküßBó<br />

kuQ ^Lþ øBÿ ìloó:<br />

OÛvýî ìýßññl ô üB ko GBqAo uýBû ìý×pôyñl<br />

ô AupADýê oA ÎBìê ÞíHõk ìõAk ÒnADþ ðzBó<br />

OpÞýú Gú ÞXB ìýpôk?<br />

OpÞýú Aôèýò Þzõ o Auçìþ Gõk Þú GB<br />

ìýløñl.<br />

ko øñãBï ðõyPò Aüò ìÛBèú, ì¿BcHú<br />

WñXBë Aðãýr gBðî<br />

AupADýê oôAGÈ küLéíBOýà GpÚpAo ðíõk ô OB<br />

Gpô ÿ ÞBo @ìló kôèQ ìnøHþ Þñõðþ, oôAGÈ<br />

“yh¿þ Þú Klo} oA ÞzPú Gõk Gú<br />

ìdBÞíú Aô okðl ô Aô GB ^zíþ ìíéõ Aq Ayà Aq<br />

gHpðãBo ìñ¿õJ ko ÞBj u×ýl Kh{ yl Þú<br />

ko @ó, Aüò gBðî Gú üùõküBó KýzñùBk ìýßñl<br />

kô Þzõ o Gdlÿ ðrküà ylû Gõkðl Þú øõAKýíB<br />

øBÿ ðýpô ÿ øõADþ AupADýê GpAÿ Oíp üñBR<br />

ÚBÂþ OÛBÂBÿ ocî ô ìpôR ðíõk Gú Aüò ÎéQ<br />

Þú Aô üPýî AuQ”.<br />

Þú Gú @èíBó ô èùvPBó Gpâpkðl ô ÖévÇýò oA<br />

Þú Gú ÖévÇýñýBó OÏéÜ kAok Gú @ðBó Kw køñl.<br />

o ô qAðú gõk Aq ÖÃBÿ øõADþ OpÞýú<br />

AuP×Bkû ìýßpkðl.<br />

oÖPBo âpôû Opô oüvPþ - ìnøHþ<br />

cíw, kuQ ðzBðlû AüpAó, Þú GpÒrû OvéÈ<br />

Aüò gBðî èHñBðþ OHBo, Þú ìvéíB gõ ó upj<br />

KõuPBó AìpüßB ko ÎpôÚ{ WpüBó ðlAok, @âBû<br />

AOBOpá ÖÛýl (8391-1881) GñýBó ârAo<br />

OpÞýú ìloó küò oA Aq uýBuQ WlA ðíõk,<br />

kAok ô ðBGõkÿ AupADýê oA ko @Dýò ðBìú<br />

gõk âñXBðýlû yHýú øíBó @kï Þ{ AuQ.<br />

AuQ Þú Gp AuBx Aüò GBô o, gõk Aô øî GBül Gú<br />

èHñBó Gpâpkk, øí`ñýò 99% Aq uBÞñBó AìpüßB<br />

OpÞýú oA GvpÎQ ìloó ðíõk, oôq OÏÇýéþ<br />

ø×Pãþ oA Aq WíÏú Gú üßzñHú OÓýp kAk ô GpAÿ<br />

uBèùBuQ Þú AupADýê oA Gõuýéú ìõyà<br />

ìõ ok OXBôq ÚpAo ìýløl, ko øp Öp¾Pþ Þú ko<br />

ô AÞTp uBÞñBó AìpüßBÿ ìpÞrÿ ô WñõGþ GBül<br />

Aüò ÚBoû oA Opá Þññl ôyBül ÚvíPþ AquBÞñBó<br />

Ký{ âýpÿ Aq GBqâzQ ìnøHýõ ó, AoO{ oA<br />

ìP¿lÿ c×Ì AuPÛçë ðíõk. OB GdBë uú üB<br />

AgPýBo kAok gpAGßBoAó gõk oA GpAÿ ÞzPBo<br />

G v õ ÿ A u p A D ý ê ì ý × p u P l ô G ý { A q<br />

Þzõ o øBÿ Auçìþ øî ìXHõ o yõðl Gú<br />

ÎpGvPBó Gpâpkðñl. ôèþ gBðî<br />

WùBo ìpOHú AoO{ OpÞýú GB AðXBï ÞõkOB ôÊý×ú<br />

ìd©õë ylû Gú Aô oA AðXBï kAkû. ôèþ ìPBu×Bðú<br />

4 u B ë AuQ Þú cBÂp Gú ìHBkèú upGBq<br />

AupADýéþ oGõkû ylû ðývQ ô Aq ÆpÙ küãpøp<br />

(Þú gõyHhPBðú Aq KvQ gõk AuPÏ×B kAk) ô<br />

AìTBë Aô cBÂpðl AupADýê oA ìÛ¿p OíBï<br />

K ý p ô q y l ô @ Ú B ÿ Þ ú ü à<br />

AðPhBGBR<br />

ko ìnøHþ crJ 7002 uBë ko<br />

ìpOHú Þú ìõyßþ Gvõÿ AupADýê ìý×puPl<br />

ô ðýpô ÿ øõADþ AupADýê Gú uBgPíBðþ Þú<br />

ÖXBüÐ kðýB GñBìñl OB Wrô âpôû øBÿ “KýzpÖPú”<br />

ÚpAo âýpðl.<br />

ìõyà Aq @ó ÖpuPBkû ylû cíéú ìýßñl upAó<br />

yhÀ GvýBo ìnøHývQ GÏñõAó ðhvQ ôqüp<br />

ìñ¿õJ yl. ko ÎpÅ 3 uBë Agýp Aô Oç}<br />

THOMAS<br />

ko uBë 6591 GÏl Aq Wñä “uýñBÿ”


CPA<br />

Moti Levy<br />

I D B B a n k<br />

OÓýýpðløl AìßBó @ó ôWõk kAok Þú AupADýê<br />

Ký{ Aq ìõÎl ìÛpo Gú KýíBó ðBOõ KnüpÖPú<br />

ìýßñl Þú OíBï kuPBô ok øBÿ AOBOpá oA GBÆê<br />

Þñl ô OpÞýú oA Gú @Òõ} Auçï GBqâpkAðl. ko<br />

AüzBó Kpuýl Þú Aô ^ú Îßw AèÏíéþ ðzBó<br />

ìýlAk Aâp AupADýê üà ÞzPþ oA GpAÿ Þíà Gú<br />

yõk.<br />

AupADýê ô ÖévÇýñýBó<br />

uBë Agýp Aô kyíñþ gõk oA GB AupADýê Îéñþ<br />

Þpkû ô oôq Gpôq GýzPp cBìþ cíw, AüpAó<br />

Þpk øBÿ OpÞýú oôAðú uõAcê OpÞýú ìýñíõk?<br />

Aô GB kô o yló Aq AupADýê ô ðrküà yló Gú<br />

oôAGÌ AupADýê ô ÖévÇýñýBó Þú Gp GvýBoÿ<br />

Aq oôülAk øBÿ ìñÇÛú ô WùBó ASp ìýãnAoðl<br />

ô ÖñBOýrï ìýzõk.<br />

ko uBë 4391 AOBOpá ÚpAokAk ìõuõï<br />

AüpAó AìßBó ÎÃõüQ OpÞýú oA ko Þzõ o øBÿ<br />

AoôKBDþ GvýBo ÂÏýØ ðíõkû ô ðBOõ øî Aq @ó<br />

ko GdTþ WlAâBðú ìõ ok Gpouþ ÚpAo gõAøñl<br />

âpÖQ.<br />

Gú “uÏl@GBk” oA GB oÂB yBû ÖÛýl AìÃB Þpk ô<br />

GñËp ìýpul Þú ðhvQ ôqüp ÖÏéþ OpÞýú øî<br />

kô o ìýzõk.<br />

Aq kuQ kAkó OpÞýú ÂpGú Groâþ GpAÿ<br />

GvpÎQ øíBó oAû oA Æþ ìýßñl ô Gú oøHpAó<br />

AüpAó ðrküà ìýzõk ôèþ Aüò ÞXB ô @ó ÞXB.<br />

^ñl ìBû Ký{ ko âpkøî ADþ Gýò Aèíééþ<br />

oyPú AÚP¿Bk ô kAoAÿ Gpk Aq kAðzãBû<br />

AèPd¿ýê<br />

ÖBoÕ ) èõü¿lÝ( ìùpkAk &<br />

@ÚBÿ AokôÒBó GB ÖpüBk øBÿ Wñõ ó Aìýr Gú<br />

AÚBÿ yíÏõ ó Kpx oDýw Wíùõ o AupADýê<br />

èõx AðXéw AuQ<br />

yÏHú ko yùp<br />

ìlüp ô Aôüõ Oê<br />

30<br />

KpgB} ðíõk ô AÚlAï Agýp Aôøî GpAÿ yßvPò<br />

ìdB¾pû koüBDþ AupADýê ðíõðú küãpÿ Aq<br />

Æpq Ößp ô oÖPBo AôuQ. yBül ìýHBüvQ Aq<br />

ðíBü{ “ìBOýà”<br />

ko ìBû ðõAìHp 0102 ðíBü{ Þílÿ ô<br />

KpÆpÖlAo “ìBOýà” Gú ÞBoâpkAðþ ÖpqAó<br />

KpðzBÆþ OEBOp oA Opá Þñl. ÚloR<br />

Îéþ Kõ oOB} ko Aü×Bÿ ðÛ{ øBÿ<br />

kèXõ ô ðõüvñlâþ Îéþ Kõ oOB} ô<br />

ÖpqAó kèXõ Kw Aq ânyQ 41 uBë<br />

ìP×BôR, ^ú Þílÿ ô ^ú koAìBOýà<br />

ko kðýBÿ OEBOp ô uýñíB ko WõAìÐ<br />

kôGBoû Gú oô ÿ ¾dñú @ìl.<br />

øñpìñlAó ìdHõJ AüpAðþ<br />

AüpAðþ ô @ìpüßBDþ, ko AWpAÿ Aüò<br />

ðíBü{ ðýr ÞBìç« ôAÂe AuQ.<br />

ÖpqAó kèXõ ô Îéþ Kõ oOB} O¿íýî<br />

âpÖPñl OB kôGBoû Aüò ðíBü{ upâpï<br />

OíByBâpAó GB GBq ÿ yýç ôSõ Ý ko<br />

ðíBü{ øBÿ GvýBo ìõÖÜ ÖBouþ<br />

Þññlû oA Þú GB AuPÛHBë ÖpAôAó WBìÏú<br />

oôGpô Gõk GBquBq ÿ Þpkû ô kôGBoû Gú<br />

qGBó ô Öýéî øBÿ @ìpüßBüþ @yñBüþ<br />

kAoðl ô küló Aô o ô ÿ ¾dñú<br />

oô ÿ ¾dñú @ô oðl.ko Oùýú Wlül @ó<br />

øñpìñlAó GvýBo ìõ ok ÎçÚú ìpkï<br />

ìBðñl øíýzú kèñzýò AuQ. GBq ÿ<br />

GùpAï ôÆò KpuQ, øñpìñl Ký{<br />

Îéþ Kõ oOB}, yýç ôSõ Ý, yùpAï<br />

yI Kpû ô GùpAï ôÆò KpuQ GB yõ o<br />

ÞvõR ô ÞBoâpkAðþ ÖpqAó kèXõ<br />

ìõÖÛýQ ìBOýà oA OÃíýò ìþ Þññl.<br />

ô øýXBó GvýBo ðÛ{ øBÿ gõk oA<br />

Aü×B ìþ Þññl. GB ôWõk Aüñßú yùpAï<br />

Æþ uBë @üñlû ðíBü{ ìBOýà<br />

ko upAup @ìpüßB ô AoôKB oô ÿ<br />

¾dñú gõAøl oÖQ.<br />

DAVOS<br />

oA GBq ÿ ìþ Þñl.<br />

Gpgõ ok upyBo Aðpsÿ ô âpìþ GBqüãpAó<br />

yI Kpû yùpR gõk oA Gú ÎñõAó<br />

gõAðñlû ko ìýBó ìpkï ÞvI Þpkû, GB ìùBoR<br />

GBÎU ìþ yõk Þú OíByBâp GB AcvBx gõJ ô<br />

AupADýê ìdvõJ ìýzõk. yBkoôAó kAôül<br />

Gò âõ oüõ ó GB Oç} ÖpAôAó Aüò oôAGÈ oA Gp KB<br />

Þpk ô oyl Aüò oôAGÈ AìñýQ gBô oìýBðú oA Gú<br />

SHBR @ô okû Gõk .<br />

oôqðú Aìýl, AcrAJ ìhBèØ kôèQ øvPñl<br />

Þú yBül GPõAðñl ô oÝ oA GpâpkAðñl. ko cBë<br />

cBÂp kôèQ AupADýê oôAGÈ gõk oA GB üõðBó<br />

OÛõüQ ìýßñl ô Aâp OpÞýú uýBuQ gõk oA<br />

GvýBo ðÛ{ Þílÿ üà ÞBoAÞPp ÎByÜ Kýzú


Announcement<br />

The Iranian American Jewish Federation Executive Board is honored to have become a<br />

participant in the Birthright Israel Program.<br />

The Birthright Program was established in 1999 by two thoughtful philanthropists. This<br />

project is designed to make it possible for young Jews from all over the world to go on an<br />

educational and entertaining tour of the great land of Israel for ten days, free of charge.<br />

IAJF will be taking part in this project hoping to increase the involvement of our community’s<br />

youth in their Jewish heritage and culture.<br />

Yoel Neman, an active member of IAJF’s Board of Directors, and his brothers John and Leon<br />

Neman have initiated the project and are hoping to have other members of the community<br />

extend a helping hand in sponsoring of up to 40 Iranian Jewish youth for the upcoming<br />

Birthright Israel trip.<br />

Further details about this project, such as registration, application, and selection process will<br />

be announced in the near future through the Iranian media.<br />

IAJF would like to extend its sincere gratitude and appreciation to the Neman family for their<br />

continued philanthropic endeavors and their unwavering support of<br />

the Iranian American Jewish community.<br />

..........................................................................<br />

AÆçÎýú<br />

Birthright<br />

üùõkÿ Gú Þzõ o AupADýê Gú ðBï WùQ GBqkül ô @yñBDþ ðrküà @ðBó GB Öpøñä üùõk ô uBüp<br />

WõAðBó<br />

AÎrAï sû Kpô ko ðrküà @üñlû ko kAok ìþ AÎçï AÖPhBo ÞíBë GB AüpAðþ üùõküBó ó ÖloAuýõ AWpADýú øýBCR<br />

KýzpÖQ øBÿ cB¾éú ko @ó ypÞQ gõAøl Þpk.<br />

Aüò Kpô sû ko uBë 9991 OõuÈ ^ñl Oò @ìpüßBDþ gýp Ozßýê âpkülû ô øp uBèú Îlû Aÿ Aq WõAðBó üùõkÿ Aq<br />

05Þzõ o Aq upAup kðýB oA Gú Þzõ o AupADýê GpAÿ üà GBqkül kû oô qû Glô ó KpkAgQ ôWú ô Gú ¾õ oR oAüãBó<br />

AÎrAï ìþ ðíBül.<br />

ÖloAuýõ ó üùõküBó AüpAðþ ì×PhpA« ÚvíPþ Aq GõkWú ìpGõÆú oA GB ypÞQ ô KzPýHBðþ ìõSp @ÚBüBó üõDê ðÏíBó,<br />

WBó ðÏíBó ô èEõ ó ðÏíBó ô uBüp AÖpAk gýpAðlü{ WBìÏú GpAÿ AÎrAï 04 ð×p Aq WõAðBó üùõkÿ AüpAðþ OBCìýò ô ko<br />

AgPýBo uBqìBó ìpGõÆú ÚpAo gõAøl kAk.<br />

WrDýBR ìpGõÉ Gú Aüò Æpf ô ðdõû ðBï ðõüvþ ô AÎrAï WõAðBó ìPÏBÚHB« ko @üñlû ðrküà OõuÈ ouBðú øBÿ âpôøþ<br />

Gú AÆçÑ øíãBó gõAøl ouýl.<br />

ÖloAuýõ ó üùõküBó AüpAðþ GlôA« Aq Þíà øBÿ Glô ó ko üÔ @ÚBÿ üõDê ðÏíBó, ÎÃõ GpWvPú øýBCR AìñBF ô<br />

GpAkoAðzBó WùQ Gú AðXBï ouBðló Aüò Kpô sû uLBuãrAo ÿ ìþ ðíBül.


uýp OßBìê ðËî ÖBouþ<br />

ðËî ÖBouþ oA Aq ðËp OBoühþ ìýPõAó Glô<br />

kô oû Þçuýà ô ðõ OÛvýî ðíõk. kô oAó<br />

Þçuýà GÇõ o Þéþ Aq Úp ó køî OB qìBó cBë,<br />

ô kô oAó yÏp ðõ ÖBouþ GíõAqAR AkAìú<br />

AyÏBo Þçuýà, Aq Kw Aq Wñä WùBðþ kô©ï, OB<br />

ìÛBèú køî:<br />

uýp OBoühþ yßõÖBüþ @SBo ÖBouýùõk<br />

kô oAó ìÏB¾poA ko Gp ìýãýpk. yÏp Þçuýà<br />

GB Oà GýQ øB ô kôGýPþ øBÿ kô oAó üÏÛõJ èýU<br />

¾×Bo ÿ, ko AôAuÈ Úp ó u©õï ko uývPBó<br />

@ÒBq ô Kw Aq ânyPò Aq ìvýp Kp Kýa ô gî<br />

oyl ô OßBìê AkGýBR ÖBouþ<br />

Aq: kÞPp ðBøýl KýpðËp<br />

@ó ko kô oAó ìÏB¾p, GB AyÏBo ìéà AèzÏpA<br />

GùBo, ¾BkÝ upìl, oøþ ìÏýpÿ Aq üà uõ ô<br />

ðËî ô ðTp ÖBouþ OB ðýíú kô©ï Úp ó GývPî,<br />

GXBÿ ðÛl AkGþ,cBèQ ârAo} ô OnÞpû ðõüvþ<br />

AkGýBR ÖBouþ Kw Aq Auçï oA Aq ^ñl ðËp<br />

ìýPõAó OÛvýî ô Gp ouþ ðíõk. ko ôøéú Aô©ë,<br />

yBÎpû øBDþ ^õ ó Kpôüò AÎP¿Bìþ ô uýíýò<br />

GùHùBðþ øí`õ ó WõAøpÿ oôq Gpôq ðÛ{ ô<br />

kAyPú Aðl ôOñùB ko ^ñl køú Agýp AuQ Þú Gú<br />

ðÛl AkGþ OõW©ú ìýzõk. uýp ìpAcê ìhPéØ<br />

@ó oA ìýPõAó Aq ðËp Öpï Gú ðËî ô ðTp ô ko<br />

ôøéú kô©ï, Aq ðËp qìBðþ Gú kô oAó Þçuýà<br />

Wçüþ GýzPpüBÖPú AuQ. AyÏBo ÖBouþ Aq<br />

ðËp AðõAÑ ì×Bøýî ô ¾ñBÎBR yÏpÿ, kAoAÿ<br />

AkGýBR Þçuýà ô oAGÇú @ó GB AkGýBR<br />

ÖBouýùõk Aq ðËp AkGþ, qìBðþ ô AWPíBÎþ ÚBGê<br />

ô ìloó OÛvýî ðíõk. GBül ko ðËp kAyQ Þú<br />

ìpAcê oyl ô OßBìê AkGýBR ÖBouþ AÒéI Aq<br />

A¾õë ô ÚõAÎlÿ AuQ Þú yBÎp ðvHQ Gú<br />

ìpAÎBR Gpgþ Aq @ó ìßé©Ø ô ðvHQ Gú AðPhBJ<br />

Gpouþ ô ðãp} AuQ qüpA AkGýBR ÖBouýùõk<br />

yBgú Aÿ Aq AkGýBR ÖBouþ Gõkû ô GBül ìÇBGÜ<br />

ðËp qìBðþ ìõ ok OXrüú ô Odéýê ÚpAo ìýãýpk<br />

OB Aq ðËp WÓpAÖýBDþ. øp ^ñl Þú ko øp kô oû ô<br />

âpôøþ küãpìXBq AuQ.<br />

@ð`ú oA Þú yBÎp Þçuýà Gú øñãBï<br />

GB ìÏýBoøBÿ AkGþ qGBó ÖBouþ ìõ ok Gpouþ<br />

ÚpAo âýpk.Glüò ìñËõ o GBül ðhvQ ðËpÿ Gú<br />

qìBó, kâpâõðþ øBÿ WÓpAÖýBDþ oA øî ^ú Aq<br />

ðËp èùXú, AuP×Bkû qGBó ô èÓBR ô ^ú Aq ðËp<br />

AGpAq AÖßBo ô AcvBuBR Aq ðËp Öpï ô ÚBèI<br />

yÏpÿ ìßé©Ø Gú oÎBüQ @ó ìýHByl, ÎHBoOñl Aq<br />

ìvýp oyl OßBìéþ AkGýBR ÖBouþ ðõ, Aq ðËp<br />

GçÒQ, Öpï ô ìpAcê oyl @ó GýñlAqüî.<br />

AôÂBÑ AWPíBÎþ ô AÚP¿Bkÿ² øp ìßBó, ìþ<br />

OõAó ìõok ìÇBèÏú ÚpAo kAk. AÞTp OdÛýÛBR AkGþ<br />

32<br />

oÎBüQ ôqó ô ÚBÖýú ko üà ðõ Ñ ÚBèI yÏpÿ.<br />

Îéî ÎpôÅ kAoAÿ ÚõAÎl ô A¾õèþ AuQ<br />

Þú yBÎp oA ìérï ìþ uBqk ko @ó ÚBèI yÏp<br />

GvpAül. ko cBèýßú yBÎp ðõ KpkAq ko Îýò<br />

oÎBüQ ôqó yÏpÿ, Aq ðËp Öpï ô ÞBoG³pk ôAsû<br />

øB ô øí`ñýò Aq ðËp AGpAq ì×Bøýî ðõ, gõk oA<br />

ìÛýl ô ìérï Gú A ¾õë ânyPú ðíþ kAðl.<br />

GíñËõ o @yñBDþ GB AkGýBR Þçuýà ô GÏÃþ<br />

ðíõðú øBÿ @ó ko AkGýBR ÖBouýùõk, ðËpÿ Gú<br />

AðõAÑ yÏp Aq ðËp Îéî GlüÐ ô ÎpôÅ ô ÚBÖýú<br />

ìþ AÖßñýî. GpAÿ ìÇBèÏú WrDýBR GýzPp ko<br />

Aüò ìõ ok, ìþ OõAó Gú ÞPBJ “Öñõ ó GçÒQ ô<br />

¾ñBüÐ AkGþ” OBèýØ AuPBk Wçë Aèlüò øíBüþ<br />

oWõ Ñ ðíõk .<br />

Oõ¾ýØ ðËî ô ðTp : ðËî ko èÓQ Gú ìÏñþ Gú øî<br />

KýõuPò ô ko oyPú Þzýló kAðú øBÿ WõAøp<br />

ô ko A¾Ççf AkGþ Gú uhñþ â×Pú ìþ yõk<br />

Þú kAoAÿ ôqó ô ÚBÖýú GByl. ko cBèýßú ðTp<br />

ko èÓQ Gú ìÏñþ KpAÞñlâþ ô KpAÞñló ô ko<br />

A¾Çç f AkGþ uhñþ AuQ Þú ìÛ©ýl Gú ôqó<br />

ô ÚBÖýú ðHByl.<br />

GýQ ô ì¿pAÑ: clAÚ©ê yÏp üà GýQ ô üà ðýíú


33<br />

ÖBouþ ko ÞñBo øî ÚpAo âpÖPú Aðl<br />

. ìTBë Aq cBÖÌ:<br />

Aq @ó oA 첿pAÑ üB 첿p¯Ñ ìþ ðBìñl.<br />

ÚBÖýú ô oküØ: ÚBÖýú ÞéíBR @gp GýQ<br />

Aæ üB A¯üù©B AèvBÚþ A¯k²oÞ¯BuB« ô ðBô²èùB<br />

Þú ÎzÜ @uBó ðíõk Aô©ë ôèþ<br />

AuQ Þú cpôÙ A¾éþ @ðùB üßþ GByl<br />

ô Aâp ÚBÖýú ko øp kô ì¿pAѲ üà GýQ<br />

AÖPBk ìzßê øB<br />

cÃõ oÿ âp øíþ gõAøþ Aq ô<br />

OßpAo yõk, @ó GýQ oA 쿯p©Ñ üÏñþ<br />

ìÛ×þ ìþ ðBìñl ìBðñl AGýBR müê:<br />

ÒBüI ìzõ cBÖÌ<br />

ìPþ ìBOéÜ ì¯ò Oùõÿ k¯Ñ² AèlðýB ôĀøíéùB<br />

Gñþ @kï AÎÃBÿ üà Kýßpðl<br />

Þú ko @Öpüñ{ q üà âõøpðl<br />

^õ ÎÃõÿ Glok @ô ok oôqâBo<br />

kâp ÎÃõøB oA ðíBðl ÚpAo<br />

OÃíýò: @ðvQ Þú yBÎp üà<br />

GýQ ô kô GýQ üB üà ì¿pAÑ oA<br />

Oõ Þr ìdñQ küãpAó Gþ Òíþ<br />

ðzBül Þú ðBìQ ðùñl @kìþ<br />

Aq yhÀ küãpÿ ko yÏp gõk<br />

GýBô ok. Aâp @ó yÏp Aq yBÎp<br />

ìÏpôÖþ GByl cBWQ Gú G³pkó ðBï<br />

Aô ðývQ Aì©B ko Òýp @ó ¾õ oR<br />

ko cBèýßú oküØ, Þéíú Aÿ AuQ Þú<br />

ÎýñB« ko @gp øp GýQ OßpAo ìþ yõk.<br />

GBül Gú ðBï âõüñlû AyBoû Þpk.<br />

ìBðñl uÏlÿ Þú yÏpìÏpôÙ<br />

GýB Aÿ Þú ÎípR Gú ø×PBk oÖQ<br />

ìãp g×Pú Gõkÿ Þú Gp GBk oÖQ<br />

Öpkôuþ oA OÃíýò ìþ Þñl:<br />

^ú gõ} â×Q Öpkôuþ KBá qAk<br />

ko Aüò GýQ ÞéíBR ø×PBk ô GBk øî<br />

ÚBÖýú ô OßpAo Þéíú oÖQ ko øp kô ðýî<br />

Þú ocíQ Gp @ó OpGQ KBá GBk<br />

“ìýBqAo ìõ oÿ Þú kAðú Þ{ AuQ<br />

GýQ oküØ gõAðlû ìþ yõk.<br />

ì¯Çé¯Ð ô ì¯ÛǯÐ: GýQ Aô©ë Òrë ô Ú¿ýlû<br />

Þú WBó kAok ô WBó yýpüò gõ}<br />

AuQ”<br />

oA ko A¾Ççf yÏp ÿ ì¯Çé¯Ð ô GýQ<br />

@gp oA ì¯ÛǯРìþ ðBìñl.<br />

ðõyPò üßþ ôèþ ko ìÏñþ ìhPéØ GByñl, GßBo<br />

Gpüî, ìBðñl ì¿pÙÞéíú “yýp” GB uú ìÏñþ<br />

ìpAÎBR ðËýpüB OñBuI: @ðvQ Þú ko uhò<br />

ÞéíBOþ oA GýB~ô oðl Þú ko ìÏñþ GB üßlüãp<br />

OzHýI, ðvýI ô OÓr©ë: OzHýI Þú Gú @ó<br />

ðvýI ô OÓr©ë øî ìþ âõüñl, ÚvíQ ìÛlìú<br />

“cýõAó Wñãéþ”,” ìBüÐ ðõyýlðþ” ô “ôuýéú<br />

ÞñPpë èõèú @J”.<br />

ìPñBuI GByñl. Aüò OñBuI ìýPõAðl Aq WùQ<br />

Wñw, ìBðñl “âê ô æèú”, “@ÖPBJ ô ìBû ô uPBoû”<br />

Aô©ë Ú¿ýlû AuQ Þú ìÏíõæ« ðíõkAo Oh©ýê<br />

yBÎpAðú yBÎp AuQ ô ô Kw Aq @ó yBÎp Gú<br />

2) WñBx ðBÚÀ: @ó AuQ Þú Aè×BÍ ko cpôÙ<br />

üßþ ô ko cpÞBR ìhPéØ GByñl, ìBðñl<br />

ô üB Aq WùQ ìçqìQ ô øípAøþ GByl, ìBðñl<br />

“yíÐ ô KpôAðú” ,”èýéþ ô ìXñõ ó”ô “^zî ô<br />

A¾ê ìÛ¿õk yÏp gõk ìþ KpkAqk.<br />

@ó ÚvíQ Aq Ú¿ýlû oA Þú yÏp Aq OzHýI Gú<br />

ðpâw”.<br />

ì¿pÙ ÞéíBR “Ú¯í¯pÿ ô Ú³ípÿ”.<br />

3) WñBx gÇþ: @ó AuQ Þú ÞéíBR ko ðõyPò<br />

ìÛ¿õk AðPÛBë KýlA ìþ Þñl, cvò Ohé©À® ô<br />

cvò gpôZ ìþ ðBìñl.<br />

yHýú, ôèþ ko Oé×Ì ô ðÛÇú ânAoÿ ìP×BôR<br />

GByñl, ìBðñlGßBo Gpkó ÞéíBR “GýíBo ô OýíBo”,<br />

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ÞéíBOþ oA GýB~ô oðlÞú ìÛBGê ô ìPÃBk üßlüãp<br />

Ohé©À:Þéíú Ohé©À ko A¾Ççf yÏpA kAoAÿ<br />

kô ìÏñþ ìP×BôR AuQ: 1) ðBï ìvPÏBo yBÎp,<br />

“ Kýp ô Oýp” ô”yõ o ô uõ o”.<br />

4) WñBx è×Ëþ: @ó AuQ Þú ÞéíBR ko Oé×Ì<br />

GByñl, ìBðñl “yI ô oôq”, “qyQ ô qüHB”ô”<br />

Òî ô yBkÿ”.<br />

ìBðñl uÏlÿ, cBÖÌ, ôWBìþ, 2) Ohé©À ko<br />

Ú¿ýlû, Þú øíBó âpür qkó Aq ìÛlìú Gú A¾ê<br />

üßþ, ôèþ ko ðõyPò ìP×BôR GByñl, ìBðñl:<br />

“gõAoôgBo”, “gBuQ ô gõAuQ” .<br />

ìõÂõ Ñ Ú¿ýlû AuQ.<br />

WñBx üB OXñýw: ÎHBoR AuQ Aq @ô okó<br />

OzHýú: @ðvQ Þú Aìp üB ^ýrÿ oA ko ¾×Q²<br />

Gh¿õ¾þ, Gú ^ýr küãpÿ ìBðñl ðíBDýî. ko<br />

5) WñBx qAül: @ó AuQ Þú üßþ Aq øp kô Þéíú<br />

ìzBGú , cpÖþ oA Aq Þéíú küãp GýzPp kAok,<br />

ÞéíBR øî Wñw ko uhò GBüò ¾õ oR Þú<br />

ÞéíBOþ Þú ko ÊBøp Gú üßlüãp yHýú ô ko ìÏñþ<br />

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ðývQ”. GBüò ìÏñþ Þú KBkyBû Gp Oõ ÚloOþ<br />

AuQ mÞp ðzlû AuQ.<br />

2) AuPÏBoû Gú ÞñBüú: @ðvQ Þú âõüñlû ko<br />

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OzHýú üßþ Aq kô ÆpÙ OzHýú oA mÞp Þñýî ôèþ<br />

AkAìú kAok....<br />

ko Wíéú mÞp Þññl, ìBðñl:<br />

“kuQ oôqâBo” Þú ko @ó “oôqâBo” GB ÞñBüú Gú<br />

ìÛ¿õkìBó ÆpÙ küãp OzHýú GByl ô @ó Gp<br />

kô ðõ Ñ AuQ.<br />

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@ó “oôqâBo AðvBó ìBðñl”uhò ìýãõüýî.<br />

1) AuPÏBoû cÛýÛþ: @ ðvQ Þú ì³z¯H¯ú® G²ú mÞp<br />

yõk ôèþ ìÛ¿õk ì³z¯H¯ú GByl. ìTBë: “ìBû ôAok<br />

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Òýp ìÏñþ A¾éþ gõk GßBo oôk ^ñBðßú “kuQ”<br />

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yl” ko Aüò ìTBë ìBû, ì³z¯H¯ú® G²ú AuQ ô ì³z¯H¯ú<br />

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34<br />

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kAoðl ðHBül GB yPBJ ô ÎXéú O¿íýî øBÿ ìzßê Gãýpðl ô Aüò GBo ìvEõèýQ oA Îùlû kAo yõðl.<br />

ìB GBül Aq Aô oAøBï @ôüñõ upìzÜ Gãýpüî ô GpAÿ @oAì{ gBÆp GBqìBðlâBó gõk Aq øî AÞñõ ó ^Boû Aðlüzþ<br />

Þñýî ô GB ¾Hp ô cõ¾éú ô GB AðPhBJ gõk ô ÚýíQ AoqAðPp ô ypAüÈ AÚvBÉ gýéþ @uBó Aüò qìýò øB oA ÚHç<br />

gpülAoÿ Þñýî.<br />

GpðBìú oürÿ ÚHéþ Aüñãõðú ìvBDê ðzBðú ÎzÜ ô ÎçÚú ìB Gú ÎrürAó ìB AuQ.<br />

GpAÿ AÆçÎBR GýzPp GB @ÚBÿ yBó ¾lAÚPþ ìzBô o ÖBouþ qGBó ô ¾lüÜ ô @âBû ko<br />

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AìñýQ ô @oAì{ kô ÎBìê A¾éþ ko qðlâþ AðvBðùBuQ<br />

Aüò kô ÎBìê ìùî Æþ GývQ ô ^ùBo uBë ânyPú GÏñõAó AoÞBó A¾éþ ÞBðõó uBèíñlAó üùõkÿ AüpAðþ<br />

øíõAoû ìl ðËp Gõkû AuQ.<br />

ìlüpüQ GB OXpGú ÞBðõ ó uBèíñlAó GB øíßBoÿ ÞBkoÿ ìPh¿À GB oô} øBÿ ìõSp² , ìþ Þõyñl OB ôAèlüò ìdPpï yíB uBèî<br />

ô ÖÏBë uBèýBó uBë gõkÞ×B ô ìvPÛê qðlâþ Þññl. ðýßõÞBoAðþ Þú Gú oAüãBó ôÚQ gõk oA ôÚØ glìQ Gú Aüò ÞBðõ ó Þpkû Aðl,<br />

GB ÎzÜ ô ÎçÚú ô KzPßBoÿ GBô o ðßpkðþ Aüò ìpÞr oA Gú qüHBOpüò ôWú ìíßò ^ñBó GBquBq ÿ Þpkû Aðl Þú Aq ðËp Þý×ýQ ko<br />

uÇe øPê øBÿ KñY uPBoû ìýHByl.<br />

Ghzþ Aq glìBOþ Þú ko ÞBðõ ó uBèíñlAó AoADú ìýzõk Gú ypf qüp AuQ:<br />

ðËBoR ô ìpAÚHQ ôütû GývQ ô ^ùBo uBÎPú<br />

OlAoá ô yvPzõÿ AèHvú ô ìçÖú øB<br />

Þíà Gú cíBï Þpkó uBèíñlAó Þú OõAó Aüò ÞBo oA GPñùBDþ ðlAoðl<br />

@oAü{ âývõAó ô ìBðýßõo<br />

ôürüQ KryßBó ìPh¿À<br />

upâpìþ øBÿ ìP×BôR ô ôoqyùBÿ oôqAðú<br />

uú ôÎlû ÒnAÿ ÞByp AüpAðþ GB oÎBüQ ÞBìê ìõAqüò GùlAyPþ ÆHÜ osüî KýzñùBkÿ KryßBó<br />

OõqüÐ kAoô ÆHÜ OXõür Kryà<br />

GpAÿ AÆçÎBR GýzPp èÇ×B Gú Oé×ò 3231 256 013 ô üB ôJ uBüQ OíBx Gßýpül


AupADýê - ÖévÇýò<br />

ìlüpüQ GdpAó üB AkAìú oôðl ¾ée<br />

ðõyPú AüpZ Öpðõ}<br />

AyÓBèþ GBül Ohéýú âpkk ô ðãùlAoÿ Aüò ìñBÆÜ<br />

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WùBðþ gõAuPú oAøþ GpAÿ âpû âzBüþ Aq Aüò<br />

@ÖQ ¾ée GýBGl, Aüò kô âpôû uñãþ Gp up oAû<br />

ìò Aq kô o qìBó GB @ó kuPú Aq AupADýéýBðþ<br />

Þú KýzñùBk AuPpkAk qìýò ko ÚHBë ¾ée<br />

ko @ó qìBó âpôøþ Aq uýBuPílAoAó<br />

AupADýê KýzñùBk qìýò ko AqAÿ ¾ée oA Wlÿ<br />

AðlAgPú ô GBÎU yßvQ ìnAÞpAR ylû Aðl. Gú<br />

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øvPî ÞúÂíýíú Þpkó AoAÂþ Þú ko ðPýXú<br />

âpÖPú ô @ó oA ìÇpf Þpkðl, ìPBu×Bðú Aüò<br />

KýzñùBk ìõ ok ìõAÖÛQ AÎpAJ ôAÚÐ ðzl ô ko<br />

øî OõAÖÜ ðËp kAoðl ô @ó ìíBðÏQ Aq OõAÖÜ<br />

Gýò AupADýéýBó ô ÖévÇýñýBó ìþ GByl. Kw<br />

Wñä y{ oôqû Gú O¿pÙ AupADýê ko@ìlû<br />

Gõk ìõÚÏýQ AupADýê oA Gú ÎñõAó üà Þzõ o<br />

ÎõÅ ÎíéýBR Opô oüvPþ oA Gp Îéýú AupADýê<br />

@ÒBq Þpkðl qüpA Þú ølÙ @ðBó ko @ó qìBó<br />

^Boû ^ývQ?<br />

GpAÿ ^Boû WõDþ Aüò ìÏÃê kô ðËpüú Aq<br />

üùõkÿ kìßpAR Gú gÇp gõAøl AðlAgQ. Aq<br />

uõÿ küãp AupADýê oA Gú ÎñõAó üà Þzõ o<br />

yßvQ AupADýê ô oühPò üùõküBó Gú koüB<br />

Gõk. ô Aq @ó Kw AupADýê GB Opô oüvî ìvPíp<br />

külâBû kô âpôû ìhPéØ ko AupADýê AGpAq ylû<br />

: GñB Gp ðËpüú âpôû Aô ë: GdU ko ìõ ok OõAÖÜ<br />

AyÓBë âp ÒB¾I ko AðËBo WùBðþ Wéõû âp<br />

ìþ uBqk. ìò Aüò Wíéú üBup ÎpÖBR Þú<br />

oôGpô Gõkû AuQ.<br />

AðõoAèvBkAR oøHp ÖÛýl ì¿p ôÚPþ<br />

øBÿ ¾ée ô oAû cê øBÿ ìpGõÉ Gú Aüò ìvEéú<br />

OñùB AOçÙ ôÚQ AuQ. Aüò koâýpÿ ðývQ<br />

“ ocî qðBó ÖévÇýñþ GùPpüò uçf @ðBó ko<br />

ìÛBGê AupADýéýBó ìþ GByl” ÞBìç« ôAÚÐ GýñBðú<br />

Þú ko Aüò qìBó ÚBGê cê GByl. ^pA Þú- GpAÿ<br />

ìzßçR @ôAoâBó ÖévÇýñþ, ìùBWpAó Wlül<br />

ìþ Gýñî. Aüò yBül OñùB uhò oAuPþ AuQ<br />

Þú Aq køBó üBup ÎpÖBR ko@ìlû GByl. GB üà<br />

Þú ìPõWú yl Þú GB ÎíéýBR ðËBìþ ô<br />

OpôoüvPþ ðíþ OõAó ìõWõküQ Þzõo<br />

üùõkÿ Þú ko upqìýò øBÿ AyÓBèþ ìÛýî ylû<br />

Aðl ô Aô oyéýî oAû céþ KýlA ðzlû AuQ.<br />

ðãBû AWíBèþ Gú AÖrAü{ ð×õx ÖévÇýñýBó Gú<br />

gõGþ ìþ OõAó ìñËõ o ÎpÖBR oA koá Þpk.<br />

AupADýê oA Gú ìhBÆpû AÖßñl, ô Aq ÆpÖþ<br />

ÎíéýBR OpôoüvPþ Gp Îéýú AupADýê ðú<br />

Gú ðËp Aüò âpôû, Aìpôq ðvê kôï ô uõìþ<br />

Aq AupADýéýùB ô ÖévÇýñýBó ôWõk kAoðl<br />

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Aâp oôðl oyl WíÏýQ ÖévÇýñýBó Gú ¾õ oR<br />

OñùB GpAÿ ÖévÇýñþ øB ÖBülû Aÿ ðlAok<br />

Géßú GpÎßw uHI AÖrAü{ Aæï @ðBó ìþ<br />

Þú upÞõGþ ô Opô oüvî Gú ¾õ oR ÎBìéþ<br />

Aq øõüQ AupADýéþ ô ÖévÇýñþ @ó øB ko@ìlû<br />

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yõk ko uBë 9791 ÚpAokAk ¾édþ oA GB<br />

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AuQ. ènA Aüò OõÚÐ Þú @ðBó GB øî Gñzýññl<br />

ô ðBâùBó ¾ée Þññl OñùB oô ÿ ÞBÒn AìßBó<br />

ko kô uú køú @üñlû WíÏýQ ÖévÇýñýBó Aq<br />

WíÏýQ üùõküBó GýzPp gõAøl yl ô GB koðËp<br />

yHú Wrüpû uýñB oA Gú ì¿p Kw kAk.<br />

gõyHhPBðú OBÞñõ ó ðýî ^ú ¾édþ<br />

kAok. Gú GBô o Aüò âpôû, oôüBÿ AuPpkAk qìýò<br />

ko ìÛBGê ¾ée Aq Gýò oÖPú ô øñõq ÎéýpÒî<br />

âpÖPò oyl KBDýòAupADýéýBó, üùõküBó ko<br />

AÚéýQ ÚpAo gõAøñl âpÖQ ô øíBðÇõ o Þú mÞp<br />

Þú Gýò ì¿p ô AupADýê GvPú ylû øñõq<br />

KBGpWB AuQ. ôèþ GB ôWõküßú Aq AôAuÈ køú<br />

ìnAÞpAOþ Þú ko uú køú ânyPú ¾õ oR<br />

âpÖPú, ðú OñùB øñõq øýa oAû céþ KýlA ðzlû<br />

36<br />

yl ìBøýQ AupADýê Gú ÎñõAó üà Þzõ o<br />

üùõkÿ Gú ìhBÆpû gõAøl AÖPBk.<br />

08 oôðl ¾ée Gýò AupADýéýBó ô ÖévÇýñýBó<br />

AkAìú kAyPú ô Gú oÒî AuPpkAk Gh{ øBüþ Aq<br />

Géßú GdpAó oôq Gú oôq ìzßê Op ylû AuQ.<br />

^pA Þú ko AüñXB kô âpôû Aq ìpkï øvPñl Þú<br />

ko Aüò oAuPB ÆHÜ ìlAoá ouíþ ô<br />

upÿ Þú Aq WévBR øýEQ kôèQ AupADýê GÏl<br />

ÞpAðú oôk Aokó ô Ohéýú ÞBìê ðõAo Òrû øñõq<br />

ÚpAokAkÿ ko ìõ ok ôÂÏýQ ðùBüþ Gú AìÃBF<br />

gõk oA uBÞò A¾éþ Aüò upqìýò ìþ kAðñl<br />

ô AcvBuBR q üBkÿ ko ìýBó ìþ GByl.<br />

Aq Wñä y{ oôqû Ozßýê âpkülû Gõk ô ko<br />

gçë üßþ kô uBë ânyPú Gú ìÇHõÎBR ðzp<br />

ðpuýlû ô oôðl ¾ée Gýò kô ÆpÙ øýa ÞBoADþ<br />

ðlAyPú ô AOçÙ ôÚQ Gõkû AuQ.<br />

GñBGpAüò ÚÃýú A¾éþ ìvEéú øõüQ ìéþ ìþ<br />

GByl. ènA cê Aüò ìvEéú GvýBo kyõAo AuQ.<br />

Þpkû ^ñýò Gpìþ @ül Þú : uBqìBó AÆçÎBOþ<br />

AupADýê, oDýw ìõuBk, oDýw uBqìBó<br />

GvýBoÿ, âpôû øBÿ AÖpAÉ âpA oA<br />

uHI Îlï KýzpÖQ ko oôðl ¾ée ìþ kAðñl,<br />

GpAÿ üùõküBó Aô oyéýî ìvEéú AcvBuBR ô<br />

ìnøI AuQ. Aq uõDþ ìPÛBÎl Þpkó 005ørAo<br />

AÆçÎBR AoO{ ô upAó ô qAoR gBoWú,<br />

øíãþ Gú Aüò ðPýXú ouýlû Gõkðl Þú GpAÿ<br />

qüpA Þú ^ú ko ìýBó ÖévÇýñýBó ô ^ú ko ìýBó<br />

AupADýéýBó âpôû øBüþ øvPñl Þú ðíþ gõAøñl<br />

ð×p ìÛýî @GBkÿ øBÿ üùõkÿ ðzýò ko ðõAcþ<br />

AyÓBèþ Þú upqìýò øB oA Ohéýú Þññl Aâp<br />

Wéõâýpÿ Aq Gú ìhBÆpû AðlAgPò AÞTpüQ<br />

üùõkÿ ô Gú gÇpAÖßñló ìBøýQ AupADýê Gú<br />

OõAÖÛþ ¾õ oR âýpk ô ¾édþ GpÚpAo yõk<br />

ô øp qìBó Þú Öp¾Pþ kuQ kAkû ô WBìÏú<br />

GvýBo ìzßê ðHByl ÒýpÚBGê O¿õ o AuQ.<br />

ÎñõAó üà Þzõ o kìßpAOýà, Þéýú ìñBÆÜ


37<br />

FAA<br />

Aq uõÿ küãp âpôøþ Gú ðBï cíBx<br />

Gp ÖévÇýñþ øB cßõìQ ìþ Þññl Þú ðú OñùB<br />

oA Gú ouíýQ GzñBuñl: Gp GBô o Aüò âpôû<br />

GBôWõküßú ko gçë 04uBë ânyPú ÖÏBèýQ<br />

AupADýê ô uõ oüú ô èHñBó Þíà ìõSp Gßñl.<br />

WBìÏú WùBðþ ko koWú Aô ë GBül ôclR<br />

GB oôðl ¾ée ìhBèØ øvPñl Géßú gõAøBó<br />

ðBGõkÿ AupADýê ìþ GByñl. Glüùþ AuQ GB<br />

øBÿ Gþ cB¾ê ko oôðl ¾ée ¾õ oR âpÖPú,<br />

ìÏnAèà AupADýê GBül øí`ñBó Gú Þõy{ øBÿ<br />

Gýò ÖévÇýñýBó GõWõk @ô ok, ô AÖpAÉ âpAüBó<br />

oA Þú Aq ôÂÏýQ GdpAðþ Þñõðþ Gùpû ìþ Gpðl<br />

^ñýò ypAüÇþ ^zî AðlAq üà ¾ée ôAÚÏþ<br />

ôAÚÐ GýñBðú ðhõAøl Gõk ô Aüò üà koâýpÿ<br />

gõk GpAÿ qðlû ðãùlAyPò oôðl ¾ée AkAìú<br />

køl.<br />

Gú cByýú GpAðl. uLw â×Pãõ Gýò oøHpAó<br />

AupADýéþ ô ÖévÇýñþ ko øíú qìýñú øB Aq<br />

ðývQ Þú ko Aüò qìBó ÚBGê cê GByl. Gú<br />

Æõ o Þéþ øñõq oAû céþ Þú GPõAðl ìõ ok OõAÖÜ<br />

Aüò âpôû ìþ âõüñl Þú Þzíß{<br />

AupADüê ô ÖévÇýò küãp üà ìvEéú kAgéþ<br />

Wíéú Ozßýê üà kôèQ ìvPÛê ÖévÇýñþ Aq<br />

up âpÖPú yõk ô AìñýQ AupADýê øî OÃíýò<br />

ÆpÖýòôAÚÐ yõk ôWõk ðlAok ô yBül øî øpâr<br />

KýlA ðzõk.<br />

Gú yíBo ðíþ oôk ô cPþ ìvEéú ìñÇÛú Aÿ øî<br />

ðíþ GByl, Géßú ìvEéú ÖpAìñÇÛú Aÿ AuQ Þú<br />

âpkk.<br />

AupADýê GBül ÚHõë Þñl Þú qìBðþ ìþ oul<br />

ènA ^ú GBül Þpk? - Gú ðËp Aüò âpôû,<br />

AupADýê ìþ GBül GB GdpAó ÖÏéþ uBq} Þñl<br />

AGÏBk @ó Aq yp Ý OB ÒpJ âvPpkû ylû ô AìñýQ<br />

WùBðýBó oA kuPhõ} Oùlül ÚpAo ìþ køl<br />

Þú üà ìéQ GBül ko ârüñ{ oAû ô OÃíýò<br />

@üñlû gõkOBìê GýzPpÿ Gú gp Z køl ô Oò<br />

ô oô} ìñÇÛþ GdpAó oA ìlüpüQ Þñl qüpA<br />

ôÂÏýQ ^ñBó Gl AuQ Þú øp âBìþ Þú GPõAðl<br />

ô @ìpüßB, AoôKB, oôuýú ô OíBï Þzõ oøBÿ<br />

Auçìþ koâýp Aüò ìvEéú ylû Aðl. Gú ðËp Aüò<br />

Gú O¿íýíBR kyõAo GvLBok. GpAÿ AupADýê<br />

oAû Aìñþ Wr AkAìú ìnAÞpAR ô ouýló Gú üà<br />

OõAÖÜ ðùBüþ GB ÖévÇýñýBó ôWõk ðlAok.<br />

Aðlá OBCSýpÿ ì×ýl kAyPú GByl kuPBô okÿ<br />

Groå ìdvõJ ìþ yõk.<br />

âpôû cê ìÏÃê AupADýê ô ÖévÇýò ðýBq ìñl<br />

ìvBÎþ WùBðþ AuQ ô GBoôðl ÖÏéþ ðíþ OõAó<br />

ðËpüú âpôû kôï, AWpAÿ ÚÇÏñBìú<br />

242 uBqìBó ìéê Þú ìdPõAü{ upqìýò ko<br />

AðPËBo GùHõk AôÂBÑ oA kAyQ.<br />

GBül WBìÏú Aÿ WùBðþ Aq uBqìBó ìéê,<br />

&AüpZ Öpðõ} Öõ Ý èývBðw ko oyPú ìùñluþ<br />

¾ñBüÐ ô uývPî Aq kAðzãBû ÞBèý×pðýB, ko<br />

ìÛBGê ¾ée ìþ GByl. Gp AuBx Aüò ÚÇÏñBìú<br />

AupADýê ìþ GBül upqìýò øBüþ Þú ko Wñä<br />

@ìpüßB, AOdBküú AoôKB, oôuýú ô GB ìzBoÞQ<br />

AOdBküú ÎpJ ô uBüp Þzõ oøBÿ ÚloOíñl<br />

uBqìBó øõAüþ @ìpüßB ( ) Gú ÎñõAó ìlüp<br />

Kpôsû Gú ÞBo AyPÓBë kAok.<br />

y{ oôqû Gú O¿pÙ ko@ô okû Ohéýú Þñl ô Aq<br />

AÎpAJ GhõAøl Þú ìõWõküQ Þzõ o AupADýê<br />

ìñÇÛú Ozßýê yõk Þú GPõAðl ko g¿õÁ<br />

ìÏÃê WBoÿ Gýò AupADýê ô ÖévÇýñýBó ô Gýò<br />

OI ÎzÜ<br />

Aq: SpüB KBuPõ o “ð¿pOþ Öp”<br />

yõï Òñ`ú, ðzýñî Gp èI üBo<br />

GLByî ÎÇp ÎzÝ, Gp øp^ú kèlAo<br />

yõï ÎByÜ, ðzýñî ko oû ÎzÜ<br />

GLõyBðî WùBó oA, Aq OI ÎzÜ<br />

yõï âélAó, Kp Aq âéhBðú âpkï<br />

GLõyBðî q â³ê,,kðýB ô øp kï<br />

yõï @O{, ðzýñî Gp Oò upk<br />

GLõyBðî ôWõk øp ^ú kèvpk<br />

yõï ðÓíú, ðzýñî Gp èI uBq<br />

GvõqAðî WùBó GB Îzõû ô ðBq<br />

yõï ÚÇpû, ðzýñî Gp kë @J<br />

Gzõ oAðî WùBó, Aq øp ^ú Gþ OBJ<br />

yõï ÎByÜ, ðzýñî ko oû ÎzÜ<br />

GLõyBðî WùBó oA, Aq OI ÎzÜ<br />

yõï ^zíú, GXõyî øí`õ ÎByÜ<br />

GLByî @J, Gp kë øBÿ ÖBoÕ


Aq ^M Gú oAuQ:<br />

@ÚBÿ WýßõJ küBó , kÞPp âBèýQ küBó,<br />

@ÚBÿ Aürá AüBë , gBðî AkðB ð×PBèþ<br />

ko OBo üi 02 uLPBìHp 0102 GBðàèEõìþ<br />

ko ÞBèý×pðýB ìýrGBó<br />

WíÐ ÞTýpÿ Aq GBqoâBðBó ô ¾BcHBó ìzBÒê<br />

ko ÞBèý×pðýB ypÞQ kAyPñl.<br />

èEõìþ ko ouýló Gú Aüò ølÙ kAyQ<br />

AyBoû Þpkðl.<br />

ÂýBÖPþ Gõk Þú Gú AÖPhBo KpqülðQ ÚHéþ<br />

GBðà @ÚBÿ Aô q ÿ o³qó ô<br />

@ÚBÿ WýßõJ küBó Aq OBoüh`ú<br />

KýlAü{ GBðà èEõìþ ko clôk 011uBë<br />

uhñpAó GÏlÿ gBðî AkðB ð×PBèþ<br />

ìlüp Aoyl GBðà èEõìþ ÞBèý×pðýB Gõkðl<br />

gõ} @ìlâõDþ Gú WBðzýò AüzBó @ÚBÿ<br />

AürAá A²üBë Gp KB yl.<br />

Ký{ Þú Gú Kýpô ÿ Aq AølAÙ ô külâBû øBÿ<br />

OEõkô o øpO¿ê GpAÿ Ozßýê ìõuvú Aÿ<br />

Þú ko Âíò gõ} @ìl âõDþ Gú ìùíBðBó<br />

Aq oøHpÿ @ÚBÿ oqó ko ypAüÈ kyõAo<br />

ko Aüò âpkøî @Dþ Þú ko øPê Gõ oèþ<br />

øýér GpârAo âpkül, Gý{ Aq 004 ð×p ìùíBó<br />

Þú GPõAðl AcPýBWBR ìBèþ kôèQ ðõGñýBk<br />

AupADýê oA Gp@ô okû ðíBül ¾dHQ ðíõk.<br />

AÚP¿Bkÿ kô uú uBë Agýp Ozßp Þpkðl.<br />

AüzBó øí`ñýò Aq KzPýHBðþ ô cíBüQ<br />

Aq yh¿ýQ øBÿ GpWvPú WBìÏú ìñXíéú<br />

WñBJ @ÚBÿ oAô kAôül yõÖÈ oøHp ìnøHþ<br />

øpO¿ê Gp Aüò AÎPÛBk Gõk Þú kôèQ<br />

AupADýê ðú Aq oAû AÎBðú Géßú Gp KBüú<br />

ìzPpüBó GBðà èEõìþ ko ÞBèý×pðýB Ozßp<br />

Þpkðl ô AyBoû Aÿ kAyPñl Þú Îíéßpk ìTHQ<br />

üùõküBó AüpAðþ @ìp üßBDþ, WñBJ @ÚBÿ<br />

WýßõJ küBó Þñvõ ë<br />

AuPdßBï ìBèþ GBül AuPÛpAo ô SHBR gõk<br />

oA c×Ì ðíBül ô AkAìú cýBR køl. AüzBó<br />

GBðà Glô ó øíßBoÿ ô ìvBÎlR @ðBó ko<br />

ÖÃBÿ ìõWõk AÚP¿Bkÿ ìývp ðHõk. gBðî<br />

AupADýê ko ìñÇÛú WñõJ ÒpGþ @ìpüßB ô<br />

øí`ñýò Gú ÚloR ìBèþ ô ðÛzþ Þú GBðà<br />

ð×PBèþ uhñBó gõk oA GB @oqô ÿ ìõÖÛýQ<br />

Uzi Rosen<br />

Bank Leumi USA<br />

Itzhak Eyal<br />

Jacob Dayan


Bank Leumi USA<br />

CEO<br />

GpAÿ KpqülðQ Wlül @ÚBÿ Aürá AüBë KBüBó<br />

kAkðl.<br />

ko gBOíú ìùíBðBó GB gBÆpû Aÿ<br />

gõ} Aq ypÞQ ô @yñBDþ GB @ÚBÿ Aürá<br />

AüBë GBðà èEõìþ ìùíBðþ oA Opá<br />

Þpkðl ô gBÆp ðzBó Þpkðl Þú ìñPËp<br />

külAoøBÿ GÏlÿ AüzBó Aq ÞBèý×pðýB ko<br />

@üñlû gõAøñl Gõk.<br />

GBðà èEõìþ @ìpüßB GB 11 yÏHú ko<br />

ðýõüõ oá, ÞBèý×pðýB, Aüéþ ðõÿ ô Öéõ oülA<br />

üßþ Aq yBgú øBÿ ìõÖÜ GBðà èEõìþ ko<br />

upAup kðýB ìþ GByl ô ko qìýñú cvBJ<br />

øB ô ôAï øBÿ OXBoOþ ô AuñBk AÎPHBoÿ<br />

cÃõ o âvPpkû Aÿ kAok.<br />

1-@ÚBÿ Aürá AüBë<br />

2- gBðî AkðB ð×PBèþ<br />

3- Aq ^M Gú oAuQ: oAô kAôül<br />

yõÖÈ - @ÚBÿ Aürá AüBë - @ÚBÿ<br />

Aôq ÿ oôqó - gBðî AkðB ð×PBèþ<br />

4 - gBðî AkðB ð×PBèþ ô AüpA Kýñvßp


kAk. ôèþ øíýñßú âBGýñõx Aq Þzõ o üùõk kô o<br />

yl, OÛvýíBOþ Þú ô ÿ kouQ Þpkû Gõk Aq Gýò<br />

oÖQ ô AðXíò ÞHýp AøíýQ gõk oA GBq âpÖQ<br />

ô ÊBøpA« Aq Aüò OBoüi GñBï uñùloüò ìõuõï<br />

yl. ôèþ øíBðÇõ o Þú â×Pú yl ÚloR uýBuþ<br />

ÞBìç« Gú kuQ oôï Gõk.<br />

Kw Aq yýíÏõ ó Gò yBÆe, kôð×p<br />

Aq GpWvPú Opüò yBâpkAð{, yíÏýB ô<br />

ÞPBJ OBoüi üùõk<br />

Aq :Kpôür oøHp<br />

AGÇBèýõ ó Gú oüBuQ uñùloüò AðPhBJ ylðl.<br />

Aüò kôð×p, ^õ ó ìzBølû Þpkðl Þú uñùloüò<br />

ÚloR uýBuþ gõk oA Aq kuQ kAkû AuQ, ø©î<br />

gõk oA ìPõWú Aìõ o kAgéþ Þpkû, Îlû Aÿ Aq<br />

gBðlAó øpôkôx üB øpôk ô cßBï oôìþ<br />

@ðPþ KBOp - øõ oÞBðõx ÞùBðQ oA ko kuQ<br />

ko uBë 6491 Kpôür oøHp,‰ÖýrüßlAó,ô<br />

ìdÛÜ, AuPBk kAðzãBû ô üßþ Aq ðõüvñlû<br />

yBâpkAó müÏçÚú oA Glô o gõk âpk @ô okðl, ô<br />

Oõ oAR oA GB ÞíBë kÚQ, Aq èdBÍ A¾õë ÎÛBül ô<br />

øBÿ ÞPBJ øBÿ Öýrüà ô yýíþ GpAÿ Oloüw<br />

ko kGýpuPBó øBÿ AüpAó, ÞPBJ “ OBoüi<br />

kAyQ, èýßò @èQ kuQ @ðPþ KBOp Akôìþ kuQ<br />

ðzBðlû kôèQ oôï Gõk. WHò ô Gþ AoAkâþ<br />

üùõk “ oA ðõyPú ô ìñPzp Þpk. Kpôür oøHp<br />

GB OvéÈ ÞBìéþ Þú Gú qGBó øBÿ ÖpAðvú,<br />

Æpq Îíê Þpkó @ó, Gú @ðùB OÏéýî kAkðl. ko ASp<br />

OõWú Öõ Ý AèÏBkû gõk Gú ÚõAðýò ô uñò üùõk,<br />

øõ oÞBðõx Gý{ Aq WBû ÆéHþ GpAko}<br />

@oüvPõGõë GBÎU gvBoR ô Oé×BR üùõk yl.<br />

Aðãéývþ,ÎHpÿ ô ÖBouþ kAyQ WlA Aq ÞBo<br />

øBÿ Ktôøzþ ko oyPú Öýrüà ô yýíþ ô<br />

ìõ ok AÎPíBk ìÇéÜ ìpkï ÚpAo âpÖPñl ô øp<br />

ÖPõADþ Þú Gú @ðùB ðvHQ kAkû ìþ yl, Glô ó<br />

@èßvBðlo Kvp @oüvPõGõë øñãBìþ Þú<br />

Gú oôï Gpkû ìþ yl ko oAû GãpühQ ô Úzõðþ<br />

kuQ üBÖPò Gú AÖPhBoAR Groâþ ko Aüò qìýñú,<br />

Gú OpWíú ðõyPú øBÿ GvýBoÿ Aq ðõüvñlâBó<br />

Opkül ô ^õ ó ô ^pA KnüpÖPú Gõk. GB yíÏýB ô<br />

AGÇBèýõ ó kô oû Wlülÿ GpAÿ ÖpüvýBó @ÒBq<br />

@ìBkû Þpkû Gú KýzpÖQ øBüþ ðýr ðBDê @ìl, ôèþ<br />

GBægpû Aq Úzõ ó ìñËî oôï yßvQ gõ ok ô<br />

ÒpGþ Gú qGBó ÖBouþ ðýr KpkAgQ. ðBï ô ÞBo<br />

Aô GpAÿ GvýBoÿ Aq AüpAðýBó @yñB AuQ.<br />

ìþ yõk ô Aq Aüò Kw GýzPp @ðùB ìPõWú OÏHýp<br />

ô O×výp Oõ oAR ìþ yõðl.<br />

ìXHõ o Gú ÖpAo yl. @oüvPõGõë ðýr Þíþ GÏl,<br />

Aq oôï GãpühQ ô Îéî ÆÓýBó ô ìhBè×Q GB<br />

ÞPBJ “OBoüi üùõk” Gú â×Pú kuQ<br />

AðloÞBoAó üßþ Aq WBìÐ Opüò ô GùPpüò ðõyPú<br />

Kw Aq ìpå KíLú, üùõküBó ÆpÖlAo urAo<br />

(Úý¿p) ylðl ô øõ oÞBðõx, üB ko cÛýÛQ<br />

GpAko ô kôèQ oôï GpAÖpAyQ èýßò Aô øî ko<br />

Wñä ìhP¿pÿ qgíþ ô kuPãýp ô Gú oôï<br />

øB ko oAGÇú GB OBoüi üùõk ô üùõküBó AüpAðþ<br />

AuQ Þú Gú Æõo gç¾ú ânyPú üùõküBó kðýB<br />

ìzBô o} @ðPþ KBOp, GB glìBOþ Þú GlôèQ<br />

oôï ðíõk OõWú Úý¿p oA Ghõk WéI Þpk ô ko<br />

ÎõkR kAkû yl.<br />

Aüò Ký{ @ìløB ô ìhBè×Q øBDþ Þú<br />

oA Gp ouþ Þpkû AuQ. ÞPBJ küãp ðõyPú Aô Gú<br />

ðBï “koü×õx ô Aìýê qôæ” ðýr koqìBó ^BN GB<br />

ðPýXú ìÛBï ÞùBðQ GpAÿ øõ oÞBðõx OTHýQ<br />

yl ô @ðPþ KBOp cßõìQ Þzõ o oA ko kuQ<br />

AuPÛHBë ÖpAôAó oôGpô yl.<br />

ìXéú “yõÖBo “ GB AWBqû Aq ÖpqðlAó<br />

ìPõAèýB« Aq ÆpÙ üùõk ðvHQ Gú cßBï ô kuQ<br />

ðzBðlû øBÿ oôï AGpAq ìýzl, âBGýñõx cBÞî<br />

âpÖQ ô GçÖB¾éú Opìýî gpAGþ øBÿ KíLú ô<br />

AuPdßBï ksøBÿ ôüpAó oA @ÒBq Þpk.<br />

@ó yBkoôAó ÞPBJ “OBoüi üùõk “ oA ko ÚvíQ<br />

øBÿ ìhPéØ Aüò ðzpüú ^BN gõAøl Þpk. Gú<br />

oôìþ uõ oüú oA Gp @ó kAyQ Þú ôclR ìéþ<br />

üùõk oA Aq øî ìPçyþ Þñl. ko Aüò ìõÚÐ,<br />

Aìýl Aüò Þú kAð{ ânyPú ko O¿íýî âýpÿ<br />

¾dýdþ GpAÿ @üñlû, ìBoA oøñíõó yõk.<br />

@ðPþ KBOp Þú Aq ÂÏØ AoAkû øõ oÞBðõx<br />

gHp kAyQ Kvp Groå gõk ÖrADê oA Gú<br />

AðXíò ÞHýp Aâp^ú ÚloR uýBuþ gõk oA Aq<br />

kuQ kAkû Gõk, ôèþ øñõq oôf ôclR üùõk<br />

cßõìQ Aô oyéýî ô øpôk Kvp Þõ^à gõk oA<br />

Gú cßõìQ âBèýê ìñ¿õJ ðíõk.<br />

ìdvõJ ìþ yl. âBGýñõx GpAÿ ðBOõAó<br />

Þpkó üùõk ÖpìBðþ ¾Bko Þpk Þú Aq @ó Kw<br />

GB uLBx Aq yBkoôAó Kp ôür oøHp ô<br />

ÖpqðlAó Aô.<br />

“yõÖBo<br />

Kw Aq ÖõR Úý¿p, Þú cBìþ Groå<br />

øõ oÞBðõx ô üùõk Gõk, cßõìQ uõ oüú Gú<br />

Þzõ o üùõk ðíþ GBüvQ ôclR AkAoÿ ô<br />

ÚÃBDþ kAyPú GByl (75 Ý.ï) GñBGpAüò Þzõ o<br />

kuQ ÞBuýõx ôAèþ oôï uLpkû yl ô Aô<br />

ìBèýBR ârAÖþ Aq Þzõ o üùõk ìÇBèHú Þpk ô<br />

oA Gú KñY cõqû OÛvýî Þpk GÇõ oüßú øpüà<br />

yõ oAÿ ìh¿õ¾þ GpAÿ AkAoû Aìõ o kAgéþ<br />

uBÞñBó KBoû Aÿ Aq ðÛBÉ oA Þú ÚBko Gú KpkAgQ<br />

ìBèýBR ìÏýò ðHõkðl, GHpkâþ ÖpôgQ. @ðPþ<br />

gõk kAyPú GByl. yõ oAÿ Wlül oA uñùloüò<br />

ðBï ðùBkû ô ko oACx @ó Aq øõAgõAøBó oôï ÚpAo<br />

KBOp øî Þú Gùý`õWú cBÂp ðHõk ìÛBï gõk<br />

40


41<br />

KñùBðþ Gp Âl øpôk ìßBOHBOþ Þpk. @èßvBðloA<br />

ìþ gõAuQ Aq oô ÿ ÞBo@ìló @ðPõAó AuP×Bkû<br />

(73Ý.ï) ô @ðPýãõ ó oA kuPãýp Þpkû Gú oôï<br />

ÖpuPBk ô @ðXB Aô oA Gú kogõAuQ øpôk Gú<br />

oA Aq kuQ køl, GpAÿ AuPpÂBÿ gBÆp cBÞî<br />

oôìþ uõ oüú ô kôèQ oôï ìpkï oA OdQ ÖzBo<br />

Þpkû Gõuýéú Aô øp kô oA Aq ÞBo GpÞñBo Þñl.<br />

ÞéEõKBOp øî, Þú gõk oA Aq ìlOþ Ký{ ^zî<br />

ÖXýÐ Opüò ôÂÏþ Gú ÚPê ouBðýlðl. GB AüñdBë<br />

AÞTpüQ ìpkï ÆpÖlAo @ðPýãõ ó Gõkðl ô Aq øp<br />

ânAyQ ô üßþ Aq ðXHBÿ ¾BcI ð×õm üùõk Gú<br />

ðBï ìBèýßõx oA ìXHõ o Gú âpk@ô oÿ ìBèýBR<br />

Þpk.<br />

ÉíÐ Gßzõ o üùõk kAyQ, GB @èßvBðloA oô ÿ<br />

ìõAÖÜ ðzBó kAk. @èßvBðloA ko ðËp kAyQ GB<br />

uõ ¾lAÿ ìhBè×Q GB cßõìQ øpôk Géñl Gõk.<br />

GñBGpAüò øpôk 54 ð×p Aq GroâBó Úõï oA GãpÖQ<br />

ìBèýßõx ì¿íî yl Þú @ðPþ KBOp oA<br />

Gú ÚPê ouBðýlû kuQ gBoWýBó oA Aq Þzõ o<br />

Kvp} Gú ì¿p Gpôk ôèþ ðÛzú A} ÖB} yl<br />

ô Gú ìÛ¿õk ðpuýl.<br />

ô øíú oA Gú ÚPê ouBðýl ô AìõAèzBó oA O¿BcI<br />

ðíõk. ô ^õ ó ko øñãBï ìdB¾pû Aô oyéýî<br />

ÞõOBû Þñl. GñBGpAüò Öp¾Pþ Gú kuQ @ô ok ô Aô<br />

oA ìvíõï Þpk. ìlOþ GÏl øpôk Gú ô ÿ kuQ<br />

ìpüî kgPp @èßvBðloA Þú qðþ GvýBo qüHB<br />

ô KBÞlAìò Gõk ìõ ok ÎzÜ ô ÎçÚú øpôk ÚpAo<br />

AÎÃBÿ uñùloüò ìpkï oA Gú KBülAoÿ ko<br />

GpAGp øpôk OzõüÜ Þpkû Gõkðl, øpôk øíú oA<br />

üBÖQ ô Gú ÚPé{ ouBðýl.<br />

uéÇñQ øpôk- ^õ ó @ðPþ KBOp Gú ÚPê ouýl,<br />

âpÖPú ô GrôWýQ Aô ko@ìlû Gõk ô AèßvBðloA<br />

ìþ gõAuQ Gõuýéú Aô Aq øpôk AðPÛBï Gßzl.<br />

kuPãýp Þpk ô GÓýp Aq kôð×p Aq @ðùB, yíÏýB<br />

ô AGÇBèýõ ó, øíú oA øçá Þpk. AìB yÛBôR ô<br />

øpôk Aq ÉpÙ ìXéw uñBÿ oôï cBÞî Þzõ o<br />

üùõk ðBìýlû yl (04 Ý.ï) øpôk Aq øíBó uò<br />

uhQ kèþ ô ÿ Gú @ðXB gBOíú ðýBÖQ.<br />

ìÛBï ÞùBðQ Gú kuQ üßþ Aq GBqìBðlâBó<br />

øpôk ^õó Aq ÎçÚú @ðPõAó Gú ÞéEõKBOp<br />

@âBû Gõk,‰ìÛBï gõü{ oA ìPrèrë kül ô ^Boû<br />

51 uBèãþ Þú Gú cßõìQ âBèýê ìñ¿õJ ylû<br />

Gõk ÆHÐ gõðhõAo ô Wvõ o gõk oA ðzBó kAk ô<br />

WõAó czíõðBDþ, GpAko qó øpôk, uLpkû<br />

ylû Gõk. ko oôq Îýl uõÞõR (gýíú øB) Þú<br />

Aÿ Wr @ó ðlül Þú yh¿B« ðrk @ðPõAó oÖPú ô GB<br />

OÛlüî ÚõüPpüò kæüê gõk, Þú ÎHBoR Aq ølüú<br />

Aq øíBó ôÚQ Aô oA “Gpkû Akôìþ” ìþ gõAðlðl.<br />

@ðPýãõ ó üßþ küãp Aq KvpAó @oüvPõGõë<br />

WõAó czíõðBDþ GB AèHvú ÖBgp ÞùBðQ ko<br />

ìÏHl cÃõ o üBÖQ, AcvBuBR ìpkï ðvHQ Gú<br />

Aÿ âpAðHùB Gõk, kôuPþ ô ÿ oA Gú gõk WéI<br />

ðíBül. GñBGpAüò Gú Aìp @ðPõAó AÆBÎQ Þpkû ðrk<br />

Þú ko oôï qðlAðþ Gõk, Aq @ðXB âpühQ ô Îlû<br />

Aÿ Aq øõAgõAøBó gõk oA âpk @ô ok ô Gú<br />

ô ÿ Æõ oÿ Gõk Þú øpôk k^Bo Opx ylû ìÛBï<br />

gõü{ oA ìPrèrë kül. GB AüñdBë GÓÄ gõk oA<br />

Aô oÖQ ô cßõìQ Aô oyéýî ô OõWú ìpüî qüHBÿ<br />

gõk oA Gú kuQ Îíõÿ gõk üõuØ uLpk ô Gú<br />

âBèýê cíéú Gpk ôèþ Aq øpôk yßvQ gõ ok ô<br />

ÎÛI ðzvQ.<br />

ìh×þ Þpk ô GB ìpkï ko Oõ¾ýØ ÞBøò WõAó<br />

øî ¾lA yl. AìB ôWõk Aô oA GpAÿ gõk gÇp<br />

Aô kuPõ o kAk ko¾õ oOýßú Aq ìvBÖpR gõk<br />

uçìQ Gpðãpkk, ìpüî oA øî Gú ÚPê GpuBðñl<br />

ko øíýò ìõAÚÐ kôèQ o ôï kô ë<br />

@uýBÿ ÒpGþ oA ìÓéõJ Þpkû ô upclAR gõk<br />

cPíþ ìþ kAðvQ, qüpA øñõq ìpkï oyBkR<br />

ìßBGþ øB oA Aq üBk ðHpkû Gõkðl. GñBGpAüò oôq ÿ<br />

qüpA Gú Úloÿ Aô oA kôuQ ìþ kAyQ Þú cBÂp<br />

ðHõk Kw Aq ìpå øî ìpüî Gú kuQ küãpÿ<br />

oA OB Gýò Aèñùpüò OõuÏú kAkû Gõk. üà oÚýI<br />

ko GpAGp Þzõ o KùñBô o oôï ìÛBôìQ ìþ Þpk<br />

Aô oA ko ÂýBÖQ Groâþ ko üpüdõ kÎõR Þpk<br />

ô Kw Aq ¾pÙ ðùBo, kôuPBó øpôk, ÞBøò<br />

Gý×Pl.ko ìlR ÒýHQ øpôk üõuØ ìBìõ oüQ<br />

gõk oA Gú ìpüî AÖzB Þpk ô @èßvBðloA kgPp<br />

ô @ó øî kôèQ AyãBðþ ko AüpAó Gõk. Aq Aüò<br />

Kw Þzõ o üùõk ìýBó kô ðýpô ÿ ÎËýî oôï<br />

WõAó oA ko Âíò Òvê Gú ÎñõAó ìrAf ko<br />

@J Öpô Gpkû Aô oA Òp Ý Þpkðl. øpôk gõk ðýr<br />

gõk oA Gú AðPÛBï ôAkAyQ. AO×BÚB« gHpÿ Gú<br />

koôÕ AðPzBo üBÖQ Þú øpôk Gú kuQ @ðPõAó<br />

ô AyãBðþ ÚpAo âpÖQ ô ìõ ok OBgQ ô OBq kô<br />

ÆpÙ ôAÚÐ ìþ yl.<br />

OËBøp Gú Òî ô Aðlôû ÖpAôAó ðíõk, èýßò øýa<br />

Þw ÖpüI Ayà øBÿ koôÒýò Aô oA ðhõ ok.<br />

ÞzPú ylû AuQ GñBGpAüò AèßvBðloA ko¾lk<br />

GluQ @ô okó cßõìQ AÖPBk ôèþ ìõÖÜ ðzl.<br />

Úzõ ó AyãBðþ G×pìBðløþ KBÞõ oôx,<br />

AoìñvPBó ô @uýBÿ ¾Óýp ô uõ oüú oA Gú<br />

yéõìýQ gõAøp øpôk,‰GpAko gõk<br />

oA GpAðãýhQ OB üà üà GBqìBðlâBó gBðlAó<br />

Aq ÆpÙ küãp GpgçÙ AðPËBo, @ðPõAó øpôk<br />

oA GB AcPpAï GLnüpÖQ ô Aô oA Kùéõÿ gõk ðzBðýl<br />

O¿pÙ ko@ô okû ô Gú Þzõ o üùõk ðrküà<br />

ylû Gõk. @ðPýãõ ó Aq Öp¾Q AuP×Bkû Þpkû,<br />

czíõðBDþ oA Aq Gýò Gpk ô Þzõ o oA Aq<br />

ìpkAó kèýp KBá ô @ó oA Gú KpOãBû ìõczþ<br />

ô ÚvíPþ øî Gp Þzõ o} Âíýíú Þpk.<br />

^õ ó øpôk ìõÖÜ ô yBkÞBï Gßzõ o<br />

Gú Þíà KBoR øB Gú Aô oyéýî cíéú ðíõk @ó oA<br />

Gú O¿pÙ ko@ô ok. ko Aüò Wñä ÖrADê GpAko<br />

ðrküà ðíõk.<br />

@èßvBðloA Þú üßþ Aq ÖpqðlAð{ oA<br />

gõü{ GBqâzQ, gõAøp} yéõìýQ Þú<br />

ðvHQ Gú WBû ô ìÛBï ô yh¿ýQ ìpüî cvBkR<br />

øpôk Gú ÚPê ouýl ô øpôk GB qðBó gBðõAkû<br />

gõk Gú ÚéÏú ìBuBkA âpühQ ô Aq @ðXB Gú oôï<br />

øpôk upGpülû Gõk, ^õ ó Aq ìpå Öpqðl}<br />

Ovéþ ðíþ üBÖQ G×ßp AðPdBo AÖPBk, ôèþ Aìýl<br />

ìþ ô oqül øpôk oA ðvHQ Gú ô ÿ Êñýò ô Aô oA<br />

ìPùî Þpk Gú Aüñßú GB üõuØ cBÞî Aô oyéýî<br />

oÖQ. kôèQ oôï Aq ô ÿ AuPÛHBë Þpk ô Aô oA GB<br />

ðýpô ÿ ÎËýíþ oôAðú Aô oyéýî ðíõk.<br />

AðPÛBï Aô oA qðlû ðãBølAyQ ô ko ¾lk OõÆEú<br />

Gp Âl øpôk Gp@ìl. GñBGpAüò GB ÞéEõKBOp ìéßú<br />

oôAGÈ ðBìzpôÎþ kAyPú AuQ. èýßò ÎzÜ<br />

øpôk Gú ìpüî GBæOp Aq @ó Gõk Þú OõWùþ Gú<br />

qüHBÿ ì¿p ô ìÏzõÚú @ðPõAó AìLpAÆõ o oôï ,<br />

øpôk ko Aðlá qìBðþ Gú ìvBÎlR<br />

Úzõ ó oôï Aô oyéýî oA Gú O¿pÙ ko@ô ok<br />

â×Pú gõAøp GñíBül. ôèþ gõk ìpüî Þú Aq øpôk


ô oôï Gõk ô Gú OÛéýl @ðùB OíByBgBðú @ì×þ<br />

OEBOp ôuýÏþ ko Aô oyéýî GvBgQ ô GBq ÿ øB<br />

oA GB gõðvpkÿ KnüpÖQ ô øñãBìýßú øpôk<br />

kAuPBó ìvBÖpR ô Kýpôq ÿ gõk oA GpAü{<br />

ìPñ×p ylû Gõk Kpuýl Aâp cÛýÛPB« Aô oA kôuQ<br />

kAok ^pA Aìp Gú ÚPê Aô kAkû AuQ. øpôk Aq<br />

ô ô o q} øBÿ KùéõAðþ oA oAüY ô O×p üdBR<br />

ôczýBðú AìLpAÆõ oAó oôï oA ko @ðXB ìÏíõë<br />

ypf ìþ kAk AGlA« OõWùþ ðlAyQ ô Aðlôû ô<br />

AðrWBo gõk oA Aq yñýló @ó ðPõAðvQ KñùBó<br />

yñýló Aüò Aìp GvýBo ko gzî yl ô AÖzB @ó<br />

oAq oA èÇíú Aÿ Gú ypAÖQ gõk kül ô gõAuQ<br />

Þpk ô Gú OÛéýl @ðùB Wñä GB cýõAðBR ôczþ oA<br />

Þú ìhBèØ GB ÚõAðýò ìvBèíQ @ìýr Oõ oAR ô<br />

ðãBølAok. ô GÏçôû Aô oA Aq oÖPBo ôczýBðú<br />

A} ðvHQ Gú ÞvBó gõk uhQ ìçìQ Þpk.<br />

øíBðXB ìÏzõÚú qüHBÿ gõk oA GÛPê ouBðl,<br />

ôèþ GBq Gú ÒÃI gõk ÒBèI @ìl ô¾pÙ ðËp<br />

ìõok AðrWBo üùõk Gõk Gú ìÏpÅ ðíBü{ ânAyQ.<br />

ko ðPýXú ìzBølû Aüò Þý×ýQ ìpkï Aq<br />

yéõìýQ gõAøp øpôk Þú øíõAoû ko¾lk<br />

üBÖPò Öp¾Pþ Gõk OB @O{ ÒÃI øpôk oA<br />

Þpk. ko ÎõÅ üõuØ oA Gú ÚPê ouBðýl ô<br />

@èßvBðloA oA øî Gú qðlAó AðlAgQ.<br />

Aô ylülA« ìPñ×p ylû ô Îlû Aÿ ko¾lk ÚPê ô ÿ<br />

Gp@ìlðl ôèþ @ðùB øî kuPãýp ô Gú ylülOpüò<br />

ðvHQ Gú ìpüî GpAÖpôqk,‰ uBÚþ ìh¿õÁ<br />

yBû oA OÇíýÐ Þpk ô Aô Gú koôÕ ðrk yBû â×Q<br />

Þíþ GÏl @ðPõAó Aq AÞPBôüõx Þñvõë<br />

küãp oôï yßvQ gõ ok ô ^õ ó øpôk ko Wñä<br />

ìXBqAR øB ìdßõï ylðl.<br />

øpôk Aq AcvBuBR ìpkï ðvHQ Gú gõk<br />

Þú ìpüî gõAuPú Aô oA GpühPò qøp ko WBï<br />

yBû ôAkAok. øpôk ðýr Þú Aq Æpq oÖPBo ìpüî<br />

øBÿ oôï GB ÎpGvPBó @ðPõAó oA üBoÿ Þpkû<br />

Gõk, GBq ìÛBï gõk oA ìPrèrë üBÖQ, Gh¿õÁ<br />

@âBû Gõk ô GpAÿ OdHýI ô WéI ðËp Oõkû, ìÏHl<br />

oA Þú GñBDþ Þõ^à Gõk, Aq ðõ GvBgQ ô @ó<br />

Êñýò ylû Gõk Aô oA Ovéýî kAkâBû ðíõk ô<br />

ìdßíú Þú Aq ÒÃI øpôk @âBû Gõk oAøþ Wr<br />

Þú øõoÞBðõx Kýp øñõq Aq gBðlAó czíõðBDþ<br />

GBÚþ ìBðlû Gõk. GñBGpAüò ko¾lk Aq Gýò Gpkó<br />

oA GvýBo ìXéê Þpk. kû ørAo ð×p ko uBgPò<br />

@ó GñB ìzÓõë Gõkðl ô ìlR køvBë @GBkÿ @ó<br />

¾lô o cßî AÎlAï ìpüî Gý`Boû ðlAyQ.<br />

ìpüî ko ASp cvBkR yéõìýQ ô<br />

Aô Gp@ìl ô Gú GùBðú Aüñßú Aô GB kyíñBó gBoWþ<br />

oAGÇú kAyPú AuQ, Aô oA Gú ôÂÐ oÚQ GBoÿ<br />

GÇõë AðXBìýl. kAgê @ó GvýBo qüHB ô GB qüñQ<br />

øBÿ âpAðHùB @oAuPú Gõk. küõAoøBÿ ¾dò Aq<br />

uõCÊò Gþ AuBx øpôk ìdßõï Gú ÚPê yl ô<br />

GB yùBìPþ Þú yBüvPú gBðlAó ìßBGþ øB Gõk<br />

Gú ÚPê ouBðýl, uLw GpAÿ AuPpÂBÿ gBÆp<br />

AôÞPBôüõx, gõk ÎBqï ìçÚBR Aô âpkül. Aüò<br />

ìpìp u×ýl ô ¾ýÛéþ uBgPú ylû ô GvýBo GB<br />

AGùQ Gõk. GBæÿ upko ô oôk cýBÉ ìÏHl, üà<br />

gõk oA Gú kuQ ksgýíBó øpôk uLpk ô Glô ó<br />

AGpAq Þõ^à Op üò OBCèî ô Aðlôû, ìpå oA ko<br />

GBo øî ìpüî ô ìBko} oA OdQ ðËp üßþ Aq<br />

koGBoüBó GBôÖBÿ gõk ânAyQ ô øíBó kuPõ o<br />

ÎÛBJ Groå ÆçDþ Þú ðíBüñlû OvéÈ oôï Gõk<br />

ÚpAo kAk ô Aüò Aìp ðýr ð×pR Oõkû oA ðvHQ Gú<br />

@Òõ} âpÖQ.<br />

øpôk ìpüî oA GvýBo kôuQ ìþ kAyQ<br />

oA koGBoû ìpüî kAk qüpA Aüò kÖÏú GpAÿ ìÛBGéú<br />

üB ìpå cPíþ ìþ oÖQ.<br />

ô ÿ ô cBìý{ kôèQ oôï GpAðãýhQ.<br />

øpôk Òýp Aq GñBÿ ìÏHl ^ñl yùp<br />

ô ÎçÚú ylül} ðvHQ Gú ô ÿ üßHBoû Gú Òî ô<br />

Aðlôû ÎíýÛþ Glë âzQ ô ko cró kADíþ Öpô<br />

øpôk Glô ó OBZ uéÇñQ ðrk AôÞPBôüõx<br />

cBÂp yl ô glìBR gõk oA ðvHQ Gú @ðPõAó<br />

küãp Þú Úý¿püú Aq @ó Wíéú AuQ ðýr Aq ðõ<br />

GñB ðùBk ô Gú ÎípAó Þzõ o KpkAgQ. ôèþ GñBÿ<br />

oÖQ. küãp ðú ì¿BcHQ koGBoüBó, ðú ÂýBÖQ<br />

øBÿ ìXéê ô ðú Kýpôq ÿ ô ÎËíQ øýa üà<br />

kèýê Gp ôÖB ô KBülAoÿ ko kôuPþ gõk ÚéílAk<br />

Þpk ô â×Q Aâp AìLpAÆõ o Aô oA ko ¾Ø üBoAó<br />

ìÏHl GB øíú Wçë ô ÎËíQ ô qüHBDþ gõk ðíþ<br />

OõAðvQ èßú WñBüBR ô ÿ oA Gzõül.<br />

ðíþ OõAðvQ Aô oA Ovéþ køl. GBægpû<br />

GpAÿ @uBü{ gýBë Gú uBìpû oÖQ ôèþ @ðXB<br />

gõk ÚpAo køl øíBó koWú ôÖBkAoÿ oA Aq Aô<br />

ìzBølû gõAøl Þpk. AÞPBôüõx oAAq WvBoR<br />

küpÿ ðãnyQ Þú uhQ GýíBo yl ô ko<br />

GvPp AÖPBk. Ozõü{ ô AÂÇpAJ oôcþ Aô oA<br />

øî ìpå ìpüî øíõAoû Aô oA ìþ @qok OB Aüñßú<br />

ìzBÎp} ðýr KpüzBó âpkül. ko @ðXB Gú ô ÿ<br />

ô AuPlæë øpôk gõ} @ìl ô OBZ uéÇñQ oA<br />

Gp up} ânAyQ ô yùpøBDþ oA Þú ko kô oû<br />

Gý{ Aq kokøBÿ cHw ìþ @qok ô Kw Aq uþ<br />

ô ^ùBo uBë uéÇñQ WBó uLpk ô Þzõ oÿ oA<br />

gHp kAkðl Þú AèßvBðloA ko ¾lk Ovhýp<br />

Aô oyéýî Gp@ìlû AuQ. øpôk GçÖB¾éú Aô oA<br />

KíLú Aq Þzõ o üùõk ìXrA ylû Gõk Gõÿ GBq<br />

âpkAðýl ô øpôk Kýpôqìñl Gßzõ o gõü{<br />

Aq yp ôWõk WñBüQ ÞBo} GpøBðýl.(4Ý.ï)øpôk<br />

Ký{ Aq ìpkó GP¿õ o Aüñßú ìpâ{ ìBüú upôo<br />

GBqâzQ . Aq Aüò OBoüi GluPõ o øpôk ko ìÏHl<br />

Gú AÖPhBo ÚýB¾pû oôï ÚpGBðþ øBDþ kAkû ìþ<br />

kuPãýp Þpk ô Gú ÚPé{ ouBðýl.<br />

øpôk Þî Þî Aq GýíBoÿ ô KpüzBðþ<br />

ô yBkÿ ìpkï gõAøl yl, oôCuBÿ Úõï oA WíÐ Þpkû<br />

ô ko uýpá üpüdõ qðlAðþ ðíõk ô gõAøp gõk<br />

gýBë y×B üBÖQ ôèþ ôÚBüÐ ânyPú ASp ylülÿ<br />

ko ìÓr} GBÚþ ânAyPú Gõk ô Aq @ó Kw Gvþ<br />

yl ô AôâõuQ ô qð{ kô Þõqû ÊçDþ Gú ìÏHl<br />

AølAF ðíõkðl.<br />

oA Gp@ó kAyQ Þú ^õ ó ô ÿ ^zî Aq Aüò kðýB<br />

ìþ Kõyl gõAøp} øíú qðlAðýBó oA Gú ÚPê<br />

gõðhõAo Op Aq Aô ë GpÞpuþ gõü{ ðzvQ.<br />

ÖlADýBó küãp yÛBôR ô ÿ yõøp gõAøp} ô<br />

qðlâþ kAgéþ øpôk GpgçÙ Wçë ô<br />

ÎËíQ gBoWþ Aô GvýBo OBoüà ô oÚQ Aðãýr<br />

kô Kvp} Gõkðl Þú Gú kuPõ o ô ÿ @ðùB oA<br />

g×ú Þpkðl.<br />

Gõk. Aüò GBo øî ìpüî Aq kuPõ o ìdpìBðú øpôk<br />

@âBû ô Aq cvBkR ô ÿ uhQ oðXýlû gBÆp ô<br />

GpuBðl OB ìpkï Kw Aq ìpå ô ÿ ÚùpA« uõâõAo<br />

GByñl. èýßò gõAøp øpôk ìBìõ oüQ gõk oA<br />

øpôk ÆpÖlAo Öpøñä ô @kAJ üõðBó<br />

ìPñ×p ylû Gõk.GñBGpAüò yõøp gõðhõAo gõk<br />

AðXBï ðlAk ô qðlAðýBó oA oøBDþ Ghzýl.<br />

42


43<br />

KBüBó Wñä WùBðþ kôï, ðËp Gú Aüñßú üßþ Aq<br />

WñBüPßBoAó Úp ó GývPî, ypÞQ ÖÏBæðú Aÿ ko<br />

ÞzPBo üùõküBó kAyQ, âpôû øBDþ Aq WõAðBó<br />

ìPÏùl üùõkÿ AoôKBDþ Þú gBðõAkû øBÿ gõk oA<br />

ko Aüò Wñä ðýr Aq kuQ kAkû Gõkðl ko¾lk<br />

GlAï AðlAgPò WñBüPßBoAó ðBq ÿ Gp@ìlðl, üßþ<br />

^ãõðú Kpôðlû @üzíò, üßþ Aq<br />

WñBüPßBoAó Úpó GývPî GvPú yl<br />

Aq ìõ»SpOpüò AÖpAk ko oAGÇú GB GlAï AðlAgPò<br />

üà AÖvp ðBq ÿ, Gú ðBï ÞBoë @kôèØ @üzíò,<br />

Aq: GñýBìýò ÆHýI ðýB<br />

yh¿þ Gõk Gú ðBï “Öpülìò”. ðBìHpkû ìPõèl<br />

Þzõ o èùvPBó Gõk, ô GBoøB Aq GBqkAyPãBû<br />

øBÿ ðBqüùB âpühPú Gõk ô Klo ìBko, gõAøp ô<br />

GpAko} Gú kuQ ðBq ÿ øB ÞzPú ylû Gõkðl,<br />

GpAÿ AðXBï Aüò ÞBo Öpülìò âpôøþ Aq WõAðBó<br />

ô oqülû üùõkÿ oA Þú kAoAÿ uõAGÛþ ko ìHBoqû<br />

GB WñBüPßBoAó ðBq ÿ Gõkðl Gú ÎñõAó øíßBoAó<br />

gõk AðPhBJ ðíõk, Aô ko üßþ Aq uhñpAðþ<br />

øBÿ gõk â×Pú Gõk : “Îlï kuPãýpÿ @üzíò<br />

ðñãþ AuQ Þú ânyQ qìBó ðíþ OõAðl @SBo<br />

@ó oA Aq Gýò GHpk ô ðvê Aìpôq ko ìÛBGê ðvê<br />

øBÿ @üñlû ypìñlû gõAøl yl”. ôÚPþ kAôül Gò<br />

âõoüõó, ðhvQ ôqüp ôÚQ AupADýê Aq AølAÙ<br />

ìÛlx Öp ülìò @âBøþ üBÖQ, Gú uBqìBó<br />

AìñýQ AupADýê, kuPõ o kAk Þú Gú üBo ÿ<br />

Öpülìò yPBÖPú ô kuPãýpÿ @üzíò oA<br />

Ovùýê ðíBüñl. ko ðPýXú “@kôèØ @üzíò” ko<br />

yùp Gõüñw @üpx ôAÚÐ ko Þzõ o @osAðPýò<br />

yñBuBDþ yl ô ko oôq üBqkøî ìBû ìþ<br />

0691OõuÈ ÞíBðlôøBÿ ô oqülû AupADýê<br />

Gú kAï AÖPBk ô kuPãýp âpkül. ô Glüò ÆpüÜ<br />

kô oû KBðrkû uBèú oküBGþ üßþ Aq GroâP-<br />

püò WñBüPßBoAó OBoüi Gzpÿ Gú AðPùB ouýl.<br />

Öpkÿ Þú Îùl Þpkû Gõk Úõï üùõk oA Aq ¾×dú<br />

üBÖQ ô ko ìBû AôR 5491 KBüBó âpÖQ ô Kw Aq<br />

gBOíú Aüò Wñä gõðHBo ô ôüpAðãp ìÏéõï âpkül<br />

Gþ yà kôOB Aq ðñãýò Opüò ôÚBüÏþ Þú ko kô<br />

Úp ó ânyPú ko ÚBoû AoôKB Ký{ @ìlû kô Wñä<br />

OBoüi ìdõ ðíBül, Gú kuQ AÖpAk qGlû øíBó<br />

Úõï kuPãýp ô Ovéýî ÎlAèQ âpkül. GpAÿ<br />

Þú Gý{ Aq 6 ìýéýõ ó üùõkÿ Gþ âñBû AoôKBDþ<br />

ko Aüò ìlR ÞzPú ylû Aðl ô ìPBu×Bðú ðú KBN<br />

WùBðþ ìùýI ô ôüpAó Þññlû AuQ. Wñä Gýò<br />

Aèíééþ Aô ë ko ìBû AôR 4191 @ÒBq yl ô OB uBë<br />

AWpAÿ ÎlAèQ @ÚBÿ âýlÎõ ó øBôuñp - kAkuPBó<br />

Þê AupADýê, ìvEõë ouýlâþ Gú<br />

ìÛlx Aq ôAOýßBó ô ðú Þzõ oøBÿ AGp ÚloR<br />

ô ðú ðýpôøBÿ ìP×Ûýò ô ko oACx @ðùB GpüPBðýB<br />

8191 AkAìú üBÖQ, Oé×BR Aüò Wñä 8 ìýéýõ ó<br />

ÞzPú ko ìýlAó øBÿ Wñä Gõk ô 71 ìýéýõ ó<br />

Kpôðlû Aüò WñBüPßBo âpkül ô ko oôq üBqkøî<br />

@ô oüê 1691 yùp Aô oyéýî ôÂÐ Öõ Ý AèÏB-<br />

ô yõ oô ÿ ô AüBæR ìPdlû @ìpüßB ÞíPpüò<br />

AÚlAï ìõ»Spÿ GpAÿ Wéõâýpÿ Aq Aüò ÚPê ÎBï<br />

ð×p ko ASp ÚdÇþ ô GýíBoÿ ô ÚPê ô ÎBï Aq<br />

Gýò oÖPñl, ô Wñä kôï WùBðþ ko OBoüi Aô ë<br />

kû Aÿ Gú gõk âpÖQ. ko Aüò oôq AÖvp ðBq ÿ<br />

ô ìBCìõ o Gú A¾Ççf AÂídçë Úõï üùõk, Gú<br />

Gþ ocíBðú ô Òýp AðvBðþ AðXBï ðlAkðl. GÏl Aq<br />

uLPBìHp 9391 @ÒBq yl ô Gú ìlR 6 uBë AkAìú<br />

AO×BÝ kÞPp oAGpR upôAüPõÿ, ôÞýê ìlAÖÐ


ðhõAøýî Þpk, ènA GBo küãp AuPlÎB kAoï Þú<br />

ìXBqAR AÎlAï oA koGBoû Aüò WñBüPßBo AÎíBë<br />

Gzpÿ ìpOßI ylû ô Þéýú ìHBðþ AgçÚþ oA Aq<br />

Gýò Gpkû ô Gú KvQ Opüò Òpürû øBDýßú AðvBó<br />

gõk ko AupADýê cBÂp âpkül OB KBuhãõÿ<br />

WpADî ô WñBüBR GýzíBo gõk GByl. ko Aôèýò<br />

ðíBDýl.” Kw Aq uhñBó kAkuPBó Þê AupADýê,<br />

kÞPp oAGpR upôAOýõÿ - ôÞýê ìlAÖÐ @üzíò<br />

ìPíló Gõuýéú ôWlAó Aq @ðùB kô oÿ WvPú,<br />

ìPõuê ylû Gõk, øî ^ñýò Aô Îéýú AðvBðýQ<br />

Wévú kAkâBû kAkuPBó Þê AupADýê, AÊùBo<br />

kAyQ : “AÞñõó Þú ko cÃõo yíB Aÿ ôAoSBó<br />

ko kÖBÑ Aq Aô â×Q : “ìPùî Gp gçÙ ìýê GBÆñþ<br />

gõk ko AÎíBèþ ìlAgéú Þpkû ôèþ yh¿B« Wõ o<br />

AÚlAï ðíõkû ô Ú¿l AÂídçë Úõï üùõk oA<br />

kAyPú AuQ, GñBGpAüò Aô küãp ÎÃõ WBìÏú<br />

AupADýê GpAÿ GýBó AkÎB Îéýú @üzíò GpgBuPú<br />

Aï, OñùB ðývPî, Géßú ko Aüò ìßBó ô ko øíýò<br />

ô uPíþ Gú WBìÏú üùõk AÎíBë ðñíõkû AuQ !<br />

Wõ o ô uPî oA kôèQ ìPHõ Ñ Aô Gú üùõküBó oôA<br />

Gzp ÿ Gú cvBJ ðíþ @ül, ènA Aq kAkâBû<br />

AuPlÎB kAoï koGBoû Aô, ylülOpüò ìXBqAOþ<br />

uBÎQ y{ ìýéýõ ó ô 682 ørAo ð×p yBÞþ<br />

g¿õ¾þ GB ìò ìþ GByñl, ôèþ ìPBCu×î<br />

kAyPú AuQ ! GñBGpAüò ÞBoë @kôèØ @üzíò, Aq<br />

ðËp ÚBðõðþ gõk oA ÞBìç« Gþ âñBû ìþ kAðl! ko<br />

oA Þú GpAÿ WBìÏú ìPíló ìP¿õ o AuQ AÎíBë<br />

ðíBDýl, Aüò ìpk Aâp ørAo ìpOHú AÎlAï yõk ô<br />

Þú @ðùB ðíþ OõAðñl oAWÐ Gú ìPùíþ Þú ko<br />

“AuPõAðú yýzú Aÿ” cÃõ o kAok AÆçÎBOþ oA<br />

@gpüò Wévú ìdBÞíú @kôèØ @üzíò kAkâBû<br />

Gú ÎéQ AoOßBJ WñBüBR GýzíBo Îéýú GzpüQ,<br />

OB @gp Îíp øp oôq qðlû yõk ô oôq GÏl AÎlAï<br />

yõk, GBq øî Gú ìýrAó Þ×Boû âñBû ÚPê üà<br />

Gú uíÐ kAkâBû GpuBðñl qüpA gBÞvPp @ðBó ko<br />

OLú øBÿ @yõüPw ðBKlül ylû ô ko kyQ øBÿ<br />

ìXBqAR AÎlAï oA GpAÿ Aô OÏýýò ðíõk ô Aüò<br />

cßî, ÎBkæðú ô ÚÇÏþ AÎçï âpkül, OB Aüñßú :<br />

Þõká Gþ âñBû ðhõAøl Gõk, ô AÎlAï Aô cvBJ<br />

gõ ó øBÿ oühPú ylû üùõküBó Gþ âñBû oA<br />

AokôâBû “OpGéýñßB” KpAÞñlû ylû ô ko oôkgBðú<br />

øBÿ èùvPBó ðBKlül âpkülû AuQ, ô GÛBüBÿ<br />

ko uLýlû kï Aô ë sôDò 2691 üà ÚBüÜ Kéýw<br />

AupADýê gBÞvPp AÖvp u×Bá ðBq ÿ, ÞBoë<br />

GB @èíBó O¿×ýú ðhõAøl Þpk ô OB qìBðýßú üà<br />

ð×p üùõkÿ ko Aüò kðýB GBÚþ GByl ì¿BDI ô<br />

@ðùB Æõë ô ÎpÅ ÚBoû AoôKB oA KõyBðýlû<br />

AuQ, AìB gõ ó KBá @ó Gþ âñBøBó Gú Wõ}<br />

@kôèØ @üzíò, oA Þú kuP{ Gú gõ ó ¾løB<br />

ørAo ð×p üùõkÿ Gþ âñBû @èõkû Gõk, kuPhõ}<br />

WñBüBR GýzíBo WñBüPßBoAó ðBq ÿ ìdõ ðhõAøl<br />

yl ô Aüò gBÆpû kokðBá ko ÚéI ÖpqðlAó ìB<br />

@ìlû ô ¾lAÿ @ðùB yñýlû ìþ yõk.” kAkuPBó<br />

Þê AupADýê ko AkAìú uhñBó gõk gÇBJ Gú<br />

koüBÿ ìlüPpAðú ðíõk, ô ko oôq üBk ylû<br />

Kpôðlû ìÇpf KBðrkû uBèú üßþ Aq WñBüPßBoAó<br />

ô ðvê øBÿ GÏl Aq ìB OB oôq ÿ Þú kðýB GBÚþ<br />

AuQ, ìd×õÍ gõAøl ìBðl ô AyhB¾þ ßú<br />

@üzíò â×Q: “Gú @üzíò Öp¾Q kAkû Aüî,<br />

OB ko ÞíBë @qAkÿ Aq gõk kÖBÑ Þñl, AìPýBq ÿ<br />

Úp ó GývPî GvPú yl.<br />

kuQ øBüzBó Gú gõ ó gõAøpAó ô GpAkoAó Gþ<br />

âñBû ìB @ÒzPú ylû AuQ, oA øpâr ÖpAìõ}<br />

Þú Aô Aq ÚpGBðýBó gõk ko üÔ kAyPú Gõk! GB<br />

WñBüBR Gþ yíBoÿ ßú Aô ðvHQ Gú WBìÏú<br />

OvéýQ<br />

GB OBCSp ô Aðlôû ÖpAôAó koânyQ ìpcõìú gBðî øíB ìÛýíþ, ðíBüñlû ìdPpï uBqìBó AoR ko<br />

øýBCR AìñBÿ ÖloAuýõ ó üùõküBó AüpAðþ oA cÃõ o øívp AüzBó ô gBðõAkû ìdPpï ìÛýíþ<br />

¾íýíBðú OvéýQ ìþ âõDýî ô GpAüzBó uçìPþ ô yßýHBDþ @oqôìñlüî.<br />

oDýw ô AÎÃBF øýBCR AìñBF ÖloAuýõ ó üùõküBó AüpAðþ<br />

oDýw ô AÎÃBF øýBCR AWpAüþ ÖloAuýõ ó üùõküBó AüpAðþ<br />

øýBCR Odpüpüú ìXéú yõÖBo<br />

uLBx<br />

44<br />

Glüñõuýéú Aq Þéýú upô oAðþ Þú ìB oA ko uõå Aq kuQ kAkó gBðî øíB ìÛýíþ üBo ÿ kAkû ô GB AouBë<br />

OvéýQ ô ypÞQ ko ìpAuï, ìõWI Ovéþ oôcþ ìB ylû Aðl ðùBüQ uLBuãrAo ÿ oA ìþ ðíBDýî.<br />

øõyñä ô ìBøpj ìÛýíþ ô gBðõAkû øBÿ ôAGvPú


Iranian American<br />

Jewish Federation,<br />

1317 N. Crescent Heights Blvd.<br />

West Hollywood, CA 90046<br />

Adress Correction Requested<br />

PRESORT NON PROFIT<br />

US POSTAGE<br />

PAID<br />

PERMIT # 1522<br />

LOS ANGELES, CA


Shofar<br />

A Publicarion of<br />

Iranian - American Jewish Federation<br />

Summer and Fall 2010<br />

Editor in chief<br />

Mojgan Moghadam Rahbar<br />

www.IAJF.org<br />

info@IAJF.org<br />

1317 N. Crescent Height blvd.<br />

West Hollywood, CA 90046<br />

Tel: (323) 654-4700<br />

Fax: (323) 654-1791<br />

Contributing Writers<br />

Sabrina Azadi, Gentille Barkhordar Farshadfar,<br />

Nicole Behnam, Richard Bookbinder, Siena Casale,<br />

Jasmine Daghighian, Ira Farnoush, Dorit Halavi<br />

Miller, Farnaz Halavi Galdji, Janet Haroonian,<br />

Tannaz Kamran Rahbar, Mehrdad Levysedgh, K.<br />

Mahpour, Dr. Claudia Mikail, Mastaneh Moghadam,<br />

Mahbod Moghadam, Ben Nabati, Soraya Pastor,<br />

Dr. Nahid Pirnazar Oberman, Delila Pouldar, Roya<br />

Rahbar Pouldar, Shirin Raban, Kamran Raminfard,<br />

Nazanin Ramzi Shamtobi, Bobby Shamsian, Violet<br />

Sassooni, Tannaz Sassooni, Jahangir Sedaghatfar,<br />

Saman Shomtobi, Benjamin Tabibnia, Haley Tizabi.<br />

Cover Art By:<br />

Habib Nathan, M.D.<br />

Twelve Tribes of Israel (colored glass)<br />

(story on page:13 English section)<br />

The views and opinions expressed in the published<br />

articles, are those of the writer and do not in anyway<br />

repersent the views of “Shofar” or<br />

the Iranian-American Jewish Federation.<br />

Typesetting, Layout, and Design by<br />

Shilla Shakoori<br />

(310) 601-0770<br />

English Section<br />

Editorial /2<br />

IAJF’s President’s Message /3<br />

Iranian-American Jewish Federation News /4<br />

foundation to commerciallize research /8<br />

A STAR-STUDDED EVENING /9<br />

Iranian Jewish Women’s Organization<br />

Women Of The Year 2010 /10<br />

Vitreous Visions From Judaica /13<br />

“We have unpacked our bags. We are<br />

ready to act.”/14<br />

Winners Of David And Dina Ramzi Memorial<br />

Fund And Shofar Magazine Writing Contest /16<br />

L.A.Youth Orchestra has moved to Beverly Hills /19<br />

What’s the Fuss About Clean Tech?/21<br />

Study Finds Genetic Links Among Jewish<br />

People /22<br />

Team Talia /23<br />

Adult Children And Their Parents/24<br />

“The Los Angeles Jewish Film Festival” /26<br />

The Barber of O.C./28<br />

What Do You Want To Be When You<br />

Grow Up? /30<br />

Rap, Torah, Rumi /32<br />

Alice Dancing Under the Gallows /33<br />

Dear Sisters /34<br />

The Chosen Taco! /36<br />

Book Review /38


<strong>166</strong><br />

2<br />

Editorial<br />

Freedom To Choose<br />

By: Mojgan Moghadam Rahbar (Editor-in-Chief)<br />

“<br />

We who lived in concentration<br />

camps can remember the men<br />

who walked through the huts<br />

comforting others, giving away<br />

their last piece of bread. They<br />

may have been few in number,<br />

but they offer sufficient proof that<br />

everything can be taken from a man<br />

but one thing: the last of the human<br />

freedoms -to choose one’s attitude<br />

in any given set of circumstances,<br />

to choose one’s own way.” These<br />

are the words of Viktor E. Frankl,<br />

written in his book titled Man’s<br />

Search for Meaning. Frankl was an<br />

Austrian-Jewish psychiatrist, who<br />

spent three years of his life in two<br />

different Nazi concentration camps,<br />

and lost his wife and parents to the<br />

gas chambers. “Man’s Search for<br />

Meaning”, his first book and one<br />

of all time bestsellers in the past<br />

50 years, was written in the span<br />

of nine days and was his way of<br />

analyzing all the atrocities and<br />

hardships endured by prisoners in<br />

the concentration camps and their<br />

reactions to this unfathomable<br />

circumstance.<br />

Frankl believed that apart<br />

from those prisoners who were<br />

handed a death sentence as soon<br />

as they arrived to the camps,<br />

(depending on one’s belief either<br />

as a result of accident or destiny)<br />

those who were taken as slaves to<br />

labor camps died shortly after a<br />

kind of surrender to their situation<br />

mentally paralyzed them. The<br />

physical strength and health of the<br />

individual did not matter as much<br />

their mental capacity to choose a<br />

positive attitude about all that had<br />

and was happening to them.<br />

It seems as though<br />

hopelessness and despair is the<br />

consequence of forgetting that<br />

“the last of human freedoms” is<br />

being able to choose the way one<br />

encounters any given situation, be<br />

it happy or sad. Those who choose<br />

to surrender to the hardships and<br />

trials that life presents them with,<br />

give up the chance of learning from<br />

their experiences. When we choose<br />

to own our experience, be it good or<br />

bad, we will be able to draw from<br />

that knowledge in order to grow as<br />

a person and live life to its fullest.<br />

Those individuals, who are aware<br />

of this freedom of choice, are able<br />

to enjoy the happy moments of life<br />

to the fullest and endure the harsh<br />

realities with a sense of equanimity.<br />

Those who decide to hide or ignore<br />

the traumas that life deals us, do<br />

themselves the disservice of not<br />

taking full advantage of a valuable<br />

growing experience. Trying to hide<br />

an unpleasant event from those<br />

around us does not necessarily mean<br />

that they do not know about it, and it<br />

only results in deceiving ourselves,<br />

carrying the burden of despair and<br />

weariness on our shoulders, and not<br />

taking advantage of the lesson that<br />

it could have taught us.<br />

In one of his last interviews<br />

before his death in 1997, Frankl’s<br />

response to the question of how he<br />

felt about the fact that his book had<br />

become a true bestseller and great<br />

success was: “In the first place I<br />

do not at all see in the bestseller<br />

status of my book an achievement<br />

and accomplishment on my part<br />

but rather an expression of the<br />

misery of our time: if hundreds of<br />

thousands of people reach out for a<br />

book whose very title promises to<br />

deal with the question of a meaning<br />

to life, it must be a question that<br />

burns under their fingernails.”<br />

It may well be that we<br />

will decide to spend all of our life<br />

searching and trying to find the<br />

meaning of life and never succeed,<br />

but one fact is undeniable- the way<br />

and attitude we choose to adopt<br />

throughout our life is our own<br />

choice. We may not be a prisoner<br />

who is physically restrained yet<br />

we choose to live in our self built<br />

prisons of mental anguish and<br />

sorrows. How magnificent it would<br />

be if we never lose sight of the fact<br />

that whatever is taken from us, no<br />

one can take away our “freedom to<br />

choose.”


IAJF’s President’s Message:<br />

The Treasured History Of<br />

The Iranian American<br />

Jewish Federation<br />

The dust had not settled on the<br />

Islamic Revolution of 1979,<br />

when the ocean of bewildered, tired,<br />

and emotionally injured Iranian<br />

Jewish immigrants in US, founded<br />

several charitable Persian Jewish<br />

organizations in their new land. Our<br />

mission: to assist our own.<br />

The pride in our culture and<br />

heritage, plus the love for humanity<br />

and feeling of responsibility for<br />

the well being of our community<br />

as a whole empowered us to look<br />

beyond our own personal needs. In<br />

order to better serve the population<br />

and unite all the different and much<br />

needed organizations within the<br />

community, The Iranian American<br />

Jewish Federation was founded in<br />

1981; with the task of uniting all<br />

Iranian Jewish organizations as one<br />

of its main goals. This was the birth of<br />

a unique and enduring organization<br />

that has shown the world that we are<br />

ONE and committed to protecting<br />

the rights of all Iranian Jews where<br />

ever they maybe.<br />

Bewildered by the fact that<br />

no one ever shed a tear for their<br />

plight, no resolutions were ever<br />

passed in protecting them and no<br />

actions were taken by UN about<br />

their rights, our people united in<br />

their beloved new country, the gate<br />

to the freedom for the world, and<br />

decided to speak with one strong<br />

voice throughout the world. Their<br />

strong message “we will never be<br />

ignored again.”<br />

In today’s social and political<br />

world, we as members of the Iranian<br />

American Jewish community are<br />

facing many different crisis. We<br />

feel connected to three different<br />

countries and communities and take<br />

pride in each of their culture and the<br />

way that they have come to identify<br />

us, yet the current tension between<br />

Israel, Iran, and the United States<br />

rests heavily on our shoulders. Our<br />

community has faced a financial<br />

meltdown that has affected us all.<br />

The threat of substance abuse,<br />

domestic violence, and unrealistic<br />

social expectations continues to<br />

put a lot of stress on the younger<br />

generation. Therefore, IAJF has<br />

expanded its services to face the<br />

new challenges of our society.<br />

As part of its many goals,<br />

IAJF continues to provide services<br />

such as assistance with immigration<br />

process, Dispute Resolution and<br />

mediation, Emergency Funds and<br />

being the address and the voice of<br />

our community<br />

In the past two years IAJF<br />

has started a major project with the<br />

help of different experts in the fields<br />

of psychology and sociology in order<br />

to pinpoint and find reliable ways of<br />

overcoming our communities many<br />

different issues. We have sent out<br />

over 5000 questionnaires asking<br />

everyone to identify what they see<br />

as prevalent problems within our<br />

community. You can fill out this<br />

questionnaire on line by going to<br />

http://www.surveymonkey.com/s/<br />

T867DF7.<br />

Taking into consideration<br />

all that we have learned so far<br />

about the needs of our community<br />

has prompted us to come up with<br />

different programs such as free<br />

seminars and classes that would<br />

help us understand, analyze and<br />

try to resolve the issues facing our<br />

population specially the younger<br />

generation. Some examples of<br />

these seminars are: The College<br />

Advisement Night, where academic<br />

experts gathered to advice our high<br />

school students about different<br />

ways of applying to colleges<br />

and universities; Understanding<br />

Addiction, a night with a panel of<br />

experts talking about all the facts<br />

surrounding this issue; as well as our<br />

seminar discussing the facts about<br />

the modern history of Israel and<br />

teaching tolerance and knowledge<br />

rather than spreading hatred.<br />

IAJF is also collecting a<br />

complete guide of all the available<br />

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4<br />

social and economical services that<br />

may help the Iranian community.<br />

Each individual will be able to<br />

get the needed information by<br />

contacting the IAJF office.<br />

IAJF’s Board of Trustees<br />

is comprised of many prominent<br />

leaders and individuals who have<br />

been elected by our community,<br />

plus the representatives of all our<br />

affiliated organizations creating one<br />

of the most powerful groups to serve<br />

the needs of our community. We<br />

have appointed a unique group of<br />

young and energetic professionals<br />

to lead our Executive Board.<br />

The vision of all these<br />

leaders and professionals, who<br />

make up The Iranian American<br />

Jewish Federation, is all about<br />

knowing and serving you. IAJF is<br />

your address and your voice! We<br />

believe our young people are not<br />

only our tomorrow, but our today<br />

as well. We are proud of this most<br />

highly educated, hardworking,<br />

community oriented leaders of our<br />

tomorrow, who will carry out our<br />

traditions of family love, caring<br />

for our community and our Jewish<br />

heritage.<br />

Our mission is to be there with you<br />

and for you, and encourage you to<br />

join us in taking responsibility and<br />

becoming the future leaders of our<br />

community.<br />

With warmest regards,<br />

Shahla Zargarian Javdan ,<br />

President, IAJF, CA<br />

IAJF News:<br />

Israel: Lessons of the Past,<br />

Promises for the Future<br />

Compiled and Written By: Gentille Barkhordar Farshadfar*<br />

The Committee for Accuracy<br />

in Middle East Reporting<br />

in America (CAMERA) is a<br />

media-monitoring and research<br />

organization devoted to promoting<br />

accurate and balanced coverage of<br />

Israel and the Middle East. While<br />

CAMERA takes no position with<br />

regard to American or Israeli<br />

political issues or with regard to<br />

ultimate solutions to the Arab-Israeli<br />

conflict, it attempts to counter the<br />

current wave of propagandistic<br />

assaults on and misrepresentation<br />

of Israel on college campuses by<br />

disseminating objective information<br />

on Middle East issues.<br />

In support of this effort,<br />

the IAJF Women’s Division held a<br />

multi-speaker event and reception<br />

on Thursday, May 6th, 2010, with<br />

co-sponsors StandWithUs, 30<br />

Years After and the Young Magbit<br />

Foundation, about the challenges<br />

facing Israel and Jews in today’s<br />

dangerous world. Honorary keynote<br />

speakers were the following:<br />

•Mr. David Suissa, columnist for the<br />

Jewish Journal of L.A. and publisher<br />

of the groundbreaking Jewishthemed<br />

magazine, OLAM. He was<br />

named one of the 50 most influential<br />

Jewish leaders in North America by<br />

the Forward newspaper.<br />

•Ms. Talia Shulman Gold, Southern<br />

California Regional Coordinator<br />

for CAMERA, a human rights<br />

and immigration attorney, who<br />

previously wrote news stories for<br />

CNN. She is the former General<br />

Counsel and Executive Vice-<br />

President of the Mauthausen<br />

Memorial Holocaust Foundation.<br />

•Mr. Daryl Temkin, Founder and<br />

Director of the Israel Institute for<br />

Alternative Energy Advancement,<br />

a groundbreaking organization<br />

dedicated to educating the public<br />

about Israel’s leading role in ending<br />

global oil dependency.<br />

•Professor Henry Green, Professor<br />

of Religious Studies at the University<br />

of Miami and former Director of the<br />

Judaic/Sephardic Studies Program.<br />

His current research project, “The<br />

Forgotten Exodus” documents the<br />

lives of approximately one million<br />

Jewish refugees from Islamic lands.<br />

*Gentille Barkhordar Farshadfar has a<br />

BA in Electrical Engineering from UCLA<br />

and an MBA in Finance and Information<br />

Systems from USC. She has worked<br />

as a consultant and engineer for such<br />

corporations as Xerox, Capitol Records,<br />

EMI Music and IBM.


IAJF News:<br />

Seminar on Mutual Respect:<br />

Healthy Relationship between<br />

Parents and their Adult Children<br />

Intergenerational issues within the<br />

Iranian-American community,<br />

and developing healthy relationships<br />

between parents and their adult<br />

children was the focus of a<br />

discussion at a Jewish Federation<br />

Seminar on Sunday, April 18,<br />

2010. The program was organized<br />

by IAJF’s Health and Wellness<br />

Committee headed by Shabnam<br />

Kimia and Elahe Broukhim.<br />

Keynote speakers at this event were<br />

Farhang Holakouee PH.D., Parisa<br />

Leviadin, Psy. D., Minoo Shilati,<br />

Psy.D., and Mastaneh Moghadam,<br />

LCSW.<br />

While Dr Holakouee,<br />

founder of Beverly Hills Center<br />

for Well-being and popular radio<br />

talk show host, talked about the<br />

impact of immigration on the adult<br />

child-parent relationship within<br />

the Iranian-American family,<br />

Dr. Leviadin, drawing from her<br />

extensive experience in the field<br />

of Child and Family Therapy,<br />

described what a healthy adult<br />

child-parent<br />

look like.<br />

relationship should<br />

Next, Minoo Shilati, owner<br />

IAJF News:<br />

Rosh Hashanah and<br />

Yom Kippur at Temple Bet El<br />

In September, 2010, services for<br />

Rosh Hashanah and Yom Kippur<br />

were held at Temple Bet El located in<br />

the Iranian American Jewish Center<br />

of West Hollywood. The services<br />

were held in English and Farsi. Two<br />

programs, scheduled by the IAJF’s<br />

Women’s Committee for the day of<br />

Yom Kippur, were met with great<br />

success: First, a panel discussion<br />

titled “Three Makes a Crowd: A<br />

Cross-Generational Conversation<br />

about what it means to be Jewish,<br />

Iranian, and American” moderated<br />

by well-known Iranian novelist and<br />

writer, Gina Nahai; Guest speakers<br />

were attorneys-at-law Sam Yebri<br />

and Jasmine Oberman, President and<br />

of Vantage Point Recovery Center,<br />

an intensive outpatient program<br />

offering therapeutic services to<br />

combat addiction and related<br />

mental health issues, discussed<br />

the complexity of the mother/<br />

daughter in-law relationship and<br />

the importance of working on<br />

one’s individual issues in order to<br />

strengthen this relationship.<br />

Finally, Mastaneh<br />

Moghadam, Licensed Clinical<br />

Social Worker specializing in the<br />

field of domestic violence, and<br />

Iranian Outreach Coordinator of<br />

Jewish Family Services, talked<br />

about “Becoming an adult with<br />

one’s parents”.<br />

Over 1200 people attended<br />

the seminar, which was conducted in<br />

both English and Farsi. As all other<br />

programs offered by the Health and<br />

Wellness Committee, this seminar<br />

was free of charge and open to<br />

the public.<br />

board member, respectively, of 30<br />

Years After, a Los Angeles-based nonprofit<br />

organization whose mission<br />

is to promote the participation and<br />

leadership of Iranian American Jews<br />

in American political, civic and Jewish<br />

life. Next, a lecture on Mindfulness<br />

and Spirituality was given by Sherly<br />

Khodadad, M.S., M.F.T.<br />

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6<br />

IAJF News:<br />

Seminar on College Admissions<br />

Concerned about hard economic<br />

times, the Federation offers<br />

solutions to anxious college<br />

hopefuls and their families…<br />

On Sunday, September 12th,<br />

2010, the Women’s Division of<br />

Iranian American Jewish Federation<br />

hosted a seminar on the process of<br />

college admission and financial aid<br />

under the direction of Mrs. Dalia<br />

Moghavem, an independent Certified<br />

College Counselor, Ms. Maureen<br />

IAJF News:<br />

Understanding Addiction<br />

Over 200 Iranian-Americans<br />

attended a resource fair and<br />

seminar about the multiple faces of<br />

addiction. This event was held at<br />

the Iranian-American Jewish Center<br />

in West Hollywood on Monday,<br />

October 4th, 2010.<br />

Seargent Farrell of the<br />

Los Angeles Police department<br />

gave a short talk about the legal<br />

ramifications of possession, sale<br />

and use of narcotics, followed by<br />

four well known Iranian-American<br />

speakers: Dara Abaie, a prominent<br />

community activist, Iraj Shamsian<br />

Psy.D., Parisa Leviadin Psy.D., and<br />

Gelberg, Associate Director of the<br />

USC Office of Admissions, and Ms.<br />

Jessica Medina, Assistant Director<br />

of the USC office of Financial Aid.<br />

The session consisted of an<br />

in-depth review of the admissions<br />

process with recommendations on<br />

preparing a successful application.<br />

Next was a lecture by author<br />

and radio host Dr. Holakouee,<br />

followed by a Question and Answer<br />

session by a panel of University<br />

students. During his speech, Dr<br />

Farhang Holakouee Ph.D.<br />

Mr. Dara Abaie shared<br />

his firsthand knowledge of drug<br />

use, theft and gang participation<br />

within our community. Dr. Parisa<br />

Levadine painted a comprehensive<br />

picture of how personality traits,<br />

environmental factors, and genetics<br />

can lead to addiction. Dr. Iraj<br />

Shamsian discussed the process of<br />

recovery, and the role played by<br />

parents, as well as the dynamics of<br />

enablement versus effective support<br />

systems. In closing, Dr. Holakouee<br />

spoke about gambling addictions<br />

and related statistics.<br />

Holakouee emphasized the benefits<br />

of practicing mutual trust and<br />

open communication at home. He<br />

indicated that learning to let go<br />

while your kids still live at home<br />

might help you make a better<br />

decision regarding whether to send<br />

them away for college.<br />

Several of the attendees<br />

have requested follow-up sessions<br />

to this seminar, and the Federation<br />

is considering making it an annual<br />

event.<br />

The event, organized by the<br />

Health and Wellness Committee<br />

of the Iranian-American Jewish<br />

Federation, was sponsored by<br />

Vantage Point Recovery of West<br />

Lake, California, which specializes<br />

in the treatment of individuals<br />

with addictions. Other organizers<br />

holding information booths at the<br />

resource fair were Beith T Shuvah,<br />

Serenity Malibu Sober Living,<br />

Lake House Recovery, the Maple<br />

Counseling Center, the Los Angeles<br />

Sheriff’s Department, and Gondi<br />

Lunch Box.


IAJF News:<br />

Shabbat Dinner Celebration of<br />

“Cyrus the Great Day”<br />

“Twenty five centuries ago, when<br />

savagery was the dominant factor<br />

in human societies, a civilized<br />

and compassionate declaration<br />

was written on clay and issued<br />

to the ‘four corners of the world’<br />

that dealt with the important<br />

issues relevant to the rights of<br />

humans, the same issues that not<br />

only in those days but even today<br />

can inspire those who believe in<br />

human dignity and rights.”<br />

In appreciation of “The Declaration<br />

of Cyrus the Great,” known to be<br />

the first declaration of Human Rights<br />

ever written, the Women’s Division<br />

of the IAJF held a Shabbat dinner<br />

following services on October 29th,<br />

2010 at the Jewish Federation’s<br />

Upcoming Event<br />

On December 19, 2010 the<br />

Women’s Committee of The<br />

Iranian American Jewish Federation<br />

will be honoring two of the most<br />

distinguished members of our<br />

community, Dr. Solomom Aghai<br />

and Dr. Amonollah Refooa.<br />

Dr. Aghai has been an<br />

active member of the Iranian Jewish<br />

community for many years and was<br />

West Hollywood Temple Beth El.<br />

The event was in commemoration<br />

of the day when the great King of<br />

Persia, founder of the largest empire<br />

in the world, wrote the liberation<br />

tablets, bestowing to his people the<br />

freedom to choose their place of<br />

residence and their faith, and putting<br />

peace among nations above all<br />

other considerations. Mrs. Shahla<br />

Javdan, president of IAJF, stressed<br />

the importance of remembering<br />

this act of grace and tolerance in<br />

the current times of political and<br />

economic turmoil.<br />

The event, which was the<br />

second Shabbat reception of its kind<br />

at the Jewish Federation, was met<br />

with a great deal of interest, with a<br />

total of 320 guests attending. Rabbi<br />

one of the founders and president<br />

of IAJF for fifteen years, as well as<br />

the managing publisher of Shofar<br />

magazine.<br />

Dr. Refooah is a well known<br />

physician within the Iranian Jewish<br />

community, well respected for his<br />

knowledge and his work within the<br />

field of medicine.<br />

For more information about the<br />

Ira Rosenfeld led the services,<br />

accompanied by cantors Tannoz<br />

Bahremand Forouzanpour and<br />

Harris Shore, in a ballroom adorned<br />

with beautiful flower arrangements<br />

and decorations in remembrance of<br />

the great king. Mr. Mark Ameli,<br />

winner of the primary election and<br />

candidate for Judge of the Superior<br />

Court was a guest of honor at the<br />

reception.<br />

Guests danced to the tunes<br />

of DJ Shahrokh Sapir, followed<br />

by Mahmood Ghorbani’s beautiful<br />

voice, and Arash’s music. Ms. Orly<br />

Setareh, dance instructor, invited<br />

guests to join in a special celebration<br />

of Israeli dance following the dinner<br />

reception.<br />

event please call the IAJF office at<br />

(323)654-4700.<br />

Gentille Barkhordar Farshadfar<br />

has a BA in Electrical Engineering<br />

from UCLA and an MBA in Finance<br />

and Information Systems from USC.<br />

She has worked as a consultant and<br />

engineer for such corporations as<br />

Xerox, Capitol Records, EMI Music<br />

and IBM.<br />

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8<br />

LOS ANGELES PHILANTHROPIST<br />

ESTABLSHES FOUNDATION TO COMMERCIALIZE<br />

RESEARCH AT BEN-GURION UNIVERSITY<br />

OF THE NEGEV<br />

Los Angeles philanthropist,<br />

A Dariush Fakheri, has created<br />

an innovative foundation model<br />

that will provide up to $1.2 million<br />

to help fund and commercialize<br />

research at Ben-Gurion University<br />

of the Negev in Beer-Sheva, Israel.<br />

Should the initial research<br />

projects, selected by committee,<br />

become successful, the proceeds<br />

and royalties will revert back to the<br />

foundation, dubbed “Project Jacob,”<br />

to underwrite additional projects.<br />

Dariush Fakheri, who is<br />

president of the International Judea<br />

Foundation (IJF) supplying the<br />

funding, says that, “Israel’s future<br />

and its economy are dependent on<br />

continued successful innovation.<br />

We are trying to fix the dilemma<br />

of too many incredible innovations<br />

and discoveries getting stuck in a<br />

lab due to limited resources.”<br />

Project Jacob is open to<br />

other donors who want to contribute<br />

to promising research that requires<br />

additional financial support to get<br />

it to a stage where patents can be<br />

sold.<br />

“Project Jacob” refers to<br />

the biblical Jacob, who requested to<br />

be paid in speckled goats and sheep<br />

while working for his uncle, Laban.<br />

Jacob, one of the earliest scientists,<br />

initiated a selective breeding<br />

program yielding a large flock --<br />

and consequent prosperity.<br />

“Project Jacob is a unique and<br />

innovative example of channeling<br />

philanthropy in support of research<br />

on the verge of commercialization<br />

that will help the University and<br />

impact fields like medicine and<br />

alternative energy,” explains Doron<br />

Krakow, executive vice president of<br />

American Associates, Ben-Gurion<br />

University of the Negev. “It is a new<br />

avenue through which any donor<br />

can support the commercialization<br />

of the most promising research at<br />

BGU in a targeted way.”<br />

International Judea<br />

Foundation’s initial donation<br />

will seed three projects chosen<br />

by a BGU research committee to<br />

receive funding. The organization<br />

will provide additional funding<br />

up to the $1.2 million based on<br />

successful commercialization of<br />

these projects.<br />

Among the initial projects<br />

chosen by the committee of BGU<br />

research heads and Fahkeri for<br />

Project Jacob are:<br />

Retinal Angiography<br />

System - Retinal blood flow<br />

indicates many health issues,<br />

including diabetes mellitus,<br />

macular degeneration and vascular<br />

occlusion. BGU researchers have<br />

developed an image analysis tool<br />

from a series of high-resolution<br />

angiographic images that allows for<br />

the quantification of blood flow and<br />

vessels’ permeability to help make<br />

diagnoses.<br />

Balance Training System -<br />

This robotic engineering project, a<br />

treadmill-like device, simulates real<br />

life mobility problems while walking<br />

to help improve motion stability for<br />

the elderly and disabled.<br />

Venus Catheter - This<br />

device has already been patented<br />

but needs refinements to treat<br />

thrombosis, or blood clots, which<br />

affects 15 million people each year<br />

who suffer from strokes.


MAGBIT FOUNDATION GALA 2010<br />

A STAR-STUDDED<br />

EVENING:<br />

By: Claudia N. Mikail, MD, MPH*<br />

Celebrating 62 years of Israeli<br />

independence, the Magbit<br />

Foundation held its 21st Annual<br />

Gala on May 26, 2010 at the Beverly<br />

Hilton Hotel in Beverly Hills,<br />

CA. The yearly black tie event is<br />

the foundation’s primary fundraiser,<br />

supporting interest-free loans<br />

and select scholarships for needy<br />

undergraduate and graduate students<br />

at some of Israel’s finest institutions,<br />

including Sackler School<br />

of Medicine, Technion, Tel Aviv<br />

University, Haifa University, Bar<br />

Ilan University, and more.<br />

The program began with<br />

moving renditions of the U.S. National<br />

Anthem and the Hatikvah.<br />

Dr. Behrooz Broukhim, orthopaedic<br />

surgeon, was welcomed as the<br />

organization’s new President. In his<br />

introductory address, Dr. Broukhim<br />

emphasized the organization’s<br />

unwavering dedication to higher<br />

education and described Magbit as<br />

the “mother of all charities,” citing<br />

knowledge as the underlying key<br />

to success for any community and<br />

for Israel.<br />

Mr. Parviz Nazarian was<br />

greeted as the new Chairman of the<br />

Board, and Mr. Nourollah Gabbay<br />

as the new Chairman of the Board<br />

of Trustees. The outgoing President,<br />

Mr. Bijan Nahai, and Chairman of<br />

the Board, Mayor Jimmy Delshad,<br />

were duly thanked for their efforts<br />

during their term. Prominent, longtime<br />

donors were also recognized,<br />

and new board member, Mr. Sal<br />

Gabbay, shared his thoughts on the<br />

importance of Magbit’s mission.<br />

Guests were treated to cocktails<br />

and h’or d’oeuvres, glatt kosher<br />

dinner, and star-studded entertainment<br />

by world-renowned Sephardic<br />

singer Alabina and the Gypsy<br />

Kings, who brought the audience to<br />

their feet. To conclude the festivities,<br />

the Master of Ceremonies, Mr.<br />

Doran Adhami (Magbit Treasurer),<br />

invited students and young professionals<br />

to an after party featuring<br />

DJ David, keeping everyone dancing<br />

late into the night. One young<br />

attendee exuberantly noted, “This<br />

is the ballroom where they hold the<br />

Golden Globes, right? This is like<br />

the Jewish version!”<br />

Since its inception, the<br />

Magbit Foundation has supported<br />

over 10,000 students in both Israel<br />

and the U.S., and seeks to continue<br />

its expansion. Specialized offshoots<br />

of the foundation include the Magbit<br />

Golda Group (for women) and<br />

the Young Leadership of Magbit.<br />

Further information about Magbit’s<br />

goals and accomplishments can be<br />

found at www.magbit.org.<br />

*Claudia N. Mikail, MD, MPH is a clin-<br />

ical geneticist in Los Angeles, CA, the<br />

author of a bestselling genetics textbook,<br />

and a member of the Board of Directors<br />

of the Magbit Foundation. Her website<br />

is http://geneticmed.tripod.com.<br />

Volunteers Needed<br />

The Iranian American<br />

Jewish Federation<br />

is looking for<br />

volunteers willing<br />

to share their time,<br />

creativity, and<br />

specialty in order to<br />

serve out community.<br />

For more information<br />

please call<br />

Farnoush Abrishami<br />

at<br />

323-654-4700<br />

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10<br />

Iranian Jewish Women’s<br />

Organization Women Of<br />

The Year 2010<br />

By: Delila Pouldar*<br />

from left to right: Dr. Firouzeh Rahbar Bakhshian (Mother’s of Tomorrow Board<br />

Member), Niloufar Roofian (Mother’s of Tomorrow Board Member), Mojgan Moghadam<br />

Rahbar (honoree), and Nazila Sina (Mother’s of Tomorrow Board Member)<br />

The Iranian Jewish Women’s<br />

Organization, under the presidency<br />

of Mehry Pezeshk Tahery,<br />

held their annual Woman of the<br />

Year Award ceremony on May 16,<br />

2010 at the Beverly Hills Hotel.<br />

The Shamsi Hekmat Award was<br />

presented to Mojgan Moghadam-<br />

Rahbar, Azadeh Farin-Wald and<br />

Galeet Dardashti-Weisz, for their<br />

contributions to education, social<br />

issues and women’s causes. Each of<br />

these women is an inspiration to our<br />

community.<br />

Galeet Dardashti is a vocalist,<br />

composer and lead singer of the<br />

world renowned female ensemble<br />

“Divahn”. Her work is supported<br />

by the Fulbright-Hays fellowship,<br />

The National Foundation for Jewish<br />

Culture, and The Memorial Foundation<br />

for Jewish Culture. She holds a<br />

PhD in anthropology, completing<br />

her dissertation on cultural politics<br />

of contemporary Middle Eastern<br />

Music in Israel. She is married to<br />

Mason Weisz and they live in New<br />

York with her toddler son.<br />

Mojgan Moghadam Rahbar<br />

is a journalist, editor and anchorwoman<br />

who continues to play an<br />

integral role in Iranian and American<br />

media. She is currently editorin-chief<br />

of Shofar Magazine. She<br />

lives in Los Angeles, CA with her<br />

husband, Farzin Rahbar and their<br />

three children Sabba, Daniel and<br />

Navah. Below is a summary of her<br />

acceptance speech upon receiving<br />

the Shamsi Hekmat Award:<br />

For the past 15 years, as a sign of<br />

their commitment to recognizing<br />

the value of women’s efforts in our<br />

community, the members of the<br />

Iranian Jewish Women’s Organization<br />

have honored different individuals<br />

as women of the year. In my opinion,<br />

as nominee this year, I stand<br />

for all of you: many of the ladies<br />

present here at this event, as well as<br />

those members of our community<br />

who could not be here today, share<br />

this honor with me. The success<br />

of Iranian Jews in Los Angeles is<br />

a testament to your hard work as<br />

mothers and daughters, doctors,<br />

academics and professionals. My<br />

true honor lies in representing<br />

Iranian Women, courageous individuals<br />

who have helped our<br />

community overcome racial, gender<br />

and class barriers.<br />

The Iranian woman of the<br />

previous generation, who was<br />

uprooted from her own country,<br />

and placed in a strange land with a<br />

foreign language and culture; and<br />

found her parents, children and<br />

husband in unbearable financial<br />

and social situations; was obligated<br />

to work outside of the home without<br />

any prior training, shoulder to<br />

shoulder with her husband, in order<br />

to insure the security of her family;<br />

had to take care of her elderly parents,<br />

even though she herself was<br />

trying to get use to a new way of<br />

life; the woman who - despite all adversity<br />

- insured the success of her<br />

children, the comfort of her parents,<br />

the happiness of her spouse, and<br />

even managed to find time to serve


the community at large as a volunteer<br />

in social and charitable groups.<br />

I congratulate you and stand here to<br />

honor you, my mothers.<br />

And of course my sisters:<br />

the many women of my own generation<br />

who have had the unenviable<br />

task of balancing two astonishingly<br />

different social and educational<br />

cultures, within their family and<br />

community. These were the daughters<br />

who were expected to finish their<br />

higher education, marry and have<br />

children at the proper age, be active<br />

members of their community, work<br />

outside the house<br />

and manage the<br />

family life within,<br />

raise children who<br />

will be accepted<br />

within both the<br />

American as well as<br />

the Iranian cultural<br />

spheres we inhabit.<br />

I congratulate you:<br />

in spite of the<br />

culture shock of<br />

Revolution and<br />

adaptations we were forced to<br />

undergo as adolescents, look at all<br />

that we’ve accomplished.<br />

The Iranian ladies of these<br />

two generations are pioneers within<br />

their communities: they have<br />

successfully managed to practice<br />

progressive feminism even while<br />

retaining the many positive values<br />

of our traditions. I would like to<br />

thank the ladies of IAJO for honoring<br />

the women of our community<br />

each year at this brilliant event. And<br />

I look forward to the years when<br />

our daughters will stand here and be<br />

recognized for their achievements.<br />

In order to grow intellectually and<br />

spiritually, women need role models,<br />

mentors, and heroes who inspire<br />

us and help us believe in ourselves<br />

while retaining our creative impulses.<br />

Since we are honoring the women<br />

of our community, I would like to<br />

take this opportunity to thank the<br />

women who have shaped and continue<br />

to influence my life – my female<br />

role models - with an apology<br />

to the influential gentlemen who<br />

mean so much to me as well. Which<br />

include my father and brothers, my<br />

son Danny, and my dear Farzin<br />

whose love, encouragement, and<br />

strength has defined me in so many<br />

ways.<br />

Those amazing females<br />

who have truly influenced and con-<br />

tinue to influence my life include<br />

my sister Mastaneh and my daughters<br />

Sabba and Navah, but my lifelong<br />

teacher is of course my dear mother<br />

Afsar Moghadam.<br />

The other magnificent and<br />

unique lady, who was a role model<br />

for me many years before I even had<br />

the pleasure and honor of meeting<br />

her in person, is Mrs. Pari Abasalti,<br />

editor of Rah-e-Zendegi magazine.<br />

I would like to end with one<br />

of my daughter Sabba’s favorite<br />

quotes from William Shakespeare.<br />

He writes: “All the world is a stage,<br />

and all the men and women merely<br />

players, they have their exits and<br />

their entrances; and each person in<br />

his time plays many parts…” I do<br />

believe that we are given a role to<br />

play for each stage in our life. When<br />

it comes time to move on, it can be<br />

hard getting used to the challenge of<br />

learning a new part, which at times<br />

may be comedic, tragic or absurd.<br />

But as long as we do understand<br />

that the most important part of<br />

this theatrical journey called life is<br />

contentment, kindness, and having<br />

respect and tolerance for others<br />

around us, we will be more comfortable<br />

in our own role and will seamlessly<br />

transition among our endless<br />

improvisations before finally taking<br />

a bow and making our exit.<br />

Just consider for a moment<br />

a part of my<br />

theatrical journey.<br />

Less than<br />

four years ago,<br />

while awaiting<br />

an eye operation,<br />

a doctor<br />

told me that if<br />

my cancer had<br />

metastasized into<br />

my liver, then<br />

all hope was<br />

lost. This year, I<br />

am standing here as your representative<br />

for the woman of the year! The<br />

collective strength of this community,<br />

the men and women who are my<br />

friends, family, role models and<br />

colleagues, have given me the power<br />

to overcome enormous obstacles,<br />

as they will others. Thank you; I<br />

am honored to have been chosen<br />

to represent all the women of my<br />

community.<br />

Azadeh Farin- Wald MD is<br />

one of the fewer than 200 female<br />

neurosurgeons in US.<br />

Many of us may not associate<br />

women with brain surgery. Yet,<br />

reading Dr. Farin Wald’s biography<br />

and seeing her accept the award; one<br />

was struck with how she contradicted<br />

the dichotomy of a female<br />

11<br />

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<strong>166</strong><br />

12<br />

neurosurgeon and still maintained<br />

her femininity and grace.<br />

Azadeh Farin was born in<br />

Iran and moved to Los Angeles at<br />

a young age. Becoming a neurosurgeon<br />

stemmed from her curiosity<br />

as a child. As she described in a<br />

recent interview, “I realized at a<br />

young age that everything emanated<br />

from the human brain. It explained<br />

why things are the way they are.”<br />

This passion and curiosity fueled<br />

her education, and she successfully<br />

graduated top of her class from<br />

Hamilton High School. She went<br />

on to complete Yale University<br />

with honors in three years, double<br />

majoring in Molecular Biophysics<br />

and Biochemistry and Economics.<br />

Upon graduation, she worked as<br />

a business analyst at McKinsey &<br />

Co., one of the most well-known<br />

consulting firms in the country. She<br />

once again excelled and was ranked<br />

in the top 5% of her analyst class.<br />

While taking a break from her studies;<br />

Dr. Farin, even entered beauty<br />

pageants and was named Miss<br />

Greater Los Angeles USA Pageant<br />

Winner in 1998.<br />

Three years later, Dr. Farin entered<br />

the University of California,<br />

San Diego medical school to pursue<br />

her childhood calling and dream of<br />

becoming a neurosurgeon. “[Neurosurgery]<br />

was a big black box that<br />

I was eager to figure out. Almost<br />

every other organ in the human<br />

body can be replaced and yet we<br />

barely know the brain works.” As<br />

to why she chose the arduous profession<br />

that is neurosurgery, she<br />

explained how many people study<br />

the brain, but only neurosurgeons<br />

can dissect the brain, cure the patient<br />

of the disease and bring them<br />

back to life. During medical school,<br />

she researched at Columbia University<br />

where her group was the first to<br />

videotape tumor cells invading a<br />

live brain and applied this technique<br />

to medicinal implications. She went<br />

on to complete her fellowships at<br />

Olympia Medical Center and Tower<br />

Neurosurgical Spine Institute and<br />

University of California, San Francisco,<br />

and completed her residency<br />

at the University of Southern California.<br />

Today, she practices in Long<br />

Beach, CA at the second largest<br />

private hospital west of the Mississippi.<br />

She operates on all aspects of<br />

cranial surgery including aneurisms,<br />

tumors, head traumas, spinal deformities,<br />

and degenerative disease using<br />

minimally invasive techniques. She<br />

has published over 50 journals in<br />

some of the most prestigious and<br />

respected publications.<br />

Dr. Farin describes success<br />

as taking the time and energy to<br />

define a worthwhile goal and pursuing<br />

it to completion. “In some ways,<br />

I have achieved some success but it<br />

is not enough. For myself, success<br />

includes continuing to help thousands<br />

of patients, being a wife and hopefully<br />

soon a mother. Success is going<br />

above and beyond.” Her advice to<br />

young Iranian- Jewish women, who<br />

want to pursue competitive fields<br />

such as medicine, is: “do something<br />

that no matter how much time and<br />

energy you put into it, is gratifying.<br />

Find your passions and pursue them<br />

whole heartedly. Don’t pay attention<br />

to barriers, but know that everything<br />

has a cost and be realistic.<br />

The cost must be worth it.”<br />

As an Iranian- Jewish female<br />

hoping to enter the medical field,<br />

one is often questioned for her career<br />

choice and the sacrifices that<br />

it may involve. When speaking to<br />

Dr. Farin, she addressed this issue<br />

saying “Persian women have much<br />

more to offer than just good looks.”<br />

Dr. Farin is a prime example of<br />

how women have the potential to<br />

be successful professionals as well<br />

as loving wives.<br />

*Delila Pouldar is a Junior at USC<br />

majoring in Biological Sciences, with a<br />

minor in Business Administration.


On the cover:<br />

Vitreous Visions From Judaica<br />

A collection of glass arts about the Jewish Heritage<br />

By: Siena Casale*<br />

glass sculpture by Dr. Habib<br />

A Nathan adorns the cover of<br />

Shofar for this issue. Dr. Nathan is<br />

a practicing psychiatrist living in<br />

San Antonio, Texas, with his wife<br />

Manijeh. In the past decade Dr.<br />

Nathan has been<br />

able to give life<br />

to his “visions”<br />

through art and<br />

glass sculpture.<br />

A book about<br />

his art work and<br />

glass sculptures<br />

was published<br />

in July 2010,<br />

which shows<br />

Dr. Nathan’s<br />

passion of<br />

trying to commemorate the history<br />

and traditions of people of Israel<br />

through art. His Glass Sculpture Coin<br />

Collection beautifully remembers<br />

this history of Israel and its people.<br />

This remarkable collection of coins<br />

has been on display since February<br />

3, 2000 in the Jewish Federation<br />

Building in San Antonio, Texas.<br />

In an exclusive interview<br />

with Shofar Dr. Nathan explained<br />

about his motivation and love for<br />

art and the glass art in particular.<br />

What inspired you to create this<br />

exhibit of coin glass sculptures?<br />

I had decided to make an exhibit out<br />

of glass to attract young people to<br />

look at history and be proud of their<br />

Jewish heritage.<br />

How did you become interested in<br />

creating glass sculptures?<br />

I started taking<br />

a course on<br />

stain glass and<br />

after I perfected<br />

the art of stain<br />

glass, I moved<br />

to creating glass<br />

sculptures.<br />

All the works in<br />

this Collection<br />

have a vibrant<br />

color, how<br />

did you bring out the clarity and<br />

brilliance of the glass?<br />

Each coin is made of translucent<br />

glass of different hues and each is<br />

about a foot in diameter and nearly<br />

an inch thick. The coins have been<br />

installed in the exhibit with back<br />

illumination to display the clarity<br />

and brilliance of the glass.<br />

There are twelve coins in your<br />

Collection and each coin is a large<br />

scale recreation of coins used<br />

throughout the Judaic history;<br />

what research did you do to find<br />

and select these twelve coins?<br />

I had gone to the Israel Museum<br />

in Jerusalem and I spend time in<br />

the section on Jewish history and<br />

Judaic coins. I became interested in<br />

the history of the Jewish coins and<br />

continued my research by reading<br />

a number of books when I returned<br />

from my trip to Israel. Each of<br />

the twelve coins in my Collection<br />

represents a different era in Jewish life.<br />

Who did you dedicate this exhibit<br />

to and why?<br />

I dedicated my entire Exhibit to<br />

Jewish heroes and people who had<br />

died and fought for their belief in<br />

Judaism. It is their sacrifice that<br />

made possible the continuation of<br />

the Jewish religion and homeland.<br />

Would you tell us more about the<br />

coin called “The Persian Rule,”<br />

and how it relates to Iranian<br />

Jewry?<br />

Two thousand five hundred years<br />

ago, Persia was a large empire. The<br />

king would conquer different lands<br />

and rule from a distance. The Empire<br />

would print coins in different parts<br />

of the world that were conquered<br />

by the king. The coin I called the<br />

“Persian Rule,” was made in Judea<br />

for use by the people who lived<br />

in Judea.<br />

Was the coin titled “The<br />

Holocaust,” actually used by Jews<br />

in the Ghetto?<br />

Yes, when the Jews were brought to<br />

the Ghetto by the Nazis, they were<br />

forced to trade in their money for<br />

coins. Unfortunately, these coins<br />

did not have any real value.<br />

* Siena Casale is 12 years old and a 7th<br />

Grader at Lincoln Middle School.<br />

13<br />

<strong>166</strong>


<strong>166</strong><br />

14<br />

30 Years After:<br />

“We have unpacked our bags.<br />

We are ready to act.”<br />

By: Nicole Behnam*<br />

“I have been impressed with the urgency of doing. Knowing is not<br />

enough; we must apply. Being willing is not enough; we must do.”<br />

Russell Taylor<br />

From left to right: Mona Shemtoub (Shofar photographer), Nicole Behnam<br />

(Shofar news correspondent), Kayvan Mottahedeh and Jennifer Shirazi (conference attendees)<br />

Have you ever asked yourself<br />

if you are truly politically<br />

inclined? Have you ever read or<br />

heard about an issue you wanted to<br />

know more about, but did not know<br />

where to seek more information?<br />

Have you wanted to make a<br />

difference but simply could not<br />

figure out how to get involved in<br />

the exertion of our city’s policies?<br />

On October 10 more than 1,300<br />

people—young professionals,<br />

students, parents, and even<br />

grandparents—attended the second<br />

biennial 30 Years After conference,<br />

where these questions, along with<br />

several others, were answered by<br />

some of the greatest thinkers and<br />

leaders in our community.<br />

There were nine different<br />

breakout sessions between the<br />

morning, afternoon, and evening<br />

plenary sessions. Topics that were<br />

discussed included the future of the<br />

Jewish community, local and state<br />

politics, philanthropy and activism,<br />

and foreign affairs related to Iran<br />

and Israel. In addition, there was a<br />

voter registration table, along with<br />

30 exhibitor booths from leading<br />

Jewish and civic organizations.<br />

“Per capita, we are<br />

arguably the most driven and<br />

successful minority in the greater<br />

LA area, if not in the state,” said<br />

Dr. Ebbie Soroudi, a supporter of<br />

30 Years After. “We are among<br />

some of the most influential group<br />

of professionals, intellectuals, and<br />

business minds. It is unfortunate we<br />

have not been more involved with<br />

politics thus far.”<br />

When Rabbi Wolpe of<br />

Sinai Temple spoke, he urged<br />

the people sitting in the Century<br />

Plaza ballroom to begin living<br />

for themselves and stop worrying<br />

about everyone else’s perception<br />

of them. He went on to dissect a<br />

rampant notion he believed many<br />

Persian Jews uphold. The notion<br />

that we are so gifted and that “[we]<br />

have succeeded beyond the dreams<br />

of any immigrant community that<br />

has ever come to this country.” And<br />

that is all true said Wolpe, who also<br />

noted the economic “fertility” of the<br />

United States 30+ years prior.<br />

“The opposite is also true,”<br />

said Wolpe. “There is a deep sense<br />

of being discriminated against,<br />

unappreciated—that people don’t<br />

realize what the Persian community<br />

is, and people condemn it from<br />

outside without understanding it.”<br />

In other words, with the tremendous<br />

pride comes tremendous insecurity.<br />

“You need not feel either,” said<br />

Wolpe. “Your accomplishments<br />

speak for themselves, and the<br />

inflation of self that sometimes<br />

masks insecurity is no longer<br />

necessary. The question is not: how<br />

[does] the world regard you? The<br />

question is: what will you do with<br />

what you have done?”<br />

Carly Fiorina, former<br />

Republican candidate for the United


States Senate<br />

emphasized the<br />

necessity of<br />

declaring that<br />

Israel is our most<br />

important friend<br />

in the middle east<br />

and that we will<br />

stand with her no<br />

matter what. “We<br />

must be clear<br />

and loud and<br />

u n e q u i v o c a l , ”<br />

said Fiorina, who<br />

also spoke about<br />

the importance<br />

of standing up for<br />

the people in Iran<br />

who are risking<br />

their lives for<br />

human rights.<br />

“We are proud that we<br />

helped further the U.S.-Israel<br />

relationship by empowering our<br />

community to become more<br />

effective Israel advocates,” said Sam<br />

Yebri, President and co-Founder of<br />

30 Years After.<br />

Meg Whitman, former<br />

Republican candidate for governor<br />

of California, also shined light on<br />

the contributions Israel has made to<br />

technological progress. Dan Senor,<br />

author of “Start-Up Nation” alluded<br />

to Meg Whitman mentioning that<br />

Israeli startups, Israeli innovations,<br />

Israeli engineers, and Israeli<br />

entrepreneurs helped transform the<br />

eBay while she was CEO of the<br />

company. In fact, this turned Senor<br />

on to a story that was the centerpiece<br />

of his book.<br />

The conference, themed<br />

“Now is our time: to learn, to act, to<br />

lead,” certainly did more than fulfill<br />

its purpose.<br />

The feedback from the<br />

conference has been consistently<br />

positive. “The most meaningful<br />

feedback comes from those who are<br />

excited to vote for the first time,”<br />

said Yebri. “Those who find a new<br />

community organization that they<br />

want to support, or those who thank<br />

us for focusing our community on<br />

doing good for others, not just well<br />

financially for ourselves.”<br />

30 Years After was<br />

established in 2008 with the initial<br />

purpose of engaging a community of<br />

new Americans to become involved<br />

in civic activities, community, and<br />

public service.<br />

Since 2008, 30 Years After<br />

has increased their media exposure,<br />

including publicity through<br />

television coverage on local evening<br />

news and international media in<br />

Europe and the Middle East. And<br />

although there were union strikes<br />

and protests outside of the Century<br />

Plaza hotel that morning, the<br />

conference was no exception to this<br />

exposure.<br />

Yebri believes that the<br />

success of the conference reflected<br />

two things: “that Iranian-American<br />

Jews have<br />

unpacked their<br />

bags and are<br />

eager to make a<br />

difference locally<br />

and nationally,<br />

and that political<br />

leaders are noticing<br />

the growing voice<br />

and power of<br />

this influential<br />

community.”<br />

Without a doubt,<br />

this group’s<br />

vision has been<br />

actualized; their<br />

goals have been<br />

fulfilled, their<br />

voices heard.<br />

*Nicole Behnam is a student at USC<br />

majoring in Public Relations and<br />

Journalism.<br />

READ SHOFAR<br />

ONLINE<br />

You can now read<br />

all issues of<br />

Shofar Magazine<br />

On line<br />

at<br />

www.IAJF.org<br />

By clicking on<br />

Shofar Magazine<br />

15<br />

<strong>166</strong>


<strong>166</strong><br />

16<br />

Winners Of David And Dina<br />

Ramzi Memorial Fund And<br />

Shofar Magazine Writing Contest<br />

By: Nazanin Ramzi Shamtobi<br />

My late father, Davoud (David)<br />

Ramzi, was a poet and writer<br />

who dedicated much of his life<br />

to the pursuit of knowledge and<br />

growth through literature.<br />

It is in my parents’ memory<br />

that “The David and Dina Ramzi<br />

Writing Contest” was established,<br />

to acknowledge and support the<br />

innate talent and passion of those<br />

who celebrate life through the<br />

written word.<br />

Davoud Ramzi was the<br />

author of six books, three of which<br />

were published in Los Angeles. The<br />

story goes that when my parents<br />

first met, my mother was so moved<br />

by my father’s passion for poetry<br />

that she published his first book of<br />

poems called “Jedal” in 1964. This<br />

love affair with words and poems<br />

continued for both of them for the<br />

rest of their lives.<br />

As Iranian Jews, we have<br />

the unique privilege of being the<br />

recipients and treasure-keepers of<br />

our rich Jewish stories and books<br />

of philosophy and life as well as the<br />

incomparable writings of classical<br />

Persian poets like Ferdowsi, Hafez<br />

and Rumi and countless modern<br />

Iranian writers and poets who<br />

continue to express the wonder<br />

and angst of their era through the<br />

written word. It is my sincere desire<br />

that through contests like this, the<br />

young and creative members of our<br />

community will be encouraged to<br />

express themselves through writing<br />

I am delighted to present<br />

this year’s contest winners, Shahram<br />

Barkhordar and Dalit Yadegaran.<br />

When I met Dalit, she told me that<br />

winning this contest has prompted<br />

her to rethink what she wants to<br />

study in the future. She said that<br />

now more than even before she<br />

realizes how much she loves to<br />

write and is considering majoring in<br />

English literature at UCLA.<br />

What I wish for Dalit and<br />

Shahram, as well as all the other<br />

wonderful writers who submitted<br />

their poems and stories for this<br />

contest, is that they always find<br />

and hold a place for writing in their<br />

lives.<br />

I am grateful to my dear<br />

friend, Mojgan Rahbar, and the<br />

Iranian-American Jewish Federation<br />

for giving me the opportunity to use<br />

Shofar as a forum to display the<br />

works of our talented winners.<br />

Judging Panel:<br />

***Nazanin Ramzi Shamtobi<br />

received her B.A. from UCLA in<br />

Political Science with an emphasis<br />

on International Relations of the<br />

Middle East. She continued with<br />

the Masters program at UCLA<br />

in Persian Studies in the Near<br />

Eastern Languages and Cultures<br />

Department where she was an<br />

assistant professor.<br />

She is currently a master’s candidate<br />

for Spiritual and Depth Psychology<br />

at Antioch University.<br />

***Shirin Ramzi<br />

received her B.A. in English<br />

Literature at UCLA. She then<br />

received her Master’s degree<br />

in Education from Pepperdine<br />

University. Ms. Ramzi has been<br />

a dedicated teacher of English<br />

Language and Literature at Palisades<br />

High School for over a decade.<br />

Dalit Yadegaran<br />

recently graduated from Santa<br />

Monica High School and has been<br />

accepted to UCLA for the class of<br />

2014. Her winning essay is:<br />

“What influences you to wake<br />

up each morning?”<br />

How should I respond to the<br />

above question when asked by<br />

my interviewer to a prestigious<br />

Ivy League university?<br />

No, I can’t say my alarm clock. Too<br />

simple.<br />

My responsibility and determination<br />

to strive for the top of my class at<br />

school? Too cliché.<br />

My parents who nudge me around at<br />

6:50 every morning? Too common.


My passion. Yes, that feels perfect.<br />

It fits just right; as if I’ve found my<br />

perfect prom dress.<br />

My passion<br />

For life, for my best friend of 15<br />

years, for the satisfaction after<br />

cooking a homemade feast on my<br />

own, for painting and sculpting,<br />

for dancing, for being serenaded,<br />

for vivacity, for scavenger hunts<br />

around Santa Monica with 20 of<br />

my friends, for capture the flag, for<br />

the smell of a crisp new book being<br />

paralleled by a timeless classic novel<br />

with molded pages; yet rich with<br />

annotations in blue and black ink,<br />

for three day weekends, for Grammy<br />

parties and Superbowl Sunday bets,<br />

for feeling European and fabulous<br />

each time I walk out of Zara, for my<br />

first pool party, for second semester<br />

senior year, for completing my Bat<br />

Mitzvah reading and wishing my<br />

party slowed down, for boom boom<br />

Pau Gasol and the Lakers, for pathos<br />

ethos and logos, for being nice to<br />

strangers, for the voices of children<br />

living in Sderot, Israel who I met<br />

and told me how they are effected<br />

by terrorism, who catalyzed me to<br />

create my own foundation for them,<br />

for using a cell phone to text; not<br />

call, for braces; twice, for traveling<br />

from the hot springs of Costa Rica<br />

to the isolated tranquil islands of<br />

Thailand, for Nutella, for loving<br />

NYC’s excitement, for LA because<br />

we really do have everything here,<br />

for smiles and yawns which are<br />

both contagious, for mechanical<br />

pencil refills, for earning a perfect<br />

score on a research term paper<br />

which examines the ins and outs<br />

of America’s health care system<br />

as opposed to Canada’s, France’s,<br />

and Cuba’s, for “tadeeg” and<br />

“gormesabzee,” for chocolate<br />

pancakes and bagels, for all of LA<br />

commuting to Las Vegas in the<br />

winter and Palm Springs in the<br />

spring, for my incredible Maja and<br />

Faja, for Psychology Today articles,<br />

for Canons and disposable cameras,<br />

for saving the ‘How to Operate’<br />

handbook; but never opening it up,<br />

for seeing that a store in Israel has<br />

my name, for the goose bumps that<br />

form every time I drive past the<br />

federal building and see extremely<br />

dedicated individuals waving Iran’s<br />

pre-revolutionary flag as they make<br />

the peace sign with their fingers, for<br />

hikes at the crack of dawn, for runs<br />

down San Vicente whenever I get<br />

the chance, for walking into glass<br />

doors, for the first time we celebrated<br />

a birthday in a limousine, for<br />

embracing adversity and converting<br />

it into my triumph, for speaking in<br />

front of 3,000 people at once, for<br />

dressing up, for advocating, for<br />

my brother who would pick me up<br />

from school when he first got his<br />

license, for The Office, Entourage,<br />

and Gossip Girl, for the hidden and<br />

dying art behind Persian rugs, for<br />

getting on a big screen in Times<br />

Square, for loving unconditionally,<br />

for 500 Days of Summer: reality vs.<br />

expectation, for high school, for the<br />

first time I won first place after one<br />

of my hurdling events, for Caravane<br />

by Raphael, for my brother who is<br />

studying abroad in Israel, for Guetta<br />

and Bocelli, for sprints down the<br />

beach, for fistpumps and powpumps,<br />

for looking at an old picture and<br />

remembering every feeling and<br />

thought that was running through<br />

my mind at that exact moment, for<br />

Thanksgiving every week during<br />

Shabbat, for never tolerating<br />

disrespect under any circumstance,<br />

for analyzing Obama’s State of the<br />

Union address, for Fight Club, for<br />

Hakoach which will always have a<br />

strong place in my heart, for color<br />

books, for my AP Biology teacher<br />

Mr. Gaida, for basketball leagues at<br />

Westwood Recreation, for when we<br />

would all drive each other around<br />

without having had our licenses for<br />

a year, for craving a new album by<br />

JT, for Aroma and Urth, for being<br />

strong enough to make my own<br />

destiny rather than let my destiny<br />

make me, for being paralyzed by<br />

philosophy, for the fact that when<br />

two hearts race; both win, for<br />

holding onto fairytales, for replaying<br />

songs, for sleepovers, pillow fights,<br />

and no sleep, for Yoga and Pilates,<br />

for those little questions that your<br />

friends fill out and pop up on your<br />

Facebook wall; which everyone<br />

secretly loves, for reading the notes<br />

left in old yearbooks, for having an<br />

incredible sensation while watching<br />

the Olympics that for a couple of<br />

weeks we’re all united; Go World,<br />

for making the switch by going<br />

green, for the domino effect that<br />

comes from holding hands while<br />

ice skating when one person falls,<br />

for C&O’s garlic balls in Venice,<br />

for admiring the long struggle my<br />

grandparents have gone through<br />

from Iran to America and seeing<br />

everyone assimilate into the<br />

American lifestyle, for Coachella’s<br />

three day line-up, for surrounding<br />

myself with people who make me<br />

feel good, for the implications that<br />

are entailed by the letter Z, for<br />

furs; but not the type that comes<br />

from animals, for being Jewish,<br />

17<br />

<strong>166</strong>


18<br />

Persian, and proud, for sunsets<br />

and views on top of the world, for<br />

vintage pearls from the 1920’s, for<br />

contemporary art, for pasta, for<br />

iPhone applications, for dresses<br />

and up-do’s from the Elizabethan<br />

era, for pink towels, for being an<br />

idealist, for believing in mind over<br />

matter, for supernova, for leading,<br />

for learning, for winning, for life.<br />

“For Passion,” I respond to my<br />

interviewer as a shy smile steals my<br />

face.<br />

Shahram Barkhordar<br />

graduated from the University of<br />

California, Santa Barbara majoring<br />

in Religious Studies/Psychology<br />

and is now living in Los Angeles<br />

working as an administrator for<br />

a non-profit organization. His<br />

winning submission is poem titled<br />

“Here I AM.”<br />

Here I Am<br />

Here I Am.<br />

Do not be afraid.<br />

We fall, and we rise back up.<br />

We fall again, and we’ll keep getting<br />

back up.<br />

Who are we? The people, the<br />

mothers, the fathers, the sons and<br />

daughters, of history’s past…<br />

Into the night’s darkness we set out,<br />

and through the day we seek our<br />

way.<br />

And who am I, you might ask?<br />

Well…I am you.<br />

And I hear this beating, this ancestral<br />

drumming, coming to meet me, from<br />

long forgotten dreams and myths.<br />

They hunt and pursue me.<br />

But do not be afraid, Here I Am.<br />

Let me start.<br />

In the beginning, the earth was<br />

indifferent and dark, a bottomless<br />

frost covered the depths.<br />

And it was spoken, a shatter, a<br />

spark, a crackling of light.<br />

And we began to run. To search,<br />

Writers & Reporters Wanted<br />

Shofar Magazine is looking for energetic enthusiastic individuals who<br />

would be interested in submitting feature articles, short stories and attending<br />

different social events within the community and reporting them for<br />

publication.A press pass will be issued to those who qualify.<br />

For more information please contact:<br />

MMRAHBAR@AOL.COM<br />

to yearn, to crave, to know, to lust,<br />

to toil, and to understand what we<br />

were and how we got here.<br />

A germ, a seed, a beginning to an<br />

end, forced into oblivion and back<br />

again.<br />

Now grasp yourself. Understand<br />

your power. Recognize your<br />

responsibility.<br />

Perpetual motion is nothing but<br />

change. At each stop, at each glance,<br />

at each thought, we have gathered<br />

in the demons or summoned the<br />

radiant sun.<br />

Nothing stays the same forever.<br />

And yet we are just that, at once<br />

nothing and forever.<br />

Being is non-being realized.<br />

So clench your teeth, outstretch your<br />

mighty hand, look up, eyes taunting<br />

the imposing sky, and believe.<br />

You are the master of worlds,<br />

contracting into the center of being<br />

and expanding like rings of fire.<br />

The Phoenix rising in the West will<br />

send forth her wings blazing in the<br />

East.<br />

Do not be afraid. HERE I AM.


L.A. Youth Orchestra has<br />

moved to Beverly Hills<br />

By: Shirin Raban (Member of L.A.Y.O. Board of Directors)<br />

The Los Angeles Youth Orchestra has moved to Beverly Hills,<br />

and the beautiful Saban Theatre is our new home - a magnificent<br />

place for our awe-inspiring music.<br />

The Los Angeles Youth Orchestra<br />

is an Emeritus Youth Orchestra<br />

Partner of the LA Philharmonic<br />

and represents over 60 LA area<br />

schools. There are two levels of<br />

orchestra: the Concert Orchestra is<br />

for younger players with at least two<br />

years of playing experience and the<br />

Chamber Orchestra is for the more<br />

advanced students. The Orchestra<br />

also offers the opportunity to play<br />

in chamber groups at community<br />

events and salons.<br />

LAYO was established by<br />

Artistic Director, Russell Steinberg<br />

in 2000 at Milken Community High<br />

School of the Stephen S. Wise<br />

Temple. Dr. Steinberg is a composer,<br />

lecturer and educator who received<br />

a Ph.D. in music composition from<br />

Harvard University. He studied<br />

composition most notably with<br />

Leon Kirchner, Arthur Berger,<br />

Elaine Barkin, and Kenneth Klauss.<br />

His music for concert and film has<br />

been performed extensively in the<br />

United States and abroad.<br />

In its short existence of<br />

only 10 years the Los Angeles<br />

Youth Orchestra has become a<br />

musical voice that embraces the<br />

entire community. Acclaimed<br />

performances at Walt Disney<br />

Concert Hall and the Colburn<br />

School have established this<br />

ensemble as one of L.A.’s finest<br />

youth orchestras. The orchestra has<br />

been featured on CBS TV News<br />

affiliate KCAL CHANNEL 9, as<br />

well as the Los Angeles Times, the<br />

Beverly Hills Courier and several<br />

other news publications. Several<br />

of the Orchestra’s alumni students<br />

are continuing their studies at the<br />

Julliard School of Music, Cornell<br />

University, the Berklee College of<br />

Music, and UCLA.<br />

Students study established<br />

masterworks, but also have the<br />

exciting opportunity to premiere<br />

new music. Rehearsals include<br />

work as a full orchestra as well as<br />

sectional practices with professional<br />

coaches. Additionally the orchestra<br />

offers a variety of unique enrichment<br />

experiences such as working with<br />

guest artists and mentoring with<br />

major orchestras. Students aged 8<br />

to 18 with two years of instrumental<br />

instruction may audition.<br />

Recently, the orchestra<br />

has become independent and as a<br />

nonprofit institute needs to raise<br />

funds to operate and to assist<br />

deserving children with orchestra<br />

tuition support. Donors are welcome<br />

to attend rehearsals and meet the<br />

children, attend concerts, and<br />

participate in private music salons.<br />

The contributions of individual<br />

donors are what enable the orchestra<br />

to survive and continue to create the<br />

musicians of tomorrow.<br />

Los Angeles Youth Orchestra<br />

programs are performed twice a<br />

year in November and in April.<br />

This Fall of 2010, concerts are held<br />

in November at the Saban Theatre<br />

in Beverly Hills and Zipper Concert<br />

Hall at the Colburn School in Los<br />

Angeles. The program features a<br />

special performance of the Daniel<br />

Pearl commission Stories From My<br />

Favorite Planet by Russell Steinberg<br />

with guest soloist Mitchell Newman<br />

of the Los Angeles Philharmonic<br />

and guest narrator Theodore Bikel,<br />

star of stage, film, and television.<br />

Auditions for the spring semester<br />

will be held on January 8 and<br />

9, 2011. For more information<br />

regarding auditions, concerts, Board<br />

of Directors and donations please<br />

visit us at:<br />

www.LosAngelesYouthOrchestra.org<br />

19<br />

<strong>166</strong>


The Gondi Lunchbox Project:<br />

A Community Project for Awareness & Transformation<br />

Iranian? Jewish?<br />

Got Stories?<br />

If you are Iranian-Jewish* and have a true story or comment to share with your community about<br />

living in America, good or bad, we want to hear it! All submissions are anonymous, even to us,<br />

unless you want to be known for your work.<br />

Can’t think of a story? Here are some ideas…<br />

FAMILY interracial relationships careers SEXUALITY depression COMMUNITY inheritance<br />

DECEPTION patriotism evil eye SUPERFICIALITY religion KHASTEGARI immigration<br />

COMPETITION reputation divorce SOLIDARITY violence SOCIETY education assimilation<br />

FRAUD pressure spirituality MARRIAGE double standards MONEY parents HYPOCRISY<br />

rebellion racism suicide ACCEPTANCE blind dates DRUGS secrets faithfulness siblings<br />

discrimination HIGH EXPECTATIONS coming-of-age success MATERIALISM stigma illness<br />

SHABBAT physical abuse JEALOUSY therapy witchcraft incest TOGETHERNESS sexism rivalry<br />

addictions VIRGINITY artistic expression IMPOTENCE obsessions COHESIVENESS<br />

*At least one parent Jewish and one of Iranian descent.<br />

What is The Gondi Lunchbox Project?<br />

It is a community-based project committed to bringing awareness and transformation to the Jewish Iranian-<br />

American communities nationwide by gathering and compiling our anonymous real-life experiences, stories and<br />

commentaries. For more information, please see our website, www.gondilunchbox.com.<br />

Why is this important to our community?<br />

Honesty, openness and sharing beget awareness. And awareness leads to individual and communal growth,<br />

action and transformation.<br />

How can you make a difference?<br />

Submit your story today!<br />

The Gondi Lunchbox Project is taking submissions, written or oral, in English or Farsi, authored or anonymous.<br />

DEADLINE TO SUBMIT: December 31, 2010<br />

Send your submission to: gondilunchbox@gmail.com OR<br />

The Gondi Lunchbox Project, P.O. Box 67948, Century City, CA 90067-0998 OR on our website.<br />

www.GondiLunchbox.com


What’s the Fuss About<br />

Clean Tech?<br />

By: Richard Bookbinder and Bobby Shamsian*<br />

“A new “green wave” is spreading, and many of us are looking for<br />

ways to understand what is taking place.”<br />

As we’ve learned over a long<br />

time, history is a wonderful<br />

guide. There has always been an<br />

event or series of events that have<br />

lead to new policies.<br />

Look at four dates in history:<br />

•May 4, 1904:Construction began<br />

on the Panama Canal.<br />

•May 6, 1954: Construction began<br />

on the U.S. Interstate Highway System.<br />

•May 25, 1962:An ambitious effort<br />

began to place a man on the Moon<br />

by the end of the decade.<br />

Each of these events<br />

addressed a concern for national<br />

security. The Panama Canal was<br />

necessary to move Navy ships from<br />

the East Coast to the West quickly.<br />

The Highway System was essential<br />

in moving troops across the country<br />

swiftly in the event of a military<br />

attack. Finally, placing a man on<br />

the Moon was our way of taking the<br />

lead in the “space race.”<br />

The fourth date is July 11,<br />

2008 and should still be fresh in the<br />

mind of all consumers: crude oil<br />

traded at an all time high of $147<br />

per barrel.<br />

Remember the Presidential<br />

campaign season of 2008?<br />

Remember “Drill, baby, drill?”<br />

The recent massive oil spill and<br />

resulting destruction in the Gulf<br />

of Mexico has certainly thrust a<br />

monkey wrench into offshore oil<br />

exploration.<br />

But, what has happened<br />

since July of 2008? And, why<br />

should we be paying attention to<br />

this debate?<br />

While scientists have<br />

debated the issue of global warming<br />

and climate change for years, the<br />

record spike in oil prices provided<br />

new impetus to develop alternative<br />

methods of cleaner energy sources<br />

for power: wind, solar, geothermal,<br />

and biomass just to mention a few.<br />

So where are we today?<br />

•World populations are growing and<br />

putting strains on global economies<br />

and resources.<br />

•CO2 emissions are increasing and<br />

many parts of the world are ahead<br />

of the United States in efforts to<br />

reduce the pollutants.<br />

•There is a growing awareness of<br />

global warming, and it is being led<br />

by corporate leaders. And, if you<br />

have school age children, just try to<br />

discard the plastic bottle. See what<br />

they tell Mom and Dad! Colleges are<br />

also on the forefront of the effort by<br />

offering programs in environmental<br />

science.<br />

•Global economic stimulus<br />

programs have pumped nearly<br />

$500 billion into new methods of<br />

renewable and clean energy.<br />

•The BP spill is highlighting the<br />

need for cleaner sources of energy.<br />

This new “green wave”<br />

is spreading, and many of us are<br />

looking for ways to understand<br />

what is taking place.<br />

The most recent<br />

development on the green wave is<br />

Senators Kerry and Lieberman’s<br />

comprehensive plan for a national<br />

energy policy. In the corporate<br />

arena, energy producers like Duke<br />

Power and PG&E are diversifying<br />

investments in renewable energy,<br />

energy efficiency and smart grid<br />

transmission. Nike and Apple<br />

are incorporating sustainability<br />

into their business models. Even<br />

pension giants CalPERS and the<br />

New York State Retirement System<br />

are adopting standards for their<br />

investment managers to incorporate<br />

sustainability and renewable energy<br />

investments in their portfolios. With<br />

new renewable portfolio emission<br />

limit standards being implemented<br />

by over thirty states, Washington is<br />

finally stepping in line.<br />

The developing opportunities<br />

in clean tech are taking place all over<br />

the world. European institutional<br />

investors have been investing in<br />

these asset classes for years. China<br />

is emerging as a major leader with<br />

its installations of solar and wind<br />

energy, and much of Asia is building<br />

new manufacturing facilities that<br />

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22<br />

utilize clean energy sources.<br />

Let’s look at a few sectors,<br />

and consider the power grid. To<br />

replace and upgrade an aging 50<br />

year-old electric transmission<br />

system is estimated to cost nearly<br />

$25 billion per year for the next 20<br />

years; that’s half a trillion dollars!<br />

For anyone in the Northeast who<br />

remembers the blackout from 2003,<br />

this is no laughing matter. But, soon<br />

enough, there will be wind turbines<br />

offshore Cape Cod producing clean<br />

power.<br />

The same holds true<br />

for water. The management<br />

consulting firm, McKinsey and<br />

Co., recently estimated that, “By<br />

2030, under an average economic<br />

growth scenario…global water<br />

requirements would grow…a full<br />

40% above current accessible.”<br />

Much of the new technology can<br />

be described as “low tech” and has<br />

been developed by necessity. Israel<br />

developed the modern efficient<br />

technology of drip irrigation on<br />

a Kibbutz in 1959, and exported<br />

the process to other parts of the<br />

world. U.S. farmers are migrating<br />

to new methods to achieve water<br />

conversation.<br />

Scientists, historians, and<br />

economists share one commonality:<br />

they are all great at interpreting past<br />

history. But as history has taught us,<br />

it’s important to maintain focus on<br />

the future by looking at today. Two<br />

facts are clear: natural resources<br />

are being depleted and have been<br />

seriously damaged in the Gulf.<br />

Companies that have solutions<br />

are likely to be at the center of the<br />

change. It’s time to move to the next<br />

step.<br />

*Richard Bookbinder, is a Managing<br />

Member and Bobby Shamsian the<br />

Vice President of TerraVerde Capital<br />

Management LLC.<br />

(www.terraverdecap.com)<br />

Study Finds Genetic Links<br />

Among Jewish People<br />

Thanks in large part to a<br />

generous gift from the Iranian<br />

American Jewish Federation of<br />

NY to the Albert Einstein College<br />

of Medicine, geneticists at Einstein<br />

and NYU School of Medicine have<br />

created the first comprehensive<br />

genetic map of major Jewish<br />

populations. This historic finding<br />

indicates that Jews from different<br />

regions of the world share genetic<br />

traits that date back over 2,500<br />

years. The Jewish HapMap Project<br />

published in the American Journal of<br />

Human Genetics and subsequently<br />

covered in major media outlets<br />

worldwide, demonstrated that Jews<br />

are genetically linked to a common<br />

Middle Eastern ancestry dating<br />

back approximately 2,500 years.<br />

This discovery opens a new door<br />

for medical research.<br />

“By providing a<br />

comprehensive genetic fingerprint<br />

of various Jewish subpopulations, it<br />

can help us understand genetic links<br />

to heart disease, cancer, diabetes<br />

and other common diseases,” said<br />

co-author Edward Burns, M.D.,<br />

Executive Dean and Professor<br />

of Pathology and Medicine at<br />

Einstein.<br />

“The study supports the<br />

idea of a Jewish people linked by<br />

a shared genetic history,” said Dr.<br />

Harry Ostrer of NYU. “Yet the<br />

admixture with European people<br />

explains why so many European<br />

and Syrian Jews have blue eyes and<br />

blond hair.”<br />

“The goal of the study was<br />

to determine a genomic baseline,”<br />

said lead author Gil Atzmon, Ph.D.,<br />

Assistant Professor of Medicine<br />

and Genetics at Einstein. “With this<br />

established, we’ll be able to more<br />

easily identify genes associated with<br />

complex disorders like diabetes that<br />

are determined by multiple variants<br />

across the genome. Armed with<br />

this information, we will be better<br />

positioned to treat patients.”<br />

Published as “Abraham’s<br />

Children in the Genome Era:<br />

Major Jewish Diaspora Populations<br />

Comprise Distinct Genetic Clusters<br />

with Shared Middle Eastern<br />

Ancestry,” the study has generated<br />

a great deal of excitement in the<br />

major media and Jewish press.<br />

You can read more about it here:<br />

http://www.einstein.yu.edu/home/<br />

addCoverage.asp?id=205.<br />

Funding for the Jewish<br />

HapMap was made possible by the<br />

IAJF and other concerned members<br />

of the Jewish community. Your<br />

continued support is vital to helping<br />

Einstein and NYU continue this<br />

research. For more information,<br />

please contact Janet Heit at 718-<br />

430-2790 or Janet.Heit@einstein.<br />

yu.edu.<br />

The IAJF’s partnership in<br />

this pioneering genetic research<br />

project studying Iranian Jews for<br />

the first time ever, and other Jewish<br />

populations, demonstrates IAJF’s<br />

visionary leadership and care for<br />

the community.


Team Talia<br />

By: Hayley Tizabi*<br />

“As the parents of a child with Type I Diabetes, we were initially<br />

overwhelmed by the diagnosis. The fact is that as many as 3 million<br />

Americans are born with, Type One diabetes, a disease most often<br />

diagnosed in childhood that strikes suddenly, lasts a lifetime, and<br />

carries the constant threat of long-term complications.”<br />

In 2005, at age 3, our daughter<br />

Talia was diagnosed with<br />

Juvenile, or Type 1 Diabetes. Within<br />

days, she became subject to a still<br />

ongoing pattern of finger pricks,<br />

insulin injections and an entirely<br />

new approach to eating. At the<br />

same time, my husband and I were<br />

quickly forced to become experts in<br />

each of these fields.<br />

As the parents of a child with<br />

Type I Diabetes, we were initially<br />

overwhelmed by the diagnosis.<br />

Aside from requiring significant<br />

changes that affect Talia, there is<br />

constant concern over what Talia’s<br />

blood sugar levels are in the middle<br />

of night and at school/camp, where<br />

we can’t always be there to keep<br />

watch. After an initial period of<br />

adjustment, we proactively decided<br />

to keep our approach a positive one<br />

by looking for the good in all this and<br />

more importantly, by never letting<br />

diabetes define Talia. For example,<br />

our family of five now takes a much<br />

healthier approach to eating and at<br />

7 years old, Talia demonstrates her<br />

maturity by making healthy choices<br />

and by showing her teachers how<br />

she tests her blood sugar by herself.<br />

It is extremely important<br />

for us to demonstrate to Talia that<br />

she, as well as the millions of Type<br />

I diabetics are well supported in<br />

their fight to find a cure. Perhaps<br />

the most consistent example of this<br />

is our family’s annual participation<br />

in the Juvenile Diabetes Research<br />

Foundation (JDRF) Walk to Cure<br />

Diabetes. The JDRF’s mission<br />

is to find a cure for diabetes and<br />

its complications by supporting<br />

research that has made significant<br />

strides in just the past few years.<br />

The fact is that as many as<br />

3 million Americans are born with<br />

Type 1 diabetes, a disease most<br />

often diagnosed in childhood that<br />

strikes suddenly, lasts a lifetime,<br />

and carries the constant threat of<br />

long-term complications including<br />

heart disease, stroke, blindness,<br />

kidney failure, and even sometimes<br />

amputation.<br />

The Walk draws people<br />

together for a healthy activity for a<br />

worthy cause. Taking place each year<br />

on the grounds of Dodgers Stadium<br />

(this year on 11/7 at 10am), The Walk<br />

is a good time for families, friends,<br />

companies and their employees.<br />

Above all, it’s an event people that<br />

people feel good about supporting<br />

simply by being there.<br />

Over the past few years, we<br />

have been blessed by our friends and<br />

family who make up the core of our<br />

team, TEAM TALIA. Together, we<br />

have raised more than $10,000 to<br />

support diabetes research. Far more<br />

important than the dollar amount<br />

raised is the support and comfort<br />

we have received from the sheer<br />

number of participants in the Walk<br />

itself. As Talia grows older, she is<br />

increasingly aware of the support<br />

she has and that makes dealing with<br />

diabetes far more tolerable.<br />

Talia never fails to warm<br />

our hearts. One day, while driving<br />

to school I looked in my rear view<br />

mirror and she was deep in thought.<br />

She asked me “Mommy, do dreams<br />

ever come true”. “Of course they<br />

do” I said “What is your dream,<br />

Talia?” Silence. “I dream that one<br />

day when I grow up I will be an<br />

artist ... or a gymnast ...or a teacher<br />

..... or a Mommy like you... and that<br />

I won’t have diabetes anymore!”<br />

I have no idea what<br />

wondrous dream Talia will have<br />

next. Her mind never stops and<br />

neither does her loving heart.<br />

Whatever she decides upon,<br />

knowing our daughter, it will be big<br />

and powerful and touch upon the<br />

lives of others.<br />

*Hayley Tizabi is the dedicated wife of<br />

Ray Tizabi and mother of 3 incredible<br />

children. Working in Radiadtion<br />

Oncology in Santa Monica, California.<br />

23<br />

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24<br />

Adult Children And<br />

Their Parents<br />

By: Mastaneh Moghadam, LCSW*<br />

“Making the decision to have a child is momentous. It is to decide<br />

forever to have your heart go walking around outside your body.”<br />

~Elizabeth Stone<br />

Every single one of us is a<br />

product of Parents. Parents,<br />

who have at the very least, given us<br />

life, fed us, clothed and sheltered us.<br />

Hopefully, they have also nurtured<br />

us, educated us, protected us, taught<br />

us right from wrong, sat up with us<br />

when we were sick, laughed with<br />

us, cried with us, and have done<br />

their best to love and support us.<br />

So, now that we are older…what<br />

are we to do with them? Do we<br />

thank them and bid them farewell?<br />

Do we show our appreciation by<br />

living our lives the way they want<br />

us to? Do we listen to them or run<br />

from them? Become their friends or<br />

their enemies?<br />

Ideally, the hope is that<br />

every child has been raised in a<br />

healthy family environment with a<br />

great deal of love and balance. The<br />

parents in this family have given their<br />

children equal amounts of attention,<br />

freedom to express emotions,<br />

age appropriate responsibilities,<br />

and respect. They have modeled<br />

appropriate boundaries and have<br />

earned their children’s trust by<br />

offering them a sense of security<br />

and consistency. The parents<br />

have allowed their children to<br />

experience life by making their<br />

own decisions, their own mistakes,<br />

and allowing them the freedom<br />

to be the individuals that they can<br />

be. And having experienced such<br />

a solid childhood, ideally as adults,<br />

our relationships with our parents<br />

include mutual love, respect, trust,<br />

and appreciation. We accept them<br />

as individuals with their own<br />

opinions and imperfections, goals,<br />

and values and in return, they do<br />

the same for us. They listen to our<br />

ideas without judgment, they share<br />

their wisdom without enforcing<br />

their beliefs upon us, they value<br />

the people that we are and support<br />

our decisions, weather they agree<br />

with it or not. We look forward to<br />

calling them, speaking with them,<br />

sharing new experiences with them<br />

and reminiscing through old times.<br />

They have become our friends, our<br />

confidants, and our biggest fans…<br />

and we all live happily ever after…<br />

does this sound like a fairy tale to<br />

you? Is this (or at least something<br />

almost like this) your reality?<br />

For many of us our<br />

childhoods were filled with<br />

imbalance and (at times) chaos.<br />

We may have grown up with<br />

parents whose own personal<br />

weaknesses and personality flaws<br />

lead to family structures where noncommunication<br />

and secrecy were the<br />

norm; anger and judgment ruled the<br />

house. Where power structures were<br />

unequal, rules and expectations were<br />

inconsistent, and respect was nonexistent.<br />

Where love and attention<br />

was a commodity that was hard to<br />

come by and interdependency was<br />

encouraged. And now, as adults,<br />

our relationships with our parents<br />

seem to be filled with feelings of<br />

resentment and anger, sprinkled<br />

with guilt. We find ourselves in a<br />

cycle of power struggles, and fights<br />

over control. We may find ourselves<br />

constantly looking to our parents to<br />

be saved or to save them, neither of<br />

which feels satisfying nor makes<br />

us happy. We may decide to “give<br />

in” and just do as they say and in<br />

essence become a martyr to their<br />

needs. Or, at the other extreme,<br />

make sure to do everything the<br />

opposite of what they want, often<br />

destroying ourselves just to see<br />

them suffer. Does this sound like<br />

anyone’s reality?<br />

Perhaps, for most of us, the<br />

reality of our relationship with our<br />

parents lies somewhere in between<br />

these two scenarios. However, if<br />

you find yourself drawing parallels<br />

to the later more than to the former,<br />

you may be wondering what has<br />

lead you there. Well…you’re<br />

Iranian. No, no – while that is not<br />

entirely the reason why, we do have<br />

to take a minute and look at our<br />

culture of origin.<br />

The Iranian Culture’s<br />

values and norms are historically<br />

more oriented towards the<br />

concept of collectivism rather<br />

than individualism. Collectivism


encourages compliance, conformity,<br />

and cooperation for the greater<br />

good of the whole group. The<br />

American culture stresses the idea<br />

of autonomy for the individual,<br />

self-assertion, nonconformity and<br />

healthy competition. Iranians in<br />

general value discreteness and<br />

secrecy, particularly regarding<br />

personal matters due to the notion<br />

of “Aberoo” or saving face and<br />

the importance of keeping a good<br />

“reputation” in front of others,<br />

versus Western cultures that tend to<br />

value expression of feelings.<br />

So here we are some thirty<br />

years into our collective migration<br />

from a culture that stressed to our<br />

grand-parents and our parents this<br />

“Collectivism” approach to child<br />

rearing – yet we go to school and<br />

socialize with teachers, neighbors,<br />

friends, and mentors that interact<br />

with us based on the “Individualism”<br />

approach to child rearing. Yet we<br />

all sit and wonder why we have<br />

difficulty communicating with our<br />

parents.<br />

Of course, every child from<br />

every culture (immigrant and nonimmigrant)<br />

feels a certain level of<br />

disconnect from his/her parents,<br />

that’s normal and to be expected.<br />

With us Iranians, however, the past<br />

30 years feels more like a 90-year<br />

stretch when it comes to the shift in<br />

culture and values from our parent’s<br />

generation to our own.<br />

In many immigrant<br />

communities – and certainly<br />

Iranians are no exception, we see a<br />

great number of what Psychologists<br />

describe as a “Parentified” child.<br />

The parentification could be<br />

physical (i.e. when a child is given<br />

the responsibility of looking after<br />

the physical needs of the parent<br />

and/or siblings, (this can include<br />

duties such as grocery shopping,<br />

paying bills, supervising homework,<br />

coordinating medical care, etc.),<br />

and/or emotional (i.e. when a child<br />

is given the responsibility of looking<br />

after the emotional and psychological<br />

needs of the parents/siblings – such<br />

as when parents begin to confide in<br />

the child, discussing their problems<br />

and their issues, using the child<br />

as a surrogate for a spouse or a<br />

therapist). The Parentified child will<br />

generally suffer from having his or<br />

her own emotional needs neglected.<br />

They often struggle with lingering<br />

resentment, explosive anger and<br />

difficulty in forming trusting<br />

relationships with peers, often<br />

following them into adulthood.<br />

We often find the parentified<br />

child in an enmeshed family<br />

dynamic. Enmeshed families are<br />

characterized by an extreme sense<br />

of closeness, so much so that almost<br />

any expression of independence is<br />

seen as disloyalty to the family.<br />

Where does one person’s business/<br />

identity/life, end and another begin?<br />

Within the enmeshed family,<br />

boundaries are virtually nonexistent.<br />

When we are made privy<br />

to all of our parents struggles and<br />

invited into them and even made<br />

responsible for them; when we are<br />

asked to comfort or give advice to<br />

our parents on a regular basis; when<br />

we are relied upon by our parents,<br />

to the point where we begin to<br />

define ourselves as essential for<br />

their every happiness – we are in<br />

an enmeshed family.<br />

When it comes to adult<br />

relationships with our parents we<br />

often have to ask ourselves if we<br />

have been given the opportunity to<br />

learn about ourselves and experience<br />

ourselves as the individuals that we<br />

are. Have we had the opportunity to<br />

devise our own opinions and values,<br />

make our own decisions, and make<br />

our own mistakes? Do our parents<br />

accept us as adults with rights to<br />

our own chosen life-style? Do we<br />

accept our parents as individuals or<br />

are we judgmental of their choices<br />

and decisions? Do we interfere with<br />

and try to control their lives? And<br />

if the answer to these questions is<br />

negative, then who do we get to<br />

blame? Who do we hold responsible<br />

for this? Well, my friends, the<br />

answer to this…if you are an adult<br />

and care to be treated as one…is<br />

OURSELVES. Children blame<br />

their parents for their shortcomings,<br />

but as adults, we are the ones who<br />

need to take responsibility for<br />

them. Blaming our parents for the<br />

unsatisfactory state of our lives<br />

and for our circumstances solves<br />

nothing. Working hard to truly<br />

get to know ourselves and making<br />

a point to set clear and effective<br />

boundaries with our parents, and<br />

defining our lives, warts and all,<br />

by our own standards is what truly<br />

makes us grown-up; grown-ups who<br />

are worthy of having a mutually<br />

respectful relationship with our<br />

parents as well as with our own<br />

children.<br />

*Mastaneh Moghadam is the Iranian<br />

Outreach Coordinator at Jewish Family<br />

Service of Los Angeles. She also<br />

has a private practice working with<br />

individuals, couples, families, and<br />

children in private practice in Sherman<br />

Oaks, CA.<br />

25<br />

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<strong>166</strong><br />

26<br />

Our Films Are Not Just Selected<br />

They Are Chosen!<br />

“The Los Angeles<br />

Jewish Film Festival”<br />

By: Tannaz Kamran- Rahbar<br />

Photos by: Jasmine Daghighian*<br />

The Opening Night Gala of The Los Angeles Jewish Film Festival<br />

was held on May 8, 2010. This exciting evening featured many<br />

famous and familiar faces from the Hollywood landscape who<br />

attended to support the creative efforts of Global Jewish Film<br />

Artists. There was also a sprinkling of interesting characters and<br />

personalities, such as a pair of huge sumo wrestlers, who walked the<br />

red carpet as human props for the movie “A Matter of Size.”<br />

he Los Angeles Jewish Film<br />

TFestival (LAJFF) builds<br />

community awareness, appreciation<br />

and pride in the diversity of the<br />

Jewish people through film. The<br />

mission of LAJFF is to preserve<br />

and celebrate our rich Jewish<br />

heritage; to cultivate Jewish values<br />

and the quality of Jewish life in our<br />

community (not only for the affiliated<br />

but unaffiliated); and to create and<br />

maintain a sense of community by<br />

providing important and exciting<br />

programming for individuals,<br />

families and organizations. In<br />

attendance, were actress Shirley<br />

Jones, Comedian Marty Ingels,<br />

Social Media and Networking<br />

Expert Peter Shankman, Actor<br />

Yuval David, Consul General of<br />

Israel, Jacob Dayan, and filmmaker<br />

Antwone Fisher.<br />

“A Matter of Size” was the<br />

opening selection on that evening,<br />

Written and Directed by Erez<br />

Tadmor and Sharon Maymon. This<br />

utterly charming film was filmed<br />

in the earthy parts of Ramle and<br />

brought out both intense laughter and<br />

tears from the audience. The central<br />

message to this piece is that size,<br />

well, does matter! The challenge<br />

we face in life, first and foremost,<br />

is the fight for “Self Acceptance”.<br />

We all struggle with some parts<br />

of ourselves, whether private or<br />

transparent to the world, physical<br />

or emotional. Sometimes when<br />

we need support and understanding<br />

from those around us, we find<br />

nothing but criticism and guilt trips<br />

imposed by the self proclaimed<br />

“Know It Alls” who find our misery<br />

the perfect opportunity to feed their<br />

own ego.<br />

This story revolves around<br />

Hertzel, a seriously overweight man<br />

who has struggled with his weight<br />

since childhood. He lives in Ramle<br />

with his co-dependent Jewish-<br />

Mother who instinctively feeds him<br />

with an overabundance of fattening<br />

foods, and at the same time ridicules<br />

and chides her son for being fat, lazy,<br />

and a geek. Hertzel is humiliated<br />

and thrown out of his weight loss<br />

support group for gaining more<br />

weight, and loses his job for the<br />

same reason. Determined to prove<br />

that he is still worthy, he is drawn to<br />

the world of Sumo Wrestling, where<br />

he finds the comfort and respect he<br />

desperately needs for being who<br />

he is. The owner of the Japanese<br />

restaurant where he finds work as a<br />

dishwasher is an ex Sumo Master,<br />

and together they start a team with<br />

some other large friends. “There<br />

they discover the one activity<br />

where girth is a virtue and fat guys<br />

can be rock stars!” This film is<br />

an inspirational story about selfacceptance,<br />

self-love, and finding<br />

beauty and yes, LOVE, within<br />

yourself and others, regardless<br />

of what society dictates. We are


not born with these convictions;<br />

we must rather fight to the end to<br />

achieve them.<br />

Some other movies featured<br />

at this year’s LAJFF were:<br />

Holy Rollers, also featured on<br />

the Jimmy Kimmel Live show,<br />

The Yankles, Anita, Bride Flight,<br />

The Loners and Seven Minutes in<br />

Heaven. There is also an evening<br />

featuring “Student Film Showcase”<br />

Where Jewish student films from<br />

day and high schools throughout Los<br />

Angeles are presented, celebrating<br />

the “burgeoning talent of our future<br />

generation of filmmakers.<br />

*Jasmine Daghighian is a recent graduate<br />

of the USC School of Cinematic Arts.<br />

She is currently working as a filmmaker<br />

and photographer is Los Angeles, Ca<br />

Neman Hall features:<br />

Exquisite Ballroom with seating<br />

for 450 guests<br />

Kosher Kitchen Facilities<br />

(Outside Caterers Accepted)<br />

Sanctuary and Chuppah Area<br />

Private Bridal Room<br />

Bedekn and tish area available<br />

Large Dance floor<br />

Valet Parking Service<br />

for viewing of venue please contact<br />

Irma Smith<br />

Direct Line : (323) 656-2142<br />

Iranian American Jewish Center<br />

1317 N. Crescent Hights Blvd.<br />

West Hollywood, CA 90046<br />

27<br />

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<strong>166</strong><br />

28<br />

The Barber of O.C.<br />

By: Sabrina Azadi*<br />

“Adults tend to lie when confronted with a newly born, hairy baby<br />

girl. They give the mother false hopes that the beard, neck and<br />

forehead hair on her bundle of joy will miraculously metamorphose<br />

from coarse black to blonde and eventually fall off!”<br />

Eight months into our marriage,<br />

my husband suggested that I<br />

should go and see a barber. He said<br />

it gently without giving me cause for<br />

alarm. He didn’t use the word hair<br />

stylist, hairdresser or beautician. I<br />

wonder why? I thought barbers cut<br />

hair, give shaves and trim beards,<br />

often with mechanical tools. Maybe<br />

I’m being sensitive but to me the<br />

word has a distinct masculine<br />

connotation. Isn’t it derived from<br />

the word barbaric? Doesn’t the word<br />

barbaric mean someone uncouth<br />

and often bearded? It’s possible; it<br />

has an entirely different root word,<br />

which I’m unaware of.<br />

Maybe its origin relates to<br />

Barbarella, the Queen of the Galaxy.<br />

She’s the fantasy space traveler,<br />

with a mane of bouncy hair. She has<br />

various intergalactic adventures and<br />

fights off evil with her shiny space<br />

gun wearing skin-tight cat suits and<br />

metallic knee high boots. Maybe<br />

he’s trying to tell me my hair needs<br />

more volume. I can easily fix that<br />

with my “big sexy spray and play”<br />

hairspray. Even though he wasn’t<br />

looking at the hair on my head<br />

when he mentioned it, I’m sure<br />

that’s what he was thinking; more<br />

bounce and body. I prefer to believe<br />

the latter derivation.<br />

What’s All The Fuzz For?<br />

Darwin has a lot of<br />

explaining to do when it comes to<br />

female body hair. It must have some<br />

benefit. Evolutionary science tells<br />

me so. If it didn’t it would have shed<br />

by now. My fuzz must serve some<br />

purpose. Maybe it’s protecting me<br />

from bacteria, spread of disease and<br />

harmful UV rays. That’s now all<br />

taken care of with penicillin, hand<br />

sanitizer and sunscreen. Whoever’s<br />

making the decisions must see how<br />

futile it is. Surely they must know<br />

we’re taking it all off. Why don’t<br />

they bring the human conveyor belt<br />

to a halt? Don’t they realize that<br />

faulty batches are going out? Why<br />

has natural selection turned a blind<br />

eye to the plight of over protected<br />

women?<br />

It’s too late for me. My<br />

concern is for future generations.<br />

Every day thousands of baby girls<br />

are born with what society tells me is<br />

a genetic deviance. These girls will<br />

spend a great deal of time and money<br />

on removing excess hair. Forget the<br />

rashes, cuts and the in growing hairs.<br />

It’s the psychological damage that<br />

leaves the worst scars. I knew a girl<br />

that was driven to therapy because<br />

of her deep shadowy facial hair. Her<br />

brother had given her the nickname<br />

Mach 3 when she was three years<br />

old. Twenty years later, despite<br />

hopeful family predictions, the hair<br />

had not fallen-out. She wasn’t even<br />

Persian.<br />

Baby Barbarella<br />

Misguided information from family<br />

and friends creates anxiety. Adults<br />

tend to lie when confronted with a<br />

newly born, hairy baby girl. Female<br />

family members are particularly<br />

prone to well-meaning deception.<br />

They give the mother false hopes that<br />

the beard, neck and forehead hair on<br />

her bundle of joy will miraculously<br />

metamorphose from coarse black


to blonde and eventually fall off.<br />

Just like the belly-button does.<br />

They call it baby fluff. This is myth<br />

number 1. No one has the fortitude<br />

to tell the truth. It’s misleading and<br />

unkind. They recall imaginary cases<br />

when it’s happened to the baby of<br />

a distant cousin back home or a<br />

friend of a friend that they’re no<br />

longer in touch with.<br />

Their examples<br />

are always vague<br />

and never taken<br />

from the immediate<br />

family gene pool.<br />

Frankly they would<br />

be better off telling<br />

the mother the truth<br />

and allowing her to<br />

make the necessary<br />

provisions and<br />

preparations both<br />

emotionally and<br />

financially for<br />

herself and daddy’s<br />

furry little princess.<br />

No matter<br />

how cute her<br />

dimples are when<br />

she smiles the<br />

velvety moustache<br />

is distracting, so the<br />

baby is adorned with<br />

a huge bow, gold<br />

hoop earring and a<br />

shiny name bracelet<br />

specifically to<br />

publicize: “I’m not<br />

a boy!” The color<br />

blue is boycotted.<br />

The parents invest<br />

heavily in everything pink.<br />

Moo-Mitzvah?<br />

Growing up, Baby Barbarella knows<br />

she’s not like the rest of the girls and<br />

feels more comfortable with other<br />

Persian Princesses or girls from the<br />

Mediterranean community. Who<br />

else can understand what it’s like<br />

to have sideburns and lose a front<br />

tooth? When she’s old enough to<br />

say moo (hair) she’s given a pink<br />

Gillette ladies razor with a tiny bow<br />

tied around it along with a can of<br />

what looks like Barbie’s whipping<br />

cream. Here begins what will be a<br />

lifetime ritual. This is the point of<br />

no return. There should be a Bat-<br />

Mitzvah or some other formal entry<br />

into this coming of age but instead<br />

it’s done quietly, discreetly and only<br />

in the presence of other women.<br />

This secret female society will play<br />

an important role in her life. The<br />

initiation, is usually suggested by an<br />

aunt, cousin or a close family friend.<br />

There will always be a debate as for<br />

the best course of action. Should she<br />

start shaving right away or would it<br />

be wiser for her to wax, and prevent<br />

thicker hair growing back, or<br />

maybe her condition is better suited<br />

to threading?<br />

Which brings<br />

me to myth<br />

number 2:<br />

when you<br />

shave, wax<br />

or thread hair<br />

on any part<br />

of your body,<br />

it will grow<br />

back looking<br />

exactly how<br />

it looked<br />

before, maybe<br />

even worse.<br />

The pain you<br />

e x p e r i e n c e<br />

during your<br />

method of<br />

hair removal<br />

doesn’t give<br />

you any<br />

r e - g r o w t h<br />

advantages.<br />

Trust me, I<br />

know.<br />

*Sabrina Azadi<br />

is a freelance-fashion writer, jewelry<br />

designer and former magazine editor.<br />

She has written for publications such<br />

as the Los Angeles Times, Coast<br />

Magazine and Beverly Hills Times<br />

Magazine among others. Her blog is:<br />

www.PersianOrange.blogspot.com.<br />

29<br />

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<strong>166</strong><br />

30<br />

What Do You Want To Be<br />

When You Grow Up?<br />

By: Ben Nabati<br />

“Individuals in our collective age group, those born roughly<br />

1975-1990 are estimated to have nearly a dozen jobs before<br />

they turn 40.”<br />

The editor of Shofar Magazine<br />

asked if I could write a “Top<br />

10”career choice list for our younger<br />

readers. After giving it some thought,<br />

I came up with five worthwhile<br />

ones! The editor suggested heavy<br />

amounts of research in order to<br />

write the article. Remiss on that<br />

account as well! But, I can assure<br />

you a genuine, informed and mature<br />

discussion of potential career paths.<br />

I may add a sixth for good cheer!<br />

So, whither shall you start<br />

your journey into the vaunted ‘Real<br />

World’? Will you end where you<br />

begin? Likely not! Individuals in<br />

our collective age group (Those born<br />

roughly 1975-1990 are estimated<br />

to have nearly a dozen jobs before<br />

they turn 40). Of course, there are<br />

the traditional career professions<br />

like medicine and law. These paths<br />

offer relative career security, which<br />

Ben Franklin will tell you, has a dear<br />

price: “He who sacrifices freedom<br />

for security deserves neither.”<br />

So let’s get started:<br />

Without hesitation, healthcare<br />

comprises nearly 20% of the<br />

American economy. Now, that<br />

doesn’t necessarily mean, go sign<br />

up to take your MCAT. There are<br />

countless peripheral opportunities<br />

related to the healthcare industry,<br />

such as pharmaceuticals, medical<br />

technology, medical billing and<br />

facility administration, just to name<br />

a few. There’s a cornucopia (No,<br />

that’s not a ligament!) of options<br />

in the healthcare industry. Don’t<br />

automatically think you have to<br />

serve the general public directly,<br />

such as a doctor or nurse would.<br />

Sometimes serving providers can be<br />

wildly lucrative, say, on a business<br />

to business level.<br />

Next is Sex. Yes, I said<br />

it. Sex OR anything dealing with<br />

it. You can lump most forms of<br />

entertainment with sex, plus many<br />

other industries: Certain types of<br />

clothes, makeup, fitness and other<br />

hype. I’m not knocking it by any<br />

stretch, and many of you will find my<br />

groupings absurd. I’m attempting<br />

to impart a way of thinking: Think<br />

of the end-user and how you’re<br />

impacting that individual’s life.<br />

Start and work onward from there.<br />

In this case, things that get people<br />

excited about how they look or<br />

smell relates to sex. Controversial,<br />

but correct.<br />

Thirdly, something less<br />

jarring: Energy-efficiency and<br />

‘Green’ Enterprises. Federal and<br />

state governments and utilities are<br />

providing much sponsorship and<br />

direction toward energy-, water-<br />

and vital-resource-conservation<br />

and management. The writer is<br />

personally involved in this industry<br />

and sees a very bright future ahead.<br />

Taxes, taxes, taxes. The<br />

‘Tax Man’ isn’t going away. If<br />

anything, he’s become more<br />

emboldened. Taxes will be a<br />

decisive factor in society for the<br />

remainder of human civilization. If<br />

you can provide value in that arena<br />

to help people ‘You-Know-What’,<br />

you can’t go wrong.<br />

Seen a fight lately? Of<br />

course you have. We live in a<br />

conflicted, licentious society.<br />

People are always disputing various<br />

things. One option that has gained in<br />

popularity in business and medical<br />

industry circles is mediation. It’s<br />

a more efficient way of resolving<br />

disputes. That said, I think that<br />

other professionals that can get<br />

people through difficult challenges<br />

(For example, Marriage and Family<br />

Counselors, Nutritionists and other<br />

Consultants) will have a promising<br />

future. The benefit to this service<br />

is the savings in time, money<br />

and aggravation your clients will<br />

experience compared to dealing<br />

with lawyers and trials.<br />

And now for the bonus;<br />

The Sixth, as promised. The<br />

Sixth resides within you. By far,<br />

the road to riches in America is a<br />

wonderfully-executed, brilliant idea<br />

that sees the light of day. America<br />

is in the business of business. So


if your life’s passion leads you to<br />

discover some incredibly different<br />

way to achieve some relevant and<br />

worthwhile objective, then DO IT.<br />

And don’t look back.<br />

No matter what you do, I<br />

will share a few things that my 20s<br />

have taught me. I made some major<br />

bone-head no-no’s in my career path,<br />

so I plead humility on every count.<br />

But I learned from those errors<br />

and turned stumbling blocks into<br />

stepping stones. I recommend it.<br />

I also recommend reading<br />

The Alchemist by Paulo Coelho.<br />

It’s a wonderful story about -- you<br />

know what? Just read it.<br />

Jewelry designer and fashion<br />

columnist Sabrina Azadi inspired<br />

by her love of antique crystal<br />

doorknobs has created the Freedom<br />

by Sabrina Azadi jewelry line.<br />

The sparkling Austrian<br />

crystals set against contrasting<br />

leather cords expressing a distinct<br />

organic style that’s fresh and<br />

minimalist, yet sophisticated with<br />

an edge. “Wearing crystals make<br />

me feel powerful, it’s as if they are<br />

somehow magical,” she says.<br />

Each eye catching jewelry<br />

collection is named after a place<br />

that she loves, collections include:<br />

St. Barts, South Beach, Malibu and<br />

Crystal Cove. She also believes<br />

Finally, learn about<br />

yourself. Focus on your strengths<br />

and work to develop them. I took<br />

a strengths-inventory survey in<br />

one of my college classes and after<br />

learning my strengths, my state<br />

of mind has constantly gravitated<br />

toward positivity and confidence.<br />

It’s always about what I CAN<br />

do with what I have, rather than<br />

what I CANNOT achieve because<br />

of what I lack. As the righteous<br />

Lao Tzu said, “Knowing others is<br />

intelligence; knowing yourself is<br />

true wisdom. Mastering others is<br />

strength; mastering yourself is true<br />

power.” Nosce te Ipsum!<br />

“Freedom” A Unique Line<br />

Of Jewelry<br />

If it’s a framework you<br />

need to retain the gems I impart, I<br />

offer one here: Research, Respond,<br />

and Resonate. Research: Do your<br />

homework, especially on yourself<br />

and WHO you are (Not just WHAT<br />

you are.). Respond: Be True to<br />

yourself and others. Respond is<br />

the root of ‘Responsibility’. And<br />

finally, Resonate: Make sure that<br />

what you do resonates with your<br />

true inner core. You owe it to<br />

yourself and society to maintain<br />

concordance between your inner<br />

direction and outer machinations.<br />

Onward and Upward!<br />

that when it comes to jewelry, “you<br />

must wear the piece and not let it<br />

wear you.” This is why her jewelry<br />

can be worn with an elegant cocktail<br />

dress or a pair of jeans.<br />

Sabrina was born in Iran,<br />

raised and educated in London. She<br />

has also lived in Miami where she<br />

worked as an editor for a fashion<br />

magazine. She now lives in Orange<br />

County with her husband. Her last<br />

name “Azadi” means freedom in<br />

Farsi.<br />

To see the Freedom<br />

collection please visit Azadi’s<br />

website: www.SabrinaAzadi.com<br />

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32<br />

Rap, Torah, Rumi<br />

What do they have in common?<br />

By: Mahbod Moghadam*<br />

“Although rap music creates a lot of problems - teaching violence,<br />

promoting gangs, etc. - perhaps it is useful as a way of getting young<br />

people to explore the Torah. Start with rap, work your way towards<br />

the Torah, and follow if with some poetry by Rumi!”<br />

About a year ago, Shofar<br />

Magazine broke the story<br />

that a new website called “Rap<br />

Exegesis” claimed to be the Talmud<br />

of Rap Music. Thankfully, Shofar<br />

Magazine called these hooligans<br />

out for their insult to Judaism and<br />

forced them to change their name to<br />

Rap Genius (http://rapgenius.com).<br />

Although rap music and the Torah<br />

have a lot in common (both advocate<br />

violence, both involve gangs, etc...)<br />

they both also have nice things about<br />

them too! They foster community<br />

building, they celebrate poetry...<br />

However, the Torah is still<br />

wayyyy cooler than Rap.<br />

That’s why the editors<br />

of Rap Genius have decided to<br />

explain the Torah on Rap Genius!<br />

You can check out the first chapter<br />

of Genesis, already explained:<br />

http://rapgenius.com/lyrics/Moses/<br />

Genesis-chapter-1.<br />

Apparently, the Rap Genius<br />

editors went on Birthright Israel this<br />

summer or something like that...<br />

Because they also decided to make a<br />

map of the history of Judaism called<br />

“The Jew Map” (http://thejewmap.<br />

com). The Jew Map was inspired<br />

by the “Rap Map” (http://map.<br />

rapgenius.com), which is a Google<br />

Map showing the history of rap<br />

music.<br />

(photo of Shyne’s pilgrimage to Jerusalem after converting to Judaism in prison from<br />

http://www.vosizneias.com/wp-content/uploads/2010/11/shyne5-512x268.jpg)<br />

Although rap music creates a lot<br />

of problems - teaching violence,<br />

promoting gangs, etc. - perhaps it<br />

is useful as a way of getting young<br />

people to explore the Torah. Start<br />

with rap, work your way towards<br />

the Torah.<br />

Then again, maybe rap<br />

music and Judaism are not so far<br />

apart to begin with! (Isn’t Judaism<br />

really just a big gang?) Jerry Heller<br />

- the original agent who made Dr<br />

Dre and Ice Cube famous - was<br />

(you guessed it!) JEWISH! Drake<br />

- one of the most popular rappers<br />

right now - is (half) JEWISH!<br />

Even the rapper Shyne<br />

converted to Judaism after studying<br />

Kabbalah for three years (during<br />

his prison sentence for attempted<br />

murder.. but whatever, better than<br />

nothing..)<br />

Maybe these Rap Genius<br />

kids need some meditation and<br />

mysticism to wake them up from<br />

their stupor. Luckily, they are also<br />

beginning to explain poetry on their<br />

site, including the poems of Rumi,<br />

the great Sufi mystic/Persian poet.<br />

Check it out!<br />

PERSIAN MOMS: They<br />

need your help explaining the<br />

Rumi, and the nice part of Rap<br />

Genius is that anyone can add<br />

explanations. Please help these<br />

children learn some manners and<br />

gain some perspective. Shofar<br />

Magazine sincerely hopes these<br />

talented, confused children will<br />

become aghebat bekheir in the end.<br />

(To quote the Book of Ecclesiastes:<br />

“This too shall pass...”)<br />

*Mahbod Moghadam is a Persian<br />

Lawyer in California, and co founder<br />

of Rapgenius.com.


Alice Dancing Under<br />

the Gallows<br />

By: Sanam Shamtobi*<br />

“In a time when genocide is still a reality, Alice’s protest that “hatred only brings<br />

hatred” is an ever-relevant message whose power cannot be underestimated.”<br />

It is possible that in the last few<br />

weeks, you received an email<br />

with a video about the oldest living<br />

holocaust survivor. As you clicked<br />

the link, you may have thought, “I’ve<br />

seen enough of these documentaries<br />

to know what’s coming,” and from<br />

the first moment is started, you<br />

realized that this is something<br />

different. Alice Herz-Sommer, at<br />

almost 106 years old, is sitting in<br />

her London flat, simply beaming<br />

about the “phenomenal” power of<br />

Beethoven, concluding that “Music<br />

is G-d,” and declaring, “Everyday<br />

in life is beautiful.”<br />

By 1942, Alice had gained<br />

a notable reputation as a concert<br />

pianist, often playing with the<br />

Czech Philharmonic as a featured<br />

soloist. She was happily married,<br />

had a son named Raffi and enjoyed<br />

the company of family friends<br />

such as Franz Kafka and Gustav<br />

Mahler. That same year, Alice was<br />

imprisoned in the Theresienstadt<br />

concentration camp, where she<br />

would continue playing piano, as<br />

part of the Nazi agenda to deceive<br />

the international community and<br />

show how “well” the Jews were<br />

doing under Nazi rule. As Alice<br />

sees it, she was kept alive because<br />

of the power of music.<br />

After her liberation, Alice<br />

sought refuge in Israel and remained<br />

fiercely devoted to teaching and<br />

playing piano as well as inspiring<br />

her son to a career as a successful<br />

cellist. Upon turning 100, she<br />

moved to England to be close<br />

to her family, but tragedy struck<br />

when Raffi suddenly passed away.<br />

With such immense sadness and<br />

grief, Alice again found a means of<br />

survival in her music as it gave her<br />

space to mourn, reason, and heal.<br />

The documentary “Alice<br />

Dancing Under the Gallows,” is an<br />

outstanding piece that offers any<br />

human being a moment of escape<br />

into the mind of a woman who<br />

refuses to hate. Even today, after all<br />

the time Alice has had to reflect on<br />

her history, her ultimate conclusion<br />

is that she is “richer than other<br />

people.” Interview after interview<br />

reveals how Alice’s music was not<br />

only a personal source of comfort,<br />

but “moral support” for the other<br />

prisoners at Theresienstadt,<br />

allowing them to feel “magic” if<br />

only for a few moments. Nearly<br />

65 years later, Alice maintains her<br />

ability to captivate and enchant<br />

an audience as she unwaveringly<br />

glows with a devotion to optimism,<br />

beauty, passion and the divinity of<br />

allowing music, but above all else,<br />

love into our hearts.<br />

In a time when genocide<br />

is still a reality, Alice’s protest<br />

that “hatred only brings hatred” is<br />

an ever-relevant message whose<br />

power cannot be underestimated.<br />

With the collection of Holocaust<br />

testimonials that we have at our<br />

disposal and the immense suffering<br />

that man in general has endured, the<br />

stories of extreme heartache and<br />

torment should have been enough to<br />

prevent malice to exist on any level.<br />

Perhaps the steadfastly profound<br />

Alice, reassuring us that life and<br />

our fellow men are truly beautiful<br />

will help us learn this lesson a bit<br />

better.<br />

The film is directed by<br />

Oscar winning director Malcolm<br />

Clarke and produced by Caroline<br />

Stoessinger, Nick Reed, Chris<br />

Branch, Larry Abramson and<br />

Jasmine Daghighian. For more<br />

information on the film visit: www.<br />

nickreedent.com<br />

*Sanam Shamtobi received her BA in<br />

English Literature and Art History from<br />

USC in June 2010.<br />

She is currently pursuing a PhD in<br />

Clinical Psychology and fulfilling her<br />

dream of going to cooking school.<br />

33<br />

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<strong>166</strong><br />

34<br />

Dear sisters,<br />

I am a young man starting my<br />

career in a law firm. Even though<br />

I feel confident of my abilities,<br />

I find myself unable to sleep at<br />

night due to worries about my job<br />

and my future. My friend told me<br />

about the Eastern Philosophy of<br />

Zen meditation and recommended<br />

I start taking special Meditation<br />

classes to teach me to relax. Can<br />

you please explain to me what Zen<br />

is all about and how it can benefit<br />

me at this time in my life?<br />

Thank you<br />

=======================<br />

Dear anxious young attorney:<br />

Zen and Eastern Philosophy tries<br />

to bring home this obvious point:<br />

that life does not exist anywhere<br />

else but at this very second, called<br />

the Present Moment. The past is<br />

only a day-dream of our mind, and<br />

the potential future is nothing but a<br />

story we have made up, a fantasy of<br />

sorts.<br />

While we all understand<br />

this fact with our logical minds, we<br />

live our daily life carrying with us<br />

self-made stories of the past and<br />

Dear Sisters<br />

“Dear Sisters” is a new section in Shofar Magazine written by Dr. Dorit Halavy Miller and Dr. Farnaz<br />

Halavy Galdjie, Licensed Clinical Psychologists. Please e-mail your questions to Dorit@talktherapy911.<br />

com. This page is not intended for making final decisions, and is not a substitute for therapy. For further<br />

guidance, please contact your mental health professional.<br />

made-up stories of the future. If we<br />

get confronted with this dilemma,<br />

we might say: “yes, it is true that the<br />

past is only our version of events<br />

passed, and the future is nothing but<br />

our stories of potential events in the<br />

future, and that both have no reality<br />

in the present. BUT, we must learn<br />

from our past so that we can create<br />

the most desired life for ourselves<br />

and our loved ones in the future.”<br />

That is how we all live our life from<br />

day to day; Learning from our past<br />

and projecting our lessons into the<br />

future. Trying desperately to avoid<br />

the “bad” and searching frantically<br />

to create more of the “good” stuff<br />

in our lives.<br />

Zen practice does not<br />

advocate for us to stop doing that.<br />

Our survival depends on doing<br />

exactly that. The problem is that<br />

when we do this automatically and<br />

without awareness, we forget and<br />

fail to see that the ONLY thing that is<br />

real is THE PRESENT MOMENT.<br />

This very second, this is the ONLY<br />

dimension in which life is actually<br />

taking place in, goes by us unnoticed<br />

(for the most part). And<br />

since we all agree that the life takes<br />

place ONLY in the NOW, we can<br />

then conclude that most of us miss<br />

out on LIFE (the present moment),<br />

as we obsessively dwell on the past<br />

and worry about the future.<br />

The NOW is swallowed up<br />

when we rehash angry or painful<br />

events from our past and imagine<br />

anxiety provoking scenarios of our<br />

potential future. One can write a<br />

book on all the thoughts which take<br />

place in one’s mind about him/her<br />

past and future; all the anger and rage<br />

and hurts and disappointments with<br />

self and others, the wrong-doings of<br />

self and others and the regrets and<br />

judgments of self and others. All the<br />

projected fears of “what if” this or<br />

that happens. Every possible fear,<br />

from loss of money to loss of health<br />

and love, to eventually, the biggest<br />

loss of all: loss of life.<br />

The only reason we all<br />

do this (without exception) is:<br />

SURVIVAL. We, humans, are hardwired<br />

to be searching continually<br />

for whatever keeps us safe and<br />

secure. More money, more love,<br />

more social acceptance and friends,<br />

the more – the better, or so we think<br />

(unconsciously). The problem is<br />

not that we attempt to secure our<br />

survival, the problem is that we<br />

do so automatically and without<br />

awareness and hence, without limit.


Like a dog which will not stop<br />

eating until it kills him. We too,<br />

follow our instinct to the point of<br />

making ourselves sick, emotionally<br />

and physically. We work and stress<br />

beyond what is healthy. Some<br />

people destroy their families and<br />

take their own life when they lose<br />

money (although they have enough<br />

left to live a good life).<br />

The problem is that while<br />

we obsessively and blindly try to<br />

secure our survival, we miss out<br />

on life as it takes place right here<br />

and right now. While we are busy<br />

rejecting what we don’t like and<br />

frantically searching for what we do<br />

– life is unfolding and passing by us<br />

; in its own shape or form; whether<br />

we like it or not. Your life is what<br />

it is right now – right at this very<br />

moment – including all that you do<br />

like or all that you don’t, all that you<br />

do accept and all that you reject.<br />

And if you are not aware and awake<br />

enough to experience it – you will<br />

simply miss out on your life!<br />

So try and train your mind<br />

to become more mindful of itself.<br />

Try to remind yourself to interrupt<br />

the continuous chatter of your mind<br />

whenever possible and simply watch<br />

your mind. Become alert and awake<br />

of all that is taking place right now,<br />

including your thoughts and feelings.<br />

Instead of getting lost in your<br />

stories, observe them. See them for<br />

what they are: stories. You cannot<br />

stop your mind from spinning tales<br />

of the past and the future, but you<br />

can become an observant of them,<br />

rather than getting lost in them.<br />

This way, your stories will have less<br />

emotional charge on your physical<br />

being. This way, you will, in time,<br />

learn to become quiet enough inside<br />

of your mind so that you can take in<br />

all the joy and pleasures that life is<br />

offering you every day.<br />

A Poem By Rumi<br />

Not Christian or Jew or Muslim,<br />

Not Hindu, Buddhist, Sufi, or Zen.<br />

Not any Religion or Cultural System.<br />

I am Not from the East or the West,<br />

Not out of the Ocean or up from the Ground,<br />

Not Natural or Ethereal,<br />

Not composed of Elements at All.<br />

I do not Exist, am not an Entity<br />

in this World or the Next,<br />

did not descend from Adam and Eve<br />

Or any Origin Story.<br />

My place is placeless,<br />

A trace of the traceless.<br />

Neither Body or Soul.<br />

I belong to the Beloved,<br />

I have seen the two Worlds as One,<br />

and that One call to and Know,<br />

First, Last, Outer, Inner,<br />

Only that breath-breathing<br />

HUMAN BEING. RUMI<br />

35<br />

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36<br />

The Chosen Taco!<br />

By: Tannaz Sassooni*<br />

“Offering a fusion of two of LA’s most quintessential ethnic cuisines<br />

‘Mexican and Jewish” Takosher deliciously fills a neglected niche in the<br />

food truck scene.”<br />

An exciting trend has taken<br />

over the Los Angeles food<br />

scene, and most everyone’s getting<br />

involved. At lunchtime, dinnertime,<br />

and especially late at night, on the<br />

busiest pedestrian streets of the<br />

city, you’ll find long lines of people<br />

eagerly waiting their turn to taste<br />

the flavor explosions on offer at a<br />

variety of food trucks. The food is<br />

part of the draw, but just as important<br />

is the fun factor: food trucks force<br />

us out of the isolation of our cars<br />

and give us a rare opportunity to<br />

socialize with our city’s diverse<br />

citizenry. You may not hang out in<br />

the same places as the people in line<br />

with to you, you may even live in<br />

completely different parts of town.<br />

But you find yourself bonding over<br />

the delicious treats that await you --<br />

after all, everyone can appreciate a<br />

Korean fusion burrito, Vietnamese<br />

spring rolls hot out of the fryer,<br />

or sweet potato fries topped with<br />

tomatillo chicken, right?<br />

Well, not exactly everyone.<br />

The sizable number of Angelenos<br />

who maintain a kosher diet can’t<br />

join in the fun, with trucks offering<br />

menu items like Korean spicy pork<br />

burritos or cheeseburger dumplings.<br />

Enter Takosher, the nation’s first<br />

glatt kosher taco truck. Offering<br />

a fusion of two of LA’s most<br />

quintessential ethnic cuisines -<br />

- Mexican and Jewish -- Takosher<br />

deliciously fills a neglected niche in<br />

the food truck scene.<br />

But what is a Jewish-<br />

Mexican fusion taco? The best<br />

example might be the brisketaco.<br />

At first glance, it looks totally<br />

authentic: shredded meat in small<br />

lightly grilled corn tortillas topped<br />

with chopped onions and cilantro,<br />

and it even riffs off the traditional<br />

suadero taco, which also features<br />

brisket. But the flavors here are<br />

pure Ashkenazi family dinner. Slow<br />

braised in a sauce of chili, raisins,<br />

and sauerkraut, the tender meat is<br />

sweet and tangy.<br />

Another unorthodox option<br />

is the latketaco. While you can<br />

occasionally find potato tacos at<br />

Mexican taquerías around town,<br />

Takosher packs theirs with crispy<br />

potato mini-fritters, and tops them<br />

with an apple jalapeño chutney,<br />

demonstrating how well the flavors<br />

of a traditional Hanukkah favorite<br />

can satisfy anyone’s late-night<br />

hankering for salty, sweet, and<br />

fried.<br />

Carne asada, citruschipotle<br />

chicken (cheekily called<br />

“The Chosen Chicken”), and the<br />

“Fujita” -- tofu prepared fajitastyle<br />

-- round out the taco selection.<br />

Though there’s no cheese or sour<br />

cream to be found at this taco truck,<br />

Takosher keeps things bright with<br />

fresh homemade salsas and a crisp<br />

jicama cucumber slaw. They also<br />

feature a selection of kosher sodas.


While Takosher takes<br />

its glatt kosher certification<br />

very seriously, it maintains that<br />

sense of playful irreverence that<br />

typifies LA’s gourmet food trucks,<br />

demonstrated here by the slightly<br />

tweaked catchphrases splashed<br />

across the bright blue truck: “The<br />

Chosen Taco”, and “Why Is This<br />

Taco Different From All Other<br />

Tacos?” But, as anyone who<br />

keeps kosher knows all too well,<br />

dining at kosher restaurants comes<br />

at a premium, and Takosher is no<br />

different. Paying $3.50 for a taco<br />

may come as a shock to those used to<br />

the rock-bottom prices at traditional<br />

taco trucks, but kosher certification<br />

and kosher ingredients are costly,<br />

and Takosher’s commitment to<br />

high-quality ingredients and unique<br />

recipes help to justify a larger<br />

pricetag. After all, you can’t expect<br />

the Chosen Taco to come cheap.<br />

Takosher’s commitment to<br />

kashrut goes beyond the letter of the<br />

dietary laws. According to Lowell<br />

Bernstein, one of the owners,<br />

“Takosher really focuses on eating<br />

with purpose, using food as a conduit<br />

or tool not only to nourish ourselves<br />

physically and emotionally, but to<br />

nourish our sense of community.”<br />

And it goes beyond just food. “We<br />

recycle, we donate food, we work<br />

with non-profit organizations, we<br />

are working to develop relationships<br />

with schools.” Bernstein, along<br />

with owners Moises Baqueiro and<br />

Chris Martin, strive to run their<br />

company with ‘fitness’, the literal<br />

translation of kashrut, in mind.<br />

“We respect what we create and<br />

who creates it. We go the extra mile<br />

to create a cohesive and pleasant<br />

work environment for all of our<br />

team members. We purchase local<br />

whenever possible.”<br />

You can find the truck<br />

all over town: serving the late<br />

night post-Shabbat crowd in Pico-<br />

Robertson on a Saturday night, at<br />

Jewish and non-Jewish events, and<br />

at private parties (don’t you wish<br />

you had a taco truck at your Bar<br />

Mitzvah?). Track the Takosher<br />

schedule at www.takosher.com.<br />

*Tannaz Sassooni is a freelance<br />

writer, currently working on an<br />

Iranian Jewish cookbook. She<br />

works as a technical director at<br />

Dream Works Animation.<br />

37<br />

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<strong>166</strong><br />

38<br />

Book Review:<br />

Briefly Noted<br />

By: Mojgan Moghadam Rahbar<br />

Bone Worship, by Elizabeth<br />

Eslami (Pegasus; $15.95). In her<br />

debut novel, Iranian American<br />

author Eslami writes about her life<br />

and experiences as the daughter of<br />

an American mother and Iranian<br />

father. Jasmin Fahroodi returns<br />

home after spending four years at<br />

a top American university without<br />

graduating, due to her failing<br />

grades. Throughout her childhood<br />

and in college she has found it<br />

hard to make friends and express<br />

herself. Jasmin believes that most<br />

of this awkwardness is because of<br />

her father’s discomfited behavior<br />

which she believes extends from his<br />

cultural background. Dr. Fahroodi<br />

enjoys a certain amount of respect<br />

from his patients and colleagues at<br />

the small town where he practices<br />

medicine, but he is not able to make<br />

friends with any of his associates no<br />

matter what country they are from.<br />

Jasmin’s brother has left the family<br />

in pursuit of his own dreams which<br />

did not meet with their father’s<br />

stern conviction that he should<br />

study to become a doctor. Upon<br />

returning home her father believes<br />

that the only path open to her, after<br />

failing school and choosing not to<br />

pursue medicine, is to get married.<br />

So, he goes in a serious search for<br />

Khastegars who would date and<br />

perhaps marry his daughter. The<br />

relationship between Jasmin and<br />

her father is full of ambiguity and<br />

she believes that her father’s lack of<br />

affection stems from his different<br />

culture. Dr. Fahroodi does not like<br />

to talk about his days in Iran or<br />

his family so it is even harder for<br />

Jasmin to understand him. This is<br />

perhaps why she believes that all<br />

the strange behaviors that her father<br />

shows are because of his Iranian<br />

culture. There are some parts of<br />

the book that make it hard for an<br />

Iranian to identify with Jasmin or<br />

her father. For example, one of her<br />

Iranian khastegars is named Omar.<br />

As far as I know Iranians are not too<br />

fond of Omar in a historical sense<br />

and there is no way that any Iranian<br />

would call their son by that name.<br />

So, sometimes it is hard to believe<br />

if the book is representing a true<br />

Iranian American conflict or just a<br />

limited perception of one individual<br />

who cannot explain the strangeness<br />

of her father and the only reason<br />

she can come up with is that he was<br />

born and raised in another country.<br />

Traditions Linger, by Leah R.<br />

Baer PhD (Mazda Publishers;<br />

$35). As an American Jew, Baer<br />

was very interested to know about<br />

the life and traditions of the Iranian<br />

Jewry while studying in a special<br />

exchange program at Ferdowsi<br />

University in Mashhad, Iran in the<br />

summer of 1978. She was surprised<br />

to find how different the cultural and<br />

traditional beliefs and ceremonies<br />

of Iranian Jews were compared to<br />

those of European heritage. These<br />

interests prompted her to research<br />

and write about the history and life<br />

of Iranian Jews in Iran and follow<br />

the cultural changes that have taken<br />

place within this community in<br />

the United States. Baer has done<br />

a wonderful job of explaining the<br />

complicated history of Iranian<br />

Jews in a brief and easy to follow<br />

narrative and describe the sense of<br />

cultural identity that each Iranian<br />

American Jew feels and wants to<br />

hold on to.

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