166 - ketab farsi
166 - ketab farsi
166 - ketab farsi
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1<br />
“The twelve tribes of Israel each had their own family,<br />
yet they remained united through their conviction and this<br />
is the secret of Israel’s strength and survival, like a branch<br />
growing from one stem.”<br />
Rabbi Samson Rafael Hirsch<br />
“kôAqkû Úõï AupADýê øpÞlAï gBðlAó gõk oA kAyPñl, AìB AüíBó ô<br />
øíHvPãþ @ó øB oAq ÚloR ô GÛBF üùõküBó yl. ìBðñl yBgú øBDþ Þú<br />
Aq üà o üzú o ôDýlû Aðl.”<br />
oGBÿ uBìvõ ó oAÖBDê øp}<br />
OBGvPBó ô KBDýr 9831gõoyýlÿ, 0102 ìýçkÿ, 1775 ÎHpÿ
.¥n¼Ä¼Ãº ÁIÀ ¦ºIM ¸ÄoT¬nqM 14 ¸ÃM<br />
.ÁjI¹wH ÁIÀnILTøH n»kÅ nj I§ÄoH ©nqM ÁIÀ ¦ºIM %10 ¸ÃM<br />
.x»oÎ ½kµø ÁIÀ ºIPµ¨ ÁHoM ÂUnI\U ÁIÀ ³H»<br />
( Moti Levy ) ¡k~ļ² jHjo¿ ÁI¤A IM Iÿõ² RIø°öH Kv¨ ÁHoM<br />
.kÃGIoÎ ®ÅIe tIµU 213 -861-6440¸ÿ±U ½nIµ{ IM<br />
¦ºIM RIL÷{ tnjA:<br />
.·I¿] ´¿ ÁI¿§ºIM oX¨H IM óILUnH<br />
.IÀ S¨o{ » |Ih{H ÁHoM §ºIM ÁIÀ uÄ»ow » IÀ ½joPw ÌH¼ºH<br />
FDIC ¼ñø» ¾£MIw ÏIw 50 IM ´§dTv »oLT÷ §ºIM<br />
9401 Wilshire Blvd # 600 Beverly Hills, CA. 90212 (Tel’310-860-6320)<br />
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www.idbbank.com
ÞPBJ OBoüi üùõk /04<br />
^ãõðú Kpôðlû @üzíò, üßþ Aq<br />
Gh{ ÖBouþ<br />
Kýzã×PBo/6<br />
·¼ÃwHnkÎ ¾Äozº<br />
IúoÿòI¨ ºHoÄH ·IÄj¼¿Ä<br />
1317 N. Crescent Height blvd.<br />
West Hollywood, CA 90046<br />
Tel: (323) 654-4700<br />
Fax: (323) 654-1791<br />
ÁkÃ{n¼i 1389<br />
Áj°Ã 2010<br />
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oLÀn ³k£ ·I¬s : oÃMjow<br />
jI\ÄH ýkÀ IM ºHoÄH ·IÄj¼¿Ä ·¼ÃwHnkÎ ·I¬nH nIμ{<br />
Á°TøH » ¾÷I] jHoÎH » ·¼ÃwHnkÎ ¸ÃM ´Ã£Tv óILUnH<br />
,I¿ºIpIw ¸ÃM «¹ÀIµÀ jI\ÄH » ºHoÄH ·IÄj¼¿Ä ª¹ÀoÎ<br />
.kÀkà ¾HjH Hn j¼i SòI÷Î ·¼¬Iº¼¬ ÁI¿±vº » IÀ ½»o¬<br />
c²I~ Éÿe » ·¼T yÄHoÄ» ,K²Iõ JIhTºH nj nIμ{<br />
.SwH jHpA ¾÷I]<br />
nIμ{ nj Znk¹ R¯I£ » nIYA<br />
JIUpIM » ½j¼M R¯I£ ·A ·I¬k¹vļº RHoʺ o«ºIÃM<br />
.k{IM µº ·A ·I¬k¹ºHjo¬ EHnA » kÄI£ø<br />
.Svú nIμ{ ½k¿ø ¾M IÀ ¿¬A RI]nk¹ Sò¼Fv<br />
ÁHoM ´±¤ ®ÀH » ·Iµ]oT ,·I¬k¹vļº ¾Ã±¨ pH nIμ{<br />
.k¹¨  ÁnI§µÀ ¾M R¼øj ï,þ±Th ÁIÀ yhM<br />
KýBï oDýw øýBR AWpADþ /7<br />
¾Äozº K²Iõ » R¯I£ ®£º<br />
.k{IM Â jHpA miáI o¨l IM<br />
IÀ ¿¬A ,k±] » RIdÿÅ ÂeHoö ,¹Ã`λoe<br />
(310) 601-0770 Án¼§{ °Ã{<br />
AgHBo ÖloAuýõó üùõküBó AüpAðþ /01<br />
yíBoû OBGvPBó ô KBDýr<br />
ÚlokAðþ Aq kô yh¿ýQ ÎBèýÛlo/21<br />
ðãBøþ Gú glìPãrAoAó WBìÏú üùõkÿ AüpAó /41<br />
ouBèQ üùõkÿ AüpAðþ/ 61<br />
“Gp GBë gpk” /81<br />
ÞPBJ oôqðú Aÿ Gú küBo oôyñBüþ /12<br />
kô oGýò ÎßBuþ “æüßB”<br />
ô üùõküBó ko Wñä WùBðþ kôï /22<br />
ôAÞñ{ ìßíê øBÿ kAoôDþ<br />
ô ÒnADþ ko osüî ÒnADþ uBèíñlAó /42<br />
koìBó GB AuP×Bkû Aq uéõë øBÿ GñýBkÿ/52<br />
AôÂBÑ @y×Pú ô kâpâõ ó gBô oìýBðú/82<br />
uýp OBoühþ yßõÖBüþ @SBo ÖBouýùõk<br />
oyl ô OßBìê AkGýBR ÖBouþ /23<br />
AupADýê - ÖévÇýò<br />
ìlüpüQ GdpAó üB AkAìú oôðl ¾ée /63<br />
WñBüPßBoAó Úp ó GývPî GvPú yl /34<br />
info@IAJF.org<br />
Æpf oô ÿ Wél :<br />
“kôAqkû Úõï AupADýê”<br />
ÞBokuPþ GB yýzú øBÿ oðãþ<br />
(ìÛBèú ko ¾×dú 31 Gh{ Aðãéývþ)
üBCx ô gõk âî Þpkó ðú OñùB Aq kô oAó uhQ<br />
qðlâþ @ó OXpGú Aÿ oAÞú GBül ðíþ @ìõqüî<br />
Géßú Aq èdËBR yýpüò qðlâþ ðýr @ó ènOþ oA<br />
Þú GBül ðíþ Gpüî.<br />
AðvBðþ Þú ôAÚØ Gú Aüò “@qAkÿ AðPhBJ”<br />
AuQ ðú OñùB Gú ÎñõAó qðlAðþ ko ôczPñBá<br />
Kýzã×PBo<br />
@qAkÿ ko AðPhBJ<br />
Opüò AokôâBû Wñãþ, Géßú øñãBï ânoAOpüò<br />
ðBìpAkÿ oôqìpû ðýr ìþ OõAðl qüHBüþ qðlâþ<br />
Aq : ìtâBó ìÛlï oøHp (upkGýp)<br />
ô @qAkâþ oôAðþ oA AðPhBJ Þñl.<br />
OÏlAk GvýBoÿ Aq ìB cPþ uÏþ ìþ<br />
Þñýî Þú GB KñùBó Þpkó ô ðBkülû âpÖPò uhQ<br />
Op üò ôÚBüÐ qðlâýíBó Gú WBÿ Knüp} ô<br />
@ó kuPú Aÿ Þú Gú ÎñõAó ÞBoâp ô Gpkû Aq @ðùB<br />
Gùpû âýpÿ ìþ yl, cPþ Aâp Aq ðËp Wvíþ<br />
“kÞPp ôüßPõ o ÖpAðßê”, oôAðLryà üùõkÿ<br />
AOpüzþ Þú Gý{ Aq uú uBë Aq Îíp gõk oA<br />
Gpgõ ok GB @ó oôü{ up Kõ} GãnAoüî. ÒBÖê<br />
Aq Aüñßú GB Aüò oÖPBo èrôìB« qyPþ øB ô ðBâõAoÿ<br />
ô ÚloR Glðþ ÚBko Gú Odíê ìzÛ©BR o ô qìpû<br />
Gõkðl, ôÚPþ Aq ðËp oôAðþ gõk oA ìþ GBgPñl<br />
ko AokôâBû øBÿ ðBq ÿ øB ko Wñä WùBðþ kôï<br />
ânoAðl ô øívp ô ôAèlüò gõk oA ko Þõ oû<br />
øB oA Aq ^zî ìpkï ìh×þ ðíþ Þñýî, Géßú gõk<br />
oA âõë ìþ qðýî ô ìPBCu×Bðú kouþ oA Þú ìþ<br />
ko ìlR ÞõOBøþ Aq Gýò ìþ oÖPñl.<br />
@ó Îlû Aÿ Þú ÖpAìõ} ìþ Þññl ko<br />
øBÿ @kï uõq ÿ Aq kuQ kAk, ko âõyú Aÿ<br />
Aq ÞPBG{ Gú ðBï “AðvBó ko WvPXõÿ ìÏñB”<br />
OõAðvPýî Aq @ó kô oAó uhQ GýBìõqüî, OB ko<br />
@üñlû oAøñíBÿ ìB GByl, üBk ðíþ âýpüî ô OñùB<br />
qðlâþ, øp^Ûlo øî ìõÚÏýQ uùíñBá ô<br />
kok@ô o GByl, øíýzú “@qAkÿ AðPhBJ” ko<br />
ko ìõ ok Aüò OXpGú Oéi, ðBâõAo ô kokðBá<br />
qðlâý{ ^ñýò ìþ ðõüvl:<br />
AcvBx gvPãþ ô ðB Aìýlÿ @ó uhPþ øB oA<br />
upAup Îíp GB gõk cíê ìþ Þñýî.<br />
oô} Gpgõ ok GB AO×BÚBR oôqìpû GB gõk ìB<br />
“@ó kuPú Aq ìB Þú ko AokôâBû øBÿ<br />
ðBq ÿ øB qðlAðþ Gõkû Aüî, AyhB¾þ oA Gú<br />
ko uBë 2991 , ko üßþ Aq @gpüò<br />
ì¿BcHú øBÿ gõk ÚHê Aq ìpâ{ ko uBë<br />
üBk kAoüî Þú GpAÿ Ovéþ kAkó küãp qðlAðýBó<br />
ô cPþ Ghzýló @gpüò Oßú ðBó gõk Gú üà<br />
7991 , “kÞPp ÖpAðßê” ko ìõ ok ìõÖÛýQ ÞPBJ<br />
“AðvBó ko WvPXõÿ ìÏñB” ìþ âõül: “ìò Aüò<br />
qðlAðþ âpuñú küãp Aq ÞéHú Aÿ Gú ÞéHú küãpÿ<br />
oÖPñl. OÏlAk Aüò AyhBÁ GvýBo Þî Gõk<br />
ÞPBJ oA Gú ÎñõAó KBuhþ Gú kok ô oðY gõk ô<br />
AÖpAkÿ Þú ko ìõÚÏýPþ GvýBo kokðBá cÛýÛPB«<br />
AìB ôWõkyBó SBGQ ìþ Þñl Þú øíú ^ýr oA<br />
ìþ OõAó Aq üà AðvBó âpÖQ Gú Òýp Aq @gpüò<br />
Auýp ô qðlAðþ Gõkðl ðõyPî. AìB ìõÖÛýQ<br />
ô Öpô} GBæÿ @ó ko Æþ kô oAó ðzBðãp<br />
“@qAkÿ” ìPÏéÜ Gú Aô ƒ @qAkÿ ko AðPhBJ ðõ Ñ<br />
Gpgõ ok ô ðãp} yhÀ Gú ìXíõÎú Aÿ Aq<br />
6<br />
Gý`Boâþ ô gçC oôAðþ ìõWõk ko kðýBÿ<br />
Aìpôq AuQ. Gú Aüò kèýê AuQ Þú ¾løB ørAo<br />
ìõÚÏýQ øBüþ Þú qðlâþ ko oAø{ ÚpAo ìþ<br />
kølƒ AðPhBJ oAû ô oô} Gpgõ ok GB ìvBDê<br />
ð×p Gú kðHBë ìÇBèÏú ÞPBGþ ìþ oôðl Þú ÎñõAó<br />
@ó ìÏñBÿ qðlâþ oA qüp uõAë ÚpAo ìþ køl.<br />
øíýzú GB gõk ìB AuQ.”<br />
ko Aüò ÞPBJ, Þú øñõq Kw Aq KñXBû uBë<br />
ðPýXPB« Aüò uõCAèþ AuQ Þú møò øíú ìB oA Gú<br />
gõk ìzÓõë ìþ Þñl.”<br />
üßþ Aq KpÖpô} Opüò ÞPBJ øB ko upAup kðýB<br />
AuQ, “ÖpAðßê” uÏþ ìþ Þñl Þú AgçÝ, oôAó,<br />
yBül øýa üà Aq ìB Æþ kô oAó qðlâþ<br />
gõk ìÏñþ ôAÚÏþ qðlâþ ko Aüò ÎBèî gBÞþ<br />
oôcýú ô Îßw AèÏíê øBÿ ìP×BôR qðlAðýBó oA<br />
ko Æþ kô oAó AuBoR ô ðB Aìýlÿ Gpouþ Þñl<br />
oA ð×ùíýî, cPþ Aâp OB @gpüò ð×w ko cBë<br />
WvPXõ GByýî, AìB OñùB üà ^ýr ôAÂe AuQ<br />
AuQ, gýéþ qôk Ovéýî üBCx ô ðBAìýlÿ ìþ<br />
yõðl ô @ð`ú oA Þú GBül ko Æõë Îíp gõk<br />
ô OB cl AìßBó kèýéþ GpAÿ qðlû ìBðló ô üB Aq<br />
Gýò oÖPò AÖpAk ko ^ñýò ypAüÈ kokðBÞþ Gú<br />
ô @ó “AðPhBJ” ìB AuQ ko oôyþ Þú GpAÿ<br />
qðlâþ ko Ký{ ìþ âýpüî. ^Ûlo gõJ AuQ<br />
GýBìõqðl øñõq ÖpAðãpÖPú Aq Gýò ìþ oôðl.<br />
Glô ó yà oôqøBÿ gõJ ô Gl ko qðlâþ øp<br />
kuQ @ô ok. ìzBølAR Aô ðzBó ìþ køl Þú<br />
WlA Aq @ó kuPú qðlAðýBðþ Þú GñB Gú GBô oøBÿ<br />
Þú øpâr Aq üBk ðHpüî Þú “@qAkÿ AðPhBJ” Aüò<br />
oô} øíýzú GB ìB AuQ. OñùB @qAkÿ Þú øýa<br />
AðvBðþ Gú ðdõ ÿ ôWõk kAok ô Aüò ÞBìç«<br />
AðPhBJ ìBuQ Þú @üB ìþ gõAøýî Aüò OXpGýBR<br />
Þw ÚloR uéI @ó oA Aq ìB ðlAok.<br />
yh¿þ øp Þw üB GpcvI OÛlüp ô upðõyQ<br />
ô üB AO×BÝ ô O¿BkÙ, ìvPÛýî Gú AOBÝ øBÿ âBq<br />
oA, ^ú Oéi ô ^ú yýpüò, ìPÏéÜ Gú gõk GlAðýî<br />
ô Aq @ó Gùpû Gãýpüî? ô üB GB AGpAq οHBðýQ,<br />
ô Þõ oû øBÿ @kï uõ q ÿ o ôAðú ìþ ylðl,
7<br />
KýBï oDýw øýBöR AWpADþ<br />
gBðî yùç qoâpüBó WBôkAó<br />
GÏlÿ ìB, ÖpqðlAó AüpAðþ @ìpüßBDþ, üßþ Kw<br />
Aq küãpÿ Aq ìíPBqOpüò kAðzãBû øBÿ ìíéßQ<br />
ðíBüzãp Aüò ouî Gõkðl. Aüò Òpô o ìéþ ô<br />
øî ðõ Ñ KpuPþ Aÿ Þú qADýlû Öpøñä ìB Gõkû,<br />
ìB ^ú Úõï AuPTñBDþ, GB ^ú øõüQ üãBðú Aÿ<br />
øvPýî!<br />
ÖBoÕ AèPd¿ýê ylû ô GBÎU AÖPhBo ô upGéñlÿ<br />
WBìÏú ìB øvPñl.<br />
up^zíú ÚloOþ Gþ AðPùB AuQ.<br />
ko uBë 1891 Aüò uBqìBó øBÿ Òýp<br />
AüpAðþ²üùõkÿ² @ìpüßBDþ!<br />
ìéPþ Þú ìõWõküP{ Aq uú ìéýQ KpAoq}<br />
@ìBo ìhPéØ Þzõ oÿ, ìùBWpüò<br />
AüpAðþ oA ko oACx ìùBWpüñþ ðzBó kAkû AuQ<br />
AðP×BÎþ GB WíÐ yló qüp ^Pp ÖloAuýõ ó<br />
üùõküBó AüpAðþ, øíHvPãþ ô üãBðãþ ìéQ<br />
ôèþ “ko uýBuQ ìPÃBk” uBgPú ylû AuQ.<br />
ôèþ ÎzÜ Aüò øpuú ôÆò ko oå øBÿ ìB ^ñBó<br />
Þú GBæOpüò Od¿ýçR ÎBèüú ô ìõÖÜ Opüò<br />
ìõÚÏýQ øBÿ AWPíBÎþ oA ÞvI Þpkû Aðl.<br />
ìB oA Gú ASHBR ouBðlðl. GB Aüò AOdBk, Æñýò<br />
ouBÿ KýBï üãBðãþ üùõküBó AüpAðþ @ìpüßBDþ<br />
Gú ylR oôAó AuQ Þú ko Aüò ìõÚÏýQ uýBuþ<br />
ìPÃBk Aìpôqû, Aüò uú GýãBðú uýBuþ oA ko<br />
AìB ìPBCu×Bðú øíBðÇõ o Þú ìõÖÛýQ øBÿ<br />
WBìÏú ìB Gþ yíBo ylû Aðl, Gú øíBó AðlAqû øî<br />
ko WùBó Ký`ýl ô Aüò ÚloR üãBðãþ ìB Gú kðýB<br />
KýÓBï ouBðl Þú “küãp øpâr” üùõkÿ AüpAðþ<br />
ÚéI , ko oÖPBo ô ÞpkAo, ô ko OBo ô Kõk ôWõk<br />
gõk üãBðú Þpkû Aüî!<br />
ìzßçR, oðY øBÿ AWPíBÎþ ô ìvBDê Wlül<br />
Gþ yíBo ÿ ko ìÛBGê WõAðBó ìB ÚpAo kAkû<br />
üà üùõkÿ upâpkAó ðhõAøl Gõk ô küãp<br />
øpâr ðBìpDþ Gõkó oA ðhõAøl KnüpÖQ.<br />
ìB Aq GýãBðãþ øB üãBðãþ øB @Öpülû Aüî!<br />
ô Aüò oìr GÛBF Úõï ìB Gõkû AuQ: KBulAoÿ Aq<br />
ylû AuQ.<br />
ølÙ ÖloAuýõ ó üùõküBó AüpAðþ cíBüQ<br />
Aq cÜ ô cÛõ Ý üßBüà AüpAðýBó Gh¿õÁ<br />
Öpøñä Òñþ gõkøírìBó GB OõAðBDþ øíBøñãþ<br />
GB ìdýÈ qüvQ gõk.<br />
Gú øíýò kèýê AÞñõ ó ÖloAuýõ ó<br />
üùõküBó AüpAðþ glìBR gõk oA OõuÏú kAkû<br />
üùõküBó AüpAðþ ko upAup kðýB Gõkû ô<br />
gõAøl Gõk.<br />
Kw Aq AðÛçJ 9791 ko AüpAó ô Þõ b<br />
AWHBoÿ OÏlAk ÞTýpÿ Aq Úõï ìB Gú upAup<br />
ô øýBR AWpADþ GpAÿ yñBgPò ô Gpouþ Aüò<br />
ìvBDê AWPíBÎþ Gý{ Aq 0005 KpuzñBìú<br />
Aq Wíéú glìBR ìP×BôR ÖloAuýõ ó Gú WBìÏú<br />
ìþ OõAó ÖÏBèýQ øBÿ qüp oA ðBï Gpk:<br />
kðýB, WBìÏú üùõkÿ AüpAðþ ko @ìpüßB ko<br />
OçÆî ô Ozõ ü{ ô ðãpAðþ Gþ KBüBó koGBoû<br />
Gýò AÖpAk WBìÏú Gh¿õÁ ðvê WõAó<br />
Kh{ Þpkû ô KBui øBDþ Þú OBÞñõ ó ouýlû<br />
- Þíà Gú ìùBWpüò GpAÿ koüBÖQ AWBqû AÚBìQ<br />
- GñýBk üà ¾ñlô Ý AÂÇpAoÿ GpAÿ ouBðló<br />
@üñlû ðBìÏéõï gõk Gú up ìþ Gpk.<br />
Úõï ìB, cýpAó ô ìPÏXI Aq Aüñßú<br />
ðíBüBðãp ðãpAðþ øBÿ ylülÿ ko WBìÏú ìB<br />
Gh¿õÁ ko WõAðBó ìB AuQ. GB OõWú Gú<br />
Þíà Öõ oÿ Gú ðýBqìñlAó<br />
- ÖÏBèýQ øBÿ Þzõoÿ GpAÿ Þíà Gú øî ôÆñBó<br />
ðú Ayßþ GpAÿ Gþ gBðíBðãý{ oühPú yl, ðú<br />
æüdú Aÿ ko kðýB GpAÿ ÆpÖlAoÿ Aq Aô ô gBðõAkû<br />
Aüñßú WõAðBó ìB ðú OñùB ÖpkAÿ ìB ô @üñlû kðýBÿ<br />
ìB øvPñl, Géßú qðlâþ Aìpôq ìB ðýr ôAGvPú<br />
- AüXBk ÞíýPú cê AgPçÖBR<br />
- AðPzBo AoâBó ouíþ ÖloAuýõ ó Gú ðBï<br />
A} Aq ìXéw ânyQ, ô ðú O¿õüHñBìú Aÿ<br />
ko uBqìBó ìéê ìPdl GpAÿ c×BÊQ cÛõ Ý<br />
Gú yBkÞBìþ @ðùB AuQ, GÏl Aq Gpouþ kÚýÜ<br />
ðPBüY ouýlû, GpðBìú øBÿ ì׿ê ô Wlülÿ GB<br />
ìXéú yõÖBo<br />
- AüXBk üà ¾lAÿ KpÚloR ô üãBðú ô ôAcl<br />
Gzpü{ AìÃBF yl, Kw Gú oAû øB ô ouõï<br />
Öpøñãþ gõk KñBû @ô ok, “ìò oA ÖpAìõ} Þò ô<br />
øíßBoÿ ÞBoyñBuBó GB OXpGú ko Aüò oyPú<br />
øB Æpf oürÿ ô Gú ìpcéú AWpA ko@ìlðl. ìBðñl<br />
Aìpôqû, GB cíBüQ Kpô okâBo, 13 uBë<br />
Kw Aq @ó AðÛçJ ô Þõ b AWHBoÿ GvýBoÿ<br />
Gú ìB GýBðlü{“. “ øívBüú AR oA øí`õ ó gõk<br />
kôuQ GlAo” ô “Aâp ìò GpAÿ gõk ðývPî ^ú<br />
GpârAoÿ ^ñlüò uíýñBo ìõÖÜ ô oAüãBó ko<br />
oAGÈú GB ÖzBoøBÿ WBìÏú oô ÿ ðvê WõAó<br />
Aq ìéQ ìB, ko Gloÿ øB, upâpkAðþ øB, Gþ<br />
gBðíBðþ øB, ko KzQ ìpqøBÿ Þzõ oøBÿ<br />
Þvþ GpAÿ ìò gõAøl Gõk ô Aâp ÖÛÈ OñùB Gú<br />
Ößp gõk øvPî ^ú øvPî?”<br />
GpAÿ ouýló Gú ìõÚÏýQ øBÿ ÒýpÚBGê AðXBï Aq<br />
ðËp kAðzþ ô ìBèþ, koâýpÿ GB AÎPýBk Gú ìõAk<br />
ÒpüHú ^zî Gú AðPËBo ouýló ôürA ìBðló,<br />
oðY GýãBðãþ ô GBægpû Gþ qGBðþ ô ko Gloÿ<br />
GñBGpAüò GBô o, uBqìBó øBÿ ÒýpAðP×BÎþ<br />
üùõkÿ AüpAðþ GpAÿ Þíà Gú øî ðõ Ñ gõk<br />
ìhlo ô ìzpôGBR Aèßéþ ô ìzßçR ðByþ<br />
Aq @ó ko WBìÏú Þõ^à ìB, @yñBDþ ôAèlüò GB<br />
AWPíBÑ ìB gBOíú üBÖPú AuQ. Aìpôqû ðvê<br />
ko âõyú ô ÞñBo Ozßýê ylðl Þú âõüB ô
ÚõAðýò Wlül ô Ký`ýlû @ìõq} ô Kpô o} GpAÿ<br />
oAû üBÖPò ðvê WõAó Gú ÞBèY øB, kAðzãBû øB<br />
AgýpA« yßBüQ Aq ouõï, @kAJ ô ÎBkAR<br />
ô GpârAoÿ GÏÃþ Aq ìXBèw ko WBìÏú ìB<br />
ÖpqðlAó, ÖlAÞBoÿ Glô ó ypÉ ô ypôÉ GpAÿ<br />
kôuPBó, ÎzÜ ô AcPpAï GpAÿ KBülAoÿ A¾õë<br />
ô ìlAox GpAÿ koüBÖQ koWBR ÎBèþ Îéíþ ô<br />
Òýpû ô øpüà Aq Aüò uíýñBoøB ô ðzvQ øBÿ<br />
ìõÂõ Ñ oôq GÏÃþ Aq ðzpüBR @ìpüßBDþ<br />
ylû AuQ. ìÛBæOþ koGBoû Wzò øBÿ Öõ Ý<br />
üùõküQ, OÏùl Gú Þíà Gú øíñõ Ñ, øíHvPãþ ô<br />
üãBðãþ ko ìõAÚÐ AcPýBZ øp Öpkÿ Aq WBìÏú,<br />
ìhPéØ GB ypÞQ ìPh¿¿ýò GpWvPú ô<br />
ÞBokAó ko @ó oyPú Gh¿õÁ GpârAo ylû<br />
AèÏBkû GByßõû ô oôüBüþ ô üB ÎBkR “æyõ ó<br />
øBoA” ko WBìÏú ìB, ô cPþ ìzßçR ô ìvBDê<br />
OíBï Aüò Aoq} øBÿ AðvBðþ ko gõ ó ìéQ ìB<br />
oôAó AuQ ô Aüò GBæOpüò âñXýñú Aÿ AuQ Þú<br />
AuQ ô ô oôk GpAÿ øíãBó @qAk ô oAüãBó Gõkû<br />
AuQ.<br />
ìBèþ Þú GpAÿ OÏlAkÿ Aq AÖpAk WBìÏú ìB Ký{<br />
@ìlû ko ðzpüBR ìP×BôR Gú ^BN ouýlû AuQ<br />
Úõï ìB Gú ÖpqðlAð{, Gú ðõAkâBð{ ô Gú OíBìþ<br />
kðýB AoADú kAkû ô gõAøl kAk.<br />
8<br />
GpðBìú GvýBo ìùî küãp @yñBüþ<br />
WõAðBó GB OBoüi ìloó upqìýò AupADýê ô<br />
Þú GBÎU ðBoAcPþ GvýBoÿ Aq AÖpAk ylû AuQ.<br />
OíBìþ Aüò ìvBDê Opìýî Knüp øvPñl Aâp<br />
ko gBOíú Aq üßBüà AÎÃBF øýBR AWpADþ,<br />
øýBR ìlüpû ô ÞíýPú øBÿ ìhPéØ ¾íýíBðú<br />
yñBgPò ìvBDê Þñõðþ @ó AuQ. Æþ ðzvQ<br />
øB ô uíýñBoøBÿ ìhPéØ uÏþ Þpkû Aüî Þú<br />
ìB GB cvò ðýQ oAuPýò AyßBæR cÛýÛþ gõk<br />
oA GBô o Þñýî ô ìvEõèýQ oÖÐ Þpkó ô kouQ<br />
uLBuãrAoï. glìBR Gþ yBDHú oôqìpû @ó<br />
øB GBÎU AÖPhBo yh¿þ ìò, ÖloAuýõ ó<br />
ôAÚÏýQ OBoühþ ô uýBuþ oA Gú @ðùB GýBìõqüî<br />
OB GB kAyPò kAð{ ¾dýe GPõAðñl OÏ¿HBR<br />
Þpkó Aüò ìzßçR oA üßBüà ìB yh¿B« Gú<br />
Îùlû âpÖPú ô GB @ó Gú ìÛBGéú GLpkAqüî.<br />
üùõküBó AüpAðþ ô WBìÏú AuQ .<br />
Aq WñBJ kÞPp ÞBìpAó Gpôgýî oDýw<br />
ìõWõk ko WõAìÐ ìhPéØ oAAq Gýò GHpðl.<br />
üùõkÿ ìõÖÜ @ó Þvþ AuQ Þú Öpøñä<br />
ôèþ øíBðÇõ o Þú Aüò ìzßçR cÛýÛPþ koGBoû<br />
qðlâþ ko WBìÏú Þñõðþ øvPñl èÇ×B« ÖpAìõ}<br />
øýBR ìlüpû ô WñBJ ìñõ^ùp ðËpüBó oDýw<br />
ÚHéþ ÖloAuýõó GpAÿ Þíà øBÿ øíýzãþ @ó øB<br />
ô AðvBðýQ üùõkÿ oA Gú ÞõkÞBó ô ðõû øBÿ<br />
gõk GýBìõqk.<br />
ðßñýî Þú AÖPhBo ìB Gú ìéýQ ô ouî ô ouõï<br />
¾dýe ô Òñþ ìB ðýr cÛýÛþ ô Gú WB AuQ,<br />
Gþ ðùBüQ ìPzßpï. ô üà Ozßp Gh¿õÁ Aq<br />
ÆpÙ gõkï ô øýBR AWpADþ Gú ìùñlx ÎBèýÛlo,<br />
ølÙ ÖloAuýõ ó Aq GpÚpAo Þpkó Aüò<br />
uíýñBoøBÿ @ìõqyþ kðHBë Þpkó ìÏñBÿ<br />
AüpAðýBó üùõkÿ A¾ýê ko upAup kðýB uíHê<br />
ô ðzBðú GBæOpüò ¾×BR AðvBðþ øvPñl.<br />
WñBJ ÎHlÿ gpìýBó kAoï Þú ko 5uBë Agýp<br />
GB WlüQ Öõ Ý AèÏBkû ô ÖÏBèýQ øBÿ gvPãþ<br />
ôAÚÏþ üùõküQ ko AoOÛBF ð×w AuQ. AoOÛBF<br />
ð×w Gú ôuýéú Kpô o} kAkó oôAó ko oAû GùPp<br />
AcPpAï øíýzãþ Gú Klo ô ìBko, Gú KBÿ AôèýBF<br />
Kýp gõk ðzvPò ô οBÿ kuQ kô oAó ðýBq<br />
ðBKnüp Kpô sû KBoÞýñä uBgPíBó ìpÞr<br />
ÖloAuýõ ó oA Æpf ô kðHBë Þpkû Aðl. GB @oqô ÿ<br />
uBgPò AðvBó ko øp oôq qðlâþ. ìPBCu×Bðú<br />
@ó øB Gõkó, ÎzÜ ô OÏùl Gþ KBüBó ô AGlÿ Gú<br />
ìõÖÛýQ ô yBkìBðþ GpAÿ OíBï AÖpAk WBìÏú.
ÚõAðýò Wlül ô Ký`ýlû @ìõq} ô Kpô o} GpAÿ<br />
oAû üBÖPò ðvê WõAó Gú ÞBèY øB, kAðzãBû øB<br />
AgýpA« yßBüQ Aq ouõï, @kAJ ô ÎBkAR<br />
ô GpârAoÿ GÏÃþ Aq ìXBèw ko WBìÏú ìB<br />
ÖpqðlAó, ÖlAÞBoÿ Glô ó ypÉ ô ypôÉ GpAÿ<br />
kôuPBó, ÎzÜ ô AcPpAï GpAÿ KBülAoÿ A¾õë<br />
ô ìlAox GpAÿ koüBÖQ koWBR ÎBèþ Îéíþ ô<br />
Òýpû ô øpüà Aq Aüò uíýñBoøB ô ðzvQ øBÿ<br />
ìõÂõ Ñ oôq GÏÃþ Aq ðzpüBR @ìpüßBDþ<br />
ylû AuQ. ìÛBæOþ koGBoû Wzò øBÿ Öõ Ý<br />
üùõküQ, OÏùl Gú Þíà Gú øíñõ Ñ, øíHvPãþ ô<br />
üãBðãþ ko ìõAÚÐ AcPýBZ øp Öpkÿ Aq WBìÏú,<br />
ìhPéØ GB ypÞQ ìPh¿¿ýò GpWvPú ô<br />
ÞBokAó ko @ó oyPú Gh¿õÁ GpârAo ylû<br />
AèÏBkû GByßõû ô oôüBüþ ô üB ÎBkR “æyõ ó<br />
øBoA” ko WBìÏú ìB, ô cPþ ìzßçR ô ìvBDê<br />
OíBï Aüò Aoq} øBÿ AðvBðþ ko gõ ó ìéQ ìB<br />
oôAó AuQ ô Aüò GBæOpüò âñXýñú Aÿ AuQ Þú<br />
AuQ ô ô oôk GpAÿ øíãBó @qAk ô oAüãBó Gõkû<br />
AuQ.<br />
ìBèþ Þú GpAÿ OÏlAkÿ Aq AÖpAk WBìÏú ìB Ký{<br />
@ìlû ko ðzpüBR ìP×BôR Gú ^BN ouýlû AuQ<br />
Úõï ìB Gú ÖpqðlAð{, Gú ðõAkâBð{ ô Gú OíBìþ<br />
kðýB AoADú kAkû ô gõAøl kAk.<br />
8<br />
GpðBìú GvýBo ìùî küãp @yñBüþ<br />
WõAðBó GB OBoüi ìloó upqìýò AupADýê ô<br />
Þú GBÎU ðBoAcPþ GvýBoÿ Aq AÖpAk ylû AuQ.<br />
OíBìþ Aüò ìvBDê Opìýî Knüp øvPñl Aâp<br />
ko gBOíú Aq üßBüà AÎÃBF øýBR AWpADþ,<br />
øýBR ìlüpû ô ÞíýPú øBÿ ìhPéØ ¾íýíBðú<br />
yñBgPò ìvBDê Þñõðþ @ó AuQ. Æþ ðzvQ<br />
øB ô uíýñBoøBÿ ìhPéØ uÏþ Þpkû Aüî Þú<br />
ìB GB cvò ðýQ oAuPýò AyßBæR cÛýÛþ gõk<br />
oA GBô o Þñýî ô ìvEõèýQ oÖÐ Þpkó ô kouQ<br />
uLBuãrAoï. glìBR Gþ yBDHú oôqìpû @ó<br />
øB GBÎU AÖPhBo yh¿þ ìò, ÖloAuýõ ó<br />
ôAÚÏýQ OBoühþ ô uýBuþ oA Gú @ðùB GýBìõqüî<br />
OB GB kAyPò kAð{ ¾dýe GPõAðñl OÏ¿HBR<br />
Þpkó Aüò ìzßçR oA üßBüà ìB yh¿B« Gú<br />
Îùlû âpÖPú ô GB @ó Gú ìÛBGéú GLpkAqüî.<br />
üùõküBó AüpAðþ ô WBìÏú AuQ .<br />
Aq WñBJ kÞPp ÞBìpAó Gpôgýî oDýw<br />
ìõWõk ko WõAìÐ ìhPéØ oAAq Gýò GHpðl.<br />
üùõkÿ ìõÖÜ @ó Þvþ AuQ Þú Öpøñä<br />
ôèþ øíBðÇõ o Þú Aüò ìzßçR cÛýÛPþ koGBoû<br />
qðlâþ ko WBìÏú Þñõðþ øvPñl èÇ×B« ÖpAìõ}<br />
øýBR ìlüpû ô WñBJ ìñõ^ùp ðËpüBó oDýw<br />
ÚHéþ ÖloAuýõó GpAÿ Þíà øBÿ øíýzãþ @ó øB<br />
ô AðvBðýQ üùõkÿ oA Gú ÞõkÞBó ô ðõû øBÿ<br />
gõk GýBìõqk.<br />
ðßñýî Þú AÖPhBo ìB Gú ìéýQ ô ouî ô ouõï<br />
¾dýe ô Òñþ ìB ðýr cÛýÛþ ô Gú WB AuQ,<br />
Gþ ðùBüQ ìPzßpï. ô üà Ozßp Gh¿õÁ Aq<br />
ÆpÙ gõkï ô øýBR AWpADþ Gú ìùñlx ÎBèýÛlo,<br />
ølÙ ÖloAuýõ ó Aq GpÚpAo Þpkó Aüò<br />
uíýñBoøBÿ @ìõqyþ kðHBë Þpkó ìÏñBÿ<br />
AüpAðýBó üùõkÿ A¾ýê ko upAup kðýB uíHê<br />
ô ðzBðú GBæOpüò ¾×BR AðvBðþ øvPñl.<br />
WñBJ ÎHlÿ gpìýBó kAoï Þú ko 5uBë Agýp<br />
GB WlüQ Öõ Ý AèÏBkû ô ÖÏBèýQ øBÿ gvPãþ<br />
ôAÚÏþ üùõküQ ko AoOÛBF ð×w AuQ. AoOÛBF<br />
ð×w Gú ôuýéú Kpô o} kAkó oôAó ko oAû GùPp<br />
AcPpAï øíýzãþ Gú Klo ô ìBko, Gú KBÿ AôèýBF<br />
Kýp gõk ðzvPò ô οBÿ kuQ kô oAó ðýBq<br />
ðBKnüp Kpô sû KBoÞýñä uBgPíBó ìpÞr<br />
ÖloAuýõ ó oA Æpf ô kðHBë Þpkû Aðl. GB @oqô ÿ<br />
uBgPò AðvBó ko øp oôq qðlâþ. ìPBCu×Bðú<br />
@ó øB Gõkó, ÎzÜ ô OÏùl Gþ KBüBó ô AGlÿ Gú<br />
ìõÖÛýQ ô yBkìBðþ GpAÿ OíBï AÖpAk WBìÏú.
âélGpå, oDýw ÚvíQ ðBï ðõüvþ kAðzãBû<br />
üõ-Ax-uþ, gBðî WvýßB ìlüñB, oDýw kÖPp<br />
Þíà øBÿ ìBèþ kAðzãBû üõ-Ax-uþ, ô gBðî<br />
kAèýBìÛ©õï, ìzBô o ko Aìõ o kAðzãBøþ, @ÚBÿ<br />
kÞPp øçÞõDþ, oôAðzñBx ô GpðBìú uBq<br />
ìdHõJ oAküõ ô Oéõürüõ ó, Æþ uhñBðþ ko<br />
AgHBo ÖloAuýõó<br />
üùõküBó AüpAðþ<br />
Aüò GpðBìú ko ìõ ok AuPÛçë WõAðBó ô ðõ Ñ<br />
Gpgõ ok GB @ðùB ko gBðõAkû ô AøíýQ GpÚpAoÿ<br />
âpk@ô oðlû: sAðPþ Gpgõ okAo ÖpyBkÖp<br />
OíBx ¾dýe GB WõAðBðþ Þú ko ìñrë qðlâþ<br />
ìþ Þññl ¾dHQ Þpkðl. uBÎQ @gp uíýñBo<br />
uíýñBo “AupADýê küpôq ô Aìpôq”<br />
Gú uõAë ô WõAJ ypÞQ ÞññlâBó Aq âpôû<br />
ìPh¿¿ýò AgP¿BÁ kAkû yl. Gú gBÆp<br />
AøíýQ kAyPò ìÏéõìBR ÞBÖþ ô ¾dýe ko<br />
Aüò ìõ ok Gh¿õÁ GpAÿ ðvê WõAó ¾dHQ<br />
AuPÛHBë GvýBo Aq Aüò uíýñBo ÞíýPú GBðõAó<br />
ko¾lk AuQ Þú GpðBìú øBÿ küãp ÿ Aq Aüò<br />
30 Years After<br />
Þpkðl. Aüò GpðBìú GB AuPÛHBë GvýBoÿ Aq ÆpÙ<br />
ypÞQ ÞññlâBó oôGpô yl.<br />
Stand With Us<br />
ÞíýPú GBðõAó ÖloAuýõ ó üùõküBó AüpAðþ GB<br />
øípAøþ âpôû ÒýpAðP×BÎþ ô GvýBo ìÏPHp<br />
ÚHýê ko ìBû øBÿ @üñlû GpârAo Þñl.<br />
“ÞBìpA” ô KzPýHBðþ âpôû “ “ ,<br />
ÞçuùBÿ gõkyñBuþ GpAÿ OíBï WBìÏú<br />
uíýñBo “ôoôk Gú kAðzãBû øB”<br />
“WõAðBó GñýBk ìãHýQ”, “øýéê üõ-uþ-Aë-Aÿ”<br />
ô âpôû “ “ ko oôq 6 ìþ 0102<br />
ko ^ñl ìBû Agýp kô Þçx OõuÈ kô<br />
ìPh¿À GpAÿ GùHõk oôAGÈ Gýò ÖpqðlAó<br />
uíýñBo “AupADýê küpôq ô Aìpôq” oA ko ìõ ok<br />
OBoüi ô @üñlû Þzõ o AupADýê GpârAo Þpkðl.<br />
oôq üßzñHú 21uLPBìHp 0102 Gú øíQ ô GB<br />
GpðBìú oürÿ ÞíýPú GBðõAó ÖloAuýõ ó üùõküBó<br />
ô ôAèlüò ô GùPp qüvPò ko ìpÞr ÖloAuýõ ó<br />
üùõküBó AüpAðþ Ozßýê yl Þú GB AuPÛHBë<br />
uhñpAðBó Aüò GpðBìú @ÚBÿ “küõül uõDývB”,<br />
sô oðBèývQ, gBðî “OBèýB yõèíò âél”,<br />
AüpAðþ uíýñBoÿ koGBoû ypAüÈ Auî ðõüvþ ô<br />
ô oôk Gú kAðzãBû øB ô ÞBèY øBÿ ìhPéØ GpAÿ<br />
ÖpAôAó ypÞQ ÞññlâBó oôGpô Gõk. Þçx<br />
“^ãõðãþ Gpgõok ôAèlüò ô ÖpqðlAó Oýò AüXp”<br />
øíBøñä Þññlû âpôû “ÞBìpA” ko ìñÇÛú<br />
èw @ðXéw , kÞPp “koüê Oíßýò”, oDýw<br />
10<br />
kAðzXõüBó ô gBðõAkû øBÿ @ðùB OpOýI kAkû<br />
yl. ko Aüò GpðBìú ìPh¿¿ýò ìPÏlk ko<br />
OõuÈ gBðî øíB céýíþ ð¿ýpqAkû, ìzBô o<br />
gBðõAkû, Gú Æõ o ø×Pãþ ko ìBû AÞPHp 0102<br />
ô GñýBðãrAo AðvPýPõ KýzpÖQ Aðp s ÿ ko<br />
AupADýê, ô KpôÖvõ o “øñpÿ âpüò”, AuPBk<br />
ìõ ok oAû øBÿ ìhPéØ GpAÿ ðBï ðõüvþ ô âpÖPò<br />
Þíà øBÿ ìBèþ GpAÿ Od¿ýçR ÎBèýú ypÞQ<br />
GpârAo yl. Þçx “ÞñPpë upðõyQ gõk<br />
oA Gú kuQ Gãýpüî” OõuÈ gBðî kÞPp Öéõ oA<br />
koôx ìnøHþ ko kAðzãBû ìýBìþ, øpÞlAï<br />
ko ìõ ok OBoüi Þzõ o AupADýê ô Úõï üùõk ô<br />
ÞññlâBó oA oAøñíBDþ Þpkðl. ìPh¿¿ýò<br />
ko Aüò qìýñú ÎHBoR Gõkðl Aq : gBðî ìõ oüò<br />
qìpkÿ, oôAðzñBx Gú ¾õ oR ÞBoâBû ko<br />
OBoüi 31 AÞPHp 0102 Aq uBÎQ 7 OB 9 yI<br />
GpârAo yl. GpAÿ âpÖPò AÆçÎBR GýzPp ko<br />
ìõ ok Aüò Þçx øB ô GpðBìú øBÿ @üñlû<br />
ÖloAuýõ ó ìþ OõAðýl GB kÖPp ÖloAuýõ ó<br />
üùõküBó AüpAðþ OíBx Gãýpül.<br />
yBï ô upôüw yI yHBR<br />
WíÏú 92AÞPHp uBë 0102 kôìýò âpkøíBDþ<br />
yBï ô ìpAuî yHBR Þú OõuÈ ÞíýPú GBðõAó<br />
ÖloAuýõ ó üùõküBó AüpAðþ GpðBìú oürÿ ylû<br />
Gõk ko ÞñývBÿ “GQ Aë” øípAû GB oøHpÿ oGBÿ<br />
“@üpA oôqð×él” ô ¾lAÿ qüHBÿ grAó ìdHõJ<br />
“ÆñBq Gùpû ìñl ÖpôqAðLõ o” GpârAo yl. üßþ Aq
11<br />
30 Years After<br />
30 Years After<br />
AølAÙ Aüò âpkøî @Dþ, GroâlAyQ @Dýò cÛõ Ý<br />
Gzp ðõyPú KBkyBû AüpAðþ “Þõ oô} ÞHýp”<br />
Gõk Þú Aìpôq Gú ÎñõAó uíHéþ Aq AuPÛçë ô<br />
@qAkÿ Öpkÿ ko upAup WùBó ìõ ok AcPpAï<br />
AuQ. gBðî yùç WBôkAó, oDýw øýBR AWpADþ<br />
ÖloAuýõ ó üùõküBó AüpAðþ, ko ìõ ok Aüò<br />
ðõyPú OBoühþ ô AøíýQ @ó ko WBìÏú WùBðþ<br />
Aìpôq ¾dHQ Þpkðl ô ko ìõ ok AøíýQ Odíê<br />
ô GpkGBoÿ ô oÎBüQ cÛõ Ý AÖpAk ko Aüò kô oû<br />
ðBâõAoÿ øBÿ AÚP¿Bkÿ ô uýBuþ OBÞýl<br />
ðíõkðl. Aüò âpkøî @Dþ GB ypÞQ Gý{ Aq 003<br />
ð×p Aq ìlÎõüò ko OBæoÿ GByßõû ô kÞõ oøBüþ<br />
Þú üBk@ô o kô oAó KBkyBøþ “Þõ oô} ÞHýp”<br />
Gõk GpârAo yl ô @ÚBÿ ìBoá ÎBìéþ, ðBìrk<br />
ìýLê, ô AkAoû Kéýw èw @ðXéw ðýr ko ÒpÖú<br />
øBÿ ìP×BôR Gú uõAæR ypÞQ ÞññlâBó KBui<br />
AðPhBGBR GpAÿ kAkâBû ÎBèþ AüBèQ ÞBèý×pðýB,<br />
ìùíBó ÎBèýÛlo Aüò ìpAuî Gõkðl.<br />
koá AÎPýBk<br />
Aüò âpkøî @Dþ GB øñpðíBDþ ô ìõqüà<br />
@o} ô ¾lAÿ kèñzýò ìdíõk ÚpGBðþ ô<br />
@øñä øBÿ kÿ-Wþ ìdHõJ yBøpj uLýp,<br />
ô OÏéýî oÚÀ øBÿ âpôøþ AupADýéþ OõuÈ<br />
oôq kôyñHú 4 AÞPHp 0102 Gý{ Aq 002 ð×p<br />
GpAÿ ypÞQ ko uíýñBo “koá AÎPýBk” Þú<br />
ìpAuî oô} øzBðB ô üõï ÞýLõo<br />
gBðî Aô oèþ uPBoû OB KBuþ Aq ðýíú yI<br />
AkAìú kAyQ.<br />
OõuÈ ÞíýPú uçìPþ ô OñlouPþ ÖloAuýõ ó<br />
üùõküBó AüpAðþ, GpârAo yl ko ìpÞr<br />
uíýñBo “AcPpAï ìPÛBGê”<br />
ÖloAuýõ ó âpkøî @ìlðl. Aüò uíýñBo Gú<br />
ìñËõ o @yñBDþ AÖpAk Gh¿õÁ ôAèlüò ô<br />
ÞñývBÿ “GQ Aë” ôAÚÐ ko ìpÞr ÖloAuýõ ó<br />
üùõküBó AüpAðþ ìBðñl øp uBë ìpAuî oô}<br />
ÖpqðlAó ðõWõAó @ðùB GB gÇpAR AÎPýBk ô<br />
^ãõðãþ Kýzãýpÿ Aq @ó ô oÖPBo ¾dýe GB<br />
øzBðB ô üõï ÞýLõ o oA GB ðËî GvýBo ko ìdýÇþ<br />
GvýBo oôcBðþ GpârAo Þpk. WlA Aq GpðBìú øB<br />
üßzñHú 81 @Kpüê 0102 ÞíýPú uçìPþ ô<br />
OñlouPþ ÖloAuýõ ó üùõküBó AüpAðþ Gú<br />
Öpk ìÏPBk, GB ypÞQ uhñpAðBó ìPh¿À<br />
GpârAo yl. ìPh¿¿ýñþ Þú ko Aüò GpðBìú<br />
ô ìpAuî ìnøHþ Þú GB øíßBoÿ oGBðõR ô<br />
grAó Aüò ÞñývB Gú ¾õ oR GvýBo kèñzýò<br />
oøHpÿ gBðî øB yHñî ÞýíýB ô Aèùú Gpôgýî<br />
ìýrGBó Gý{ Aq 003 ð×p ypÞQ Þññlû GpAÿ<br />
¾dHQ Þpkðl, ÎHBoR Gõkðl Aq: kÞPp Öpøñä<br />
øçÞõDþ, oôAðzñBx; âpôøHBó “ÖBoë” ÎÃõ<br />
GpârAo yl, kô uhñpAðþ GvýBo WBèI GpAÿ<br />
oôq ÞýLõ o ðýr GpðBìú oürÿ ylû Gõk Þú GB<br />
uíýñBo “AcPpAï ìPÛBGê” Gõk. Aüò uíýñBo<br />
uBÎQ 2GÏlAqÊùp GB KnüpADþ ^Bÿ ô yýpüñþ<br />
AkAoû Kéýw yùp èw @ðXéw, @ÚBÿ kAoA<br />
@GBDþ, ÎÃõ ÖÏBë WBìÏú ko oAGÇú GB AðõAÑ<br />
AuPÛHBë ÖpAôAó ypÞQ ÞññlâBó oôGpô yl.<br />
GpðBìú Aô ë GdU ô â×Pãõ üþ Gõk<br />
ô ðíBüzãBû ðÛByþ øñpìñl Aoqðlû gBðî oôüB<br />
ÖBgpÿ ypôÑ ylû ô GB Wévú uhñpAðþ ô<br />
ìzßçOþ Þú gBðõAkû øB ô WõAðBó üùõkÿ<br />
ko uÇe WBìÏú GB @ó oôGpô øvPñl; kÞPp<br />
koGBoû ìÏñþ üùõkÿ, AüpAðþ ô @ìpüßBDþ Gõkó<br />
ko WBìÏú Aìpôq ìB Þú OõuÈ gBðî WýñB ðùBDþ,<br />
uõAë ô WõAJ OB 6 GÏlAqÊùp AkAìú kAyQ.<br />
GpAÿ Aüñßú Þéýú ypÞQ ÞññlâBó GPõAðñl<br />
KpüvB èõÿ Aèlüò, oôAðzñBx, ô kÞPp AüpZ<br />
yívýBó, oôAðzñBx. Aüò uíýñBo GB KzPýHBðþ<br />
ðõüvñlû GpWvPú;‰ gBðî üBuíýò AôGpìò,<br />
ôÞýê kAkâvPpÿ ô ÎÃõ øýBR ìlüpû âpôû<br />
Aq AÆçÎBR uhñpAðBó ìPh¿À AuP×Bkû<br />
Þññl Aüò uíýñBo Gú øp kô qGBó Aðãéývþ ô<br />
ìBèþ<br />
; ô @ÚBÿ uBï üHpÿ, ôÞýê<br />
“Vantage Point Recovery in<br />
West Lake, California”<br />
øívpAó @ðùB ô ^ßõðãþ Gpgõ ok GB ìvBDê<br />
âõðBâõ ó ko Aüò oôAGÈ ¾dHQ Þpkðl.<br />
ÖBouþ AoADú yl Þú GB AuPÛHBë ìlÎõ üò<br />
o ôGpô Gõk. uhñpAðBó Aüò GpðBìú ÎHBoR<br />
ìõuvú Aÿ Þú<br />
ko Opá AÎPýBk ô ðãùlAoÿ Aq AÖpAk ìÏPBk Æþ<br />
kAkâvPpÿ ô oDýw øýBR ìlüpû âpôû<br />
AWpA yl. uhñpAó GpðBìú<br />
Gõkðl Aq: kÞPp Öpøñä øçÞõDþ, oôAðzñBx;<br />
kÞPp KpüvB èõÿ Aèlüò, oôAðzñBx; kÞPp<br />
kô oAó ðÛBøQ @ðùB Oh¿À kAok GpârAo yl.<br />
ìõuvBR küãpÿ Aq Wíéú: GQ OzõôA, gBðú<br />
kôï gBðî ypèþ glAkAk, oôAðzñBx, koGBoû<br />
cÃõ o kAyPò ô ìÏñõüQ ko WBìÏú ¾dHQ<br />
Þpkðl.<br />
kAkû ô ko ìõ ok ÖÏBèýQ øBÿ gõk AÆçÎBOþ ko<br />
kuPpx ìlÎõüò ÚpAo kAkðl. Aüò uíýñBo ìBðñl<br />
Þéýú GpðBìú øBÿ ÞíýPú uçìPþ ô OñlouPþ<br />
oAüãBó ô ô oôk GpAÿ Îíõï @qAk Gõk.<br />
ìýñõ yýçOþ, oôAðzñBx; ô gBðî ìvPBðú<br />
ìÛlï, ìlkÞBo AWPíBÎþ. uhñãõüBó koGBoû<br />
ìÏBèXú ìÏPBkAó ô Opá AÎPýBk ìBèýHõ, gBðú<br />
Opá AÎPýBk èýà øBôx, ìpÞr ìzBô o üò<br />
oôAGÈ ôAèlüò GB ÖpqðlAó GroâvBë gõk ô
ÎñõAó oDýw øýBR ìlüpû, Gp OõuÏú ÞBðõ ó<br />
gýpgõAû, üßþ Aq ìXùrOpüò OBuývBR<br />
koìBðþ AüpAó, ðËBoR ìvPÛýî kAyPñl.<br />
Kw Aq AðÛçJ AüpAó ko uBë 9791<br />
kÞPp @ÚBDþ Gú gBÆp AøíýQ ÖÏBèýQ øBÿ<br />
¾ùýõðývPþ ô GBðßþ gõk ko ânyPú ìõ ok<br />
ÚlokAðþ Aq kô yh¿ýQ ÎBèýÛlo<br />
kÞPp uéýíBó @ÚBüþ, oDýw Kýzýò ÖloAuýõó üùõküBó AüpAðþ<br />
@qAo ô AmüQ ìnøHýõ ó ÚpAo âpÖPñl. AüzBó Gú<br />
ðB^Bo GB gBðõAkû gõk Aq AüpAó âpühPú ô Gú èw<br />
@ðXéw ìùBWpR ðíõkðl. Þú ìXlkA« ÖÏBèýQ<br />
øBÿ GBðßþ gõk oA ko ìÛBï ìÏBô ó AWpADþ<br />
ô kÞPp AìBó Aèéú oÖõ@û, Kryà kAðzíñl<br />
OñËýî Aq: ôüõèQ uBuõðþ<br />
GBðà oüLBGéýà ðzñBë Aq upâpÖPú ô uLw<br />
Gú ìlüpüQ Aoyl GBðà Aìpüßò AÞvLpx ðBDê<br />
ylðl. AüzBó ko uBë 8991 Aq ìzBÒê GBðßþ<br />
ÞñBoû âpÖPñl.<br />
kÞPp @ÚBDþ ko @ìpüßB, GB ypÞQ ÖÏBë gõk<br />
ko ÞñBo @ÚBÿ kÞPp czíQ Aèéú ÞpìBðzBø`þ,<br />
Gú glìBR gõk Gú WBìÏú üùõkÿ AüpAðþ AkAìú<br />
kAkû ô ÖloAuýõ ó üùõküBó AüpAðþ oA OBuýw<br />
ðíõkðl, Þú gõk AüzBó 51 uBë oüBuQ<br />
ÖloAuýõ ó ô ìlüpüQ ìXéú yõÖBo oA Gú Îùlû<br />
kAyPñl. AüzBó ðýpô ÿ ìdpÞú OBuýw kô<br />
ÞñývBÿ Gñþ AìõðB ô Gñþ A³o Gõkðl.<br />
kÞPp @ÚBDþ Gú gBÆp glìBOzBó Gú<br />
AüpAðýBó ô øíú WBìÏú üùõkÿ, GloüBÖQ<br />
OÛlüpðBìú øBÿ ìPÏlk ðBDê ylû Aðl.<br />
Gú ÎñõAó GùPpüò ðíõðú “øíú üùõküBó<br />
üà GBo küãp AÖPhBo ÚlokAðþ Aq glìBR ô<br />
ÖÏBèýQ øBÿ uBqðlû ô ìTHQ kô yh¿ýQ<br />
ÞñPpë Aoq AüpAó ðBDê ylðl.<br />
ko uBë øBÿ 3791 ô 5791 kÞPp @ÚBDþ<br />
ìvEõë üßlüãpðl”, kÞPp @ÚBDþ Aq ÆpÙ<br />
ðíBüñlâBó ìñPhI üùõküBó ko AupADýê ô<br />
GpWvPú, ÖpøýhPú ô glìPãrAo WBìÏú ìBó,<br />
ð¿ýI âpôû GBðõAó ÖloAuýõ ó üùõküBó<br />
Gú ÎÃõüQ øýBR ðíBüñlâBó AüpAó ìñ¿õJ<br />
ylðl OB ko Þíývýõ ó OõuÏú AÚP¿Bkÿ<br />
âBèõR Aq Wíéú ðhvQ ôqüp ìñhî Gãýò,<br />
oüBuQ Wíùõ o yýíõ ó Kpq, oGBÿ ÎõGlüB<br />
AüpAðþ ylû AuQ. @ÚBüBó kÞPp uéýíBó @ÚBDþ<br />
ô kÞPp AìBó Aèéú oÖõ@û GpAuPþ yBüvPãþ Aüò<br />
@uýBÿ WñõJ ypÚþ uBqìBó ìéê ìPdl ko<br />
OBüéñl ô ìBèrÿ ypÞQ GñíBüñl.<br />
üõuØ, yùpkAo Olÿ Þõèà ô GvýBoÿ küãp<br />
Gú koüBÖQ èõcú AÖPhBoÿ ðBDê âpkülû AuQ<br />
oA kAoðl Þú qcíBOzBó oA AoZ Gñùýî.<br />
ìpAuî GByßõû GroâlAyQ Aüò kô Îrür,<br />
AüzBó uLw Gú ìÛBï oüBuQ GBðà<br />
A¾ñBÙ ô GBðà AüpAðzùp ouýlðl Þú GBðà<br />
Þú ko ÞPBJ ÆçDþ AOdBk üùõküBó Gú ðBï<br />
AüzBó Gú SHQ ouýlû AuQ.<br />
12<br />
oôq üßzñHú 91 kuBìHp uBÎQ 5 GÏlAqÊùp<br />
ko uBèò ðÏíBó ÖloAuýõ ó üùõküBó AüpAðþ<br />
AüpAðzùp oA Gú ¾õ oR üßþ Aq ìõÖÜ Opüò<br />
ìõuvBR ìBèþ GB Gý{ Aq 074yÏHú ko<br />
kÞPp @ÚBDþ ô øívp ìùpGBðzBó ìùpÿ<br />
gBðî ko Gõ oèþ øýér qðlâþ ìþ Þññl ô ^ùBo<br />
ko gýBGBó ÞpuñQ øBüPr yíBèþ GpârAo<br />
gõAøl yl.<br />
upAup Þzõ o ko @ô okðl.<br />
kÞPp @ÚBDþ üßþ Aq oøHpAó WBìÏú<br />
Öpqðl ìõÖÜ Gú ðBï øBÿ ìtâBó, uýíB, oôüB ô<br />
oôìýñB kAoðl Þú øíãþ Gú ôÞBèQ AyPÓBë kAoðl.<br />
kÞPp uéýíBó @ÚBDþ, ìPõèl øílAó, Kw<br />
Aq Aüñßú GB gBðõAkû Gú OùpAó @ìlðl, Od¿ýçR<br />
üùõkÿ ko AüpAó, glìBR AWPíBÎþ gõk oA<br />
Gú ÎñõAó ÎÃõ ¾ñlô Ý ìéþ ko ìÛBï ìÏBô ó<br />
kÞPp AìBó Aèéú oÖõ@û ko uBë 2031 ko<br />
Gñlo Kùéõÿ ìPõèl ylðl. Od¿ýçR AGPlADþ oA<br />
gõ oA Oßíýê ðíõkû ô ìõÖÜ Gú koüBÖQ kÞPpAÿ<br />
AÚP¿Bk âpkülðl.<br />
oüBuQ ypôÑ Þpkðl ô Kw Aq @ó GB ÎÃõüQ<br />
ko ÞíýPú ìpÞrÿ üùõküBó ko ìÛBï grAðú kAo<br />
ko ìlouú Öpkôuþ Gú KBüBó ouBðlðl ô Kw Aq<br />
AðPÛBë gBðõAkû Gú OùpAó ko ìlouú ÖBoAGþ Gú<br />
AüzBó ÖÏBèýQ øBÿ GBðßþ gõk oA Aq<br />
GBðà ìéþ AüpAó ypôÑ ðíõkû ô uLw ko GBðà<br />
Gú ÖÏBèýQ KpkAgPñl Þú ko ðPýXú qcíBR<br />
gvPãþ ðBKnüpyBó ìõÖÜ Gú gpül gBðú Aÿ<br />
Od¿ýê gõk AkAìú kAkðl. ko uBë 5131 ôAok<br />
ÞBèY @ìpüßBDþ OùpAó ylðl ô ko Þçx ø×Pî<br />
ìpÞrÿ AüpAó Gú ìÛBï øíßBo ÿ GB ô qAoR<br />
GpAÿ ÖÏBèýQ øBÿ WõAðBó ylðl. AüzBó Gú
13<br />
GB GBæOpüò ìÏlë ko uÇe ìlouú yBâpk Aô ë<br />
ylðl. Gú Oõ¾ýú ìlüpAó ÞBèY Þçx øzPî oA<br />
ko OBGvPBó ìpô o ðíõkû ô uBë GÏl Gú Þçx<br />
ðùî AoOÛBF üBÖPñl. ^õ ó AìBó Aèéú oÖõ@û øíú<br />
Þçx øB oA GB oOHú Aô ë Gú KBüBó ìþ ouBðlðl,<br />
ÚpAo Gõk GB Gõ ox Od¿ýéþ Aq kôèQ @ìpüßB<br />
GpAÿ AkAìú Od¿ýê Gú @ìpüßB GýBüñl ôèþ ko<br />
uBë yzî Gú Aìp oÂB yBû, ìõuvBR<br />
oÚÀ KBDýr<br />
Aq: á . ìú Kõ o<br />
@ìõqyþ @ìpüßBDþ OÏÇýê ylðl ô GB OÓýýp<br />
oüBuQ ÞBèY ìvBèú Gõ ox Od¿ýéþ AüzBó<br />
ìñP×þ yl.<br />
AüzBó ko uBë 0231 ko Þñßõ o<br />
Kryßþ kAðzãBû OùpAó ÚHõë ylðl ô OB uBë<br />
6231 kô oû Kryßþ oA GB koWú ìíPBq Gú KBüBó<br />
ouBðlðl. uBë @gp GB ôWõk ÞBoyßñþ øBÿ<br />
GBk ìþ oÚ¿ýl GB Gpå<br />
Gpå ìþ èÓrül ko GBk<br />
uBüp kAðzXõüBó ô AuBOýl Gú gBÆp üùõkÿ<br />
Gõkó AüzBó, GBægpû Gýò 021 ð×p yBâpk Aô ë<br />
oÚÀ Gpå ô GBk<br />
øýùBR<br />
ylû ô ìõÖÜ Gú koüBÖQ ìlAë Æç Aq kuQ<br />
AÎéýdÃpR ìdíloÂB yBû Kùéõÿ âpkülðl,<br />
øýùBR<br />
AìB üà GBo küãp ô Aüò GBo Gú gBÆp ÖÛlAó GõkWú<br />
ÞBÖþ kôèQ, ÖpuPBkó AüzBó Gú gBoZ GpAÿ<br />
ðõ o gõ oyýl ko GÏlAqÊùp<br />
ìýrGBó Aüò kô kèlAkû<br />
âpÖPò Oh¿À Gú gpZ kôèQ ìñP×þ yl.<br />
kÞPp oÖõ@û ko uBë 1331 GB gBðî Kpôüò<br />
ô ðõADþ @oAï<br />
Aq Æñýò Gpå ô GBk<br />
âézò AqkôAZ ðíõkðl Þú Sípû Aüò AqkôAZ kô<br />
Öpqðl ìõÖÜ AüzBó, kÞPp sAðQ ô kÞPp ìvÏõk<br />
géÜ üà yBøßBo<br />
WBôkAðú ko üBkï ìBðl<br />
øvPñl Þú øp kô kðlAðLryà ìþ GByñl. kÞPp<br />
oÖõ@û Kw Aq ^ñl uBë ÆHBGQ, GBægpû GB<br />
Gõ ox uBqìBó GùlAyQ WùBðþ Gú èñló oÖPú<br />
ô ko oyPú øBÿ kAgéþ ô Òlk ìPpydú kAgéþ<br />
GBk ìþ oÚ¿ýl GB Gpå<br />
Gpå ìþ èÓrül ko GBk<br />
Oh¿À âpÖPñl ô ko GBqâzQ Gú AüpAó Gú<br />
AuPBkÿ kAðzßlû Kryßþ Gpârülû ylðl.<br />
oÚÀ Gpå ô GBk<br />
øýùBR<br />
AüzBó OB qìBó AðÛçJ AüpAó GB gõyñBìþ<br />
ô ìõÖÛýQ ô yùpR Gú OzhýÀ upüÐ ô<br />
øýùBR<br />
Gpå øBÿ qok ô upj ô AoÒõAðþ oðä<br />
¾dýe Gú ÆHBGQ AkAìú kAkðl.<br />
Kw Aq AðÛçJ GB ÖpAo Aq oAû OpÞýú gõk<br />
æGçÿ @ÖPBJ èýíõDþ oðä<br />
kuPú kuPú<br />
oA Gú uõDýw ô uLw èw @ðXéw ouBðlðl.<br />
ko uò y¿Q uBèãþ ìõÖÜ Gú ânoAðló<br />
ÖõZ ÖõZ<br />
ìþ èÓrülðl ko GBk<br />
AìPdBðBR ìzßê Kryßþ ÞBèý×pðýB ylðl ô<br />
Kw Aq üà uBë ÞBo@ìõqÿ ko<br />
oÚÀ Gpå ô GBk<br />
øýùBR<br />
øýùBR<br />
Harbor UCLA<br />
ko uBë 5891 ìõÖÜ Gú koüBÖQ WõAq ÆHBGQ<br />
ÞBèý×pðýB ylðl ô Aq @ó Kw Gú ìlAôAÿ GýíBoAó<br />
ko ìÇI yh¿þ gõk ìzÓõë øvPñl.
ºHoÄH ·IÄj¼¿Ä ·¼ÃwHnkÎ nj<br />
oÿº 450 yÄI\¹¬ IM<br />
½¼§{IM » ÂGI¹XTwH ºI§<br />
Iµ{ ÁI¿¹z] » ´wHo ÁnHq¬oM ÁHoM<br />
oTzÃM RIø°öH Kv¨ ÁHoM<br />
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(323) 656 -2142 ¸ÿ±U IM<br />
.kÃGIoÎ ®ÅIe tIµU<br />
ðãBøþ Gú glìPãrAoAó WBìÏú<br />
üùõkÿ AüpAó<br />
AudÜ Öpøíñl Kõo, Aôèýò ðíBüñlû ìñPhI<br />
WBìÏú üùõkÿ ko ìXéw ðíBüñlâBó WíùõoÿAuçìþ<br />
Aq kÞPp ðBøýl KýpðËp<br />
“Only Jew in<br />
Parliament Is Expelled by Iranians”،<br />
ko uBë ânyPú WB ìÏú üùõkÿ AüpAðþ üßþ Aq<br />
glìPãrAoAó ÖpøýhPú ô Öpøñãþ gõk oA ko<br />
ìPíBkÿ ko ÞñBo ìzBÒê Öpøñãþ gõk ko Aüò<br />
uíQ ðýr ìzÓõë Gú Oloüw Gõk.<br />
GÇõ o A¯Î¯î ASpârAo Gõkû Aðl. ko @üñlû ðBìùBÿ<br />
yßpAèéú ô AudÜ ÖpøíñlKõ o Gþ yà ko Aüò<br />
kë gBá uLpk. A¾õæ« üùõküBó AüpAðþ Æþ<br />
Úp ó ânyPú ÖpqðlAó GvýBoÿ oA Gú AWPíBÑ ô<br />
ko @ÒBq osüî Wíùõ oÿ Auçìþ,<br />
AudÜ ÖpøíñlKõ o GpüBuQ ìlouú Þõ o}<br />
èývQ ÚpAo gõAøl kAyQ. yBkoôAó AudÜ<br />
ÖpøíñlKõ o ko OBoüi 02 @Kpüê 0102 ko yùp<br />
Öpøñä AüpAðþ Odõüê kAkû Aðl Þú øp üà GñõGú<br />
gõkyBüvPú Oßpüî ô AÖPhBo üùõküBó AüpAó<br />
ìñ¿õJ ylû OB KBüýr uBë 9791, GÏé©Q ypÞQ<br />
ko AðPhBGBR ìXéw yõ oAÿ Auçìþ, ko Aüò<br />
yýßBâõ GÏl Aq üà Îíê WpAcþ, GñBâBû ^zî<br />
Aq WùBó ÖpôGvQ. oôAð{ yBk<br />
Gõkû Aðl. üßþ Aq Aüò AÖpAk, oôAðzBk AudÜ<br />
ÖpøíñlKõ o, glìPãrAo Öpøñãþ ô Aôèýò<br />
ìÛBï glìQ ìýßpk. ko @ðvBë Aq ÆpÙ WBìÏú<br />
üùõkÿ AüpAó, GñíBüñlâþ üùõküBó ko ìXéw<br />
ðíBüñlû ìñPhI WBìÏú üùõkÿ ko ìXéw<br />
ðíBüñlâBó Wíùõ oÿ Auçìþ Gõkû AuQ. qðlû<br />
yõoAÿ Auçìþ ìñPhI ô Gú @ðXB ÖpuPBkû yl.<br />
Aì©B ìPBu×Bðú AÎPHBoðBìú AüzBó ko ìXéw, GB<br />
üBk AudÜ ÖpøíñlKõ o ko uBë 3391 ìýçkÿ<br />
ko ÞpìBðzBû ^zî GXùBó âzõk. Od¿ýçR<br />
@ô okó 07 oAÿ ìhBèØ, 63 oAÿ ìõAÖÜ ô 98<br />
oAÿ ìíPñÐ O¿õüI ðzlô Gú â×Pú oôqðBìú<br />
AGPlAüþ ô kGýpuPBðþ gõk oA ko ìlAox<br />
@èýBðw ô yBøLõ o² ÞpìBðzBû Æþ Þpkû, Kw Aq<br />
OdQ ÎñõAó ìÛBèú Aÿ GñBï ,<br />
91, 08 AôR 71 üi GPBo KvQ, ôAyñãPò<br />
@ó, ìloá èývBðw gõk oA Aq kAðzãBû OùpAó<br />
ko oyPú Îéõï oüBÂþ Agn ðíõkû uBèýBó<br />
14<br />
Aô Þú OñùB ðíBüñlû üùõkÿ ko KBoèíBó Gõk Aq<br />
ìXéw AgpAZ âpkül ô ðB^Bo yl Þú GÇõ o<br />
ìPíBkÿ ko kGýpuPBðùBÿ Þõ o} KvpAó ô<br />
kgPpAó, @ìõqyãBû A³pR ô ìlouú AôO¿p<br />
Òýp ouíþ gBá ôÆñ{ oA Opá Þñl. Kw<br />
Aq ìùBWpR Gú @ìp üßB, GB OíBï ìzßçR<br />
øBOõoA Gú Oloüw oüBÂþ ìzÓõë Gõk. AüzBó<br />
ko @ÒBq kô oAó Oloüw GB øíßBo Öpøñãþ gõk<br />
ìùBWpR GB øíßBoÿ øívpyBó gBðî Öùýíú<br />
küBðþ OõAðvPñl uú ÖpqðlæüÜ ô yBüvPú gõk<br />
gBðî Öùýíú k¯üBðþ @yñB ylû, AqkôAZ ðíõkðl.<br />
cB¾ê Aüò AqkôAZ uú Öpqðl yBüvPú Gú<br />
oA GB Od¿ýçR ÎBèþ Gú AWPíBÑ Odõüê køñl.<br />
qðlû üBk AudÜ ÖpøíñlKõ o Aq gBðõAkû Aÿ<br />
ðBìùBÿ ìùpAó, ÞBìpAó ô ÞýõAó ìýHByñl.<br />
uBGÛú Oloüw ìíPl ô OBèýØ ÞPBJ oüBÂýBR<br />
Aøê Îéî GpgBuPú Gõk. øíýò g²¿Bë Öpøñãþ<br />
ô Úõ©û GýBó Úõÿ oA ko GpAko Aoyl AüzBó @ÚBÿ<br />
GpAÿ kGýpuPBðùBÿ upAup Þzõ o, kAð{ Aô<br />
ko Îéõï oüBÂþ oA Gp øíãBó ìÏéõï ô GBÎU<br />
yßpAèéú ÖpøíñlKõ o ðýr Þú uBèýBó ìPíBkÿ<br />
ìÛBï oüBuQ ìlouú @èýBðw ÞpìBðzBû oA Gp<br />
yùpR Aô ko ìdBÖê Öpøñãþ AüpAó âpkül.<br />
Aüò yñBgQ OB Gú cl©ÿ Gõk Þú Glô ó<br />
Îùlû kAyQ ìþ OõAó ìzBølû ðíõk.<br />
ko @uíBó Kp ÖpôÕ WBìÏú üùõküBó<br />
øýa ôAGvPãþ² yh¿þ GB koGBo yBøñzBøþ,<br />
GpAÿ Oloüw g¿õ¾þ oüBÂýBR, Gú<br />
AüpAðþ, øíõAoû uPBoâBó Gþ yíBoÿ kogzýlû<br />
Aðl Þú øpüà Gvùî gõk ko GBæGpkó Öpøñä<br />
ÖpqðlAó ô ðõ WõAðBó gBðlAó Kùéõÿ ìñvõJ<br />
âpkül ô OB kô oû AðÛçJ 9791 ìýçkÿ, uBèýBó<br />
üùõküBó AüpAðþ GÇõ o A¯g¯À© ô Öpøñä AüpAðþ
Love shouldn’t hurt you!<br />
Don’t be silent! Call us!<br />
For more information on “Domestic Violence”,<br />
getting help and finding shelter.<br />
you can call<br />
the “Yaran” Help-Line at (818) 464-2864<br />
You can leave us a message in Persian.<br />
Confidentiality and anonymity of your message<br />
are guaranteed.<br />
Has your spouse or partner ever:<br />
- Beaten or physically abused you?<br />
- Has stopped you from meeting your friends or<br />
relatives?<br />
- Forbid you from working outside the house?<br />
- Threatened you, your children or pets?<br />
- Destroyed your personal belongings?<br />
- Scold, accuse or humiliated you?<br />
- Forced you to have sex?<br />
Are You:<br />
- Afraid of your spouse or partner?<br />
- Always concede from fear before him or her?<br />
- Feeling afraid, lonely, and insecure?<br />
If your answers to these questions are yes,<br />
you are a victim of “Domestic Violence”<br />
Violence injures all members of a family.<br />
For the sake of your children and yourself,<br />
ask for help today.<br />
Made possible by a grant from California<br />
Community Foundation and Jewish Family<br />
Service of Los Angeles<br />
Yaran: Iranian Peer Counselors and Advocates<br />
- GB gzõðQ ô OdÛýp@ìýr GB yíB oÖPBo Þpkû ô yíB oA ìÛ¿p yípkû?<br />
- GB qô o yíB oA ôAkAo Gú øî @Òõyþ Þpkû?<br />
ÎzÜ ðHBül Gú AðvBó ¾lìú Grðl!<br />
ußõR ðßñýl! GB ìB OíBx Gãýpül!<br />
GpAÿ AÆçÎBR GýzPp koGBoû “gzõðQ øBÿ gBðõAkâþ” ô<br />
ko üBÖQ Þíà ô üB AÚBìQ ko KñBøãBû øBÿ ìh¿õÁ ìþ<br />
OõAðýl GB<br />
âpôû üBoAó yíBoû Oé×ò 42uBÎPú 4682 - 464 (818)<br />
OíBx Gãýpül<br />
ìþ OõAðýl Gú qGBó ÖBouþ GpAÿ ìB KýÓBï GãnAoül ô ìÇíEò<br />
GByýl Þú KýÓBï yíB ìdpìBðú ô g¿õ¾þ GBÚþ gõAøl ìBðl.<br />
@üB øívp ô üB ypüà qðlâþ yíB OB Gú cBë:<br />
- yíB oA ìõ ok ÂpJ ô yPî ô üB @qAo Wvíþ ÚpAo kAkû?<br />
- Aq ìçÚBR yíB GB kôuPBó ô üB AÖpAk gBðõAkû OBó Wéõâýpÿ Þpkû?<br />
- Gú yíB AWBqû ÞBo gBoZ Aq gBðú ðíþ køl?<br />
- yíB, ÖpqðlAó ô üB cýõAó gBðú oA Oùlül Þpkû?<br />
- AyýBÿ yh¿þ yíB oA Aq Gýò Gpkû?<br />
@üB yíB:<br />
- Aq øívp ô üB ypüà qðlâþ OBó ìþ Opuýl?<br />
- Aq Opx øíýzú Aq Aô AÆBÎQ ìþ Þñýl?<br />
- AcvBx OñùBDþ, Opx ô Gþ KñBøþ kAoül?<br />
Aâp KBui yíB Gú Aüò uõAæR ìTHQ AuQ, yíB ìõ ok Êéî ô<br />
gzõðQ gBðõAkâþ ôAÚÐ ylû Aül.<br />
gzõðQ ko gBðõAkû Gú OíBï AÎÃBÿ gBðõAkû ¾lìú ìþ qðl.<br />
Gú gBÆp gõk ô ÖpqðlAðPBó Aq Aìpôq GpAÿ koüBÖQ Þíà AÚlAï Þñýl.
üùõküBó ^ú uùî âpAðþ ko c×Ì ô cpAuQ<br />
Öpøñä A¾ýê AüpAó kAyPú ô kAoðl:<br />
AüpAó ôÆò ìò AuQ, Opkül ìßò<br />
AðßBo ÖpôÕ ÚpÁ gõoyýl ìßò<br />
gõk ôAoV ô KBulAo Aüò gBá ìñî<br />
Opkül ko Aüò GBôo WBôül ìßò<br />
AìB, yõ oGhPBðú Gú Îééþ âõðBâõ ó<br />
Þú ko cýÇú Aüò ìÇéI ÞõOBû ðývQ, ko<br />
ouBèQ üùõkÿ AüpAðþ<br />
Aq: WùBðãýp ¾lAÚQ Öp<br />
ÞíPp ðõyPBo ìvPñl OBoühþ KýpAìõ ó uùî<br />
Gú urADþ Þú üùõküBó AüpAó ðú OñùB ko uýp<br />
ìÇéI qüp ìPò uhñpAðþ ìùñlx WùBðãýp ¾lAÚQ Öp, yBÎp ìdHõJ ìÏB¾p, ko ìpAuî ÞýLõo<br />
uBë 0102 ko ÞñývBÿ “gBðú uBèíñlAó” ko èw @ðXéw AuQ.<br />
OdõæR Öpøñãþ, AWPíBÎþ, AÚP¿Bkÿ, ô cPþ<br />
øñpÿ Aüò @J ô gBá kAyPú Aðl, Géßú ko c×Ì ô<br />
üà ^ñl Gú ÞBo gzQ ôAkAo ylüî üà ^ñl Auýp g¿î ÚùBo ylüî<br />
qAó Kw kô ørAo uBèú ko ÒpGQ gBá ÚpGBðþ ÖPñú øBÿ GvýBo ylüî<br />
AyBÎú @ó ðýr øíõAoû Þõyýlû Aðl ƒ uhò â×Pú<br />
ylû AuQ. ôAÚÏýQ AìB Aüò AuQ Þú ÎéýpÒî<br />
Aüò gç¾ú ÿ upðõyQ Úõìþ AuQ Þú ko<br />
ørAoû øBÿ OBoüi Gú oÒî @ðùíú uhPþ øB ô<br />
ko gBá KùñBô o AüpAó, cPþ Gú qìBðþ Ký{<br />
Aq OBoüi OBCuýw uévéú ÿ øhBìñzþ ìþ<br />
AkôAoÿ Þú üùõküBó ìõ ok Gþ ìùpÿ GÏÃþ<br />
qìBï kAoAó ô øî ìýùñBó ìPÏ¿I gõk ÚpAo<br />
ì¿ýHQ øB, upuhPBðú ko cpAuQ øõüQ<br />
Úõìþ / ìnøHþ gõü{ Þõyýlû ô OB Aìpôq ô<br />
oul. ô Gp AuBx Aüò GBô o ìþ OõAó AkÎB Þpk<br />
Þú üùõküBó ÚHê Aq @ÒBq OBoüi ìlô ó AüpAó, Þú<br />
âpÖPú ô ìPdíê oðY OHÏýÄ ô ÎnAJ OdÛýp ô<br />
OBqüBðú øBÿ Êéî ylû Aðl, ìÏùnA øíõAoû ko<br />
øñõq AuPõAo ô KBGpWB ìBðlû AuQ;<br />
üÏñþ:<br />
ìHlAC @ó GñýBðãnAoÿ cßõìQ øhBìñzþ AuQ,<br />
ko Aüò gÇ©ú ußõðQ ârülû Gõkðl.<br />
Æõë AοBo kèHvPãþ gõk oA Gú gÇú Aÿ Þú<br />
Kw Aq upqìýò AupADýê Úlüíþ Opüò ìõÆò<br />
OBoüh`ú ìlô©ó Úõï üùõk<br />
küõAó cíBuú ÿ ÖpAq AuQ ô Öpôk<br />
Aq WùPþ küãp, @qAkÿ AuýpAó üùõkÿ<br />
GBGê Gú ÖpìBó Þõ o} Groå üßþ Aq ìùî Opüò<br />
@ðBó Gõkû AuQ, Gú ASHBR ouBðýlû ô Gú Kýpô ÿ<br />
Aq kuPBô okøBÿ AðvBðþ küò ô @Dýò gõk,<br />
ôÚBüÐ OBoüi KpðzýI ô ÖpAq ìBuQ ô ðýBq ÿ<br />
Gú GBqâõDþ @ó ðÛÇú ÿ ÎÇØ upðõyQ uBq<br />
ÞíBÞBó Gú ìýùò ô Gú øíõÆñBó gõk ôÖBkAo<br />
ìBðlû ô ÎzÜ ô oqülû Aðl:<br />
AÖvBðú ÿ oôkÿ AuQ ko @Òõ} qìBó<br />
øíõAoû oôAó Gú uõÿ koüBÿ ôWõk<br />
ðývQ. øíýò Gw Þú Gú AÎPÛBk Ktôøzãp<br />
ÖÛýl, qðlû ðBï KpôÖvõ o Aìñõ ó ðP¿p : “ Kw<br />
Aâp ÞíBGý{ ðrküà Gú ^ùBo ørAo<br />
uBë Aq Aüò OBoüh`ú - üÏñþ Aq @ÒBq ouBèQ<br />
øíñõÑ gõkR oA ^õ gõkR kôuQ GlAo<br />
ÖpìBó glAuQ Aüò, ðú üà ÆpÖú yÏBo<br />
Aq ôAÚÏú ÿ gpôZ Aq ì¿p, Kýõðl kèùB ìýBó<br />
üùõküBó ô AüpAðýBó, Þú ÎÛl @ó OõuÈ Þõ o}<br />
cÃpR AGpAøýî Gú ÖpAgõAðþ Gzp GpAÿ<br />
yñBgQ ô KpuP{ glAôðlÿ üãBðú- ìþ ânok,<br />
ko ÞñBo ðùpøBÿ GBGê GvPú ylû, kôìýò<br />
o ô ülAk gBÆpû Aðãýr ô ìùî OBo üi üùõk<br />
ìB ìéQ ÆBÎPýî ô Wr Aüò ðßñýî,<br />
yBèõkû küò ìB Gp ÎzÜ AuQ ÚpAo.<br />
ìB üùõküBó AüpAðþ OlAôï 0072 uBèú ÿ Aüò<br />
Kýzýñú oA ðú OñùB yBøl Gõkû Aüî, Géßú ìB gõk<br />
ìdvõJ ìþ yõk.” (1)<br />
ôðýr Gú oôAüPþ küãp, üùõküBó GBGê<br />
AìB @ð`ú ìpA Gp @ó kAyQ Þú ko Aüò<br />
qìBó ìdlôk Gú Aüò ìÛõèú GLpkAqï, Aüò<br />
Þõèú GBo ouBèQ² Aüò ìBðlâBoÿ oA Gp kô}<br />
Þzýlû Aüî. Aüò GlAó ìÏñþ AuQ Þú upqìýò<br />
16<br />
GpAÿ ÖPe Aüò Þzõ o OõuÈ Þõ o} KBkyBû Gú<br />
AoO{ Aô üBoÿ øBÿ AuPpAOtüßþ kAkû Aðl. (2) ô<br />
ôAÚÏýQ AðßBo ðBKnüp AuQ Þú ko Aüò Gpøú Aq<br />
OBoüi ô ðýr Gú gBÆp oglAk AðÛçGþ Þú ìõWI<br />
AüpAó Gý{ Aq ðýíþ Aq Aüò koAqðBÿ ^ùBo ørAo<br />
uBèú GBèýl ðãBû Úõï üùõk Gõkû AuQ. Gþ Opkül<br />
øp @ó âBû Aüò kAuPBó ìÛpô ó Gú cÛýÛQ GByl,<br />
Aüò oglAk oA ìþ OõAó ðhvPýò øî Kýõðlÿ ô<br />
ìùBWpR AWHBoÿ GýzíBoÿ Aq ìB ô KloAó ìB<br />
yl ƒ ðvê ìB ðBgõAuPú ô Gú âõðú Aÿ “ üBkâBo<br />
Aüò üà AkÎBÿ ìõSÜ OBoühþ AuQ.<br />
ìþ kAðýî Þú Aq @ó qìBó Þú @yõ oüBó<br />
øíýBoÿ AüpAðýBó ô Úõï üùõk Gú yíBo @ô ok.<br />
Gú øp oô ÿ, ìvéíB« Aüò Úõï Gú üÛýò Úlüíþ<br />
AðÛpAÅ ðvéþ, ô ðÛÇú KBüBó Oéi Ö¿éþ” Aq<br />
OBoüi kôørAo ô ø×P¿l uBèú üùõküBó AüpAó<br />
ørAoAó Oò Aq yùpôðlAó AupADýê oA Gú yp Ý<br />
AìLpAÆõ oÿ gõk Gú AuBoR Gpkðl, @ðBó ko<br />
Opüò AÚéýQ ìnøHþ / Öpøñãþ/ WÓpAÖýBüþ<br />
KùñlyQ AüpAó qìýò Gõkû AuQ Þú ko koAqðBÿ<br />
AuQ. GñBGpAüò GpìBuQ Þú @ð`ú ko OõAó<br />
kAoüî oA Gú ÞBo GãíBoüî Þú GBo ouBèPþ kôâBðú<br />
AoAÂþ upqìýò øBDþ Þú ÆHÜ OÛvýî Gñlÿ<br />
øBÿ WÓpAÖýBüþ Wlül yBìê AuPBó øBDþ<br />
qìBó GB Öpøñä ô @kAJ ô uñò ìýùò ìýrGBó<br />
gõk ko@ìýhPú ô Gú ÒñBÿ @ó Öpøñä ôAæÿ<br />
oA Þú upðõyQ Gp âpkû ìB ðùBkû AuQ Gú<br />
upìñrë ìpAk GpuBðýî. Aâp uhò Aq ouBèPþ<br />
^õ ó ÞpkuPBó, @moGBüXBó, ô âýçó<br />
ìþ yõk, ußñþ ârülðl. GñBGpAüò Gú GBô o<br />
kôâBðú ìþ âõüî, GpAuPþ Aüò ôÊý×ú ìBuQ<br />
Gpgþ AüpAðzñBuBó, ÚlìQ cÃõ o Aüò Úõï<br />
GBuPBðþ AÖrôkû AuQ. Gú AÎPHBo øíýò AìPrAZ<br />
ô @yPþ kô oô} qðlâþ ìþ OõAó koüBÖQ Þú
17<br />
Þú Gú yßpAðú ìõÖÛýQ øBÿ oyà GpAðãýrìBó<br />
Þú Gþ Opkül GB KzPõAðú Aÿ Aq OÏBèýî üùõküQ<br />
ðÏíQ øB<br />
ìò Aq øp yBgú, Aq øp Gpå, Aq øp âê<br />
@ðXéw Gú qüõ o ÆHÐ @oAuPú ylû üBk Þñýî.<br />
Aüò uú ìXíõÎú Gú ðBï “KBküBôðl” @ÒBqüñú<br />
Þú üÛýñB« GB @ìõgPú øBÿ Öpøñä AüpAó ko@ìýhPú<br />
AuQ ƒ ÞvI Þpkû Aüî, Gú cpAuQ Aq Aüò<br />
Gú kyQ ìýrGBó ÎÇp ÆpAôR, ÎÇp GpÞQ,<br />
ÎÇp ÎzÜ ô ìùp KByýlï;<br />
You are, my son, the first of a new<br />
generation in our history. You are<br />
the first American grandchild of your<br />
grandparents, who like millions of<br />
other Jews before them, experienced<br />
yet another mandatory exile- or<br />
migration if you will- because of their<br />
religious beliefs.<br />
Remember! Your grand<br />
parents are the inheritors of one of the<br />
most ancient Jewish cultures in the history<br />
of Diaspora. It is your responsibility<br />
above all, to understand, respect,<br />
and learn from their very rich culture.<br />
You are, my son, uniquely qualified<br />
to learn first hand about the history<br />
of our ancestors and the strong ties,<br />
and cumulative cultural and religious<br />
principals that have safeguarded our<br />
survival as an “International” nation<br />
since time immemorial... cherish all of<br />
this treasure my son, and pledge that<br />
you too will in turn pass on to your<br />
own children, both our Jewish and<br />
Persian heritage.<br />
ìÇBèÏBR ô Ktôø{ ko Kýzýñú ô Öpøñä<br />
küpuBë üùõküBó AüpAó ô oôyñãp ÒñBÿ ìýpAV<br />
ìýpAV ÎPýÜ Þíp øíQ GHñlüî ô GB @âBøþ ô<br />
koAüQ, ìzÏê KBülAoÿ @kAJ ô uñò soÖBðãp<br />
ìò Gú ìBko gBá<br />
-^õ ó géØ qAkAó GB AüíBó - ôÖB Þpkï, ìùp<br />
üùõküQ ô ASpânAoÿ A} Gp Öpøñä AüpAó<br />
AuQ. GvýBo WBÿ OBCuØ AuQ Þú Kw Aq ìpå<br />
ô upyBo Aq ìÏpÖQ ðýBÞBó oA Gú ðvê<br />
@üñlû GvLBoüî.<br />
ô oqülï.<br />
(üBkOBó GByl ôèþ, ko âpk} Gý{ ô Þî Aü©Bï<br />
ðõ ox KpÖvõ o ðP¿p, Aüò ìdÛÜ üãBðú Þú<br />
AuPBk Þpuþ AüpAðzñBuþ ko kAðzãBû ÎHpÿ<br />
ìò q ÂpJ Oýzú øBÿ Wùê,<br />
ìò q uñä AðlAq ÿ ðBGhpkAó øpâr ðPpuýlï.)<br />
AÞñõ ó, Aq @ðXB Þú ¾l AèHPú oô ÿ uhñî<br />
Gú ðvê WõAðíBó ðýr øvQ, og¿Q køýl OB<br />
Aô oyéýî Gõk ô Gú øp kô Öpøñä Aq ¾íýî WBó<br />
ÎzÜ ìþ ô oqül, yPBJ Kýãýpÿ Aüò ìÇBèÏBR<br />
ÚvíQ ÞõOBøþ Aq uhñBðþ oA Þú ko uBë øBÿ<br />
@ÒBqüñú ÿ ìùBWpOíBó ko ìpAuî GpìýP¿õAÿ<br />
oô Gú Þñlÿ âpADýl.<br />
Gú oAuPþ, cíBüQ Aq AkAìú Aüò Þõy{<br />
ko Ö¿õë GpâpürAó AuPÛBìQ øBÿ Kýãýpï<br />
cßíQ @ìõqAðú ðÛzþ Aq GùBo WBôkAó: O¿õüp<br />
Öpqðlï ÚpADQ Þpkï, GpAÿ küãp ÖpqðlAðíBó<br />
GBqgõAðþ Þñî:<br />
øB yBüvPú AøíýQ ô OõWùþ Gú urAuQ.<br />
ko gBOíú, kôuQ ìþ kAoï Aüò ðõyPú oA<br />
ÆõGB Gõk;<br />
Oß`pAÕ øp yßõÖú Gp Oñî ðõ oÿ Gú ÖpkA Gõk,<br />
oøñíõ ó oøpôAó ko ÊéíPBÿ OñãñBøB Gõk.<br />
GB upôkû Aÿ Aq ÞPBJ “@qìõ ó Gpârülâþ” Ú¿úC<br />
Ò¿ú øB ô upðõyQ upâzPãþ üà Úõï” Gú<br />
KBüBó GHpï. Aüò yÏp “upôkÿ GpAÿ kogPþ<br />
Þùò Kýõðl” ðBï kAok ô Aq Kýõðl ðBâvvPñþ<br />
ko ânAo èzãp OBoüi<br />
oüzú Aï uíßõJ gzî g¿î<br />
ðùBë ÞùñvBë Úõï ìB GB upqìýñþ uhò ìþ<br />
âõül Þú oüzú ko soÖBÿ gBÞ{ kAoüî.<br />
yBgvBoï yBøl oÚÀ ðvýî ÎBkæó GõkuQ;<br />
¾Hp AüõGüî<br />
yBCó ðrô ë Aüò ÚÇÏú ôAÚÏú kuPãýpÿ<br />
uýrkû Oò Aq øíõÆñBó üùõkÿ Gú Wpï ôAøþ<br />
KBulAo uñQ ô Öpøñä ôAæÿ ðýBÞBó<br />
ko yHýhõ ó qìBó Gõkû uQ.<br />
WBuõuþ ko yýpAq Gõk. øíßýzBðþ Þú<br />
^õðBó AuçÙ gõü{, øíõAoû ko Æõë Úpô ó<br />
Aüò qìBó, AìB<br />
upÖpAq Aq @qìõ ó Úp ó GÏl Aq Úp ó<br />
Gú gBá øíýzú Îrür AüpAó ìùp ô oqülû ô<br />
ôÖBkAo Gõkû Aðl.<br />
up Gú GBkAGBk OùíQ øBÿ Gþ WB gî ðhõAøl<br />
yl;<br />
upôkÿ GpAÿ kogPþ Þùò Kýõðl<br />
ìpA OB oüzú ko soÖBuQ<br />
Aq koôÕ ô AÖPpAÿ ðBWõAðípkAó<br />
moû Aÿ Aq AÎPHBo oAuPýñî Þî ðhõAøl yl.<br />
Gú ðý{ Oýzú Aq Gò Þñló @uBó ðývQ;<br />
¾Hõo ô uhQ up AuPBkû Aï ko oøãnAo üõ o}<br />
ìò AüñXB üBkâBo oôqâBo Kp Òpôo oAkìpkAðî<br />
üBkGõk Aôèýò ìñzõo @qAkÿ q οp Kpyßõû<br />
AοBo<br />
ìpA GBÞþ q OõÖBó ðývQ.<br />
yBû yBøBðî.<br />
ko øíýò oAuOB, AìB, koüÔ AuQ AâpAq<br />
Þõy{ øBÿ Kýãýp ô Ktôø{ øBÿ müÛýíQ<br />
ìò Aq Aüò gBá ouPî - âýpï Aq Gno ÒpüHþ Aq<br />
küBoÿ kô o-,<br />
WBôkAó ðBï KpôÖvõ o Aìñõ ó ðP¿p, Þú Îípÿ<br />
oA ko WvPXõÿ oüzú øBÿ Kýzýñú ÿ AWlAk<br />
ìò AüñXB oüzú ko AÎíBÝ<br />
GB Òpôo ô AÖPhBo ô ÎzÜ ìýíBðî;<br />
GBo øXpR GvPú Gp üBë uíñl ôczþ OÛlüp;<br />
ìò GlüñXB kë uLpkï<br />
ìB ânoAðl üBkÿ ðßñýî ô kuQ @ô okøBÿ Aô oA<br />
AoZ ðñùýî.<br />
ko Kw Aüò AGpøBÿ OBo Gþ ìùpÿ<br />
ðõAq} øBÿ âpï Gõuú ÿ gõoyýl KñùBó<br />
AuQ; ìýlAðî - ìýlAðî.<br />
âýpï Aq ìùp ðùBðþ ko ÎíýÜ uýñú g×Pú Aq<br />
qìBðþ küp.<br />
Gú â×Pú Aô üùõküBó AüpAó ko WpüBó<br />
“ðrküà Gú 72 Úp ó cBìê ô cBÖÌ Öpøñä<br />
A¾ýê AüpAó ìBðlû Aðl; Öpøñãþ Òñþ Þú @ìýrû<br />
Aÿ Aq kô Öpøñä AüpAó ô üùõk AuQ...” (3) ô Gú<br />
ìò ko AüñXB øî GùBoAó, øî gpAó külï:<br />
øî Aq ίÇzBó² Oíõq ÿ ìpA @ôðl øB gõyýl<br />
1- “KBküBôðl”; Wél üßî; ¾×dú 11<br />
2- øíBðXB;<br />
3- øíBðXB;<br />
WBuQ Þú g¿õ¾B« Aq uú Wél “KtôøzñBìú<br />
üùõk AüpAó” , Þú Gú Þõy{ @ó oôAó KBá, ô GB<br />
øî Aq upìBÿ kÿ Gp gõü{ èpqülï;<br />
GùBoAó âp^ú ÞõOú Gõk, AìB Aq up yßpAó<br />
upìBüú ô øíQ GñýBk WBìÏú kAðzõ oAó èw
“Gp GBë gpk”<br />
WBìÏú üùõküBó AüpAó ô ø×PBk uBë oøHpÿ ìnøHþ<br />
âBï Gú âBï GB cBgBï ülülüB yõÖÈ<br />
ko ÞByBó, OùpAó ô èw @ðXéw<br />
Ktôøzþ Aq KpôÖvõ o âõDê Þùò -èw @ðXéw 0102 ìýçkÿ<br />
ðÛl Aq: ÞBìpAó oAìýò Öpk<br />
Aüò ÞPBJ ko 91 Ö¿ê ô 284 ¾×dú ô AðHõøþ Aq AuñBk ìÏPHp ô O¿Bôüp ô GBoôÿ Wélÿ KpìÏñB<br />
Gú ^BN ouýlû AuQ.<br />
øB ô @oyýõøBÿ ìéþ AoôKB ânoAðlû AuQ ô<br />
ì¿BcHú øBÿ GvýBoÿ oA AðXBï kAkû AuQ,<br />
Ö¿õë GpWvPú ÞPBJ:<br />
1- ìlouú AOdBk ÞByBó ô ðÛ{ cBgBï ülülüB Á 59 OB 031<br />
uLw GB ørüñú Þpkó ôÚQ ô cõ¾éú ÖpAôAó<br />
OíBï Oßú øBÿ Aüò Wlô ë oA ko ÞñBo øî ÚpAo<br />
2- ko ÖÃBÿ upyBo Aq WñH{ øBÿ OBqû AWPíBÎþ ô Öpøñãþ Á 94 1 OB 9 71<br />
3 - AðPhBGBR kôoû GývPî ìXéw yõoAÿ ìéþ: üà OXpGú Oéi Á 592 OB 923<br />
kAkû OB GPõAðl O¿õüpÿ oôyò ô y×BÙ Aq<br />
OBoüi ìB oA ko GpAGp küløíãBó ÚpAo køl.<br />
oAqÿ Þú Gp Òýp ðã×Pýî ô ðãõDýî GB kôuQ GãõDýî Þú Aô ìdpï oAq AuQ.<br />
4- ôAKvýò oôqøBÿ ðËBï yBøñzBøþ ô Gp@ìló Wíùõoÿ Auçìþ Á 783 OB 304<br />
“Gp GBë gpk” GpAðãýrðlû yõ Ý ìÇBèÏú<br />
ô ÖpAâýpÿ Îéíþ ko øp gõAðñlû KõüBüþ AuQ.<br />
ìò cBgBï ülülüB oA øpâr Gú ¾õ oOþ Þú<br />
KpôÖvõ o Þùò ìÏpÖþ Þpkû AuQ ðíþ<br />
A¾ç« ðíþ kAðî ^pA ìò ^ñýò ìvEõèýQ Groâþ<br />
oA KnüpÖPî, GBül AmÎBó Þñî Þú Kw Aq ìÇBèÏú<br />
Aüò ÞPBJ Gp ìHñB ô KBüú ÞBô} øBÿ<br />
Îéíþ, Þñl ô ÞBô ô Gp ouþ ¾løB Gpå Aq<br />
yñBgPî. ÞPBJ “Gp GBëgpk” üßvpû gÈ GÇçó<br />
Gp oô ÿ O¿õüpÿ Þú Aq AüzBó kAyPî Þzýl.<br />
ÞíPp Aq ð¿Ø ìÈBèI ÞPBJ gõk oA GvýBo<br />
ðBOõAó AcvBx ìþ Þñî Þú GPõAðî ko Aüò ìõ ok<br />
AuñBk OBoühþ, Îéíþ, Öpøñãþ, AWPíBÎþ,<br />
øñpÿ, uýBuþ, Kryßþ ô GBægpû ô oqyþ<br />
@gp ìþ kAðýl ìò øî üßþ Aq AÖpAk øíýò Úõï<br />
Gpârülû ô GùBðú âýp glAôðl øvPî Þú øpâr<br />
^ýrÿ Gú oô ÿ ÞBÒn GýBô oï, kAðzíñlÿ ðBGÓú<br />
qðlâþ ðBìú ðBGÓú Aÿ küãp oA Gpouþ Þpkû ô<br />
GñB ylû AuQ. Aüò øíBó uHßþ AuQ Þú<br />
AüzBó ko kôìýò ÞPBJ gõk “øípAû GB Öpøñä”<br />
Aq oøHpAó gõk uLBuãrAo ðHõkû Aï ô øýa âBû<br />
Þõ^à Opüò gÇBøBÿ ðBÞpkû ô üB Þpkû @ðùB oA<br />
cB¾ê OdÛýÛBR gõk oA ko ÞPBGþ Aoqðlû Gú<br />
^BN ouBðlû AuQ.<br />
üB âõyú Aÿ Aq OBoüi ìõuvú @èýBðw ko AüpAó<br />
Gp KBüú gBÆpAR AèýBx AudBÚýBó ô Aôèýò<br />
Gú ^zî AÒíBÅ ðãBû ðßpkû Aï ô AðPËBoï<br />
Aq @ðùB øpâr KBüBðþ ðlAyPú AuQ. ÚvíQ øBüþ<br />
ÞBoÿ Þú KpôÖvõ o âõDê Þùò ko ÞPBJ<br />
Ktôøzþ Agýp gõk AðXBï kAkû AuQ Gþ ðËýp<br />
ÞPBJ gõk Gú øíýò oôAë Gú ðBï “clüU üà<br />
Öpøñä” üB OBoüi ìlAox ô Öpøñä üùõküBó<br />
Aq ìÇBèI ìP×BôR ko ÞPBJ “Gp GBë gpk” :<br />
“ôoôk ðBgõAuPú Gú ¾dñú AðPhBGBR ô<br />
AuQ. æAÚê ìò @ðpA ko WBÿ küãpÿ ðýBÖPî.<br />
ÞPBJ “Gp GBë gpk” uõAèþ GpAÿ Þvþ Gþ<br />
yýpAq GpìHñBÿ gBÆpAR ìByBAèéú Öpüõ o AGlAÑ<br />
Þpkû AuQ.<br />
KýBìløBÿ @ó<br />
ìò Aq kô uõ, ìõAWú GB OÛBÂB GpAÿ<br />
WõAJ ðãnAyPú AuQ ô ìò Gú Wr uhò KBá,<br />
gBèÀ ô ìvPñl ko @ó ìÇéI küãpÿ ðýBÖPî.<br />
qðlâþ ðBìú cBgBï ülülüB, ÚùpìBðþ<br />
Þú OBoüi üùõküBó AüpAðþ oA oÚî qkû AuQ ô<br />
cÃõ o ÖÏBë ko ÖpAüñl AðPhBGBR ylï ô<br />
ko WùQ gõAuQ Oùlül@ìýr ô ìñPvI Gú<br />
y×BÖýQ ôütû Aÿ Þú âõDê Þùò Gú OBoüi<br />
üùõküBó AüpAó Æþ ø×PBk uBë oøHpÿ cBgBï<br />
gpkâpADþ Aüò oøHp ô yh¿ýQ küñþ ko<br />
ìõ ok O¿íýíBR upðõyQ uBq ÿ Þú GpAÿ<br />
18<br />
ìÛBìBR, âpôû ÖzBo ô W©õ ìõWõk ko Þzõ o,<br />
yõ oGhPBðú Gp gçÙ uñQ oôcBðýQ, ðBârüp<br />
ülülüB yõÖÈ kAkû AuQ, cBÞþ Aq Ktôøzþ<br />
soÙ, uPpá ô ðõ ko OBoüi ìÏB¾p ìBuQ<br />
Úõï gõk AOhBm ìþ Þpkû AuQ, qðlâþ ðBìú<br />
uBkû Aÿ ðývQ Þú @ó oA Gú ¾õ oR kAuPBðþ<br />
ìõÂÐ âýpÿ Þpkû ô ko ðùBüQ Gú ¾lô o ìPò<br />
ÞõOBû qüp KpkAgPî.<br />
Þú ðú OñùB GpAÿ AüpAðýBó üùõkÿ cBDr AøíýQ<br />
AuQ Géßú uñlÿ ìÏPHp ô ÚBGê ìpAWÏú AuQ<br />
Kpyõ o Gú gõAðñlû Odõüê kAk. âõDê Þùò GB<br />
ðãBo} Aüò ÞPBJ ø×PBk uBë OBoüi ìÏB¾p<br />
Aüò ÖpAgõAó, Aq @ó Kw, OõuÈ Wízýl<br />
Þz×þ ô WñBf ÆpÖlAo Aô qüp ÎñõAó “AÆçÎýú<br />
Þú øíú ÖBouþ qGBðBó WùBó Aq øp Úõï ô ìéýQ<br />
ô ìnøHþ Þú GByñl Gú @ó ðýBq kAoðl.<br />
üùõküBó oA GpAÿ ìB ô @üñlâBó Gú oyPú Odpüp<br />
ko@ô okû AuQ. Aô ko Aüò ÞBô} ô Kpx ô Wõ<br />
KýzõAÿ Groå ÞéýíýBó koGBoû Þz×þ” Gú<br />
ylR ìõ ok OHéýÔ ìÇHõÎBOþ ÚpAo âpÖQ ô<br />
KpôÖvõ o âõDê Þùò GB ÚÇpû Aÿ Aq<br />
kAð{ GýßpAó gõk, üà koüB Îéî ô ìÏpÖQ oA<br />
ko oAuPBÿ ìvPñl uBq ÿ øíú üBÖPú øBü{<br />
kô u×p Gú AüpAó kAyPú AuQ, ô oôqøB ô yI<br />
^ñlüò GBo ko ¾×dBR A¾éþ ìÇHõÎBR<br />
ÞTýpAæðPzBo OùpAó Gú ^BN ouýl:<br />
ko ÞPBJ “Gp GBë gpk” AoADú kAkû AuQ.<br />
øBÿ ìPõAèþ oA ko GroâPp üò ÞPBGhBðú
19<br />
Encyclopedia<br />
ô ÞýLõ o O×ýç ô OzõôA ô ¾lAÚBÿ øíú üùõküBó<br />
kðýB Gú koâBû Kpô okâBo ÎBèî ìvPXBJ ylû<br />
Gú ðBï glAôðl ìPÏBë<br />
øíßýzBó ìdPpï - ÞéýíýBó OùpAó<br />
GByl ô Gú øíú AÖpAk üùõküBó OñlouPþ<br />
Þ B ì ê ô Î í p Æ õæ ð þ ô g ý p ô u Ï B k R<br />
AÞñõ ó Þú cvI Aæìp ìHBoá yBøñzBû ìÏËî,<br />
ÖpìBó AðPhBGBR ¾Bko ylû AuQ GB gõ}<br />
ì p c í Q G×pìBül.<br />
ÎrürAðî GÇõ oüßú yñýlû Aï GÏÃþ<br />
ôÚPþ Aq cvò AðPhBJ @ÚBÿ kÞPp AÚHBë oøHp<br />
ìdPpï crJ ìéýõ ó- @ÚBÿ Wízýl Þz×þ,<br />
ìþ âõüñl Þú üùõküBó AüpAðþ ÞñvpôAOýõ Gõkû<br />
üB øvPñl Aüñà æqï kAðvPî Gú ÎpÅ ìHBoá<br />
glìPãrAo ¾lüÜ yBû ô ìíéßQ ô WBìÏú oA<br />
GpAÿ ðíBüñlâþ kô oû GývPî ìXéw yõ oAÿ<br />
ÎrürAðî GpuBðî Þú üùõküBó AüpAðþ ÞñvpôAOýõ<br />
ðHõkû, ðíõðú @ó KloAó ô ìBkoAó ìB ìþ GByñl<br />
ìéþ Gú Îíõï øíßýzBó ìdPpï ìÏpÖþ ô<br />
Oõ¾ýú ìþ ðíBüî.<br />
øíú üùõkÿ ìnøHþ Gõkû Aüî ô AðzBèéú Gùíýò<br />
ÎñõAó ô ÎÛýlû ìnøHþ GBÚþ GíBðýî.<br />
cBgBï ülülüB yõÖÈ 18”<br />
(¾×dú 203 ÞPBJ Gp GBë gpk)<br />
uçìPþ ô GÛBÿ øíú oA gõAuPBoï. kÎBâõÿ ô<br />
glìQ ârAo øíú<br />
“ðíBüñlû küpKBÿ qAkû ÞByBó<br />
ìpAk Aoüú Þú Gú üBoÿ “ÖpZ Aèéú kèýXBðþ” ko<br />
ülülüB yõÖÈ<br />
WíÏú ìõÎl uõÞB 0 67 GpAGp 42 uLPBìHp<br />
WùQ AyPÓBë Aq ÞByBó Gú OùpAó @ìlû Gõk<br />
ìBðñl Gpgþ küãp Aq øíßýzBó ÞByBðþ ô<br />
9991 ìýçkÿ èw @ðXéw”<br />
(¾×dú 2 3 4 ÞPBJ GpGBë gpk)<br />
A¾×ùBðþ gõk, ko oyQ AÚBìQ ârülû, Gú GBÞõ<br />
ô AoôKB oÖQ ô OBWpÿ ìõÖÜ yl. Aô GB qGBó øBÿ<br />
Þú koüBÖQ Þññlû GB yõ Ý ÖpAôAó Gú ìÇBèÏú<br />
@ó GLpkAqk ô ðBgõk@âBû ìB oA Gú üBk @ô ok ô Gú<br />
cBæ gõAðñlû âpAìþ @üB øñõq øî ìñPËp<br />
@ó øvPýl Þú ìò gç¾ú Aÿ Aq ÞPBJ oA GpAÿ<br />
Aðãéývþ, ÖpAðvú, @èíBðþ, oôuþ ô ÎHpÿ ô<br />
âõü{ ÞByþ ðýr @yñB ô Aq AÆçÎBR küñþ ko<br />
cvò uéýÛú ìB koôk G×puPl Þú ÎzÜ ô yõ o<br />
ÞPBJ gõAðþ oA Þú üßþ Aq GùPpüò ènADn qðlâþ<br />
yíB Gñõüvî ô cw ÞñXßBô ÿ yíB oA GB @ó<br />
AoÂB ðíBüî?<br />
gõ o OõWùþ Gpgõ okAo Gõk. ô ÿ Aq uBë øBÿ<br />
Wñä WùBðþ kôï Gú ðíBüñlâþ WBìÏú ÞéýíýBó<br />
AuQ ko Aô GýlAo Þpkû Aüî.<br />
“Gp GBë gpk” oA GhõAðýl Aq @ó Gùpû ìñl<br />
^ñýò ^ýrÿ AìßBó Knüp ðývQ. Aq<br />
ÞlAï Wíéú üB KBoAâpAÙ üB ìÇéI @ó ìþ OõAðýl<br />
Gú ìXéw yõ oAÿ ìéþ oÖQ ô ko Aüò WBüãBû<br />
^ñlüò kô oû glìQ Þpk.” (¾×dú 592 ÞPBJ<br />
gõAøýl yl ô ènOþ yýpüò oA OXpGú gõAøýl<br />
Þpk ô øp Aq ^ñlâBû Gú ìBðñl üà Öpøñä ðBìú<br />
^zî Kõyþ Þñýl, ko øp Wíéú @ó ¾løB<br />
Îéî ô ìÏpÖQ ðù×Pú AuQ ìãp ìþ OõAó Aq @ó<br />
Gp GBë gpk)”<br />
“ .” Gú @ó ìpAWÏú gõAøýl Þpk.<br />
¾pÖñËp Þpk.<br />
Aÿ ÞB} Gú WBÿ ouî ÞBkô kAkó<br />
“GýBðýú cBgBï ülülüB GB kuPhÈ gõk<br />
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âBû oôcþ ô oôAðþ üßBüà üùõküBó AüpAó<br />
ìzpôGBR upâpkAó Þú øp GÇp @ó æAÚê Gú<br />
kû üB GývQ gBðú ìþ oôk OB ÎBÚHQ üßþ @ó oA<br />
Gõk ô oüzú øBÿ GBôoøB ô Aoq} øBÿ<br />
ìnøHþ ìB Aq AôuQ. oôAð{ yBk GBk.<br />
GBq Þñl, ølüú kAkó ÞPBJ oA oôAZ ìþ kAküî<br />
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OvéýQ<br />
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OpGýQ kô Öpqðl ðíõðú ô kAðzíñlï ôülA ðBOBó<br />
ô kÞPp uýBô} ìz×Ü øílAðþ Gú ìpAOI Gý{<br />
Aq ìò uùî kAyPú AuQ, AølAF ìþ Þñî.”<br />
yBkoôAó Öpj (AÞHBOBðþ) ìz×Ü øílAðþ,<br />
øívp ÖlAÞBo ô Kpìùp oôqðBìú ðãBo ô<br />
koânyQ yBkoôAó Öpj ìz×Ü øílAðþ<br />
oA Gú ÖpqðlAó ô ðõAkâBó Aô ô Þéýú gBðõAkû øBÿ<br />
ðõüvñlû ô uýBuPílAo ÎBèýÛlo qðlû üBk<br />
ìz×Ü øílAðþ, ^zî Aq WùBó ÖpôGvQ. ko<br />
ôAGvPú Gú ôütû ÖpqðlAó Aô gBðî ôülA ðBOBó ô<br />
kÞPp uýBô} ìz×Ü øílAðþ OvéýQ<br />
ÞPBJ “gBÆpAR ðýî Úp ó oôqðBìú ðãBoÿ”<br />
Gú Úéî ìz×Ü øílAðþ, @ó yBkoôAó ko ìPò<br />
ìþ âõDýî.<br />
AølAF ÞPBJ ìþ ðõüvl: “Aüò ÞPBJ oA Gú øívp<br />
Îrürï Öpj ÖBDÛþ AÞHBOBðþ Þú ìPXBôq Aq ðýî<br />
oDýw ô AÎÃBF øýBR AìñBF ÖloAuýõ ó üùõküBó AüpAðþ<br />
oDýw ô AÎÃBF øýBR AWpADþ ÖloAuýõ ó üùõküBó AüpAðþ<br />
Úp ó qðlâþ KpOçÆî uýBuþ ô AkGþ ìpA ko<br />
ðzpüú yõÖBo
üBk} âpAìþ<br />
ânAokû Gõk Þú OñùB AðvBó øBüþ GB Aðlüzú øBÿ<br />
ìPpÚþ ô ìPÏùl Gú GBoô oÿ @ó oA kðHBë ìþ<br />
cpÖú A} ^õ ó ânyPú øBü{ ko<br />
upqìýò ìBkoÿ uBgPò ô âvPp} @GBkÿ ô<br />
ìBû ânyPú @ÚBÿ uýpôx cçô ÿ üßþ Aq<br />
glìPãrAoAó ìdHõJ ô ¾BkÝ WBìÏú üùõkÿ<br />
Þññl ô Aô OB @ðXB oÖQ Þú ìÏpÖQ ÎzÜ oA Gú<br />
gõGþ yñBgQ.<br />
@GBkAðþ Gõk ô ko ÞñBo} GvýBo gBðõAkû øBÿ<br />
ìùBWp oA üBoÿ kAk OB ¾BcI ìBCôA ô ÞByBðú<br />
ko èw @ðXéw koânyQ. ko uBèùBÿ ânyPú<br />
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ìBðlâBo, ÖpqðlAðþ géØ, øívpÿ øípAû ô<br />
Aÿ yõðl. Aüò oôqøB Gõk Þú ÞPBJ Wñä üõï<br />
ÞýLõ o oA Gú oyPú Odpüp ko@ô ok ô ìÛpo Þpk<br />
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@ðßú OÏùl} oA Gú ÎñõAó Öpqðl Aoyl Gú gBðú<br />
øí`ñBó Aq ÆpüÜ ìXçOþ ^õ ó yõÖBo, kðýBÿ<br />
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gõk oA ôÚØ @ó uBgPú Gõk ô ðýà ìþ kAðvQ<br />
Þú øíõAoû ypÙ oÖBÚQ oA GB Aô Gú WB @ô ok,<br />
AqkôAZ Þpk ô Kw Aq uBë øB WíÐ gBðõAkû A}<br />
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21<br />
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uõAë ô Gpouþ ÚpAo âpÖPú Aðl. øíBðÇõ o Þú<br />
ìþ kAðýî üùõküQ øíõAoû ìõ ok uõAë ÚpAo<br />
kAkó ô GdU oAWÐ Gú ÚõAðýò ô GBô o øBÿ küò<br />
oA OzõüÜ ìþ Þñl, GñBGpAüò WBÿ OÏXI ðývQ<br />
yh¿þ ìBðñl @ÚBÿ uéýíBó ì¿B^þ, Öpkÿ<br />
ÞPBJ oôqðú Aÿ Gú küBo oôyñBüþ<br />
ðÛl Aq: ìtâBó ìÛlï oøHp<br />
Þú kAð{ GvýBo ko ÎBèî üùõküQ ô ìnøI kAok<br />
ô ìpkÿ ìõìò ô ÚBGê AÎPíBk ko WBìÏú üùõkÿ<br />
AüpAðþ AuQ, O¿íýî âpÖPú Þú Aüò Þùò Opüò<br />
ÚBðõ ó üùõküQ oA ìõÂõ Ñ ÞPBJ ô ðõyPú gõk<br />
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ô ìnøI @ìõgPú Aüî ìõ ok uõAë ô Gpouþ<br />
ÚpAo ìþ køl ko WBìÏú üùõkÿ AüpAðþ ÞíPp<br />
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AüpAðþ ko ^ñl ìBû Agýp Gõkû AuQ.<br />
OvéýQ<br />
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ÞvI ðíõk.<br />
Gú ìdÄ Aüñßú @kôèØ øýPép, ko uBë<br />
( GÏl Aq Wñä ÞBó-æüPr Gú gBÆp Þõy{ øBÿ<br />
AðvBðþ gõk Gú koüBÖQ AÖPhBoAR ìPÏlkÿ<br />
kocBèþ Þú OíBï Aüò ìBWpA Gú Æõ o<br />
ìh×ýBðú AðXBï ìþ yl, ko uBèùBÿ 8391ô<br />
3391, Gú ìÛBï ¾loAÎËî @èíBó ìñ¿õJ yl,<br />
AoðvQ æüPrkôï ypôÑ Gú koüBÖQ kogõAuQ<br />
ðBDê yl AqWíéú ìlAë AÖPhBo @ÞBkìþ ðhê øB<br />
Aq ÖpAðvú ko uBë 6 591 ô ìlAë AÖPhBo<br />
AôAüê 9391, “Op ó @qAkÿ æüßB” ko AôZ ÖÏBèýQ<br />
gõk, øp ^ñlø×Pú üßHBo, âpôû øBÿ ìùBWpüò<br />
øBÿ ôczQ qkû Aq øíßBoAó üùõkÿ gõk Þpk<br />
Þú Aq Aô ìþ gõAuPñl Gú @ðùB ô gBðõAkûøBüzBó<br />
@oüvPBülGpüBðl Aq @ÞBkìþ Aoô KB ko uBë<br />
øBÿ 0791 )<br />
oA Gú ðýõüõ oá ìþ ouBðl.<br />
uLw GB cíéú Gú èùvPBó ko Aô ë<br />
GpAÿ gpôZ Aq Þzõ o Þíà Þñl.<br />
æüPr ô gBðõAkû A} Gú gBÆp Aüñßú<br />
^pA Aüò kAuPBó oA OBÞñõ ó Þvþ OÏpüØ<br />
ðßpkû AuQ?<br />
uLPBìHp 9391, @èíBó ìpqøBÿ gõk oA GvQ.<br />
OB @ó qìBó ¾løB üùõkÿ Þú WBðzBó ko gÇp<br />
ìvýdþ Gõkðl, Aq ÚõAðýò ðõ oìHpå, Þú<br />
WBGXBüþ üùõküBó oA ìíñõ Ñ ô ÖÏBèýQ øBÿ<br />
GñB Gú â×Pú ðõ oìò èýLPõ ó ÖÛýl, üà<br />
ðõüvñlû ô upkGýp ìvPÛê, gBðõAkû æüPr<br />
Gõk, uLBuãrAo Aq Þõy{ øBÿ æüPr, Gú<br />
@ìpüßB âpühPú Gõkðl.<br />
yÓéþ yBó oA ìdlôk ìþ Þpk, ìÏBÙ Gõkðl.<br />
æüPr GpAÿ Þíà Gú ÞBoâpAó ô øíßBoAó<br />
GpAÿ Þõy{ øBÿ ÚùpìBðBðú gõk øýa ðõ Ñ<br />
OHéýÓBOþ ðíþ gõAuPñl. ÖÛÈ Kw Aq ìpå<br />
ko Aüò ìBWpA ^ú Gp up AoðvQ æüPr<br />
kôï ô øíßBoAð{ @ìl?<br />
üùõkü{, uývPíþ oA AüXBk Þpk Þú ko Gýò<br />
ìõ ogýò øBèõÞBuQ Gú ðBï “ Op ó @qAkÿ æüßB”<br />
@gpüò ÎÃõ gBðõAkû æüPr, GBægpû ìBWpAÿ<br />
“Op ó @qAkÿ æüßB” ìõ ok OõWú ÚpAo âpÖQ. Aüò<br />
ypÞQ æüPr, ìBoÞþ Þú yùpR Gýò<br />
Aèíééþ kAyQ, GpAÿ crJ ðõgBuPú» oAü{<br />
ìÏpôÙ yl. ôuýéú Aÿ ìh×ýBðú GpAÿ kAkó<br />
AWBqû gpôZ Aq @èíBó Gú üùõküBó ko ðÛ{<br />
GBÎU AÎPHBo Gõk. Aüò ypÞQ GpAÿ AoO{<br />
@èíBó kuPãBû øBÿ G³pk uñY ô kô oGýò øBÿ<br />
ÞBoìñlAó æüPr ko @ðvõÿ koüBøB. ÞBoìñlAó,<br />
ÖpôyñlâBó, AÎÃBÿ gBðõAkû ô cPþ<br />
kAuPBó AÞñõ ó ìõÂõ Ñ ÞPBGþ AuQ Gú ðBï<br />
“GroâPpüò AgPpAÑ gBðõAkû æüPr: Op ó @qAkÿ<br />
æüßB” ðõyPú ÖpAðà kAGB AuíýQ.<br />
gBÆpAR ðýßõÞBoAó GBül qðlû GíBðl.<br />
ìh¿õÁ Oõèýl ìþ Þpk. øí`ñýò cßõìQ<br />
ðBq ÿ AcPýBZ ìHpï Gú Aoq gBoWþ kAyQ ô<br />
kôuPBðzBó Gú KvQ øBüþ ko kÖBOp Öpô}<br />
æüPr ko ÖpAðvú, GpüPBðýB, øñä Þñä ô @ìpüßB<br />
OñùB ô GroâPpüò GBqAo ¾ñBüÐ kô oGýò uBq ÿ<br />
ìñ¿õJ ìþ ylðl.
FDA<br />
FDA<br />
Administration<br />
FDA<br />
) üB ( ) Þú ìvEõë<br />
ÞñPpë kAoôøB ô ìõAk ÒnADþ ko @ìpüßB AuQ<br />
ko ÞñPpë ìßíê øBÿ ÒnADþ kAoôDþ ðÛ{<br />
GvýBo Þõ^ßþ Gú Îùlû kAok. ÞBogBðú øBÿ<br />
Oõèýl Þññlû Aüò ìõAk ìõÊØ øvPñl Þú Gú Éõ o<br />
kAôÆéHBðú ìd¿õæR gõk oA GBqouþ Þññl<br />
ô AÆíýñBó kAyPú GByñl Þú Aüò ìd¿õæR<br />
ôAÞñ{ ìßíê øBÿ kAoôDþ<br />
ô ÒnADþ ko osüî ÒnADþ uBèíñlAó<br />
kAoAÿ Þý×ýQ ÎBèþ øvPñl ô AuP×Bkû Aq @ðùB<br />
ÞBìç«Gþ Âpo ô gÇp ìþ GByl.<br />
Aq: oôüB oøHp KõèlAo (ìPh¿À OÓnüú)&<br />
ÞíLBðþ øBDþ Þú ìßíê øBÿ ÒnADþ<br />
kAoôDþ oA Gú GBqAo ÎpÂú ìþ Þññl ìþ OõAðñl<br />
Glô ó Aüñßú OdÛýÛBR qüBkÿ oô ÿ ìd¿õæR<br />
@ðBó ylû GByl, ìd¿õæR gõk oA Gú GBqAo<br />
AoADú Þññl ô GB oô} øBÿ GBqAoüBGþ ô OHéýÓBOþ<br />
ôuýÐ Kõë qüBkÿ oA Gú WýI Grðñl. ÖÛÈ ko<br />
qìBðþ Þú yßBüQ øBÿ qüBkÿ Aq ÆpÙ ì¿pÙ<br />
ÞññlâBó Aüò ìõAk Gú Gzõk, @ó ôÚQ<br />
Ginkgo<br />
Glucosamine<br />
AuQ Þú Aüò ìõAk oA Aq Öp ôyãBû<br />
øB WíÐ @ô oÿ ìþ Þñl. AÖpAk uBèíñl Gú ÎéQ<br />
AuP×Bkû GýzPp Aq ìßíê øBÿ ÒnADþ kAoôDþ,<br />
Gú g¿õÁ øî qìBó GB kAoôøBÿ OXõür ylû<br />
KryßBó ô OÓýýpAOþ Þú ko Æpq ÞBo AÎÃBF<br />
ìùî Gló @ó øB Gú ÎéQ ÞùõèQ uò Ký{ ìþ<br />
@ül, ko ìÏpÅ gÇpAR GýzPpÿ GpAÿ ôAÞñ{<br />
AÖpAk uBèíñl (uñýò 56uBë Gú GBæ) ^ùBo<br />
ko¾l WíÏýQ AüBæR ìPdlû @ìpüßB oA Ozßýê<br />
Aüò kAoôøB Gú OXõür KryßBó ìþ GByl ôèþ<br />
GýzPp Aüò kAoôøB AcPýBWþ Gú ðvhú Kryà<br />
øBÿ ìÃp Gýò kAoôøB ô ìßíê øBÿ ÒnADþ<br />
kAoôDþ øvPñl ô GBül Gú Aüò ìvEéú OõWú<br />
24<br />
ìþ køñl. GB KýzpÖQ øBÿ ÎËýíþ Þú ko<br />
05uBë ânyPú ko oyPú øBÿ ìhPéØ Kryßþ<br />
ðlAoðl ô üB kAoôøBÿ âýBøþ ô ÆHýÏþ, Gú<br />
¾õ oR gõ oAÞþ øBÿ ìßíê ko kAoôgBðú øB ô<br />
qüBkÿ kAyPú GByñl.<br />
ko ASp GBæoÖPò uò, GvýBoÿ Aq<br />
ô GùHõk oô} øBÿ qðlâþ gBðõAkû øB, OBìýò<br />
AÚP¿Bkÿ uBèíñlAó ô ôWõk Gýíú øBÿ Kryßþ<br />
üB ÖpôyãBû øBÿ ÒnAøBÿ GùlAyPþ ko ìÏpÅ<br />
Öpô} øvPñl. Aüò ìõAk ÒnADþ ìßíê yBìê<br />
uývPî øBÿ Gló AðvBó ìTê qìBó WõAðþ ÞBo<br />
ðíþ Þñl. Gú ÎñõAó ìTBë GBqkû ÞBo Wãp Þî ìþ<br />
Gú ôWõk @ìlû AuQ, Aüò ÆHÛú Aq WõAìÐ AðvBðþ<br />
Gh¿õÁ ko AüBæR ìPdlû @ìpüßB Aq oyl<br />
ìõAk âýBøþ ìTê âýñßõ ( ), uýñQ<br />
AuýløB,<br />
@ìýñõ ìÏlðþ, ìõAk ôüPBìýñùB, AðõAÑ<br />
yõk ô Aüò ÎÃõ küãp ðíþ OõAðl ìvEõèýQ<br />
gõk oA Þú kÖÐ ìõAk uíþ Gló AuQ oA Gú<br />
GýzPpÿ Aq øp âpôû uñþ küãpÿ ko WBìÏú<br />
Gpgõ okAo AuQ. Ohíýò qkû ìþ yõk Þú OB<br />
küãpÿ ìTê âõèõÞõqAìýò ( ),<br />
ô ìõAk<br />
uýp ), ( oR ô WBðr<br />
gõGþ AðXBï Gløl ô GñBGpAüò Aüò ìõAk Gú ìlR<br />
GýzPpÿ Gú ¾õ oR ÖÏBë ko Gló GBÚþ ìþ<br />
uBë 0302 GývQ ko¾l Aq WíÏýQ @ìpüßB oA<br />
Aüò âpôû uñþ Ozßýê gõAøñl kAk.<br />
( ) ìþ GByñl.<br />
ìçOõðýò<br />
ô ) ( yýò ÞBðlôAuþ<br />
ìBðñl ô ìþ OõAðñl AüXBk ìvíõìýQ øBÿ<br />
ìhPéØ GñíBüñl.<br />
ko¾l GýíBoÿ øBÿ cBk ô ìrìò ko Aüò<br />
âpôû uñþ Gú ìpAOI GýzPp Aq âpôû øBÿ uñþ<br />
@ìBo ðzBó ìþ køl Þú clôk KñXBû<br />
ko¾l uBèíñlAó Aq Aüò ìßíê øBÿ ÒnADþ,<br />
üßþ küãp Aq uývPî øBDþ Þú ko uñýò<br />
GBæ k^Bo Þî ÞBoÿ ìþ yõk kuPãBû Þéýú øB<br />
küãp ìþ GByl. GñBGp @gpüò @ìBo ko @ìpüßB<br />
^ùê ko¾l kAoôøB ìò Wíéú kAoôøBÿ âýBøþ<br />
kAoôDþ AuP×Bkû ìþ Þññl. kæüê qüBkÿ GpAÿ<br />
AuP×Bkû Aq Aüò ìõAk ôWõk kAok, ìò Wíéú âpAó<br />
AuQ Þú ìvEõë O¿×ýú ìõAk qADl Gló ìþ<br />
GByl. ko uñýò GBæ Þéýú øB üßþ Aq kuPãBû øBÿ<br />
ô ÆHýÏþ ìõ ok ì¿pÙ Aüò âpôû ÚpAo ìþ<br />
âýpk. kocBèýßú Aüò âpôû øíýò Æõ o Þú ÚHç«<br />
Gõkó kAoôøBÿ OXõür ylû Gú ôuýéú KryßBó<br />
ô ÎõAoÅ WBðHþ AuQ Þú ko AuP×Bkû Aq Aüò<br />
Gló øvPñl Þú GýzPp Aq øíú k^Bo AyßBë ìþ<br />
yõk. ôÚPþ Aüò kuPãBû gõJ ÞBo ðßñl ìõAk<br />
mÞp yl ÖÛÈ ^ùBokû ko¾l WBìÏú @ìpüßB oA<br />
yBìê ìþ yõk.<br />
kAoôøB ko GÏÃþ AÖpAk ìzBølû ìþ yõk.<br />
ìvEéú GvýBo ìùíþ Þú GBül Gú @ó OõWú<br />
qADl ìò Wíéú kAoôøB Aq Gló Gú gõGþ kÖÐ ðíþ<br />
yõðl ô ko Gló Gú ìlR Æõæðþ Opÿ GBÚþ ìþ<br />
Food and Drug<br />
St Johns’ Wort<br />
Chondroitin<br />
Melatonin<br />
GvýBoÿ Aq AÖpAk uBèíñl øî qìBó Aq<br />
kAoôøBÿ ìhPéØ AuP×Bkû ìþ Þññl. GÏÃþ Aq<br />
kAyQ Aüò AuQ Þú uBqìBó Gpouþ ìõAk<br />
ÒnADþ ô kAo ôDþ @ìp üßB (
25<br />
Stem cell<br />
ìBðñl ô Aüò ìvEéú ìþ OõAðl AyßBæR qüBkÿ<br />
Gú ôWõk GýBô ok.<br />
ko GvýBoÿ Aq ìõAok ôAÞñ{ øBÿ Gýò<br />
kAoôøBÿ OXõür ylû KryßBó ô ìßíê øBÿ<br />
koìBó GB AuP×Bkû Aq<br />
uéõë øBÿ GñýBkÿ<br />
ÒnADþ kAoôDþ Gú ¾õ oR Oñãþ ð×w øBÿ<br />
ðBâùBðþ ô ÎõAoÅ KõuPþ øípAû GB gBo} Gú<br />
OpWíú : sAðQ øBoôðýBó<br />
ÎéQ @èpsÿ øBÿ ìhPéØ Ký{ ìþ @ül Þú æqï<br />
AuQ Öõ oA«Gú Kryà ìpAWÏú Þpk.<br />
ìñHÐ: AüñPpðQ ô ÞPBJ .<br />
ìvEéú küãpÿ Þú ko uBèíñlAó GBül<br />
OõWú kAyQ Aüò AuQ Þú GvýBoÿ Aq @ðBó<br />
@gpüò Klülû, koìBó AìpAÅ Gú ôuýéú uéõë<br />
øBÿ GñýBkÿ Ohî AðvBó AuQ.<br />
ìþ Þñl? uBÚú uéõë Wñýñþ ^ývQ? oüzú<br />
@ó ko ÞXBuQ? koìBó Gú ôuýéú AüñùB ko ^ú<br />
k^Bo “ÖÛp ÒnADþ” øvPñl. Aüò AyhBÁ GBül<br />
Aq ìÛBküp ÞíPpÿ Aq kAoô AuP×Bkû Þññl. Aâp<br />
OdÛýÜ ko ìõ ok Aüò ðõ Ñ uéõë øB<br />
Öp¾Q Gþ uBGÛú Aÿ ko ÆI koìBðþ Gú ôWõk<br />
ìõAokÿ uõk ô üB Âpo kAok? ^ãõðú ìþ OõAó<br />
Gp ìõAðÐ ko oAû ouýló Gú ðPýXú ìÇéõJ ÒéHú<br />
Aüò AyhBÁ Aq ìÛBküp ìÏíõèþ kAoô AuP×Bkû<br />
Þññl ìíßò AuQ ko @ðBó ìvíõìýQ øBÿ<br />
@ô okû AuQ. uéõë øBÿ Wñýñþ oA Aq ÚvíQ<br />
uBèî Gló âpÖPú, Kw Aq ÞzQ ko @qìBüzãBû<br />
Þpk? @üB GBægpû ìB AðvBó øB ko ìÛBGê Îéî ô<br />
ÚBðõ ó ¾çcýQ kAoüî Aq uéõë øBÿ Wñýñþ<br />
ÎÃõÿ AüXBk yõk.<br />
GBül ko AuP×Bkû Aq GÏÃþ Aq ìõAk<br />
Gú ÚvíQ Öpuõkû ô GýíBo Gló OroüÜ ìþ Þññl.<br />
Aüò uéõë øB Þú AuPÏlAk KñùBðþ OõuÏú¨ ,<br />
Gló AuP×Bkû Þñýî? ko ÎpÅ02 uBë Agýp<br />
@qìBüzBR AðXBï ylû oô ÿ ìõ} ô cýõAðBR<br />
âýBøþ ô ÆHýÏþ cPþ GÏÃþ ìõAk ÒnADþ ôÚPþ<br />
Þú yhÀ Aq kAoôøBÿ OXõür ylû Kryà<br />
oyl ô OÏíýp kAoðl, Gú ìdÄ ô oôk Gú ìßBó<br />
Wlül gõk ko kô cBèQ ypôÑ Gú Opìýî ìþ<br />
Groå Op ìBðñl gõá Gõkû AuQ ô ko cBë<br />
cBÂp GùPp AuQ @qìBüzBR ô ìÇBèÏú oA ko<br />
AuP×Bkû ìþ Þñl gõkkAoÿ Þpk. GvýBoÿ<br />
Aq Aüò ìõAk oA ðHBül GB kAoôøBÿ OXõür ylû<br />
Þññl. üB øíBó Îíê uéõë øBÿ Úlüíþ oA Aq Kþ<br />
ìþ âýpðl ô üB Aüñßú GB Odpüà, OHlüê Gú uéõë<br />
koìBó AðvBó Gú ÞBo Gpk ^õ ó O×BôR Gýò Gló<br />
AðvBó ô cýõAó GvýBo AuQ.<br />
Kryà AuP×Bkû Þpk ^õ ó ìþ OõAðñl AyßBæR<br />
qüBkÿ GpAÿ ìpüÄ AüXBk Þññl. Gú ÎñõAó ìTBë<br />
øBÿ ðõ Ñ küãp ìþ yõðl, ô ôÊý×ú OBqû Aÿ Gú<br />
Îùlû ìþ âýpðl. ìTç« GB ìédÜ yló Gú uéõë<br />
OBÞñõ ó ìÏBèXBOþ Þú oô ÿ AðvBó øB<br />
AðXBï ylû OB KñXBû ko¾l ìõÖÛýQ @ìýr Gõkû<br />
Aq gõ okó ìýõû âpüM ÖpôR GB GvýBoÿ Aq<br />
kAoôøB ìò Wíéú kAoôøBÿ Âl ÖzBo gõ ó<br />
øBÿ ÎÃéú, gõ ó ìþ uBqðl ô üB ko uéõë ìÓr<br />
o³ë küãpÿ Gú Îùlû ìþ âýpðl.ko øp ¾õ oR<br />
ôèþ oüvà Kw qkó ô ðLnüpÖPò uéõë Wlül<br />
ko Gló qüBk AuQ. GpAÿ Aüñßú ko¾l Knüp}<br />
ô ÞévPpë GBül gõkkAoÿ Þpk. kèýê @ó Aüò<br />
AuQ Þú âpüM ÖpôR (ìýõû ô üB @J ìýõû)<br />
oë AuBuþ @ðùB ðõuBq ÿ ô koìBó AuQ.<br />
Aq ðõ Ñ GùPpüò uéõë øB<br />
uéõë Wlül GýzPp yõk uÏþ ko Aüò AuQ Þú<br />
uéõë øBÿ Aôèýú Aq gõk yhÀ âpÖPú ylû<br />
cBô ÿ @ðrüíþ AuQ Þú GBÎU ìþ yõk Gló<br />
ðPõAðl Aüò kAoôøB oA gñTþ áñl. Aüò kAoôøB Gú<br />
AuQ ^õ ó GB øíú ðõ Ñ uéõèþ uBq} ô<br />
øíßBoÿ ìþ Þñl ô Aq @ó ko GýíBoÿ KBoÞýñvõ ó<br />
ô Gú Aô Or o üÜ yõk OB gËp Îlï ÚHõ ë @ó<br />
ÞíPp GByl.<br />
ìlR GýzPpÿ Aq @ó Þú æqï AuQ ko Gló GBÚþ<br />
ìþ ìBðñl ô ìþ OõAðñl ìvíõìýQ AüXBk Gßññl.<br />
ô GpAÿ uBgQ kAoô AuP×Bkû ìþ yõk.<br />
ÚBGê OõWú Aüò AuQ Þú uéõë øBÿ<br />
ko cBë cBÂp ko GýzPp ìíBèà kðýB<br />
koìBó Gú ôuýéú uéõ ë øBÿ GñýBkÿ o ôAZ<br />
ASp âpüM ÖpôR OB uú oôq oô ÿ<br />
uývPî Gló AðvBó GBÚþ ìþ ìBðl. GñBGpAüò Aâp<br />
ÞzQ ylû, ko ìdê Wlül gõk Gú Æõ oÿ<br />
ìvPÛp ìþ yõðl Þú OB Gló qðlû AuQ oyl ô<br />
ðlAok ô AÒéI ÖÛÈ qüp OdÛýÜ AuQ. GýíBoÿ<br />
øBüþ Þú OB Gú cBë Gú Aüò ôuýéú koìBó ylû<br />
Aq kAoôøBÿ mÞp ylû ô GvýBoÿ Aq kAoôøBÿ<br />
küãp AuP×Bkû ìþ Þñýl, Aq gõ okó âpüM<br />
ðíõ ìþ Þññl ô uéõèùBÿ Úlüíþ küãp ìdPBZ @ðùB<br />
ylû Glô ó @ðùB ìõWõküQ gõk oA Aq kuQ ìþ<br />
Aðl ô OB KñXBû ko¾l ASp AìýlôAo Þññlû<br />
kAyPú Aðl ÎHBoOñl Aq :GýíBoÿ küBGQ, @èrAüíp,<br />
ÖpôR gõkkAoÿ Þñýl!<br />
cPíB« Aq üà ÞBoyñBx GùlAyQ ko<br />
køñl. uéõë øBÿ Wñýñþ küãp ko ìÛBGê cíéú<br />
GýíBoÿ Gú Gló ôWõk ìHBoq gõk oA ðzBó ðíþ<br />
ußPú ÚéHþ, uõgPãþ ô oìBOývî.<br />
ko @ìpüßB øp 43 SBðýú yh¿þ ko ASp<br />
køñl ô ìíßò AuQ üà Îíp ko âõyú Aÿ Gþ<br />
cpÞQ ðù×Pú GíBðñl.<br />
ì¿pÙ kAoôøBÿ gõk ô ASp ìõAk âýBøþ<br />
ô ÆHýÏþ Gp oô ÿ Aüò kAoôøB uõAë Þñýl ô<br />
ußPú ÚéHþ OéØ ìþ yõk. ìÇBèÏú ðzBó kAkû<br />
AuQ Þú OroüÜ uéõë øBÿ GñýBkÿ ÞzQ ylû<br />
ko OBoüi 1002/22/ 6 ÞBoâBøþ Aq<br />
ìPh¿¿ýò ô GýõèõsüvQ øB Gú ìñËõ o<br />
ìvPÛýî Gú ÚéI ko ìõÚÐ WpAcþ ÚéI ìõüpå<br />
øBÿ Êpü×þ Gú ôWõk ìþ @ô ok Þú ASp ìTHQ<br />
ìÇíEò yõül Þú AuP×Bkû @ðùB ASpAR Glÿ<br />
o ô ÿ Gló ô OBCSýp kAo ôøBÿ OXõ ür ylû<br />
OdÛüÜ ô Gpouþ uéõë Wñýñþ Ozßýê yl. GB<br />
ôWõk øýXBó AìýlôAo Þññlû ô ASp ìTHQ ôütâþ<br />
o ô ÿ koìBó kAok. GB ôWõk OíBï øýXBó ô<br />
ðPBüY AìýlôAo Þññlû, koìBó Gú ôuýéú uéõë<br />
ðlAyPú GByl.<br />
&oôüB oøHp KõèlAo, ìPh¿À OÓnüú ô AuPBk OÓnüú ko<br />
AuP×Bkû Aq uéõë øB øñõq GdU ko ìõ ok @ó<br />
GvýBo AuQ, ô kAðzíñlAó oA Gú O×ßp ôAkAyPú<br />
kAðzãBû AüBèPþ ÞBèý×pðýB ko ðõ oOpüY AuQ ô üßþ Aq<br />
øíßBoAó âpôû Kryßþ “oøHp” ko ÞBèý×pðýB.<br />
øBÿ GñýBkÿ øñõq ko ìpcéú Aôèýú AuQ ô<br />
AcPýBZ Gú OdÛýÜ GvýBo kAok.<br />
PLILRIPOTENT<br />
Þú ìB ÞývPýî? ^ú ÎBìéþ ìB oA AðvBó ÖpÅ
uÇe qðlâþ AÎpAJ uBÞò AupADýê ô AÎpAJ<br />
uBÞò ÒpJ oôk Aokó ðvHQ Gú uÇe qðlâþ<br />
@ôAo âBó ko Òrû ô ko Þzõ o øBÿ ÎpJ Òýp<br />
ÚBGê ìÛBüvú AuQ.<br />
AÞTp AÎpAJ AupADýê ko oÖBû qðlâþ<br />
ìýßññl. ko KBoèíBó Gýò 21-01 ðíBüñlû<br />
kAoðl ô Aq @qAkÿ ÞBìê Gpgõ okAoðl. @ðBó GpAÿ<br />
GpAkoAó ÖévÇýñþ gõk uýñú ìýpðñl ôèþ ko<br />
ìõAokÿ Þú GÏÃþ Aq uýBuPílAoAó AupADýéþ<br />
KýzñùBk Þpkû Gõkðl Þú @ðBó ô ìñBÆÛþ Þú ko<br />
AôÂBÑ @y×Pú ô kâpâõó gBôoìýBðú<br />
ðõyPú ìùpkAk èõü¿lÝ&<br />
Klülû @ôAoû âBó ÎpJ:<br />
@ó qðlâþ ìýßññl Gú kôèQ gõk ìhPBoÖévÇýò<br />
ìédÜ yõðl ÖpüBk @ðBó Gú @uíBó GBæ oÖQ Þú<br />
Gý{ Aq 3 ìéýõ ó ð×p AÖrAü{ üBÖPú (ô Gú â×Pú<br />
AÎpAJ Gú 5 ìéýõ ó ouýlû) cíBüQ ìýßñl. Aüò<br />
^ú Þvþ WpACR kAok Gú @ðBó ^ñýò KýzñùBkÿ<br />
Gløl.<br />
OñùB âpôû @ôAoâBðývQ Þú ko Æõë 06 uBë<br />
(ðvê kôï ô uõï AôAoû âBó) Aq ÆpÙ uBqìBó<br />
GÏl Aq AÎçï AuPÛçë AupADýê ko uBë 8491<br />
KñY Þzõ oÎpJ yBìê ì¿p, Aokó, uõ oüú,<br />
AøBèþ ìñBÆÜ OdQ OvéÈ kôèQ gõk<br />
ìhPBoÖévÇýò Þú ko uBèùBÿ Agýp Aq<br />
ìéê GB gpZ ìHBèÔ øñã×Q ¾l øB ìéýBok kæo<br />
cíBüQ ìýzõðl. yBül ìýPõAó clV qk Þú<br />
èHñBó ô ÎpAÝ Gú AupADýê cíéú ô o ylðl<br />
ô ÚpüI Gú 000,004 ð×p Aq ÖévÇýñýBó,AÞTpA<br />
Opô oürï kô o ylû ô GB Þíà AupADýê GpAÿ<br />
GùHõk qðlâþ gõk ÖÏBèýQ ìýßññl kAoAÿ üßþ<br />
Aüò uBqìBó GõAuÇú OõWýú ôWõk gõk<br />
AuQ Þú Aüò cíBüQ oA ko Æõ ë 26 uBë<br />
GõAuÇú OzõüÜ Þzõ oøBÿ ìPùBWî ô Gpgþ<br />
ko ðPýXú Wñãþ Þú Gp AupADýê Odíýê ylû<br />
Aq upüÐ Opüò KýzpÖQ øBÿ AÚP¿Bkÿ ko kðýB<br />
øvPñl ô ko uBë ânyPú AÚP¿Bk @ðBó 7 ko<br />
AkAìú ìýløl.<br />
OBìýò ìBüdPBZ oôqAðú @ôAoøãBó<br />
Gõk yùp øB ô køßlû øBÿ gõk oA Opá Þpkû ô<br />
Gú Þzõ o øBÿ ÎpJ KñBøñlû ylðl Gú Aüò Aìýl<br />
¾l OpÚþ kAyQ.<br />
ôèþ GéÏßw, @ôAoâBó Òrû ô Þzõ o<br />
GBÎU ylû Þú GvýBoÿ Aq ìpkAó ko AokôâBû<br />
øB, GpAÿ gõk kô üB uú ô üB ^ùBoqó AðPhBJ<br />
Þú GB Kýpôqÿ AÎpAJ, Gú ÖévÇýò GBqâpkðl ô gBðú<br />
øB ô AìõAë üùõküBó oA O¿BcI Þññl. ôèþ<br />
øBÿ ÎpJ, GõAuÇú Aðãýrû øBÿ âõðBâõ ó,<br />
yvPzõÿ ìÓrÿ ôÎlï ÞBo ô Od¿ýê ko<br />
Þññl ô OÏlAk qüBkÿ G`ú kAyPú GByñl ô ^õ ó<br />
AìßBðBR ÞBo ô Od¿ýê ko AokôâBû øB GvýBo<br />
ìvýp cõAkV ÆHÜ ìýê @ðBó Ký{ ðpÖQ<br />
ô Gú Aüò Æp üÜ ìvEéú @ôAoâBó ÖévÇýò<br />
ÖçÞQ qðlâþ ìýßññl.<br />
Aâp Þzõ o øBÿ ÎpJ cBÂp Gõkðl<br />
ìdlôk øvPñl GvýBoÿ Aq WõAðBó Gú âpôû<br />
øBÿ Opô oüvPþ ìýLýõðlðl.<br />
GõWõk @ìl.<br />
AüXBk Aüò ìvEéú ô AkAìú @ó oA OB Þñõ ó<br />
ìÛlAoÿ WrDþ Aq SpôR øñã×Q gõk oA GpAÿ<br />
GùHõk qðlâþ “GpAkoAó” gõk AgP¿BÁ køñl<br />
üà ÂpJ AèíTê ^ýñþ ìýãõül “Gú @kï<br />
ìdPBZ ìBøþ ðlû. Gú Aô üBk Glû ìBøþ Gãýpk”.<br />
ìýPõAó ìlüõ ó “GpAko kôuPþ” Þzõ o øBÿ<br />
ÎpJ ôAðãýrû øBÿ uýBuþ ÞíýPú KñBøñlâBó<br />
ô @ðBó oA GB cÛõ Ý ìvBô ÿ ko Þzõ o øBÿ<br />
gõk WéI Þññl ÎéPþ ôWõk ðlAyQ Þú ôÂÐ<br />
Aâp ko Æõë Aüò ìlR, ÞíýPú KñBøñlâBó Þú<br />
ìBðñl gõk uBqìBó ìéê OdQ OvéÈ Gý{ Aq 55<br />
uBqìBó ìéê kAðvQ.<br />
Þzõ o øBÿ èHñBó, uõ oüú ôAokó<br />
28<br />
AÚP¿Bkÿ ô AWPíBÎþ @ðBó yHýú ô üB GùPp Aq<br />
AÎpAJ AupADýê ðHByl ô ìvéíB kðýB øî gýéþ<br />
Þzõ o ÎpGþ ô Auçìþ ÚpAo kAok AìßBðBR<br />
ÞBo ô Od¿ýê oA ko AokôâBû øB AüXBk ìýñíõk ô<br />
ÖévÇýñýBðþ oA Þú Gú @ðBó KñBøñlû ylû Gõkðl<br />
ko AokôâBû øB ìPípÞr ðíõkðl Glô ó Aüñßú Gú<br />
ÞíPp Aq Opô o ô Opô oürï ÎpGþ @uýI ìýlül.<br />
ôèþ @ðBó kèzBó GpAÿ ÖévÇýñþ øB ðíývõqk<br />
OBCìýò ìBüdPBZ @ðBó oA ìzpôÉ Gú ÞBo ô Od¿ýê<br />
ìýñíõk, yBül OB GdBë ìvEéú @ôAoâBó Gßéþ<br />
@ðBó Þõ^ßPpüò Þíßþ Gßññl. @ðBó Aq øýa<br />
âõðú cÛõ Ý ìlðþ Gpgõ okAo ðHõkðl oÖQ<br />
ô GpAÿ KýzHpk AølAÙ kAgéþ gõk OpWýe<br />
ìýløñl Þú ìõÂõ Ñ ÖévÇýò “âpï” GíBðl OB<br />
ìñP×þ ylû Gõk ô @ðBó Aq qðlâþ ÖçÞQ GBo<br />
Þñõðþ ðXBR üBÖPú Gõkðl. ÞíB Aüñßú ko Æõë<br />
ô @ìl @ðBó OdQ ÞñPpë ÞBìê ÚpAo kAkû yl<br />
ô ^õ ó Gú @ðBó OBGÏýQ kAkû ðzl Aq @ó ôÚQ<br />
AÖßBo Îíõìþ ìpkìBó Þzõ oøBüzBó Gú Aó<br />
ìzÓõë GByñl.<br />
Aüò ìlR OÏlAkÿ Aq @ôAoâBó Þú Gú Þzõ oøBÿ<br />
AoôKB, AìpüßBÿ ìpÞrÿ ô WñõGþ ìùBWpR<br />
OB GdBë Gú ÎñõAó KñBøñlû ìdvõJ ìþ yõðl<br />
. uBÞñBó ðõAo Òrû øî Þú OdQ OvéÈ ì¿p<br />
Þpkû Aðl ìõÖÜ ylû Aðl ko Þzõ o øBÿ WéI<br />
Þññlû Gú qðlâþ ìÏíõèþ AkAìú køñl.<br />
ÚpAo kAyPñl ÞBìç ko AðrôA ô ìdB¾pû Gõkðl<br />
ô AWBqû gpôZ Aq ìñÇÛú ô üB ô oôk Gú ì¿p<br />
cÛBüÛþ ko ìõok ìdB¾pû Òrû:<br />
ko uBèùBÿ Agýp kôèQ AupADýê ^ñl KBoá<br />
oA ðlAyPñl.<br />
Aq @ó ìõÚÐ OB GdBë ÞíýPú KñBøñlâBó<br />
¾ñÏPþ oA ko ìpq øBÿ gõk GB Aokó ô ÞñBoû<br />
Òrû AüXBk ðíõk OB GpAÿ AÎpAJ AìßBðBR ÞBo<br />
uBqìBó ìéê Aq Aüò @ôAoâBó Þú yíBoyBó Gú<br />
ìÛBüvú qðlâþ AÎpAJ OdQ OvéÈ AupADýê<br />
ô @ôAo âBó Òrû ô Þzõo øBÿ ÎpJ:<br />
AüXBk Þñl Gú Aüò Aìýl Þú GùHõk ôÂÐ ìBèþ,
29<br />
AKP<br />
ERDOGAN<br />
HELEN THOMAS<br />
@ðBó oA Aq Opô o kô o Þñl.<br />
KBoá øBÿ Gp KBylû ko ìpq Aokó GB<br />
cíw GB KpoôDþ OíBï WñXBë Gp KB ìýßññl ô<br />
GB Ayà øBÿ OívBf uBgPíBó ôüpAó ylû<br />
ÞBoüßBOõ oÿ ko üà oôqðBìú uõDývþ ^BN<br />
yl Þú ðzBó ìýløl Þú cPþ ko@ó ìõÚÐ<br />
ìõÖÛýQ GßBo gõk AkAìú ìýløñl ôèþ KBoá<br />
øBÿ ìp q Òrû Þú GpAÿ ÞBo ô OBCìýò ìÏB}<br />
oA Gú gHpðãBoAó ðzBó kAkû ô Aq Êéî AupADýê<br />
yßBüQ ìýßññl Þú ^pA Aq gõk kÖBÑ ìýßñl.<br />
Þú Þzõ o OBqû Gp KB ylû AupADýê ìlAï GB<br />
gpAGßBoÿ øBÿ AÎpAJ oôGpô Gõk Gú gzõðQ<br />
@ôAoû âBó Òrû uBgPú ylû Gõkðl GBo øB ìõ ok<br />
cíçR Opô oüvPþ AÖpAk cíw ÚpAo âpÖPñl ô<br />
@ðBó ÖpAìõ} ðíõkû Aðl Þú OB ^ñl uBë Ký{<br />
AupADýê oôqAðú Gú 001 OB 002 ørAo ÞBoâp<br />
ô KpgByãpÿ ìPùî ìýzl. ( kAôül Gò âõüõ ó<br />
ko ìÛBGê WíBë ÎHlAèñB¾p).<br />
Gú ðB^Bo GvPú ylðl.<br />
Aq ìõÚÐ GpÚpAoÿ ìdB¾pû ðõAo Òrû<br />
ÎpJ AWBqû ô oôk Gú AupADýê ìýlAk ôèþ ko<br />
ìõAok qüBkÿ Îlû Aÿ Aq Aüò ÞBoâpAó ÞBoÖpìB<br />
kôèQ AupADýê oôqAðú ¾l øBÞBìýõ ó cBìê<br />
¾l øB Oò ÒnA ô @môÚú oA OB koôAqû ô oôkÿ Gú<br />
øBÿ üùõkÿ gõk ô üB ìpkï ÎBkÿ oA Gú ÚPê<br />
ouBðýlðl ô üB qüBó øBÿ ÎËýíþ ôAok @ô okðl<br />
Òrû ìýpuBðl OB ko @ó ðÛÇú Gp ÞBìýõ ó øBÿ Òrû<br />
GBo yõðl. ko Îýò cBë kôèQ AupADýê ìýßõyl<br />
ô ko ðPýXú kôèQ ìXHõ o yl Aq ô oôk @ðBó Gú<br />
AupADýê Wéõâýpÿ Þñl ô GXBÿ @ðBó AWBqû ÞBo<br />
Gú ÞBoâpAó Aq Þzõ oøBÿ küãp Gløl.<br />
Þú Aq ouýló ìõAk ô ÞBæ øBDþ Þú ìíßò AuQ<br />
GpAÿ uBgQ Auédú ô üB GñýBk Oõðê øBÿ qüp<br />
qìýñþ AuP×Bkû yõðl Wéõâýpÿ ðíBül.<br />
ko uBë Aô ë ìßp oA « ÞBìýõ ó øBÿ<br />
AupADýéþ cBìê @môÚú GB ouýló Gú ðrküßþ<br />
Òrû ìõ ok cíçR ìvédBðú AÖpAk cíw ÚpAo<br />
ìýãpÖPñl ô ko ^ñl ìõ ok oAðñlû øB ô üB küãpAó<br />
ÞzPú ô üB qgíþ ylðl. yýÇBó ¾×Pþ<br />
upAó cíw Þú cPþ cBÂpðl ìpkï gõk oA<br />
GB gÇp âpuñãþ oôGpô Þññl Aìpôqû øî Gú<br />
ðdõ küãpÿ AkAìú kAok. @ðBó ÚvíPþ Aq @môÚú<br />
AouBèþ oA ÂHÈ Þpkû ô Gýò gõk ô ðrküßBó<br />
kuQ ^Lþ øBÿ ìloó:<br />
OÛvýî ìýßññl ô üB ko GBqAo uýBû ìý×pôyñl<br />
ô AupADýê oA ÎBìê ÞíHõk ìõAk ÒnADþ ðzBó<br />
OpÞýú Gú ÞXB ìýpôk?<br />
OpÞýú Aôèýò Þzõ o Auçìþ Gõk Þú GB<br />
ìýløñl.<br />
ko øñãBï ðõyPò Aüò ìÛBèú, ì¿BcHú<br />
WñXBë Aðãýr gBðî<br />
AupADýê oôAGÈ küLéíBOýà GpÚpAo ðíõk ô OB<br />
Gpô ÿ ÞBo @ìló kôèQ ìnøHþ Þñõðþ, oôAGÈ<br />
“yh¿þ Þú Klo} oA ÞzPú Gõk Gú<br />
ìdBÞíú Aô okðl ô Aô GB ^zíþ ìíéõ Aq Ayà Aq<br />
gHpðãBo ìñ¿õJ ko ÞBj u×ýl Kh{ yl Þú<br />
ko @ó, Aüò gBðî Gú üùõküBó KýzñùBk ìýßñl<br />
kô Þzõ o Gdlÿ ðrküà ylû Gõkðl Þú øõAKýíB<br />
øBÿ ðýpô ÿ øõADþ AupADýê GpAÿ Oíp üñBR<br />
ÚBÂþ OÛBÂBÿ ocî ô ìpôR ðíõk Gú Aüò ÎéQ<br />
Þú Aô üPýî AuQ”.<br />
Þú Gú @èíBó ô èùvPBó Gpâpkðl ô ÖévÇýò oA<br />
Þú Gú ÖévÇýñýBó OÏéÜ kAok Gú @ðBó Kw køñl.<br />
o ô qAðú gõk Aq ÖÃBÿ øõADþ OpÞýú<br />
AuP×Bkû ìýßpkðl.<br />
oÖPBo âpôû Opô oüvPþ - ìnøHþ<br />
cíw, kuQ ðzBðlû AüpAó, Þú GpÒrû OvéÈ<br />
Aüò gBðî èHñBðþ OHBo, Þú ìvéíB gõ ó upj<br />
KõuPBó AìpüßB ko ÎpôÚ{ WpüBó ðlAok, @âBû<br />
AOBOpá ÖÛýl (8391-1881) GñýBó ârAo<br />
OpÞýú ìloó küò oA Aq uýBuQ WlA ðíõk,<br />
kAok ô ðBGõkÿ AupADýê oA ko @Dýò ðBìú<br />
gõk âñXBðýlû yHýú øíBó @kï Þ{ AuQ.<br />
AuQ Þú Gp AuBx Aüò GBô o, gõk Aô øî GBül Gú<br />
èHñBó Gpâpkk, øí`ñýò 99% Aq uBÞñBó AìpüßB<br />
OpÞýú oA GvpÎQ ìloó ðíõk, oôq OÏÇýéþ<br />
ø×Pãþ oA Aq WíÏú Gú üßzñHú OÓýp kAk ô GpAÿ<br />
uBèùBuQ Þú AupADýê oA Gõuýéú ìõyà<br />
ìõ ok OXBôq ÚpAo ìýløl, ko øp Öp¾Pþ Þú ko<br />
ô AÞTp uBÞñBó AìpüßBÿ ìpÞrÿ ô WñõGþ GBül<br />
Aüò ÚBoû oA Opá Þññl ôyBül ÚvíPþ AquBÞñBó<br />
Ký{ âýpÿ Aq GBqâzQ ìnøHýõ ó, AoO{ oA<br />
ìP¿lÿ c×Ì AuPÛçë ðíõk. OB GdBë uú üB<br />
AgPýBo kAok gpAGßBoAó gõk oA GpAÿ ÞzPBo<br />
G v õ ÿ A u p A D ý ê ì ý × p u P l ô G ý { A q<br />
Þzõ o øBÿ Auçìþ øî ìXHõ o yõðl Gú<br />
ÎpGvPBó Gpâpkðñl. ôèþ gBðî<br />
WùBo ìpOHú AoO{ OpÞýú GB AðXBï ÞõkOB ôÊý×ú<br />
ìd©õë ylû Gú Aô oA AðXBï kAkû. ôèþ ìPBu×Bðú<br />
4 u B ë AuQ Þú cBÂp Gú ìHBkèú upGBq<br />
AupADýéþ oGõkû ylû ðývQ ô Aq ÆpÙ küãpøp<br />
(Þú gõyHhPBðú Aq KvQ gõk AuPÏ×B kAk) ô<br />
AìTBë Aô cBÂpðl AupADýê oA ìÛ¿p OíBï<br />
K ý p ô q y l ô @ Ú B ÿ Þ ú ü à<br />
AðPhBGBR<br />
ko ìnøHþ crJ 7002 uBë ko<br />
ìpOHú Þú ìõyßþ Gvõÿ AupADýê ìý×puPl<br />
ô ðýpô ÿ øõADþ AupADýê Gú uBgPíBðþ Þú<br />
ÖXBüÐ kðýB GñBìñl OB Wrô âpôû øBÿ “KýzpÖPú”<br />
ÚpAo âýpðl.<br />
ìõyà Aq @ó ÖpuPBkû ylû cíéú ìýßñl upAó<br />
yhÀ GvýBo ìnøHývQ GÏñõAó ðhvQ ôqüp<br />
ìñ¿õJ yl. ko ÎpÅ 3 uBë Agýp Aô Oç}<br />
THOMAS<br />
ko uBë 6591 GÏl Aq Wñä “uýñBÿ”
CPA<br />
Moti Levy<br />
I D B B a n k<br />
OÓýýpðløl AìßBó @ó ôWõk kAok Þú AupADýê<br />
Ký{ Aq ìõÎl ìÛpo Gú KýíBó ðBOõ KnüpÖPú<br />
ìýßñl Þú OíBï kuPBô ok øBÿ AOBOpá oA GBÆê<br />
Þñl ô OpÞýú oA Gú @Òõ} Auçï GBqâpkAðl. ko<br />
AüzBó Kpuýl Þú Aô ^ú Îßw AèÏíéþ ðzBó<br />
ìýlAk Aâp AupADýê üà ÞzPþ oA GpAÿ Þíà Gú<br />
yõk.<br />
AupADýê ô ÖévÇýñýBó<br />
uBë Agýp Aô kyíñþ gõk oA GB AupADýê Îéñþ<br />
Þpkû ô oôq Gpôq GýzPp cBìþ cíw, AüpAó<br />
Þpk øBÿ OpÞýú oôAðú uõAcê OpÞýú ìýñíõk?<br />
Aô GB kô o yló Aq AupADýê ô ðrküà yló Gú<br />
oôAGÌ AupADýê ô ÖévÇýñýBó Þú Gp GvýBoÿ<br />
Aq oôülAk øBÿ ìñÇÛú ô WùBó ASp ìýãnAoðl<br />
ô ÖñBOýrï ìýzõk.<br />
ko uBë 4391 AOBOpá ÚpAokAk ìõuõï<br />
AüpAó AìßBó ÎÃõüQ OpÞýú oA ko Þzõ o øBÿ<br />
AoôKBDþ GvýBo ÂÏýØ ðíõkû ô ðBOõ øî Aq @ó<br />
ko GdTþ WlAâBðú ìõ ok Gpouþ ÚpAo gõAøñl<br />
âpÖQ.<br />
Gú “uÏl@GBk” oA GB oÂB yBû ÖÛýl AìÃB Þpk ô<br />
GñËp ìýpul Þú ðhvQ ôqüp ÖÏéþ OpÞýú øî<br />
kô o ìýzõk.<br />
Aq kuQ kAkó OpÞýú ÂpGú Groâþ GpAÿ<br />
GvpÎQ øíBó oAû oA Æþ ìýßñl ô Gú oøHpAó<br />
AüpAó ðrküà ìýzõk ôèþ Aüò ÞXB ô @ó ÞXB.<br />
^ñl ìBû Ký{ ko âpkøî ADþ Gýò Aèíééþ<br />
oyPú AÚP¿Bk ô kAoAÿ Gpk Aq kAðzãBû<br />
AèPd¿ýê<br />
ÖBoÕ ) èõü¿lÝ( ìùpkAk &<br />
@ÚBÿ AokôÒBó GB ÖpüBk øBÿ Wñõ ó Aìýr Gú<br />
AÚBÿ yíÏõ ó Kpx oDýw Wíùõ o AupADýê<br />
èõx AðXéw AuQ<br />
yÏHú ko yùp<br />
ìlüp ô Aôüõ Oê<br />
30<br />
KpgB} ðíõk ô AÚlAï Agýp Aôøî GpAÿ yßvPò<br />
ìdB¾pû koüBDþ AupADýê ðíõðú küãpÿ Aq<br />
Æpq Ößp ô oÖPBo AôuQ. yBül ìýHBüvQ Aq<br />
ðíBü{ “ìBOýà”<br />
ko ìBû ðõAìHp 0102 ðíBü{ Þílÿ ô<br />
KpÆpÖlAo “ìBOýà” Gú ÞBoâpkAðþ ÖpqAó<br />
KpðzBÆþ OEBOp oA Opá Þñl. ÚloR<br />
Îéþ Kõ oOB} ko Aü×Bÿ ðÛ{ øBÿ<br />
kèXõ ô ðõüvñlâþ Îéþ Kõ oOB} ô<br />
ÖpqAó kèXõ Kw Aq ânyQ 41 uBë<br />
ìP×BôR, ^ú Þílÿ ô ^ú koAìBOýà<br />
ko kðýBÿ OEBOp ô uýñíB ko WõAìÐ<br />
kôGBoû Gú oô ÿ ¾dñú @ìl.<br />
øñpìñlAó ìdHõJ AüpAðþ<br />
AüpAðþ ô @ìpüßBDþ, ko AWpAÿ Aüò<br />
ðíBü{ ðýr ÞBìç« ôAÂe AuQ.<br />
ÖpqAó kèXõ ô Îéþ Kõ oOB} O¿íýî<br />
âpÖPñl OB kôGBoû Aüò ðíBü{ upâpï<br />
OíByBâpAó GB GBq ÿ yýç ôSõ Ý ko<br />
ðíBü{ øBÿ GvýBo ìõÖÜ ÖBouþ<br />
Þññlû oA Þú GB AuPÛHBë ÖpAôAó WBìÏú<br />
oôGpô Gõk GBquBq ÿ Þpkû ô kôGBoû Gú<br />
qGBó ô Öýéî øBÿ @ìpüßBüþ @yñBüþ<br />
kAoðl ô küló Aô o ô ÿ ¾dñú<br />
oô ÿ ¾dñú @ô oðl.ko Oùýú Wlül @ó<br />
øñpìñlAó GvýBo ìõ ok ÎçÚú ìpkï<br />
ìBðñl øíýzú kèñzýò AuQ. GBq ÿ<br />
GùpAï ôÆò KpuQ, øñpìñl Ký{<br />
Îéþ Kõ oOB}, yýç ôSõ Ý, yùpAï<br />
yI Kpû ô GùpAï ôÆò KpuQ GB yõ o<br />
ÞvõR ô ÞBoâpkAðþ ÖpqAó kèXõ<br />
ìõÖÛýQ ìBOýà oA OÃíýò ìþ Þññl.<br />
ô øýXBó GvýBo ðÛ{ øBÿ gõk oA<br />
Aü×B ìþ Þññl. GB ôWõk Aüñßú yùpAï<br />
Æþ uBë @üñlû ðíBü{ ìBOýà<br />
ko upAup @ìpüßB ô AoôKB oô ÿ<br />
¾dñú gõAøl oÖQ.<br />
DAVOS<br />
oA GBq ÿ ìþ Þñl.<br />
Gpgõ ok upyBo Aðpsÿ ô âpìþ GBqüãpAó<br />
yI Kpû yùpR gõk oA Gú ÎñõAó<br />
gõAðñlû ko ìýBó ìpkï ÞvI Þpkû, GB ìùBoR<br />
GBÎU ìþ yõk Þú OíByBâp GB AcvBx gõJ ô<br />
AupADýê ìdvõJ ìýzõk. yBkoôAó kAôül<br />
Gò âõ oüõ ó GB Oç} ÖpAôAó Aüò oôAGÈ oA Gp KB<br />
Þpk ô oyl Aüò oôAGÈ AìñýQ gBô oìýBðú oA Gú<br />
SHBR @ô okû Gõk .<br />
oôqðú Aìýl, AcrAJ ìhBèØ kôèQ øvPñl<br />
Þú yBül GPõAðñl ô oÝ oA GpâpkAðñl. ko cBë<br />
cBÂp kôèQ AupADýê oôAGÈ gõk oA GB üõðBó<br />
OÛõüQ ìýßñl ô Aâp OpÞýú uýBuQ gõk oA<br />
GvýBo ðÛ{ Þílÿ üà ÞBoAÞPp ÎByÜ Kýzú
Announcement<br />
The Iranian American Jewish Federation Executive Board is honored to have become a<br />
participant in the Birthright Israel Program.<br />
The Birthright Program was established in 1999 by two thoughtful philanthropists. This<br />
project is designed to make it possible for young Jews from all over the world to go on an<br />
educational and entertaining tour of the great land of Israel for ten days, free of charge.<br />
IAJF will be taking part in this project hoping to increase the involvement of our community’s<br />
youth in their Jewish heritage and culture.<br />
Yoel Neman, an active member of IAJF’s Board of Directors, and his brothers John and Leon<br />
Neman have initiated the project and are hoping to have other members of the community<br />
extend a helping hand in sponsoring of up to 40 Iranian Jewish youth for the upcoming<br />
Birthright Israel trip.<br />
Further details about this project, such as registration, application, and selection process will<br />
be announced in the near future through the Iranian media.<br />
IAJF would like to extend its sincere gratitude and appreciation to the Neman family for their<br />
continued philanthropic endeavors and their unwavering support of<br />
the Iranian American Jewish community.<br />
..........................................................................<br />
AÆçÎýú<br />
Birthright<br />
üùõkÿ Gú Þzõ o AupADýê Gú ðBï WùQ GBqkül ô @yñBDþ ðrküà @ðBó GB Öpøñä üùõk ô uBüp<br />
WõAðBó<br />
AÎrAï sû Kpô ko ðrküà @üñlû ko kAok ìþ AÎçï AÖPhBo ÞíBë GB AüpAðþ üùõküBó ó ÖloAuýõ AWpADýú øýBCR<br />
KýzpÖQ øBÿ cB¾éú ko @ó ypÞQ gõAøl Þpk.<br />
Aüò Kpô sû ko uBë 9991 OõuÈ ^ñl Oò @ìpüßBDþ gýp Ozßýê âpkülû ô øp uBèú Îlû Aÿ Aq WõAðBó üùõkÿ Aq<br />
05Þzõ o Aq upAup kðýB oA Gú Þzõ o AupADýê GpAÿ üà GBqkül kû oô qû Glô ó KpkAgQ ôWú ô Gú ¾õ oR oAüãBó<br />
AÎrAï ìþ ðíBül.<br />
ÖloAuýõ ó üùõküBó AüpAðþ ì×PhpA« ÚvíPþ Aq GõkWú ìpGõÆú oA GB ypÞQ ô KzPýHBðþ ìõSp @ÚBüBó üõDê ðÏíBó,<br />
WBó ðÏíBó ô èEõ ó ðÏíBó ô uBüp AÖpAk gýpAðlü{ WBìÏú GpAÿ AÎrAï 04 ð×p Aq WõAðBó üùõkÿ AüpAðþ OBCìýò ô ko<br />
AgPýBo uBqìBó ìpGõÆú ÚpAo gõAøl kAk.<br />
WrDýBR ìpGõÉ Gú Aüò Æpf ô ðdõû ðBï ðõüvþ ô AÎrAï WõAðBó ìPÏBÚHB« ko @üñlû ðrküà OõuÈ ouBðú øBÿ âpôøþ<br />
Gú AÆçÑ øíãBó gõAøl ouýl.<br />
ÖloAuýõ ó üùõküBó AüpAðþ GlôA« Aq Þíà øBÿ Glô ó ko üÔ @ÚBÿ üõDê ðÏíBó, ÎÃõ GpWvPú øýBCR AìñBF ô<br />
GpAkoAðzBó WùQ Gú AðXBï ouBðló Aüò Kpô sû uLBuãrAo ÿ ìþ ðíBül.
uýp OßBìê ðËî ÖBouþ<br />
ðËî ÖBouþ oA Aq ðËp OBoühþ ìýPõAó Glô<br />
kô oû Þçuýà ô ðõ OÛvýî ðíõk. kô oAó<br />
Þçuýà GÇõ o Þéþ Aq Úp ó køî OB qìBó cBë,<br />
ô kô oAó yÏp ðõ ÖBouþ GíõAqAR AkAìú<br />
AyÏBo Þçuýà, Aq Kw Aq Wñä WùBðþ kô©ï, OB<br />
ìÛBèú køî:<br />
uýp OBoühþ yßõÖBüþ @SBo ÖBouýùõk<br />
kô oAó ìÏB¾poA ko Gp ìýãýpk. yÏp Þçuýà<br />
GB Oà GýQ øB ô kôGýPþ øBÿ kô oAó üÏÛõJ èýU<br />
¾×Bo ÿ, ko AôAuÈ Úp ó u©õï ko uývPBó<br />
@ÒBq ô Kw Aq ânyPò Aq ìvýp Kp Kýa ô gî<br />
oyl ô OßBìê AkGýBR ÖBouþ<br />
Aq: kÞPp ðBøýl KýpðËp<br />
@ó ko kô oAó ìÏB¾p, GB AyÏBo ìéà AèzÏpA<br />
GùBo, ¾BkÝ upìl, oøþ ìÏýpÿ Aq üà uõ ô<br />
ðËî ô ðTp ÖBouþ OB ðýíú kô©ï Úp ó GývPî,<br />
GXBÿ ðÛl AkGþ,cBèQ ârAo} ô OnÞpû ðõüvþ<br />
AkGýBR ÖBouþ Kw Aq Auçï oA Aq ^ñl ðËp<br />
ìýPõAó OÛvýî ô Gp ouþ ðíõk. ko ôøéú Aô©ë,<br />
yBÎpû øBDþ ^õ ó Kpôüò AÎP¿Bìþ ô uýíýò<br />
GùHùBðþ øí`õ ó WõAøpÿ oôq Gpôq ðÛ{ ô<br />
kAyPú Aðl ôOñùB ko ^ñl køú Agýp AuQ Þú Gú<br />
ðÛl AkGþ OõW©ú ìýzõk. uýp ìpAcê ìhPéØ<br />
@ó oA ìýPõAó Aq ðËp Öpï Gú ðËî ô ðTp ô ko<br />
ôøéú kô©ï, Aq ðËp qìBðþ Gú kô oAó Þçuýà<br />
Wçüþ GýzPpüBÖPú AuQ. AyÏBo ÖBouþ Aq<br />
ðËp AðõAÑ ì×Bøýî ô ¾ñBÎBR yÏpÿ, kAoAÿ<br />
AkGýBR Þçuýà ô oAGÇú @ó GB AkGýBR<br />
ÖBouýùõk Aq ðËp AkGþ, qìBðþ ô AWPíBÎþ ÚBGê<br />
ô ìloó OÛvýî ðíõk. GBül ko ðËp kAyQ Þú<br />
ìpAcê oyl ô OßBìê AkGýBR ÖBouþ AÒéI Aq<br />
A¾õë ô ÚõAÎlÿ AuQ Þú yBÎp ðvHQ Gú<br />
ìpAÎBR Gpgþ Aq @ó ìßé©Ø ô ðvHQ Gú AðPhBJ<br />
Gpouþ ô ðãp} AuQ qüpA AkGýBR ÖBouýùõk<br />
yBgú Aÿ Aq AkGýBR ÖBouþ Gõkû ô GBül ìÇBGÜ<br />
ðËp qìBðþ ìõ ok OXrüú ô Odéýê ÚpAo ìýãýpk<br />
OB Aq ðËp WÓpAÖýBDþ. øp ^ñl Þú ko øp kô oû ô<br />
âpôøþ küãpìXBq AuQ.<br />
@ð`ú oA Þú yBÎp Þçuýà Gú øñãBï<br />
GB ìÏýBoøBÿ AkGþ qGBó ÖBouþ ìõ ok Gpouþ<br />
ÚpAo âýpk.Glüò ìñËõ o GBül ðhvQ ðËpÿ Gú<br />
qìBó, kâpâõðþ øBÿ WÓpAÖýBDþ oA øî ^ú Aq<br />
ðËp èùXú, AuP×Bkû qGBó ô èÓBR ô ^ú Aq ðËp<br />
AGpAq AÖßBo ô AcvBuBR Aq ðËp Öpï ô ÚBèI<br />
yÏpÿ ìßé©Ø Gú oÎBüQ @ó ìýHByl, ÎHBoOñl Aq<br />
ìvýp oyl OßBìéþ AkGýBR ÖBouþ ðõ, Aq ðËp<br />
GçÒQ, Öpï ô ìpAcê oyl @ó GýñlAqüî.<br />
AôÂBÑ AWPíBÎþ ô AÚP¿Bkÿ² øp ìßBó, ìþ<br />
OõAó ìõok ìÇBèÏú ÚpAo kAk. AÞTp OdÛýÛBR AkGþ<br />
32<br />
oÎBüQ ôqó ô ÚBÖýú ko üà ðõ Ñ ÚBèI yÏpÿ.<br />
Îéî ÎpôÅ kAoAÿ ÚõAÎl ô A¾õèþ AuQ<br />
Þú yBÎp oA ìérï ìþ uBqk ko @ó ÚBèI yÏp<br />
GvpAül. ko cBèýßú yBÎp ðõ KpkAq ko Îýò<br />
oÎBüQ ôqó yÏpÿ, Aq ðËp Öpï ô ÞBoG³pk ôAsû<br />
øB ô øí`ñýò Aq ðËp AGpAq ì×Bøýî ðõ, gõk oA<br />
ìÛýl ô ìérï Gú A ¾õë ânyPú ðíþ kAðl.<br />
GíñËõ o @yñBDþ GB AkGýBR Þçuýà ô GÏÃþ<br />
ðíõðú øBÿ @ó ko AkGýBR ÖBouýùõk, ðËpÿ Gú<br />
AðõAÑ yÏp Aq ðËp Îéî GlüÐ ô ÎpôÅ ô ÚBÖýú<br />
ìþ AÖßñýî. GpAÿ ìÇBèÏú WrDýBR GýzPp ko<br />
Aüò ìõ ok, ìþ OõAó Gú ÞPBJ “Öñõ ó GçÒQ ô<br />
¾ñBüÐ AkGþ” OBèýØ AuPBk Wçë Aèlüò øíBüþ<br />
oWõ Ñ ðíõk .<br />
Oõ¾ýØ ðËî ô ðTp : ðËî ko èÓQ Gú ìÏñþ Gú øî<br />
KýõuPò ô ko oyPú Þzýló kAðú øBÿ WõAøp<br />
ô ko A¾Ççf AkGþ Gú uhñþ â×Pú ìþ yõk<br />
Þú kAoAÿ ôqó ô ÚBÖýú GByl. ko cBèýßú ðTp<br />
ko èÓQ Gú ìÏñþ KpAÞñlâþ ô KpAÞñló ô ko<br />
A¾Çç f AkGþ uhñþ AuQ Þú ìÛ©ýl Gú ôqó<br />
ô ÚBÖýú ðHByl.<br />
GýQ ô ì¿pAÑ: clAÚ©ê yÏp üà GýQ ô üà ðýíú
33<br />
ÖBouþ ko ÞñBo øî ÚpAo âpÖPú Aðl<br />
. ìTBë Aq cBÖÌ:<br />
Aq @ó oA 첿pAÑ üB 첿p¯Ñ ìþ ðBìñl.<br />
ÚBÖýú ô oküØ: ÚBÖýú ÞéíBR @gp GýQ<br />
Aæ üB A¯üù©B AèvBÚþ A¯k²oÞ¯BuB« ô ðBô²èùB<br />
Þú ÎzÜ @uBó ðíõk Aô©ë ôèþ<br />
AuQ Þú cpôÙ A¾éþ @ðùB üßþ GByl<br />
ô Aâp ÚBÖýú ko øp kô ì¿pAѲ üà GýQ<br />
AÖPBk ìzßê øB<br />
cÃõ oÿ âp øíþ gõAøþ Aq ô<br />
OßpAo yõk, @ó GýQ oA 쿯p©Ñ üÏñþ<br />
ìÛ×þ ìþ ðBìñl ìBðñl AGýBR müê:<br />
ÒBüI ìzõ cBÖÌ<br />
ìPþ ìBOéÜ ì¯ò Oùõÿ k¯Ñ² AèlðýB ôĀøíéùB<br />
Gñþ @kï AÎÃBÿ üà Kýßpðl<br />
Þú ko @Öpüñ{ q üà âõøpðl<br />
^õ ÎÃõÿ Glok @ô ok oôqâBo<br />
kâp ÎÃõøB oA ðíBðl ÚpAo<br />
OÃíýò: @ðvQ Þú yBÎp üà<br />
GýQ ô kô GýQ üB üà ì¿pAÑ oA<br />
Oõ Þr ìdñQ küãpAó Gþ Òíþ<br />
ðzBül Þú ðBìQ ðùñl @kìþ<br />
Aq yhÀ küãpÿ ko yÏp gõk<br />
GýBô ok. Aâp @ó yÏp Aq yBÎp<br />
ìÏpôÖþ GByl cBWQ Gú G³pkó ðBï<br />
Aô ðývQ Aì©B ko Òýp @ó ¾õ oR<br />
ko cBèýßú oküØ, Þéíú Aÿ AuQ Þú<br />
ÎýñB« ko @gp øp GýQ OßpAo ìþ yõk.<br />
GBül Gú ðBï âõüñlû AyBoû Þpk.<br />
ìBðñl uÏlÿ Þú yÏpìÏpôÙ<br />
GýB Aÿ Þú ÎípR Gú ø×PBk oÖQ<br />
ìãp g×Pú Gõkÿ Þú Gp GBk oÖQ<br />
Öpkôuþ oA OÃíýò ìþ Þñl:<br />
^ú gõ} â×Q Öpkôuþ KBá qAk<br />
ko Aüò GýQ ÞéíBR ø×PBk ô GBk øî<br />
ÚBÖýú ô OßpAo Þéíú oÖQ ko øp kô ðýî<br />
Þú ocíQ Gp @ó OpGQ KBá GBk<br />
“ìýBqAo ìõ oÿ Þú kAðú Þ{ AuQ<br />
GýQ oküØ gõAðlû ìþ yõk.<br />
ì¯Çé¯Ð ô ì¯ÛǯÐ: GýQ Aô©ë Òrë ô Ú¿ýlû<br />
Þú WBó kAok ô WBó yýpüò gõ}<br />
AuQ”<br />
oA ko A¾Ççf yÏp ÿ ì¯Çé¯Ð ô GýQ<br />
@gp oA ì¯ÛǯРìþ ðBìñl.<br />
ðõyPò üßþ ôèþ ko ìÏñþ ìhPéØ GByñl, GßBo<br />
Gpüî, ìBðñl ì¿pÙÞéíú “yýp” GB uú ìÏñþ<br />
ìpAÎBR ðËýpüB OñBuI: @ðvQ Þú ko uhò<br />
ÞéíBOþ oA GýB~ô oðl Þú ko ìÏñþ GB üßlüãp<br />
OzHýI, ðvýI ô OÓr©ë: OzHýI Þú Gú @ó<br />
ðvýI ô OÓr©ë øî ìþ âõüñl, ÚvíQ ìÛlìú<br />
“cýõAó Wñãéþ”,” ìBüÐ ðõyýlðþ” ô “ôuýéú<br />
ÞñPpë èõèú @J”.<br />
ìPñBuI GByñl. Aüò OñBuI ìýPõAðl Aq WùQ<br />
Wñw, ìBðñl “âê ô æèú”, “@ÖPBJ ô ìBû ô uPBoû”<br />
Aô©ë Ú¿ýlû AuQ Þú ìÏíõæ« ðíõkAo Oh©ýê<br />
yBÎpAðú yBÎp AuQ ô ô Kw Aq @ó yBÎp Gú<br />
2) WñBx ðBÚÀ: @ó AuQ Þú Aè×BÍ ko cpôÙ<br />
üßþ ô ko cpÞBR ìhPéØ GByñl, ìBðñl<br />
ô üB Aq WùQ ìçqìQ ô øípAøþ GByl, ìBðñl<br />
“yíÐ ô KpôAðú” ,”èýéþ ô ìXñõ ó”ô “^zî ô<br />
A¾ê ìÛ¿õk yÏp gõk ìþ KpkAqk.<br />
@ó ÚvíQ Aq Ú¿ýlû oA Þú yÏp Aq OzHýI Gú<br />
ðpâw”.<br />
ì¿pÙ ÞéíBR “Ú¯í¯pÿ ô Ú³ípÿ”.<br />
3) WñBx gÇþ: @ó AuQ Þú ÞéíBR ko ðõyPò<br />
ìÛ¿õk AðPÛBë KýlA ìþ Þñl, cvò Ohé©À® ô<br />
cvò gpôZ ìþ ðBìñl.<br />
yHýú, ôèþ ko Oé×Ì ô ðÛÇú ânAoÿ ìP×BôR<br />
GByñl, ìBðñlGßBo Gpkó ÞéíBR “GýíBo ô OýíBo”,<br />
ìÇBGÛú üB OÃBk: @ðvQ Þú Þú ko uhò<br />
ÞéíBOþ oA GýB~ô oðlÞú ìÛBGê ô ìPÃBk üßlüãp<br />
Ohé©À:Þéíú Ohé©À ko A¾Ççf yÏpA kAoAÿ<br />
kô ìÏñþ ìP×BôR AuQ: 1) ðBï ìvPÏBo yBÎp,<br />
“ Kýp ô Oýp” ô”yõ o ô uõ o”.<br />
4) WñBx è×Ëþ: @ó AuQ Þú ÞéíBR ko Oé×Ì<br />
GByñl, ìBðñl “yI ô oôq”, “qyQ ô qüHB”ô”<br />
Òî ô yBkÿ”.<br />
ìBðñl uÏlÿ, cBÖÌ, ôWBìþ, 2) Ohé©À ko<br />
Ú¿ýlû, Þú øíBó âpür qkó Aq ìÛlìú Gú A¾ê<br />
üßþ, ôèþ ko ðõyPò ìP×BôR GByñl, ìBðñl:<br />
“gõAoôgBo”, “gBuQ ô gõAuQ” .<br />
ìõÂõ Ñ Ú¿ýlû AuQ.<br />
WñBx üB OXñýw: ÎHBoR AuQ Aq @ô okó<br />
OzHýú: @ðvQ Þú Aìp üB ^ýrÿ oA ko ¾×Q²<br />
Gh¿õ¾þ, Gú ^ýr küãpÿ ìBðñl ðíBDýî. ko<br />
5) WñBx qAül: @ó AuQ Þú üßþ Aq øp kô Þéíú<br />
ìzBGú , cpÖþ oA Aq Þéíú küãp GýzPp kAok,<br />
ÞéíBR øî Wñw ko uhò GBüò ¾õ oR Þú<br />
ÞéíBOþ Þú ko ÊBøp Gú üßlüãp yHýú ô ko ìÏñþ<br />
ìBðñl: ð¯pk ô ð¯Hpk, kAï ô ì³lAï.<br />
Aüò ¾õ oR, Aìp Aô©ë ì³z¯H¯ú, Aìp kô©ï ì³z¯H¯ú®<br />
G²ú, ¾×Q ìzPpá² Gýò @ó kô ôWú y¯H¯ú ô Þéíú<br />
ìhPéØ ìþ GByñl GB øî GßBo Gpkû yõðl.<br />
WñBx ðú Úvî AuQ Þú KñY ðõ Ñ ìÏíõ ë<br />
¯Ð : yÏpÿ AuQ Þú GpAÿ upôkó @ó Aq øp<br />
ì³é¯í©<br />
Aÿ Þú kæèQ Gp ìÏñþ OzHýú kAyPú GByl A¯kAR<br />
OzHýú gõAðlû ìýzõðl. koìTBë “^ùpû Aô<br />
ìBðñl @ÖPBJ ìþ kogzl”, ^ùBo oÞò A¾éþ<br />
@ó ÎHBoOñl Aq:<br />
1) WñBx OBï: @ðvQ Þú Aè×BÊþ oA Þú ko â×Pò ô<br />
kô qGBó ÖBouþ ô ÎpGþ GÇõ o ìvBô ÿ AuP×Bkû<br />
ylû AuQ. üÏñþ ðýî GýQ ÎpGþ ôðýî GýQ
818-326-4040<br />
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l Park<br />
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@ìl ô küõ Gýpô ó oÖQ”, ì³z¯H¯ú Þú “@kìþ GB<br />
uýpR gõ}” ô “@kï küãpÿ GB uýpR Gl”<br />
OzHýú ÎHBoOñl Aq:<br />
1) ^ùpû: ì³z¯H¯ú, 2) @ÖPBJ: ì³z¯H¯ú® G²ú,<br />
KBülAoÿ GByl. ìBðñl: “gvpô oA Gp Oõ kuPþ<br />
ðývQ”. GBüò ìÏñþ Þú KBkyBû Gp Oõ ÚloOþ<br />
AuQ mÞp ðzlû AuQ.<br />
2) AuPÏBoû Gú ÞñBüú: @ðvQ Þú âõüñlû ko<br />
3) kogzýló: ôWú y¯H¯ú, 4) ìBðñl: AkAR<br />
OzHýú gõAðlû ìýzõðl.<br />
ðlAok ô üB “Aô ko kôuPþ Oõ KBÿ ðlAok”, GíÏñþ<br />
Aüò GByl Þú Aô ko kôuPþ SHBR ðlAok.<br />
møò gõk ^ýrÿ oA Gú ^ýr küãpÿ GB ÞñBüú<br />
OzHýú Þñl, ô Glô ó mÞp @ó ÞñBüú, ì³z¯H¯ú® G²ú oA<br />
AuPÏBoû: ko Îéî GlüÐ ÎHBoR AuQ Aq Aüñßú ko<br />
OzHýú üßþ Aq kô ÆpÙ OzHýú oA mÞp Þñýî ôèþ<br />
AkAìú kAok....<br />
ko Wíéú mÞp Þññl, ìBðñl:<br />
“kuQ oôqâBo” Þú ko @ó “oôqâBo” GB ÞñBüú Gú<br />
ìÛ¿õkìBó ÆpÙ küãp OzHýú GByl ô @ó Gp<br />
kô ðõ Ñ AuQ.<br />
AðvBðþ OzHýú ylû AuQ ô ìB oAWÐ Gú kuQ<br />
@ó “oôqâBo AðvBó ìBðñl”uhò ìýãõüýî.<br />
1) AuPÏBoû cÛýÛþ: @ ðvQ Þú ì³z¯H¯ú® G²ú mÞp<br />
yõk ôèþ ìÛ¿õk ì³z¯H¯ú GByl. ìTBë: “ìBû ôAok<br />
3) AuPÏBoûìXBqÿ: øñãBìþ AuQ Þú è×Ì ko<br />
Òýp ìÏñþ A¾éþ gõk GßBo oôk ^ñBðßú “kuQ”<br />
Wçë Aèlüò øíBüþ,” Öñõ ó GçÒQ ô ¾ñBÎQ<br />
AkGþ”, ^BN GývQ ô ø×Pî, ôqAoR Öpøñä .<br />
yl” ko Aüò ìTBë ìBû, ì³z¯H¯ú® G²ú AuQ ô ì³z¯H¯ú<br />
üÏñþ yh¿þ Þú ¾õ oO{ ìBðñl ìBû AuQ,<br />
34<br />
AoyBk Auçìþ, OùpAó6831 .<br />
oA Gãõüñl ôèþ ìÛ¿õk Aq @ó ÚloR GByl ô<br />
üB “KBÿ” oA Gãõüñl ô ìÛ¿õk Aq @ó ìÛBôìQ ô<br />
mÞp ðzlû AuQ. ô üB ko ìTBë kô Wíéú: “ÖpyPú<br />
øíßýzBó Îrür<br />
ko clôk uú ørAo uBë Ký{ Aô oAøBï @ôüñõ ko qìBó cýBR GpAÿ gõk ô ÖpqðlAó qìýò @oAìãBû gpülAoÿ<br />
Þpk, ^õ ó ìþ kAðvQ Þú ko ìõAÚÐ ÒýpìñPËpû ô OõAï GB Òî ô Aðlôû, GBqìBðlâBó GB Öp¾Q ÞõOBøþ Þú<br />
kAoðl ðHBül GB yPBJ ô ÎXéú O¿íýî øBÿ ìzßê Gãýpðl ô Aüò GBo ìvEõèýQ oA Îùlû kAo yõðl.<br />
ìB GBül Aq Aô oAøBï @ôüñõ upìzÜ Gãýpüî ô GpAÿ @oAì{ gBÆp GBqìBðlâBó gõk Aq øî AÞñõ ó ^Boû Aðlüzþ<br />
Þñýî ô GB ¾Hp ô cõ¾éú ô GB AðPhBJ gõk ô ÚýíQ AoqAðPp ô ypAüÈ AÚvBÉ gýéþ @uBó Aüò qìýò øB oA ÚHç<br />
gpülAoÿ Þñýî.<br />
GpðBìú oürÿ ÚHéþ Aüñãõðú ìvBDê ðzBðú ÎzÜ ô ÎçÚú ìB Gú ÎrürAó ìB AuQ.<br />
GpAÿ AÆçÎBR GýzPp GB @ÚBÿ yBó ¾lAÚPþ ìzBô o ÖBouþ qGBó ô ¾lüÜ ô @âBû ko<br />
Aüló ìíõoüBë KBoá OíBx Gãýpül.<br />
yBó ¾lAÚPþ<br />
0404- 623 - 818
ww.bhlovingcare.com<br />
AìñýQ ô @oAì{ kô ÎBìê A¾éþ ko qðlâþ AðvBðùBuQ<br />
Aüò kô ÎBìê ìùî Æþ GývQ ô ^ùBo uBë ânyPú GÏñõAó AoÞBó A¾éþ ÞBðõó uBèíñlAó üùõkÿ AüpAðþ<br />
øíõAoû ìl ðËp Gõkû AuQ.<br />
ìlüpüQ GB OXpGú ÞBðõ ó uBèíñlAó GB øíßBoÿ ÞBkoÿ ìPh¿À GB oô} øBÿ ìõSp² , ìþ Þõyñl OB ôAèlüò ìdPpï yíB uBèî<br />
ô ÖÏBë uBèýBó uBë gõkÞ×B ô ìvPÛê qðlâþ Þññl. ðýßõÞBoAðþ Þú Gú oAüãBó ôÚQ gõk oA ôÚØ glìQ Gú Aüò ÞBðõ ó Þpkû Aðl,<br />
GB ÎzÜ ô ÎçÚú ô KzPßBoÿ GBô o ðßpkðþ Aüò ìpÞr oA Gú qüHBOpüò ôWú ìíßò ^ñBó GBquBq ÿ Þpkû Aðl Þú Aq ðËp Þý×ýQ ko<br />
uÇe øPê øBÿ KñY uPBoû ìýHByl.<br />
Ghzþ Aq glìBOþ Þú ko ÞBðõ ó uBèíñlAó AoADú ìýzõk Gú ypf qüp AuQ:<br />
ðËBoR ô ìpAÚHQ ôütû GývQ ô ^ùBo uBÎPú<br />
OlAoá ô yvPzõÿ AèHvú ô ìçÖú øB<br />
Þíà Gú cíBï Þpkó uBèíñlAó Þú OõAó Aüò ÞBo oA GPñùBDþ ðlAoðl<br />
@oAü{ âývõAó ô ìBðýßõo<br />
ôürüQ KryßBó ìPh¿À<br />
upâpìþ øBÿ ìP×BôR ô ôoqyùBÿ oôqAðú<br />
uú ôÎlû ÒnAÿ ÞByp AüpAðþ GB oÎBüQ ÞBìê ìõAqüò GùlAyPþ ÆHÜ osüî KýzñùBkÿ KryßBó<br />
OõqüÐ kAoô ÆHÜ OXõür Kryà<br />
GpAÿ AÆçÎBR GýzPp èÇ×B Gú Oé×ò 3231 256 013 ô üB ôJ uBüQ OíBx Gßýpül
AupADýê - ÖévÇýò<br />
ìlüpüQ GdpAó üB AkAìú oôðl ¾ée<br />
ðõyPú AüpZ Öpðõ}<br />
AyÓBèþ GBül Ohéýú âpkk ô ðãùlAoÿ Aüò ìñBÆÜ<br />
Gú øýa ôWú Gú ð×Ð AupADýê ðývQ.<br />
WùBðþ gõAuPú oAøþ GpAÿ âpû âzBüþ Aq Aüò<br />
@ÖQ ¾ée GýBGl, Aüò kô âpôû uñãþ Gp up oAû<br />
ìò Aq kô o qìBó GB @ó kuPú Aq AupADýéýBðþ<br />
Þú KýzñùBk AuPpkAk qìýò ko ÚHBë ¾ée<br />
ko @ó qìBó âpôøþ Aq uýBuPílAoAó<br />
AupADýê KýzñùBk qìýò ko AqAÿ ¾ée oA Wlÿ<br />
AðlAgPú ô GBÎU yßvQ ìnAÞpAR ylû Aðl. Gú<br />
ðËp ìþ oul Þú Aüò kô âpôû ko üà ìõ ok GB<br />
ìþ Þpkðl ìõAÖÜ Gõkû Aï qüpA Gp Aüò GBô o<br />
øvPî ÞúÂíýíú Þpkó AoAÂþ Þú ko ðPýXú<br />
âpÖPú ô @ó oA ìÇpf Þpkðl, ìPBu×Bðú Aüò<br />
KýzñùBk ìõ ok ìõAÖÛQ AÎpAJ ôAÚÐ ðzl ô ko<br />
øî OõAÖÜ ðËp kAoðl ô @ó ìíBðÏQ Aq OõAÖÜ<br />
Gýò AupADýéýBó ô ÖévÇýñýBó ìþ GByl. Kw<br />
Wñä y{ oôqû Gú O¿pÙ AupADýê ko@ìlû<br />
Gõk ìõÚÏýQ AupADýê oA Gú ÎñõAó üà Þzõ o<br />
ÎõÅ ÎíéýBR Opô oüvPþ oA Gp Îéýú AupADýê<br />
@ÒBq Þpkðl qüpA Þú ølÙ @ðBó ko @ó qìBó<br />
^Boû ^ývQ?<br />
GpAÿ ^Boû WõDþ Aüò ìÏÃê kô ðËpüú Aq<br />
üùõkÿ kìßpAR Gú gÇp gõAøl AðlAgQ. Aq<br />
uõÿ küãp AupADýê oA Gú ÎñõAó üà Þzõ o<br />
yßvQ AupADýê ô oühPò üùõküBó Gú koüB<br />
Gõk. ô Aq @ó Kw AupADýê GB Opô oüvî ìvPíp<br />
külâBû kô âpôû ìhPéØ ko AupADýê AGpAq ylû<br />
: GñB Gp ðËpüú âpôû Aô ë: GdU ko ìõ ok OõAÖÜ<br />
AyÓBë âp ÒB¾I ko AðËBo WùBðþ Wéõû âp<br />
ìþ uBqk. ìò Aüò Wíéú üBup ÎpÖBR Þú<br />
oôGpô Gõkû AuQ.<br />
AðõoAèvBkAR oøHp ÖÛýl ì¿p ôÚPþ<br />
øBÿ ¾ée ô oAû cê øBÿ ìpGõÉ Gú Aüò ìvEéú<br />
OñùB AOçÙ ôÚQ AuQ. Aüò koâýpÿ ðývQ<br />
“ ocî qðBó ÖévÇýñþ GùPpüò uçf @ðBó ko<br />
ìÛBGê AupADýéýBó ìþ GByl” ÞBìç« ôAÚÐ GýñBðú<br />
Þú ko Aüò qìBó ÚBGê cê GByl. ^pA Þú- GpAÿ<br />
ìzßçR @ôAoâBó ÖévÇýñþ, ìùBWpAó Wlül<br />
ìþ Gýñî. Aüò yBül OñùB uhò oAuPþ AuQ<br />
Þú Aq køBó üBup ÎpÖBR ko@ìlû GByl. GB üà<br />
Þú ìPõWú yl Þú GB ÎíéýBR ðËBìþ ô<br />
OpôoüvPþ ðíþ OõAó ìõWõküQ Þzõo<br />
üùõkÿ Þú ko upqìýò øBÿ AyÓBèþ ìÛýî ylû<br />
Aðl ô Aô oyéýî oAû céþ KýlA ðzlû AuQ.<br />
ðãBû AWíBèþ Gú AÖrAü{ ð×õx ÖévÇýñýBó Gú<br />
gõGþ ìþ OõAó ìñËõ o ÎpÖBR oA koá Þpk.<br />
AupADýê oA Gú ìhBÆpû AÖßñl, ô Aq ÆpÖþ<br />
ÎíéýBR OpôoüvPþ Gp Îéýú AupADýê ðú<br />
Gú ðËp Aüò âpôû, Aìpôq ðvê kôï ô uõìþ<br />
Aq AupADýéýùB ô ÖévÇýñýBó ôWõk kAoðl<br />
GñBGp ìdBuHú kìãpAÙ øB (@ìBoâpAó ð×õx )<br />
Aâp oôðl oyl WíÏýQ ÖévÇýñýBó Gú ¾õ oR<br />
OñùB GpAÿ ÖévÇýñþ øB ÖBülû Aÿ ðlAok<br />
Géßú GpÎßw uHI AÖrAü{ Aæï @ðBó ìþ<br />
Þú upÞõGþ ô Opô oüvî Gú ¾õ oR ÎBìéþ<br />
Aq øõüQ AupADýéþ ô ÖévÇýñþ @ó øB ko@ìlû<br />
Þñõðþ AkAìú üBGl, OÏlAk @ðBó ko Æõë øp 51OB<br />
71uBë kô GpAGp gõAøl yl ko Aüò ¾õ oR<br />
yõk ko uBë 9791 ÚpAokAk ¾édþ oA GB<br />
AupADýê AìÃBF Þpk ô ko Æþ @ó AupADýê<br />
AuQ. ènA Aüò OõÚÐ Þú @ðBó GB øî Gñzýññl<br />
ô ðBâùBó ¾ée Þññl OñùB oô ÿ ÞBÒn AìßBó<br />
ko kô uú køú @üñlû WíÏýQ ÖévÇýñýBó Aq<br />
WíÏýQ üùõküBó GýzPp gõAøl yl ô GB koðËp<br />
yHú Wrüpû uýñB oA Gú ì¿p Kw kAk.<br />
gõyHhPBðú OBÞñõ ó ðýî ^ú ¾édþ<br />
kAok. Gú GBô o Aüò âpôû, oôüBÿ AuPpkAk qìýò<br />
ko ìÛBGê ¾ée Aq Gýò oÖPú ô øñõq ÎéýpÒî<br />
âpÖPò oyl KBDýòAupADýéýBó, üùõküBó ko<br />
AÚéýQ ÚpAo gõAøñl âpÖQ ô øíBðÇõ o Þú mÞp<br />
Þú Gýò ì¿p ô AupADýê GvPú ylû øñõq<br />
KBGpWB AuQ. ôèþ GB ôWõküßú Aq AôAuÈ køú<br />
ìnAÞpAOþ Þú ko uú køú ânyPú ¾õ oR<br />
âpÖPú, ðú OñùB øñõq øýa oAû céþ KýlA ðzlû<br />
36<br />
yl ìBøýQ AupADýê Gú ÎñõAó üà Þzõ o<br />
üùõkÿ Gú ìhBÆpû gõAøl AÖPBk.<br />
08 oôðl ¾ée Gýò AupADýéýBó ô ÖévÇýñýBó<br />
AkAìú kAyPú ô Gú oÒî AuPpkAk Gh{ øBüþ Aq<br />
Géßú GdpAó oôq Gú oôq ìzßê Op ylû AuQ.<br />
^pA Þú ko AüñXB kô âpôû Aq ìpkï øvPñl Þú<br />
ko Aüò oAuPB ÆHÜ ìlAoá ouíþ ô<br />
upÿ Þú Aq WévBR øýEQ kôèQ AupADýê GÏl<br />
ÞpAðú oôk Aokó ô Ohéýú ÞBìê ðõAo Òrû øñõq<br />
ÚpAokAkÿ ko ìõ ok ôÂÏýQ ðùBüþ Gú AìÃBF<br />
gõk oA uBÞò A¾éþ Aüò upqìýò ìþ kAðñl<br />
ô AcvBuBR q üBkÿ ko ìýBó ìþ GByl.<br />
Aq Wñä y{ oôqû Ozßýê âpkülû Gõk ô ko<br />
gçë üßþ kô uBë ânyPú Gú ìÇHõÎBR ðzp<br />
ðpuýlû ô oôðl ¾ée Gýò kô ÆpÙ øýa ÞBoADþ<br />
ðlAyPú ô AOçÙ ôÚQ Gõkû AuQ.<br />
GñBGpAüò ÚÃýú A¾éþ ìvEéú øõüQ ìéþ ìþ<br />
GByl. ènA cê Aüò ìvEéú GvýBo kyõAo AuQ.<br />
Þpkû ^ñýò Gpìþ @ül Þú : uBqìBó AÆçÎBOþ<br />
AupADýê, oDýw ìõuBk, oDýw uBqìBó<br />
GvýBoÿ, âpôû øBÿ AÖpAÉ âpA oA<br />
uHI Îlï KýzpÖQ ko oôðl ¾ée ìþ kAðñl,<br />
GpAÿ üùõküBó Aô oyéýî ìvEéú AcvBuBR ô<br />
ìnøI AuQ. Aq uõDþ ìPÛBÎl Þpkó 005ørAo<br />
AÆçÎBR AoO{ ô upAó ô qAoR gBoWú,<br />
øíãþ Gú Aüò ðPýXú ouýlû Gõkðl Þú GpAÿ<br />
qüpA Þú ^ú ko ìýBó ÖévÇýñýBó ô ^ú ko ìýBó<br />
AupADýéýBó âpôû øBüþ øvPñl Þú ðíþ gõAøñl<br />
ð×p ìÛýî @GBkÿ øBÿ üùõkÿ ðzýò ko ðõAcþ<br />
AyÓBèþ Þú upqìýò øB oA Ohéýú Þññl Aâp<br />
Wéõâýpÿ Aq Gú ìhBÆpû AðlAgPò AÞTpüQ<br />
üùõkÿ ô Gú gÇpAÖßñló ìBøýQ AupADýê Gú<br />
OõAÖÛþ ¾õ oR âýpk ô ¾édþ GpÚpAo yõk<br />
ô øp qìBó Þú Öp¾Pþ kuQ kAkû ô WBìÏú<br />
GvýBo ìzßê ðHByl ÒýpÚBGê O¿õ o AuQ.<br />
ÎñõAó üà Þzõ o kìßpAOýà, Þéýú ìñBÆÜ
37<br />
FAA<br />
Aq uõÿ küãp âpôøþ Gú ðBï cíBx<br />
Gp ÖévÇýñþ øB cßõìQ ìþ Þññl Þú ðú OñùB<br />
oA Gú ouíýQ GzñBuñl: Gp GBô o Aüò âpôû<br />
GBôWõküßú ko gçë 04uBë ânyPú ÖÏBèýQ<br />
AupADýê ô uõ oüú ô èHñBó Þíà ìõSp Gßñl.<br />
WBìÏú WùBðþ ko koWú Aô ë GBül ôclR<br />
GB oôðl ¾ée ìhBèØ øvPñl Géßú gõAøBó<br />
ðBGõkÿ AupADýê ìþ GByñl. Glüùþ AuQ GB<br />
øBÿ Gþ cB¾ê ko oôðl ¾ée ¾õ oR âpÖPú,<br />
ìÏnAèà AupADýê GBül øí`ñBó Gú Þõy{ øBÿ<br />
Gýò ÖévÇýñýBó GõWõk @ô ok, ô AÖpAÉ âpAüBó<br />
oA Þú Aq ôÂÏýQ GdpAðþ Þñõðþ Gùpû ìþ Gpðl<br />
^ñýò ypAüÇþ ^zî AðlAq üà ¾ée ôAÚÏþ<br />
ôAÚÐ GýñBðú ðhõAøl Gõk ô Aüò üà koâýpÿ<br />
gõk GpAÿ qðlû ðãùlAyPò oôðl ¾ée AkAìú<br />
køl.<br />
Gú cByýú GpAðl. uLw â×Pãõ Gýò oøHpAó<br />
AupADýéþ ô ÖévÇýñþ ko øíú qìýñú øB Aq<br />
ðývQ Þú ko Aüò qìBó ÚBGê cê GByl. Gú<br />
Æõ o Þéþ øñõq oAû céþ Þú GPõAðl ìõ ok OõAÖÜ<br />
Aüò âpôû ìþ âõüñl Þú Þzíß{<br />
AupADüê ô ÖévÇýò küãp üà ìvEéú kAgéþ<br />
Wíéú Ozßýê üà kôèQ ìvPÛê ÖévÇýñþ Aq<br />
up âpÖPú yõk ô AìñýQ AupADýê øî OÃíýò<br />
ÆpÖýòôAÚÐ yõk ôWõk ðlAok ô yBül øî øpâr<br />
KýlA ðzõk.<br />
Gú yíBo ðíþ oôk ô cPþ ìvEéú ìñÇÛú Aÿ øî<br />
ðíþ GByl, Géßú ìvEéú ÖpAìñÇÛú Aÿ AuQ Þú<br />
âpkk.<br />
AupADýê GBül ÚHõë Þñl Þú qìBðþ ìþ oul<br />
ènA ^ú GBül Þpk? - Gú ðËp Aüò âpôû,<br />
AupADýê ìþ GBül GB GdpAó ÖÏéþ uBq} Þñl<br />
AGÏBk @ó Aq yp Ý OB ÒpJ âvPpkû ylû ô AìñýQ<br />
WùBðýBó oA kuPhõ} Oùlül ÚpAo ìþ køl<br />
Þú üà ìéQ GBül ko ârüñ{ oAû ô OÃíýò<br />
@üñlû gõkOBìê GýzPpÿ Gú gp Z køl ô Oò<br />
ô oô} ìñÇÛþ GdpAó oA ìlüpüQ Þñl qüpA<br />
ôÂÏýQ ^ñBó Gl AuQ Þú øp âBìþ Þú GPõAðl<br />
ô @ìpüßB, AoôKB, oôuýú ô OíBï Þzõ oøBÿ<br />
Auçìþ koâýp Aüò ìvEéú ylû Aðl. Gú ðËp Aüò<br />
Gú O¿íýíBR kyõAo GvLBok. GpAÿ AupADýê<br />
oAû Aìñþ Wr AkAìú ìnAÞpAR ô ouýló Gú üà<br />
OõAÖÜ ðùBüþ GB ÖévÇýñýBó ôWõk ðlAok.<br />
Aðlá OBCSýpÿ ì×ýl kAyPú GByl kuPBô okÿ<br />
Groå ìdvõJ ìþ yõk.<br />
âpôû cê ìÏÃê AupADýê ô ÖévÇýò ðýBq ìñl<br />
ìvBÎþ WùBðþ AuQ ô GBoôðl ÖÏéþ ðíþ OõAó<br />
ðËpüú âpôû kôï, AWpAÿ ÚÇÏñBìú<br />
242 uBqìBó ìéê Þú ìdPõAü{ upqìýò ko<br />
AðPËBo GùHõk AôÂBÑ oA kAyQ.<br />
GBül WBìÏú Aÿ WùBðþ Aq uBqìBó ìéê,<br />
&AüpZ Öpðõ} Öõ Ý èývBðw ko oyPú ìùñluþ<br />
¾ñBüÐ ô uývPî Aq kAðzãBû ÞBèý×pðýB, ko<br />
ìÛBGê ¾ée ìþ GByl. Gp AuBx Aüò ÚÇÏñBìú<br />
AupADýê ìþ GBül upqìýò øBüþ Þú ko Wñä<br />
@ìpüßB, AOdBküú AoôKB, oôuýú ô GB ìzBoÞQ<br />
AOdBküú ÎpJ ô uBüp Þzõ oøBÿ ÚloOíñl<br />
uBqìBó øõAüþ @ìpüßB ( ) Gú ÎñõAó ìlüp<br />
Kpôsû Gú ÞBo AyPÓBë kAok.<br />
y{ oôqû Gú O¿pÙ ko@ô okû Ohéýú Þñl ô Aq<br />
AÎpAJ GhõAøl Þú ìõWõküQ Þzõ o AupADýê<br />
ìñÇÛú Ozßýê yõk Þú GPõAðl ko g¿õÁ<br />
ìÏÃê WBoÿ Gýò AupADýê ô ÖévÇýñýBó ô Gýò<br />
OI ÎzÜ<br />
Aq: SpüB KBuPõ o “ð¿pOþ Öp”<br />
yõï Òñ`ú, ðzýñî Gp èI üBo<br />
GLByî ÎÇp ÎzÝ, Gp øp^ú kèlAo<br />
yõï ÎByÜ, ðzýñî ko oû ÎzÜ<br />
GLõyBðî WùBó oA, Aq OI ÎzÜ<br />
yõï âélAó, Kp Aq âéhBðú âpkï<br />
GLõyBðî q â³ê,,kðýB ô øp kï<br />
yõï @O{, ðzýñî Gp Oò upk<br />
GLõyBðî ôWõk øp ^ú kèvpk<br />
yõï ðÓíú, ðzýñî Gp èI uBq<br />
GvõqAðî WùBó GB Îzõû ô ðBq<br />
yõï ÚÇpû, ðzýñî Gp kë @J<br />
Gzõ oAðî WùBó, Aq øp ^ú Gþ OBJ<br />
yõï ÎByÜ, ðzýñî ko oû ÎzÜ<br />
GLõyBðî WùBó oA, Aq OI ÎzÜ<br />
yõï ^zíú, GXõyî øí`õ ÎByÜ<br />
GLByî @J, Gp kë øBÿ ÖBoÕ
Aq ^M Gú oAuQ:<br />
@ÚBÿ WýßõJ küBó , kÞPp âBèýQ küBó,<br />
@ÚBÿ Aürá AüBë , gBðî AkðB ð×PBèþ<br />
ko OBo üi 02 uLPBìHp 0102 GBðàèEõìþ<br />
ko ÞBèý×pðýB ìýrGBó<br />
WíÐ ÞTýpÿ Aq GBqoâBðBó ô ¾BcHBó ìzBÒê<br />
ko ÞBèý×pðýB ypÞQ kAyPñl.<br />
èEõìþ ko ouýló Gú Aüò ølÙ kAyQ<br />
AyBoû Þpkðl.<br />
ÂýBÖPþ Gõk Þú Gú AÖPhBo KpqülðQ ÚHéþ<br />
GBðà @ÚBÿ Aô q ÿ o³qó ô<br />
@ÚBÿ WýßõJ küBó Aq OBoüh`ú<br />
KýlAü{ GBðà èEõìþ ko clôk 011uBë<br />
uhñpAó GÏlÿ gBðî AkðB ð×PBèþ<br />
ìlüp Aoyl GBðà èEõìþ ÞBèý×pðýB Gõkðl<br />
gõ} @ìlâõDþ Gú WBðzýò AüzBó @ÚBÿ<br />
AürAá A²üBë Gp KB yl.<br />
Ký{ Þú Gú Kýpô ÿ Aq AølAÙ ô külâBû øBÿ<br />
OEõkô o øpO¿ê GpAÿ Ozßýê ìõuvú Aÿ<br />
Þú ko Âíò gõ} @ìl âõDþ Gú ìùíBðBó<br />
Aq oøHpÿ @ÚBÿ oqó ko ypAüÈ kyõAo<br />
ko Aüò âpkøî @Dþ Þú ko øPê Gõ oèþ<br />
øýér GpârAo âpkül, Gý{ Aq 004 ð×p ìùíBó<br />
Þú GPõAðl AcPýBWBR ìBèþ kôèQ ðõGñýBk<br />
AupADýê oA Gp@ô okû ðíBül ¾dHQ ðíõk.<br />
AÚP¿Bkÿ kô uú uBë Agýp Ozßp Þpkðl.<br />
AüzBó øí`ñýò Aq KzPýHBðþ ô cíBüQ<br />
Aq yh¿ýQ øBÿ GpWvPú WBìÏú ìñXíéú<br />
WñBJ @ÚBÿ oAô kAôül yõÖÈ oøHp ìnøHþ<br />
øpO¿ê Gp Aüò AÎPÛBk Gõk Þú kôèQ<br />
AupADýê ðú Aq oAû AÎBðú Géßú Gp KBüú<br />
ìzPpüBó GBðà èEõìþ ko ÞBèý×pðýB Ozßp<br />
Þpkðl ô AyBoû Aÿ kAyPñl Þú Îíéßpk ìTHQ<br />
üùõküBó AüpAðþ @ìp üßBDþ, WñBJ @ÚBÿ<br />
WýßõJ küBó Þñvõ ë<br />
AuPdßBï ìBèþ GBül AuPÛpAo ô SHBR gõk<br />
oA c×Ì ðíBül ô AkAìú cýBR køl. AüzBó<br />
GBðà Glô ó øíßBoÿ ô ìvBÎlR @ðBó ko<br />
ÖÃBÿ ìõWõk AÚP¿Bkÿ ìývp ðHõk. gBðî<br />
AupADýê ko ìñÇÛú WñõJ ÒpGþ @ìpüßB ô<br />
øí`ñýò Gú ÚloR ìBèþ ô ðÛzþ Þú GBðà<br />
ð×PBèþ uhñBó gõk oA GB @oqô ÿ ìõÖÛýQ<br />
Uzi Rosen<br />
Bank Leumi USA<br />
Itzhak Eyal<br />
Jacob Dayan
Bank Leumi USA<br />
CEO<br />
GpAÿ KpqülðQ Wlül @ÚBÿ Aürá AüBë KBüBó<br />
kAkðl.<br />
ko gBOíú ìùíBðBó GB gBÆpû Aÿ<br />
gõ} Aq ypÞQ ô @yñBDþ GB @ÚBÿ Aürá<br />
AüBë GBðà èEõìþ ìùíBðþ oA Opá<br />
Þpkðl ô gBÆp ðzBó Þpkðl Þú ìñPËp<br />
külAoøBÿ GÏlÿ AüzBó Aq ÞBèý×pðýB ko<br />
@üñlû gõAøñl Gõk.<br />
GBðà èEõìþ @ìpüßB GB 11 yÏHú ko<br />
ðýõüõ oá, ÞBèý×pðýB, Aüéþ ðõÿ ô Öéõ oülA<br />
üßþ Aq yBgú øBÿ ìõÖÜ GBðà èEõìþ ko<br />
upAup kðýB ìþ GByl ô ko qìýñú cvBJ<br />
øB ô ôAï øBÿ OXBoOþ ô AuñBk AÎPHBoÿ<br />
cÃõ o âvPpkû Aÿ kAok.<br />
1-@ÚBÿ Aürá AüBë<br />
2- gBðî AkðB ð×PBèþ<br />
3- Aq ^M Gú oAuQ: oAô kAôül<br />
yõÖÈ - @ÚBÿ Aürá AüBë - @ÚBÿ<br />
Aôq ÿ oôqó - gBðî AkðB ð×PBèþ<br />
4 - gBðî AkðB ð×PBèþ ô AüpA Kýñvßp
kAk. ôèþ øíýñßú âBGýñõx Aq Þzõ o üùõk kô o<br />
yl, OÛvýíBOþ Þú ô ÿ kouQ Þpkû Gõk Aq Gýò<br />
oÖQ ô AðXíò ÞHýp AøíýQ gõk oA GBq âpÖQ<br />
ô ÊBøpA« Aq Aüò OBoüi GñBï uñùloüò ìõuõï<br />
yl. ôèþ øíBðÇõ o Þú â×Pú yl ÚloR uýBuþ<br />
ÞBìç« Gú kuQ oôï Gõk.<br />
Kw Aq yýíÏõ ó Gò yBÆe, kôð×p<br />
Aq GpWvPú Opüò yBâpkAð{, yíÏýB ô<br />
ÞPBJ OBoüi üùõk<br />
Aq :Kpôür oøHp<br />
AGÇBèýõ ó Gú oüBuQ uñùloüò AðPhBJ ylðl.<br />
Aüò kôð×p, ^õ ó ìzBølû Þpkðl Þú uñùloüò<br />
ÚloR uýBuþ gõk oA Aq kuQ kAkû AuQ, ø©î<br />
gõk oA ìPõWú Aìõ o kAgéþ Þpkû, Îlû Aÿ Aq<br />
gBðlAó øpôkôx üB øpôk ô cßBï oôìþ<br />
@ðPþ KBOp - øõ oÞBðõx ÞùBðQ oA ko kuQ<br />
ko uBë 6491 Kpôür oøHp,‰ÖýrüßlAó,ô<br />
ìdÛÜ, AuPBk kAðzãBû ô üßþ Aq ðõüvñlû<br />
yBâpkAó müÏçÚú oA Glô o gõk âpk @ô okðl, ô<br />
Oõ oAR oA GB ÞíBë kÚQ, Aq èdBÍ A¾õë ÎÛBül ô<br />
øBÿ ÞPBJ øBÿ Öýrüà ô yýíþ GpAÿ Oloüw<br />
ko kGýpuPBó øBÿ AüpAó, ÞPBJ “ OBoüi<br />
kAyQ, èýßò @èQ kuQ @ðPþ KBOp Akôìþ kuQ<br />
ðzBðlû kôèQ oôï Gõk. WHò ô Gþ AoAkâþ<br />
üùõk “ oA ðõyPú ô ìñPzp Þpk. Kpôür oøHp<br />
GB OvéÈ ÞBìéþ Þú Gú qGBó øBÿ ÖpAðvú,<br />
Æpq Îíê Þpkó @ó, Gú @ðùB OÏéýî kAkðl. ko ASp<br />
OõWú Öõ Ý AèÏBkû gõk Gú ÚõAðýò ô uñò üùõk,<br />
øõ oÞBðõx Gý{ Aq WBû ÆéHþ GpAko}<br />
@oüvPõGõë GBÎU gvBoR ô Oé×BR üùõk yl.<br />
Aðãéývþ,ÎHpÿ ô ÖBouþ kAyQ WlA Aq ÞBo<br />
øBÿ Ktôøzþ ko oyPú Öýrüà ô yýíþ ô<br />
ìõ ok AÎPíBk ìÇéÜ ìpkï ÚpAo âpÖPñl ô øp<br />
ÖPõADþ Þú Gú @ðùB ðvHQ kAkû ìþ yl, Glô ó<br />
@èßvBðlo Kvp @oüvPõGõë øñãBìþ Þú<br />
Gú oôï Gpkû ìþ yl ko oAû GãpühQ ô Úzõðþ<br />
kuQ üBÖPò Gú AÖPhBoAR Groâþ ko Aüò qìýñú,<br />
Gú OpWíú ðõyPú øBÿ GvýBoÿ Aq ðõüvñlâBó<br />
Opkül ô ^õ ó ô ^pA KnüpÖPú Gõk. GB yíÏýB ô<br />
AGÇBèýõ ó kô oû Wlülÿ GpAÿ ÖpüvýBó @ÒBq<br />
@ìBkû Þpkû Gú KýzpÖQ øBüþ ðýr ðBDê @ìl, ôèþ<br />
GBægpû Aq Úzõ ó ìñËî oôï yßvQ gõ ok ô<br />
ÒpGþ Gú qGBó ÖBouþ ðýr KpkAgQ. ðBï ô ÞBo<br />
Aô GpAÿ GvýBoÿ Aq AüpAðýBó @yñB AuQ.<br />
ìþ yõk ô Aq Aüò Kw GýzPp @ðùB ìPõWú OÏHýp<br />
ô O×výp Oõ oAR ìþ yõðl.<br />
ìXHõ o Gú ÖpAo yl. @oüvPõGõë ðýr Þíþ GÏl,<br />
Aq oôï GãpühQ ô Îéî ÆÓýBó ô ìhBè×Q GB<br />
ÞPBJ “OBoüi üùõk” Gú â×Pú kuQ<br />
AðloÞBoAó üßþ Aq WBìÐ Opüò ô GùPpüò ðõyPú<br />
Kw Aq ìpå KíLú, üùõküBó ÆpÖlAo urAo<br />
(Úý¿p) ylðl ô øõ oÞBðõx, üB ko cÛýÛQ<br />
GpAko ô kôèQ oôï GpAÖpAyQ èýßò Aô øî ko<br />
Wñä ìhP¿pÿ qgíþ ô kuPãýp ô Gú oôï<br />
øB ko oAGÇú GB OBoüi üùõk ô üùõküBó AüpAðþ<br />
AuQ Þú Gú Æõo gç¾ú ânyPú üùõküBó kðýB<br />
ìzBô o} @ðPþ KBOp, GB glìBOþ Þú GlôèQ<br />
oôï ðíõk OõWú Úý¿p oA Ghõk WéI Þpk ô ko<br />
ÎõkR kAkû yl.<br />
Aüò Ký{ @ìløB ô ìhBè×Q øBDþ Þú<br />
oA Gp ouþ Þpkû AuQ. ÞPBJ küãp ðõyPú Aô Gú<br />
ðBï “koü×õx ô Aìýê qôæ” ðýr koqìBó ^BN GB<br />
ðPýXú ìÛBï ÞùBðQ GpAÿ øõ oÞBðõx OTHýQ<br />
yl ô @ðPþ KBOp cßõìQ Þzõ o oA ko kuQ<br />
AuPÛHBë ÖpAôAó oôGpô yl.<br />
ìXéú “yõÖBo “ GB AWBqû Aq ÖpqðlAó<br />
ìPõAèýB« Aq ÆpÙ üùõk ðvHQ Gú cßBï ô kuQ<br />
ðzBðlû øBÿ oôï AGpAq ìýzl, âBGýñõx cBÞî<br />
âpÖQ ô GçÖB¾éú Opìýî gpAGþ øBÿ KíLú ô<br />
AuPdßBï ksøBÿ ôüpAó oA @ÒBq Þpk.<br />
@ó yBkoôAó ÞPBJ “OBoüi üùõk “ oA ko ÚvíQ<br />
øBÿ ìhPéØ Aüò ðzpüú ^BN gõAøl Þpk. Gú<br />
oôìþ uõ oüú oA Gp @ó kAyQ Þú ôclR ìéþ<br />
üùõk oA Aq øî ìPçyþ Þñl. ko Aüò ìõÚÐ,<br />
Aìýl Aüò Þú kAð{ ânyPú ko O¿íýî âýpÿ<br />
¾dýdþ GpAÿ @üñlû, ìBoA oøñíõó yõk.<br />
@ðPþ KBOp Þú Aq ÂÏØ AoAkû øõ oÞBðõx<br />
gHp kAyQ Kvp Groå gõk ÖrADê oA Gú<br />
AðXíò ÞHýp Aâp^ú ÚloR uýBuþ gõk oA Aq<br />
kuQ kAkû Gõk, ôèþ øñõq oôf ôclR üùõk<br />
cßõìQ Aô oyéýî ô øpôk Kvp Þõ^à gõk oA<br />
Gú cßõìQ âBèýê ìñ¿õJ ðíõk.<br />
ìdvõJ ìþ yl. âBGýñõx GpAÿ ðBOõAó<br />
Þpkó üùõk ÖpìBðþ ¾Bko Þpk Þú Aq @ó Kw<br />
GB uLBx Aq yBkoôAó Kp ôür oøHp ô<br />
ÖpqðlAó Aô.<br />
“yõÖBo<br />
Kw Aq ÖõR Úý¿p, Þú cBìþ Groå<br />
øõ oÞBðõx ô üùõk Gõk, cßõìQ uõ oüú Gú<br />
Þzõ o üùõk ðíþ GBüvQ ôclR AkAoÿ ô<br />
ÚÃBDþ kAyPú GByl (75 Ý.ï) GñBGpAüò Þzõ o<br />
kuQ ÞBuýõx ôAèþ oôï uLpkû yl ô Aô<br />
ìBèýBR ârAÖþ Aq Þzõ o üùõk ìÇBèHú Þpk ô<br />
oA Gú KñY cõqû OÛvýî Þpk GÇõ oüßú øpüà<br />
yõ oAÿ ìh¿õ¾þ GpAÿ AkAoû Aìõ o kAgéþ<br />
uBÞñBó KBoû Aÿ Aq ðÛBÉ oA Þú ÚBko Gú KpkAgQ<br />
ìBèýBR ìÏýò ðHõkðl, GHpkâþ ÖpôgQ. @ðPþ<br />
gõk kAyPú GByl. yõ oAÿ Wlül oA uñùloüò<br />
ðBï ðùBkû ô ko oACx @ó Aq øõAgõAøBó oôï ÚpAo<br />
KBOp øî Þú Gùý`õWú cBÂp ðHõk ìÛBï gõk<br />
40
41<br />
KñùBðþ Gp Âl øpôk ìßBOHBOþ Þpk. @èßvBðloA<br />
ìþ gõAuQ Aq oô ÿ ÞBo@ìló @ðPõAó AuP×Bkû<br />
(73Ý.ï) ô @ðPýãõ ó oA kuPãýp Þpkû Gú oôï<br />
ÖpuPBk ô @ðXB Aô oA Gú kogõAuQ øpôk Gú<br />
oA Aq kuQ køl, GpAÿ AuPpÂBÿ gBÆp cBÞî<br />
oôìþ uõ oüú ô kôèQ oôï ìpkï oA OdQ ÖzBo<br />
Þpkû Gõuýéú Aô øp kô oA Aq ÞBo GpÞñBo Þñl.<br />
ÞéEõKBOp øî, Þú gõk oA Aq ìlOþ Ký{ ^zî<br />
ÖXýÐ Opüò ôÂÏþ Gú ÚPê ouBðýlðl. GB AüñdBë<br />
AÞTpüQ ìpkï ÆpÖlAo @ðPýãõ ó Gõkðl ô Aq øp<br />
ânAyQ ô üßþ Aq ðXHBÿ ¾BcI ð×õm üùõk Gú<br />
ðBï ìBèýßõx oA ìXHõ o Gú âpk@ô oÿ ìBèýBR<br />
Þpk.<br />
ÉíÐ Gßzõ o üùõk kAyQ, GB @èßvBðloA oô ÿ<br />
ìõAÖÜ ðzBó kAk. @èßvBðloA ko ðËp kAyQ GB<br />
uõ ¾lAÿ ìhBè×Q GB cßõìQ øpôk Géñl Gõk.<br />
GñBGpAüò øpôk 54 ð×p Aq GroâBó Úõï oA GãpÖQ<br />
ìBèýßõx ì¿íî yl Þú @ðPþ KBOp oA<br />
Gú ÚPê ouBðýlû kuQ gBoWýBó oA Aq Þzõ o<br />
Kvp} Gú ì¿p Gpôk ôèþ ðÛzú A} ÖB} yl<br />
ô Gú ìÛ¿õk ðpuýl.<br />
ô øíú oA Gú ÚPê ouBðýl ô AìõAèzBó oA O¿BcI<br />
ðíõk. ô ^õ ó ko øñãBï ìdB¾pû Aô oyéýî<br />
ÞõOBû Þñl. GñBGpAüò Öp¾Pþ Gú kuQ @ô ok ô Aô<br />
oA ìvíõï Þpk. ìlOþ GÏl øpôk Gú ô ÿ kuQ<br />
ìpüî kgPp @èßvBðloA Þú qðþ GvýBo qüHB<br />
ô KBÞlAìò Gõk ìõ ok ÎzÜ ô ÎçÚú øpôk ÚpAo<br />
AÎÃBÿ uñùloüò ìpkï oA Gú KBülAoÿ ko<br />
GpAGp øpôk OzõüÜ Þpkû Gõkðl, øpôk øíú oA<br />
üBÖQ ô Gú ÚPé{ ouBðýl.<br />
uéÇñQ øpôk- ^õ ó @ðPþ KBOp Gú ÚPê ouýl,<br />
âpÖPú ô GrôWýQ Aô ko@ìlû Gõk ô AèßvBðloA<br />
ìþ gõAuQ Gõuýéú Aô Aq øpôk AðPÛBï Gßzl.<br />
kuPãýp Þpk ô GÓýp Aq kôð×p Aq @ðùB, yíÏýB<br />
ô AGÇBèýõ ó, øíú oA øçá Þpk. AìB yÛBôR ô<br />
øpôk Aq ÉpÙ ìXéw uñBÿ oôï cBÞî Þzõ o<br />
üùõk ðBìýlû yl (04 Ý.ï) øpôk Aq øíBó uò<br />
uhQ kèþ ô ÿ Gú @ðXB gBOíú ðýBÖQ.<br />
ìÛBï ÞùBðQ Gú kuQ üßþ Aq GBqìBðlâBó<br />
øpôk ^õó Aq ÎçÚú @ðPõAó Gú ÞéEõKBOp<br />
@âBû Gõk,‰ìÛBï gõü{ oA ìPrèrë kül ô ^Boû<br />
51 uBèãþ Þú Gú cßõìQ âBèýê ìñ¿õJ ylû<br />
Gõk ÆHÐ gõðhõAo ô Wvõ o gõk oA ðzBó kAk ô<br />
WõAó czíõðBDþ, GpAko qó øpôk, uLpkû<br />
ylû Gõk. ko oôq Îýl uõÞõR (gýíú øB) Þú<br />
Aÿ Wr @ó ðlül Þú yh¿B« ðrk @ðPõAó oÖPú ô GB<br />
OÛlüî ÚõüPpüò kæüê gõk, Þú ÎHBoR Aq ølüú<br />
Aq øíBó ôÚQ Aô oA “Gpkû Akôìþ” ìþ gõAðlðl.<br />
@ðPýãõ ó üßþ küãp Aq KvpAó @oüvPõGõë<br />
WõAó czíõðBDþ GB AèHvú ÖBgp ÞùBðQ ko<br />
ìÏHl cÃõ o üBÖQ, AcvBuBR ìpkï ðvHQ Gú<br />
Aÿ âpAðHùB Gõk, kôuPþ ô ÿ oA Gú gõk WéI<br />
ðíBül. GñBGpAüò Gú Aìp @ðPõAó AÆBÎQ Þpkû ðrk<br />
Þú ko oôï qðlAðþ Gõk, Aq @ðXB âpühQ ô Îlû<br />
Aÿ Aq øõAgõAøBó gõk oA âpk @ô ok ô Gú<br />
ô ÿ Æõ oÿ Gõk Þú øpôk k^Bo Opx ylû ìÛBï<br />
gõü{ oA ìPrèrë kül. GB AüñdBë GÓÄ gõk oA<br />
Aô oÖQ ô cßõìQ Aô oyéýî ô OõWú ìpüî qüHBÿ<br />
gõk oA Gú kuQ Îíõÿ gõk üõuØ uLpk ô Gú<br />
âBèýê cíéú Gpk ôèþ Aq øpôk yßvQ gõ ok ô<br />
ÎÛI ðzvQ.<br />
ìh×þ Þpk ô GB ìpkï ko Oõ¾ýØ ÞBøò WõAó<br />
øî ¾lA yl. AìB ôWõk Aô oA GpAÿ gõk gÇp<br />
Aô kuPõ o kAk ko¾õ oOýßú Aq ìvBÖpR gõk<br />
uçìQ Gpðãpkk, ìpüî oA øî Gú ÚPê GpuBðñl<br />
ko øíýò ìõAÚÐ kôèQ o ôï kô ë<br />
@uýBÿ ÒpGþ oA ìÓéõJ Þpkû ô upclAR gõk<br />
cPíþ ìþ kAðvQ, qüpA øñõq ìpkï oyBkR<br />
ìßBGþ øB oA Aq üBk ðHpkû Gõkðl. GñBGpAüò oôq ÿ<br />
qüpA Gú Úloÿ Aô oA kôuQ ìþ kAyQ Þú cBÂp<br />
ðHõk Kw Aq ìpå øî ìpüî Gú kuQ küãpÿ<br />
oA OB Gýò Aèñùpüò OõuÏú kAkû Gõk. üà oÚýI<br />
ko GpAGp Þzõ o KùñBô o oôï ìÛBôìQ ìþ Þpk<br />
Aô oA ko ÂýBÖQ Groâþ ko üpüdõ kÎõR Þpk<br />
ô Kw Aq ¾pÙ ðùBo, kôuPBó øpôk, ÞBøò<br />
Gý×Pl.ko ìlR ÒýHQ øpôk üõuØ ìBìõ oüQ<br />
gõk oA Gú ìpüî AÖzB Þpk ô @èßvBðloA kgPp<br />
ô @ó øî kôèQ AyãBðþ ko AüpAó Gõk. Aq Aüò<br />
Kw Þzõ o üùõk ìýBó kô ðýpô ÿ ÎËýî oôï<br />
WõAó oA ko Âíò Òvê Gú ÎñõAó ìrAf ko<br />
@J Öpô Gpkû Aô oA Òp Ý Þpkðl. øpôk gõk ðýr<br />
gõk oA Gú AðPÛBï ôAkAyQ. AO×BÚB« gHpÿ Gú<br />
koôÕ AðPzBo üBÖQ Þú øpôk Gú kuQ @ðPõAó<br />
ô AyãBðþ ÚpAo âpÖQ ô ìõ ok OBgQ ô OBq kô<br />
ÆpÙ ôAÚÐ ìþ yl.<br />
OËBøp Gú Òî ô Aðlôû ÖpAôAó ðíõk, èýßò øýa<br />
Þw ÖpüI Ayà øBÿ koôÒýò Aô oA ðhõ ok.<br />
ÞzPú ylû AuQ GñBGpAüò AèßvBðloA ko¾lk<br />
GluQ @ô okó cßõìQ AÖPBk ôèþ ìõÖÜ ðzl.<br />
Úzõ ó AyãBðþ G×pìBðløþ KBÞõ oôx,<br />
AoìñvPBó ô @uýBÿ ¾Óýp ô uõ oüú oA Gú<br />
yéõìýQ gõAøp øpôk,‰GpAko gõk<br />
oA GpAðãýhQ OB üà üà GBqìBðlâBó gBðlAó<br />
Aq ÆpÙ küãp GpgçÙ AðPËBo, @ðPõAó øpôk<br />
oA GB AcPpAï GLnüpÖQ ô Aô oA Kùéõÿ gõk ðzBðýl<br />
O¿pÙ ko@ô okû ô Gú Þzõ o üùõk ðrküà<br />
ylû Gõk. @ðPýãõ ó Aq Öp¾Q AuP×Bkû Þpkû,<br />
czíõðBDþ oA Aq Gýò Gpk ô Þzõ o oA Aq<br />
ìpkAó kèýp KBá ô @ó oA Gú KpOãBû ìõczþ<br />
ô ÚvíPþ øî Gp Þzõ o} Âíýíú Þpk.<br />
^õ ó øpôk ìõÖÜ ô yBkÞBï Gßzõ o<br />
Gú Þíà KBoR øB Gú Aô oyéýî cíéú ðíõk @ó oA<br />
Gú O¿pÙ ko@ô ok. ko Aüò Wñä ÖrADê GpAko<br />
ðrküà ðíõk.<br />
@èßvBðloA Þú üßþ Aq ÖpqðlAð{ oA<br />
gõü{ GBqâzQ, gõAøp} yéõìýQ Þú<br />
ðvHQ Gú WBû ô ìÛBï ô yh¿ýQ ìpüî cvBkR<br />
øpôk Gú ÚPê ouýl ô øpôk GB qðBó gBðõAkû<br />
gõk Gú ÚéÏú ìBuBkA âpühQ ô Aq @ðXB Gú oôï<br />
øpôk upGpülû Gõk, ^õ ó Aq ìpå Öpqðl}<br />
Ovéþ ðíþ üBÖQ G×ßp AðPdBo AÖPBk, ôèþ Aìýl<br />
ìþ ô oqül øpôk oA ðvHQ Gú ô ÿ Êñýò ô Aô oA<br />
ìPùî Þpk Gú Aüñßú GB üõuØ cBÞî Aô oyéýî<br />
oÖQ. kôèQ oôï Aq ô ÿ AuPÛHBë Þpk ô Aô oA GB<br />
ðýpô ÿ ÎËýíþ oôAðú Aô oyéýî ðíõk.<br />
AðPÛBï Aô oA qðlû ðãBølAyQ ô ko ¾lk OõÆEú<br />
Gp Âl øpôk Gp@ìl. GñBGpAüò GB ÞéEõKBOp ìéßú<br />
oôAGÈ ðBìzpôÎþ kAyPú AuQ. èýßò ÎzÜ<br />
øpôk Gú ìpüî GBæOp Aq @ó Gõk Þú OõWùþ Gú<br />
qüHBÿ ì¿p ô ìÏzõÚú @ðPõAó AìLpAÆõ o oôï ,<br />
øpôk ko Aðlá qìBðþ Gú ìvBÎlR<br />
Úzõ ó oôï Aô oyéýî oA Gú O¿pÙ ko@ô ok<br />
â×Pú gõAøp GñíBül. ôèþ gõk ìpüî Þú Aq øpôk
ô oôï Gõk ô Gú OÛéýl @ðùB OíByBgBðú @ì×þ<br />
OEBOp ôuýÏþ ko Aô oyéýî GvBgQ ô GBq ÿ øB<br />
oA GB gõðvpkÿ KnüpÖQ ô øñãBìýßú øpôk<br />
kAuPBó ìvBÖpR ô Kýpôq ÿ gõk oA GpAü{<br />
ìPñ×p ylû Gõk Kpuýl Aâp cÛýÛPB« Aô oA kôuQ<br />
kAok ^pA Aìp Gú ÚPê Aô kAkû AuQ. øpôk Aq<br />
ô ô o q} øBÿ KùéõAðþ oA oAüY ô O×p üdBR<br />
ôczýBðú AìLpAÆõ oAó oôï oA ko @ðXB ìÏíõë<br />
ypf ìþ kAk AGlA« OõWùþ ðlAyQ ô Aðlôû ô<br />
AðrWBo gõk oA Aq yñýló @ó ðPõAðvQ KñùBó<br />
yñýló Aüò Aìp GvýBo ko gzî yl ô AÖzB @ó<br />
oAq oA èÇíú Aÿ Gú ypAÖQ gõk kül ô gõAuQ<br />
Þpk ô Gú OÛéýl @ðùB Wñä GB cýõAðBR ôczþ oA<br />
Þú ìhBèØ GB ÚõAðýò ìvBèíQ @ìýr Oõ oAR ô<br />
ðãBølAok. ô GÏçôû Aô oA Aq oÖPBo ôczýBðú<br />
A} ðvHQ Gú ÞvBó gõk uhQ ìçìQ Þpk.<br />
øíBðXB ìÏzõÚú qüHBÿ gõk oA GÛPê ouBðl,<br />
ôèþ GBq Gú ÒÃI gõk ÒBèI @ìl ô¾pÙ ðËp<br />
ìõok AðrWBo üùõk Gõk Gú ìÏpÅ ðíBü{ ânAyQ.<br />
ko ðPýXú ìzBølû Aüò Þý×ýQ ìpkï Aq<br />
yéõìýQ gõAøp øpôk Þú øíõAoû ko¾lk<br />
üBÖPò Öp¾Pþ Gõk OB @O{ ÒÃI øpôk oA<br />
Þpk. ko ÎõÅ üõuØ oA Gú ÚPê ouBðýl ô<br />
@èßvBðloA oA øî Gú qðlAó AðlAgQ.<br />
Aô ylülA« ìPñ×p ylû ô Îlû Aÿ ko¾lk ÚPê ô ÿ<br />
Gp@ìlðl ôèþ @ðùB øî kuPãýp ô Gú ylülOpüò<br />
ðvHQ Gú ìpüî GpAÖpôqk,‰ uBÚþ ìh¿õÁ<br />
yBû oA OÇíýÐ Þpk ô Aô Gú koôÕ ðrk yBû â×Q<br />
Þíþ GÏl @ðPõAó Aq AÞPBôüõx Þñvõë<br />
küãp oôï yßvQ gõ ok ô ^õ ó øpôk ko Wñä<br />
ìXBqAR øB ìdßõï ylðl.<br />
øpôk Aq AcvBuBR ìpkï ðvHQ Gú gõk<br />
Þú ìpüî gõAuPú Aô oA GpühPò qøp ko WBï<br />
yBû ôAkAok. øpôk ðýr Þú Aq Æpq oÖPBo ìpüî<br />
øBÿ oôï GB ÎpGvPBó @ðPõAó oA üBoÿ Þpkû<br />
Gõk, GBq ìÛBï gõk oA ìPrèrë üBÖQ, Gh¿õÁ<br />
@âBû Gõk ô GpAÿ OdHýI ô WéI ðËp Oõkû, ìÏHl<br />
oA Þú GñBDþ Þõ^à Gõk, Aq ðõ GvBgQ ô @ó<br />
Êñýò ylû Gõk Aô oA Ovéýî kAkâBû ðíõk ô<br />
ìdßíú Þú Aq ÒÃI øpôk @âBû Gõk oAøþ Wr<br />
Þú øõoÞBðõx Kýp øñõq Aq gBðlAó czíõðBDþ<br />
GBÚþ ìBðlû Gõk. GñBGpAüò ko¾lk Aq Gýò Gpkó<br />
oA GvýBo ìXéê Þpk. kû ørAo ð×p ko uBgPò<br />
@ó GñB ìzÓõë Gõkðl ô ìlR køvBë @GBkÿ @ó<br />
¾lô o cßî AÎlAï ìpüî Gý`Boû ðlAyQ.<br />
ìpüî ko ASp cvBkR yéõìýQ ô<br />
Aô Gp@ìl ô Gú GùBðú Aüñßú Aô GB kyíñBó gBoWþ<br />
oAGÇú kAyPú AuQ, Aô oA Gú ôÂÐ oÚQ GBoÿ<br />
GÇõë AðXBìýl. kAgê @ó GvýBo qüHB ô GB qüñQ<br />
øBÿ âpAðHùB @oAuPú Gõk. küõAoøBÿ ¾dò Aq<br />
uõCÊò Gþ AuBx øpôk ìdßõï Gú ÚPê yl ô<br />
GB yùBìPþ Þú yBüvPú gBðlAó ìßBGþ øB Gõk<br />
Gú ÚPê ouBðýl, uLw GpAÿ AuPpÂBÿ gBÆp<br />
AôÞPBôüõx, gõk ÎBqï ìçÚBR Aô âpkül. Aüò<br />
ìpìp u×ýl ô ¾ýÛéþ uBgPú ylû ô GvýBo GB<br />
AGùQ Gõk. GBæÿ upko ô oôk cýBÉ ìÏHl, üà<br />
gõk oA Gú kuQ ksgýíBó øpôk uLpk ô Glô ó<br />
AGpAq Þõ^à Op üò OBCèî ô Aðlôû, ìpå oA ko<br />
GBo øî ìpüî ô ìBko} oA OdQ ðËp üßþ Aq<br />
koGBoüBó GBôÖBÿ gõk ânAyQ ô øíBó kuPõ o<br />
ÎÛBJ Groå ÆçDþ Þú ðíBüñlû OvéÈ oôï Gõk<br />
ÚpAo kAk ô Aüò Aìp ðýr ð×pR Oõkû oA ðvHQ Gú<br />
@Òõ} âpÖQ.<br />
øpôk ìpüî oA GvýBo kôuQ ìþ kAyQ<br />
oA koGBoû ìpüî kAk qüpA Aüò kÖÏú GpAÿ ìÛBGéú<br />
üB ìpå cPíþ ìþ oÖQ.<br />
ô ÿ ô cBìý{ kôèQ oôï GpAðãýhQ.<br />
øpôk Òýp Aq GñBÿ ìÏHl ^ñl yùp<br />
ô ÎçÚú ylül} ðvHQ Gú ô ÿ üßHBoû Gú Òî ô<br />
Aðlôû ÎíýÛþ Glë âzQ ô ko cró kADíþ Öpô<br />
øpôk Glô ó OBZ uéÇñQ ðrk AôÞPBôüõx<br />
cBÂp yl ô glìBR gõk oA ðvHQ Gú @ðPõAó<br />
küãp Þú Úý¿püú Aq @ó Wíéú AuQ ðýr Aq ðõ<br />
GñB ðùBk ô Gú ÎípAó Þzõ o KpkAgQ. ôèþ GñBÿ<br />
oÖQ. küãp ðú ì¿BcHQ koGBoüBó, ðú ÂýBÖQ<br />
øBÿ ìXéê ô ðú Kýpôq ÿ ô ÎËíQ øýa üà<br />
kèýê Gp ôÖB ô KBülAoÿ ko kôuPþ gõk ÚéílAk<br />
Þpk ô â×Q Aâp AìLpAÆõ o Aô oA ko ¾Ø üBoAó<br />
ìÏHl GB øíú Wçë ô ÎËíQ ô qüHBDþ gõk ðíþ<br />
OõAðvQ èßú WñBüBR ô ÿ oA Gzõül.<br />
ðíþ OõAðvQ Aô oA Ovéþ køl. GBægpû<br />
GpAÿ @uBü{ gýBë Gú uBìpû oÖQ ôèþ @ðXB<br />
gõk ÚpAo køl øíBó koWú ôÖBkAoÿ oA Aq Aô<br />
ìzBølû gõAøl Þpk. AÞPBôüõx oAAq WvBoR<br />
küpÿ ðãnyQ Þú uhQ GýíBo yl ô ko<br />
GvPp AÖPBk. Ozõü{ ô AÂÇpAJ oôcþ Aô oA<br />
øî ìpå ìpüî øíõAoû Aô oA ìþ @qok OB Aüñßú<br />
ìzBÎp} ðýr KpüzBó âpkül. ko @ðXB Gú ô ÿ<br />
ô AuPlæë øpôk gõ} @ìl ô OBZ uéÇñQ oA<br />
Gp up} ânAyQ ô yùpøBDþ oA Þú ko kô oû<br />
Gý{ Aq kokøBÿ cHw ìþ @qok ô Kw Aq uþ<br />
ô ^ùBo uBë uéÇñQ WBó uLpk ô Þzõ oÿ oA<br />
gHp kAkðl Þú AèßvBðloA ko ¾lk Ovhýp<br />
Aô oyéýî Gp@ìlû AuQ. øpôk GçÖB¾éú Aô oA<br />
KíLú Aq Þzõ o üùõk ìXrA ylû Gõk Gõÿ GBq<br />
âpkAðýl ô øpôk Kýpôqìñl Gßzõ o gõü{<br />
Aq yp ôWõk WñBüQ ÞBo} GpøBðýl.(4Ý.ï)øpôk<br />
Ký{ Aq ìpkó GP¿õ o Aüñßú ìpâ{ ìBüú upôo<br />
GBqâzQ . Aq Aüò OBoüi GluPõ o øpôk ko ìÏHl<br />
Gú AÖPhBo ÚýB¾pû oôï ÚpGBðþ øBDþ kAkû ìþ<br />
kuPãýp Þpk ô Gú ÚPé{ ouBðýl.<br />
øpôk Þî Þî Aq GýíBoÿ ô KpüzBðþ<br />
ô yBkÿ ìpkï gõAøl yl, oôCuBÿ Úõï oA WíÐ Þpkû<br />
ô ko uýpá üpüdõ qðlAðþ ðíõk ô gõAøp gõk<br />
gýBë y×B üBÖQ ôèþ ôÚBüÐ ânyPú ASp ylülÿ<br />
ko ìÓr} GBÚþ ânAyPú Gõk ô Aq @ó Kw Gvþ<br />
yl ô AôâõuQ ô qð{ kô Þõqû ÊçDþ Gú ìÏHl<br />
AølAF ðíõkðl.<br />
oA Gp@ó kAyQ Þú ^õ ó ô ÿ ^zî Aq Aüò kðýB<br />
ìþ Kõyl gõAøp} øíú qðlAðýBó oA Gú ÚPê<br />
gõðhõAo Op Aq Aô ë GpÞpuþ gõü{ ðzvQ.<br />
ÖlADýBó küãp yÛBôR ô ÿ yõøp gõAøp} ô<br />
qðlâþ kAgéþ øpôk GpgçÙ Wçë ô<br />
ÎËíQ gBoWþ Aô GvýBo OBoüà ô oÚQ Aðãýr<br />
kô Kvp} Gõkðl Þú Gú kuPõ o ô ÿ @ðùB oA<br />
g×ú Þpkðl.<br />
Gõk. Aüò GBo øî ìpüî Aq kuPõ o ìdpìBðú øpôk<br />
@âBû ô Aq cvBkR ô ÿ uhQ oðXýlû gBÆp ô<br />
GpuBðl OB ìpkï Kw Aq ìpå ô ÿ ÚùpA« uõâõAo<br />
GByñl. èýßò gõAøp øpôk ìBìõ oüQ gõk oA<br />
øpôk ÆpÖlAo Öpøñä ô @kAJ üõðBó<br />
ìPñ×p ylû Gõk.GñBGpAüò yõøp gõðhõAo gõk<br />
AðXBï ðlAk ô qðlAðýBó oA oøBDþ Ghzýl.<br />
42
43<br />
KBüBó Wñä WùBðþ kôï, ðËp Gú Aüñßú üßþ Aq<br />
WñBüPßBoAó Úp ó GývPî, ypÞQ ÖÏBæðú Aÿ ko<br />
ÞzPBo üùõküBó kAyQ, âpôû øBDþ Aq WõAðBó<br />
ìPÏùl üùõkÿ AoôKBDþ Þú gBðõAkû øBÿ gõk oA<br />
ko Aüò Wñä ðýr Aq kuQ kAkû Gõkðl ko¾lk<br />
GlAï AðlAgPò WñBüPßBoAó ðBq ÿ Gp@ìlðl, üßþ<br />
^ãõðú Kpôðlû @üzíò, üßþ Aq<br />
WñBüPßBoAó Úpó GývPî GvPú yl<br />
Aq ìõ»SpOpüò AÖpAk ko oAGÇú GB GlAï AðlAgPò<br />
üà AÖvp ðBq ÿ, Gú ðBï ÞBoë @kôèØ @üzíò,<br />
Aq: GñýBìýò ÆHýI ðýB<br />
yh¿þ Gõk Gú ðBï “Öpülìò”. ðBìHpkû ìPõèl<br />
Þzõ o èùvPBó Gõk, ô GBoøB Aq GBqkAyPãBû<br />
øBÿ ðBqüùB âpühPú Gõk ô Klo ìBko, gõAøp ô<br />
GpAko} Gú kuQ ðBq ÿ øB ÞzPú ylû Gõkðl,<br />
GpAÿ AðXBï Aüò ÞBo Öpülìò âpôøþ Aq WõAðBó<br />
ô oqülû üùõkÿ oA Þú kAoAÿ uõAGÛþ ko ìHBoqû<br />
GB WñBüPßBoAó ðBq ÿ Gõkðl Gú ÎñõAó øíßBoAó<br />
gõk AðPhBJ ðíõk, Aô ko üßþ Aq uhñpAðþ<br />
øBÿ gõk â×Pú Gõk : “Îlï kuPãýpÿ @üzíò<br />
ðñãþ AuQ Þú ânyQ qìBó ðíþ OõAðl @SBo<br />
@ó oA Aq Gýò GHpk ô ðvê Aìpôq ko ìÛBGê ðvê<br />
øBÿ @üñlû ypìñlû gõAøl yl”. ôÚPþ kAôül Gò<br />
âõoüõó, ðhvQ ôqüp ôÚQ AupADýê Aq AølAÙ<br />
ìÛlx Öp ülìò @âBøþ üBÖQ, Gú uBqìBó<br />
AìñýQ AupADýê, kuPõ o kAk Þú Gú üBo ÿ<br />
Öpülìò yPBÖPú ô kuPãýpÿ @üzíò oA<br />
Ovùýê ðíBüñl. ko ðPýXú “@kôèØ @üzíò” ko<br />
yùp Gõüñw @üpx ôAÚÐ ko Þzõ o @osAðPýò<br />
yñBuBDþ yl ô ko oôq üBqkøî ìBû ìþ<br />
0691OõuÈ ÞíBðlôøBÿ ô oqülû AupADýê<br />
Gú kAï AÖPBk ô kuPãýp âpkül. ô Glüò ÆpüÜ<br />
kô oû KBðrkû uBèú oküBGþ üßþ Aq GroâP-<br />
püò WñBüPßBoAó OBoüi Gzpÿ Gú AðPùB ouýl.<br />
Öpkÿ Þú Îùl Þpkû Gõk Úõï üùõk oA Aq ¾×dú<br />
üBÖQ ô ko ìBû AôR 5491 KBüBó âpÖQ ô Kw Aq<br />
gBOíú Aüò Wñä gõðHBo ô ôüpAðãp ìÏéõï âpkül<br />
Gþ yà kôOB Aq ðñãýò Opüò ôÚBüÏþ Þú ko kô<br />
Úp ó ânyPú ko ÚBoû AoôKB Ký{ @ìlû kô Wñä<br />
OBoüi ìdõ ðíBül, Gú kuQ AÖpAk qGlû øíBó<br />
Úõï kuPãýp ô Ovéýî ÎlAèQ âpkül. GpAÿ<br />
Þú Gý{ Aq 6 ìýéýõ ó üùõkÿ Gþ âñBû AoôKBDþ<br />
ko Aüò ìlR ÞzPú ylû Aðl ô ìPBu×Bðú ðú KBN<br />
WùBðþ ìùýI ô ôüpAó Þññlû AuQ. Wñä Gýò<br />
Aèíééþ Aô ë ko ìBû AôR 4191 @ÒBq yl ô OB uBë<br />
AWpAÿ ÎlAèQ @ÚBÿ âýlÎõ ó øBôuñp - kAkuPBó<br />
Þê AupADýê, ìvEõë ouýlâþ Gú<br />
ìÛlx Aq ôAOýßBó ô ðú Þzõ oøBÿ AGp ÚloR<br />
ô ðú ðýpôøBÿ ìP×Ûýò ô ko oACx @ðùB GpüPBðýB<br />
8191 AkAìú üBÖQ, Oé×BR Aüò Wñä 8 ìýéýõ ó<br />
ÞzPú ko ìýlAó øBÿ Wñä Gõk ô 71 ìýéýõ ó<br />
Kpôðlû Aüò WñBüPßBo âpkül ô ko oôq üBqkøî<br />
@ô oüê 1691 yùp Aô oyéýî ôÂÐ Öõ Ý AèÏB-<br />
ô yõ oô ÿ ô AüBæR ìPdlû @ìpüßB ÞíPpüò<br />
AÚlAï ìõ»Spÿ GpAÿ Wéõâýpÿ Aq Aüò ÚPê ÎBï<br />
ð×p ko ASp ÚdÇþ ô GýíBoÿ ô ÚPê ô ÎBï Aq<br />
Gýò oÖPñl, ô Wñä kôï WùBðþ ko OBoüi Aô ë<br />
kû Aÿ Gú gõk âpÖQ. ko Aüò oôq AÖvp ðBq ÿ<br />
ô ìBCìõ o Gú A¾Ççf AÂídçë Úõï üùõk, Gú<br />
Gþ ocíBðú ô Òýp AðvBðþ AðXBï ðlAkðl. GÏl Aq<br />
uLPBìHp 9391 @ÒBq yl ô Gú ìlR 6 uBë AkAìú<br />
AO×BÝ kÞPp oAGpR upôAüPõÿ, ôÞýê ìlAÖÐ
ðhõAøýî Þpk, ènA GBo küãp AuPlÎB kAoï Þú<br />
ìXBqAR AÎlAï oA koGBoû Aüò WñBüPßBo AÎíBë<br />
Gzpÿ ìpOßI ylû ô Þéýú ìHBðþ AgçÚþ oA Aq<br />
Gýò Gpkû ô Gú KvQ Opüò Òpürû øBDýßú AðvBó<br />
gõk ko AupADýê cBÂp âpkül OB KBuhãõÿ<br />
WpADî ô WñBüBR GýzíBo gõk GByl. ko Aôèýò<br />
ðíBDýl.” Kw Aq uhñBó kAkuPBó Þê AupADýê,<br />
kÞPp oAGpR upôAOýõÿ - ôÞýê ìlAÖÐ @üzíò<br />
ìPíló Gõuýéú ôWlAó Aq @ðùB kô oÿ WvPú,<br />
ìPõuê ylû Gõk, øî ^ñýò Aô Îéýú AðvBðýQ<br />
Wévú kAkâBû kAkuPBó Þê AupADýê, AÊùBo<br />
kAyQ : “AÞñõó Þú ko cÃõo yíB Aÿ ôAoSBó<br />
ko kÖBÑ Aq Aô â×Q : “ìPùî Gp gçÙ ìýê GBÆñþ<br />
gõk ko AÎíBèþ ìlAgéú Þpkû ôèþ yh¿B« Wõ o<br />
AÚlAï ðíõkû ô Ú¿l AÂídçë Úõï üùõk oA<br />
kAyPú AuQ, GñBGpAüò Aô küãp ÎÃõ WBìÏú<br />
AupADýê GpAÿ GýBó AkÎB Îéýú @üzíò GpgBuPú<br />
Aï, OñùB ðývPî, Géßú ko Aüò ìßBó ô ko øíýò<br />
ô uPíþ Gú WBìÏú üùõk AÎíBë ðñíõkû AuQ !<br />
Wõ o ô uPî oA kôèQ ìPHõ Ñ Aô Gú üùõküBó oôA<br />
Gzp ÿ Gú cvBJ ðíþ @ül, ènA Aq kAkâBû<br />
AuPlÎB kAoï koGBoû Aô, ylülOpüò ìXBqAOþ<br />
uBÎQ y{ ìýéýõ ó ô 682 ørAo ð×p yBÞþ<br />
g¿õ¾þ GB ìò ìþ GByñl, ôèþ ìPBCu×î<br />
kAyPú AuQ ! GñBGpAüò ÞBoë @kôèØ @üzíò, Aq<br />
ðËp ÚBðõðþ gõk oA ÞBìç« Gþ âñBû ìþ kAðl! ko<br />
oA Þú GpAÿ WBìÏú ìPíló ìP¿õ o AuQ AÎíBë<br />
ðíBDýl, Aüò ìpk Aâp ørAo ìpOHú AÎlAï yõk ô<br />
Þú @ðùB ðíþ OõAðñl oAWÐ Gú ìPùíþ Þú ko<br />
“AuPõAðú yýzú Aÿ” cÃõ o kAok AÆçÎBOþ oA<br />
@gpüò Wévú ìdBÞíú @kôèØ @üzíò kAkâBû<br />
Gú ÎéQ AoOßBJ WñBüBR GýzíBo Îéýú GzpüQ,<br />
OB @gp Îíp øp oôq qðlû yõk ô oôq GÏl AÎlAï<br />
yõk, GBq øî Gú ìýrAó Þ×Boû âñBû ÚPê üà<br />
Gú uíÐ kAkâBû GpuBðñl qüpA gBÞvPp @ðBó ko<br />
OLú øBÿ @yõüPw ðBKlül ylû ô ko kyQ øBÿ<br />
ìXBqAR AÎlAï oA GpAÿ Aô OÏýýò ðíõk ô Aüò<br />
cßî, ÎBkæðú ô ÚÇÏþ AÎçï âpkül, OB Aüñßú :<br />
Þõká Gþ âñBû ðhõAøl Gõk, ô AÎlAï Aô cvBJ<br />
gõ ó øBÿ oühPú ylû üùõküBó Gþ âñBû oA<br />
AokôâBû “OpGéýñßB” KpAÞñlû ylû ô ko oôkgBðú<br />
øBÿ èùvPBó ðBKlül âpkülû AuQ, ô GÛBüBÿ<br />
ko uLýlû kï Aô ë sôDò 2691 üà ÚBüÜ Kéýw<br />
AupADýê gBÞvPp AÖvp u×Bá ðBq ÿ, ÞBoë<br />
GB @èíBó O¿×ýú ðhõAøl Þpk ô OB qìBðýßú üà<br />
ð×p üùõkÿ ko Aüò kðýB GBÚþ GByl ì¿BDI ô<br />
@ðùB Æõë ô ÎpÅ ÚBoû AoôKB oA KõyBðýlû<br />
AuQ, AìB gõ ó KBá @ó Gþ âñBøBó Gú Wõ}<br />
@kôèØ @üzíò, oA Þú kuP{ Gú gõ ó ¾løB<br />
ørAo ð×p üùõkÿ Gþ âñBû @èõkû Gõk, kuPhõ}<br />
WñBüBR GýzíBo WñBüPßBoAó ðBq ÿ ìdõ ðhõAøl<br />
yl ô Aüò gBÆpû kokðBá ko ÚéI ÖpqðlAó ìB<br />
@ìlû ô ¾lAÿ @ðùB yñýlû ìþ yõk.” kAkuPBó<br />
Þê AupADýê ko AkAìú uhñBó gõk gÇBJ Gú<br />
koüBÿ ìlüPpAðú ðíõk, ô ko oôq üBk ylû<br />
Kpôðlû ìÇpf KBðrkû uBèú üßþ Aq WñBüPßBoAó<br />
ô ðvê øBÿ GÏl Aq ìB OB oôq ÿ Þú kðýB GBÚþ<br />
AuQ, ìd×õÍ gõAøl ìBðl ô AyhB¾þ ßú<br />
@üzíò â×Q: “Gú @üzíò Öp¾Q kAkû Aüî,<br />
OB ko ÞíBë @qAkÿ Aq gõk kÖBÑ Þñl, AìPýBq ÿ<br />
Úp ó GývPî GvPú yl.<br />
kuQ øBüzBó Gú gõ ó gõAøpAó ô GpAkoAó Gþ<br />
âñBû ìB @ÒzPú ylû AuQ, oA øpâr ÖpAìõ}<br />
Þú Aô Aq ÚpGBðýBó gõk ko üÔ kAyPú Gõk! GB<br />
WñBüBR Gþ yíBoÿ ßú Aô ðvHQ Gú WBìÏú<br />
OvéýQ<br />
GB OBCSp ô Aðlôû ÖpAôAó koânyQ ìpcõìú gBðî øíB ìÛýíþ, ðíBüñlû ìdPpï uBqìBó AoR ko<br />
øýBCR AìñBÿ ÖloAuýõ ó üùõküBó AüpAðþ oA cÃõ o øívp AüzBó ô gBðõAkû ìdPpï ìÛýíþ<br />
¾íýíBðú OvéýQ ìþ âõDýî ô GpAüzBó uçìPþ ô yßýHBDþ @oqôìñlüî.<br />
oDýw ô AÎÃBF øýBCR AìñBF ÖloAuýõ ó üùõküBó AüpAðþ<br />
oDýw ô AÎÃBF øýBCR AWpAüþ ÖloAuýõ ó üùõküBó AüpAðþ<br />
øýBCR Odpüpüú ìXéú yõÖBo<br />
uLBx<br />
44<br />
Glüñõuýéú Aq Þéýú upô oAðþ Þú ìB oA ko uõå Aq kuQ kAkó gBðî øíB ìÛýíþ üBo ÿ kAkû ô GB AouBë<br />
OvéýQ ô ypÞQ ko ìpAuï, ìõWI Ovéþ oôcþ ìB ylû Aðl ðùBüQ uLBuãrAo ÿ oA ìþ ðíBDýî.<br />
øõyñä ô ìBøpj ìÛýíþ ô gBðõAkû øBÿ ôAGvPú
Iranian American<br />
Jewish Federation,<br />
1317 N. Crescent Heights Blvd.<br />
West Hollywood, CA 90046<br />
Adress Correction Requested<br />
PRESORT NON PROFIT<br />
US POSTAGE<br />
PAID<br />
PERMIT # 1522<br />
LOS ANGELES, CA
Shofar<br />
A Publicarion of<br />
Iranian - American Jewish Federation<br />
Summer and Fall 2010<br />
Editor in chief<br />
Mojgan Moghadam Rahbar<br />
www.IAJF.org<br />
info@IAJF.org<br />
1317 N. Crescent Height blvd.<br />
West Hollywood, CA 90046<br />
Tel: (323) 654-4700<br />
Fax: (323) 654-1791<br />
Contributing Writers<br />
Sabrina Azadi, Gentille Barkhordar Farshadfar,<br />
Nicole Behnam, Richard Bookbinder, Siena Casale,<br />
Jasmine Daghighian, Ira Farnoush, Dorit Halavi<br />
Miller, Farnaz Halavi Galdji, Janet Haroonian,<br />
Tannaz Kamran Rahbar, Mehrdad Levysedgh, K.<br />
Mahpour, Dr. Claudia Mikail, Mastaneh Moghadam,<br />
Mahbod Moghadam, Ben Nabati, Soraya Pastor,<br />
Dr. Nahid Pirnazar Oberman, Delila Pouldar, Roya<br />
Rahbar Pouldar, Shirin Raban, Kamran Raminfard,<br />
Nazanin Ramzi Shamtobi, Bobby Shamsian, Violet<br />
Sassooni, Tannaz Sassooni, Jahangir Sedaghatfar,<br />
Saman Shomtobi, Benjamin Tabibnia, Haley Tizabi.<br />
Cover Art By:<br />
Habib Nathan, M.D.<br />
Twelve Tribes of Israel (colored glass)<br />
(story on page:13 English section)<br />
The views and opinions expressed in the published<br />
articles, are those of the writer and do not in anyway<br />
repersent the views of “Shofar” or<br />
the Iranian-American Jewish Federation.<br />
Typesetting, Layout, and Design by<br />
Shilla Shakoori<br />
(310) 601-0770<br />
English Section<br />
Editorial /2<br />
IAJF’s President’s Message /3<br />
Iranian-American Jewish Federation News /4<br />
foundation to commerciallize research /8<br />
A STAR-STUDDED EVENING /9<br />
Iranian Jewish Women’s Organization<br />
Women Of The Year 2010 /10<br />
Vitreous Visions From Judaica /13<br />
“We have unpacked our bags. We are<br />
ready to act.”/14<br />
Winners Of David And Dina Ramzi Memorial<br />
Fund And Shofar Magazine Writing Contest /16<br />
L.A.Youth Orchestra has moved to Beverly Hills /19<br />
What’s the Fuss About Clean Tech?/21<br />
Study Finds Genetic Links Among Jewish<br />
People /22<br />
Team Talia /23<br />
Adult Children And Their Parents/24<br />
“The Los Angeles Jewish Film Festival” /26<br />
The Barber of O.C./28<br />
What Do You Want To Be When You<br />
Grow Up? /30<br />
Rap, Torah, Rumi /32<br />
Alice Dancing Under the Gallows /33<br />
Dear Sisters /34<br />
The Chosen Taco! /36<br />
Book Review /38
<strong>166</strong><br />
2<br />
Editorial<br />
Freedom To Choose<br />
By: Mojgan Moghadam Rahbar (Editor-in-Chief)<br />
“<br />
We who lived in concentration<br />
camps can remember the men<br />
who walked through the huts<br />
comforting others, giving away<br />
their last piece of bread. They<br />
may have been few in number,<br />
but they offer sufficient proof that<br />
everything can be taken from a man<br />
but one thing: the last of the human<br />
freedoms -to choose one’s attitude<br />
in any given set of circumstances,<br />
to choose one’s own way.” These<br />
are the words of Viktor E. Frankl,<br />
written in his book titled Man’s<br />
Search for Meaning. Frankl was an<br />
Austrian-Jewish psychiatrist, who<br />
spent three years of his life in two<br />
different Nazi concentration camps,<br />
and lost his wife and parents to the<br />
gas chambers. “Man’s Search for<br />
Meaning”, his first book and one<br />
of all time bestsellers in the past<br />
50 years, was written in the span<br />
of nine days and was his way of<br />
analyzing all the atrocities and<br />
hardships endured by prisoners in<br />
the concentration camps and their<br />
reactions to this unfathomable<br />
circumstance.<br />
Frankl believed that apart<br />
from those prisoners who were<br />
handed a death sentence as soon<br />
as they arrived to the camps,<br />
(depending on one’s belief either<br />
as a result of accident or destiny)<br />
those who were taken as slaves to<br />
labor camps died shortly after a<br />
kind of surrender to their situation<br />
mentally paralyzed them. The<br />
physical strength and health of the<br />
individual did not matter as much<br />
their mental capacity to choose a<br />
positive attitude about all that had<br />
and was happening to them.<br />
It seems as though<br />
hopelessness and despair is the<br />
consequence of forgetting that<br />
“the last of human freedoms” is<br />
being able to choose the way one<br />
encounters any given situation, be<br />
it happy or sad. Those who choose<br />
to surrender to the hardships and<br />
trials that life presents them with,<br />
give up the chance of learning from<br />
their experiences. When we choose<br />
to own our experience, be it good or<br />
bad, we will be able to draw from<br />
that knowledge in order to grow as<br />
a person and live life to its fullest.<br />
Those individuals, who are aware<br />
of this freedom of choice, are able<br />
to enjoy the happy moments of life<br />
to the fullest and endure the harsh<br />
realities with a sense of equanimity.<br />
Those who decide to hide or ignore<br />
the traumas that life deals us, do<br />
themselves the disservice of not<br />
taking full advantage of a valuable<br />
growing experience. Trying to hide<br />
an unpleasant event from those<br />
around us does not necessarily mean<br />
that they do not know about it, and it<br />
only results in deceiving ourselves,<br />
carrying the burden of despair and<br />
weariness on our shoulders, and not<br />
taking advantage of the lesson that<br />
it could have taught us.<br />
In one of his last interviews<br />
before his death in 1997, Frankl’s<br />
response to the question of how he<br />
felt about the fact that his book had<br />
become a true bestseller and great<br />
success was: “In the first place I<br />
do not at all see in the bestseller<br />
status of my book an achievement<br />
and accomplishment on my part<br />
but rather an expression of the<br />
misery of our time: if hundreds of<br />
thousands of people reach out for a<br />
book whose very title promises to<br />
deal with the question of a meaning<br />
to life, it must be a question that<br />
burns under their fingernails.”<br />
It may well be that we<br />
will decide to spend all of our life<br />
searching and trying to find the<br />
meaning of life and never succeed,<br />
but one fact is undeniable- the way<br />
and attitude we choose to adopt<br />
throughout our life is our own<br />
choice. We may not be a prisoner<br />
who is physically restrained yet<br />
we choose to live in our self built<br />
prisons of mental anguish and<br />
sorrows. How magnificent it would<br />
be if we never lose sight of the fact<br />
that whatever is taken from us, no<br />
one can take away our “freedom to<br />
choose.”
IAJF’s President’s Message:<br />
The Treasured History Of<br />
The Iranian American<br />
Jewish Federation<br />
The dust had not settled on the<br />
Islamic Revolution of 1979,<br />
when the ocean of bewildered, tired,<br />
and emotionally injured Iranian<br />
Jewish immigrants in US, founded<br />
several charitable Persian Jewish<br />
organizations in their new land. Our<br />
mission: to assist our own.<br />
The pride in our culture and<br />
heritage, plus the love for humanity<br />
and feeling of responsibility for<br />
the well being of our community<br />
as a whole empowered us to look<br />
beyond our own personal needs. In<br />
order to better serve the population<br />
and unite all the different and much<br />
needed organizations within the<br />
community, The Iranian American<br />
Jewish Federation was founded in<br />
1981; with the task of uniting all<br />
Iranian Jewish organizations as one<br />
of its main goals. This was the birth of<br />
a unique and enduring organization<br />
that has shown the world that we are<br />
ONE and committed to protecting<br />
the rights of all Iranian Jews where<br />
ever they maybe.<br />
Bewildered by the fact that<br />
no one ever shed a tear for their<br />
plight, no resolutions were ever<br />
passed in protecting them and no<br />
actions were taken by UN about<br />
their rights, our people united in<br />
their beloved new country, the gate<br />
to the freedom for the world, and<br />
decided to speak with one strong<br />
voice throughout the world. Their<br />
strong message “we will never be<br />
ignored again.”<br />
In today’s social and political<br />
world, we as members of the Iranian<br />
American Jewish community are<br />
facing many different crisis. We<br />
feel connected to three different<br />
countries and communities and take<br />
pride in each of their culture and the<br />
way that they have come to identify<br />
us, yet the current tension between<br />
Israel, Iran, and the United States<br />
rests heavily on our shoulders. Our<br />
community has faced a financial<br />
meltdown that has affected us all.<br />
The threat of substance abuse,<br />
domestic violence, and unrealistic<br />
social expectations continues to<br />
put a lot of stress on the younger<br />
generation. Therefore, IAJF has<br />
expanded its services to face the<br />
new challenges of our society.<br />
As part of its many goals,<br />
IAJF continues to provide services<br />
such as assistance with immigration<br />
process, Dispute Resolution and<br />
mediation, Emergency Funds and<br />
being the address and the voice of<br />
our community<br />
In the past two years IAJF<br />
has started a major project with the<br />
help of different experts in the fields<br />
of psychology and sociology in order<br />
to pinpoint and find reliable ways of<br />
overcoming our communities many<br />
different issues. We have sent out<br />
over 5000 questionnaires asking<br />
everyone to identify what they see<br />
as prevalent problems within our<br />
community. You can fill out this<br />
questionnaire on line by going to<br />
http://www.surveymonkey.com/s/<br />
T867DF7.<br />
Taking into consideration<br />
all that we have learned so far<br />
about the needs of our community<br />
has prompted us to come up with<br />
different programs such as free<br />
seminars and classes that would<br />
help us understand, analyze and<br />
try to resolve the issues facing our<br />
population specially the younger<br />
generation. Some examples of<br />
these seminars are: The College<br />
Advisement Night, where academic<br />
experts gathered to advice our high<br />
school students about different<br />
ways of applying to colleges<br />
and universities; Understanding<br />
Addiction, a night with a panel of<br />
experts talking about all the facts<br />
surrounding this issue; as well as our<br />
seminar discussing the facts about<br />
the modern history of Israel and<br />
teaching tolerance and knowledge<br />
rather than spreading hatred.<br />
IAJF is also collecting a<br />
complete guide of all the available<br />
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4<br />
social and economical services that<br />
may help the Iranian community.<br />
Each individual will be able to<br />
get the needed information by<br />
contacting the IAJF office.<br />
IAJF’s Board of Trustees<br />
is comprised of many prominent<br />
leaders and individuals who have<br />
been elected by our community,<br />
plus the representatives of all our<br />
affiliated organizations creating one<br />
of the most powerful groups to serve<br />
the needs of our community. We<br />
have appointed a unique group of<br />
young and energetic professionals<br />
to lead our Executive Board.<br />
The vision of all these<br />
leaders and professionals, who<br />
make up The Iranian American<br />
Jewish Federation, is all about<br />
knowing and serving you. IAJF is<br />
your address and your voice! We<br />
believe our young people are not<br />
only our tomorrow, but our today<br />
as well. We are proud of this most<br />
highly educated, hardworking,<br />
community oriented leaders of our<br />
tomorrow, who will carry out our<br />
traditions of family love, caring<br />
for our community and our Jewish<br />
heritage.<br />
Our mission is to be there with you<br />
and for you, and encourage you to<br />
join us in taking responsibility and<br />
becoming the future leaders of our<br />
community.<br />
With warmest regards,<br />
Shahla Zargarian Javdan ,<br />
President, IAJF, CA<br />
IAJF News:<br />
Israel: Lessons of the Past,<br />
Promises for the Future<br />
Compiled and Written By: Gentille Barkhordar Farshadfar*<br />
The Committee for Accuracy<br />
in Middle East Reporting<br />
in America (CAMERA) is a<br />
media-monitoring and research<br />
organization devoted to promoting<br />
accurate and balanced coverage of<br />
Israel and the Middle East. While<br />
CAMERA takes no position with<br />
regard to American or Israeli<br />
political issues or with regard to<br />
ultimate solutions to the Arab-Israeli<br />
conflict, it attempts to counter the<br />
current wave of propagandistic<br />
assaults on and misrepresentation<br />
of Israel on college campuses by<br />
disseminating objective information<br />
on Middle East issues.<br />
In support of this effort,<br />
the IAJF Women’s Division held a<br />
multi-speaker event and reception<br />
on Thursday, May 6th, 2010, with<br />
co-sponsors StandWithUs, 30<br />
Years After and the Young Magbit<br />
Foundation, about the challenges<br />
facing Israel and Jews in today’s<br />
dangerous world. Honorary keynote<br />
speakers were the following:<br />
•Mr. David Suissa, columnist for the<br />
Jewish Journal of L.A. and publisher<br />
of the groundbreaking Jewishthemed<br />
magazine, OLAM. He was<br />
named one of the 50 most influential<br />
Jewish leaders in North America by<br />
the Forward newspaper.<br />
•Ms. Talia Shulman Gold, Southern<br />
California Regional Coordinator<br />
for CAMERA, a human rights<br />
and immigration attorney, who<br />
previously wrote news stories for<br />
CNN. She is the former General<br />
Counsel and Executive Vice-<br />
President of the Mauthausen<br />
Memorial Holocaust Foundation.<br />
•Mr. Daryl Temkin, Founder and<br />
Director of the Israel Institute for<br />
Alternative Energy Advancement,<br />
a groundbreaking organization<br />
dedicated to educating the public<br />
about Israel’s leading role in ending<br />
global oil dependency.<br />
•Professor Henry Green, Professor<br />
of Religious Studies at the University<br />
of Miami and former Director of the<br />
Judaic/Sephardic Studies Program.<br />
His current research project, “The<br />
Forgotten Exodus” documents the<br />
lives of approximately one million<br />
Jewish refugees from Islamic lands.<br />
*Gentille Barkhordar Farshadfar has a<br />
BA in Electrical Engineering from UCLA<br />
and an MBA in Finance and Information<br />
Systems from USC. She has worked<br />
as a consultant and engineer for such<br />
corporations as Xerox, Capitol Records,<br />
EMI Music and IBM.
IAJF News:<br />
Seminar on Mutual Respect:<br />
Healthy Relationship between<br />
Parents and their Adult Children<br />
Intergenerational issues within the<br />
Iranian-American community,<br />
and developing healthy relationships<br />
between parents and their adult<br />
children was the focus of a<br />
discussion at a Jewish Federation<br />
Seminar on Sunday, April 18,<br />
2010. The program was organized<br />
by IAJF’s Health and Wellness<br />
Committee headed by Shabnam<br />
Kimia and Elahe Broukhim.<br />
Keynote speakers at this event were<br />
Farhang Holakouee PH.D., Parisa<br />
Leviadin, Psy. D., Minoo Shilati,<br />
Psy.D., and Mastaneh Moghadam,<br />
LCSW.<br />
While Dr Holakouee,<br />
founder of Beverly Hills Center<br />
for Well-being and popular radio<br />
talk show host, talked about the<br />
impact of immigration on the adult<br />
child-parent relationship within<br />
the Iranian-American family,<br />
Dr. Leviadin, drawing from her<br />
extensive experience in the field<br />
of Child and Family Therapy,<br />
described what a healthy adult<br />
child-parent<br />
look like.<br />
relationship should<br />
Next, Minoo Shilati, owner<br />
IAJF News:<br />
Rosh Hashanah and<br />
Yom Kippur at Temple Bet El<br />
In September, 2010, services for<br />
Rosh Hashanah and Yom Kippur<br />
were held at Temple Bet El located in<br />
the Iranian American Jewish Center<br />
of West Hollywood. The services<br />
were held in English and Farsi. Two<br />
programs, scheduled by the IAJF’s<br />
Women’s Committee for the day of<br />
Yom Kippur, were met with great<br />
success: First, a panel discussion<br />
titled “Three Makes a Crowd: A<br />
Cross-Generational Conversation<br />
about what it means to be Jewish,<br />
Iranian, and American” moderated<br />
by well-known Iranian novelist and<br />
writer, Gina Nahai; Guest speakers<br />
were attorneys-at-law Sam Yebri<br />
and Jasmine Oberman, President and<br />
of Vantage Point Recovery Center,<br />
an intensive outpatient program<br />
offering therapeutic services to<br />
combat addiction and related<br />
mental health issues, discussed<br />
the complexity of the mother/<br />
daughter in-law relationship and<br />
the importance of working on<br />
one’s individual issues in order to<br />
strengthen this relationship.<br />
Finally, Mastaneh<br />
Moghadam, Licensed Clinical<br />
Social Worker specializing in the<br />
field of domestic violence, and<br />
Iranian Outreach Coordinator of<br />
Jewish Family Services, talked<br />
about “Becoming an adult with<br />
one’s parents”.<br />
Over 1200 people attended<br />
the seminar, which was conducted in<br />
both English and Farsi. As all other<br />
programs offered by the Health and<br />
Wellness Committee, this seminar<br />
was free of charge and open to<br />
the public.<br />
board member, respectively, of 30<br />
Years After, a Los Angeles-based nonprofit<br />
organization whose mission<br />
is to promote the participation and<br />
leadership of Iranian American Jews<br />
in American political, civic and Jewish<br />
life. Next, a lecture on Mindfulness<br />
and Spirituality was given by Sherly<br />
Khodadad, M.S., M.F.T.<br />
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IAJF News:<br />
Seminar on College Admissions<br />
Concerned about hard economic<br />
times, the Federation offers<br />
solutions to anxious college<br />
hopefuls and their families…<br />
On Sunday, September 12th,<br />
2010, the Women’s Division of<br />
Iranian American Jewish Federation<br />
hosted a seminar on the process of<br />
college admission and financial aid<br />
under the direction of Mrs. Dalia<br />
Moghavem, an independent Certified<br />
College Counselor, Ms. Maureen<br />
IAJF News:<br />
Understanding Addiction<br />
Over 200 Iranian-Americans<br />
attended a resource fair and<br />
seminar about the multiple faces of<br />
addiction. This event was held at<br />
the Iranian-American Jewish Center<br />
in West Hollywood on Monday,<br />
October 4th, 2010.<br />
Seargent Farrell of the<br />
Los Angeles Police department<br />
gave a short talk about the legal<br />
ramifications of possession, sale<br />
and use of narcotics, followed by<br />
four well known Iranian-American<br />
speakers: Dara Abaie, a prominent<br />
community activist, Iraj Shamsian<br />
Psy.D., Parisa Leviadin Psy.D., and<br />
Gelberg, Associate Director of the<br />
USC Office of Admissions, and Ms.<br />
Jessica Medina, Assistant Director<br />
of the USC office of Financial Aid.<br />
The session consisted of an<br />
in-depth review of the admissions<br />
process with recommendations on<br />
preparing a successful application.<br />
Next was a lecture by author<br />
and radio host Dr. Holakouee,<br />
followed by a Question and Answer<br />
session by a panel of University<br />
students. During his speech, Dr<br />
Farhang Holakouee Ph.D.<br />
Mr. Dara Abaie shared<br />
his firsthand knowledge of drug<br />
use, theft and gang participation<br />
within our community. Dr. Parisa<br />
Levadine painted a comprehensive<br />
picture of how personality traits,<br />
environmental factors, and genetics<br />
can lead to addiction. Dr. Iraj<br />
Shamsian discussed the process of<br />
recovery, and the role played by<br />
parents, as well as the dynamics of<br />
enablement versus effective support<br />
systems. In closing, Dr. Holakouee<br />
spoke about gambling addictions<br />
and related statistics.<br />
Holakouee emphasized the benefits<br />
of practicing mutual trust and<br />
open communication at home. He<br />
indicated that learning to let go<br />
while your kids still live at home<br />
might help you make a better<br />
decision regarding whether to send<br />
them away for college.<br />
Several of the attendees<br />
have requested follow-up sessions<br />
to this seminar, and the Federation<br />
is considering making it an annual<br />
event.<br />
The event, organized by the<br />
Health and Wellness Committee<br />
of the Iranian-American Jewish<br />
Federation, was sponsored by<br />
Vantage Point Recovery of West<br />
Lake, California, which specializes<br />
in the treatment of individuals<br />
with addictions. Other organizers<br />
holding information booths at the<br />
resource fair were Beith T Shuvah,<br />
Serenity Malibu Sober Living,<br />
Lake House Recovery, the Maple<br />
Counseling Center, the Los Angeles<br />
Sheriff’s Department, and Gondi<br />
Lunch Box.
IAJF News:<br />
Shabbat Dinner Celebration of<br />
“Cyrus the Great Day”<br />
“Twenty five centuries ago, when<br />
savagery was the dominant factor<br />
in human societies, a civilized<br />
and compassionate declaration<br />
was written on clay and issued<br />
to the ‘four corners of the world’<br />
that dealt with the important<br />
issues relevant to the rights of<br />
humans, the same issues that not<br />
only in those days but even today<br />
can inspire those who believe in<br />
human dignity and rights.”<br />
In appreciation of “The Declaration<br />
of Cyrus the Great,” known to be<br />
the first declaration of Human Rights<br />
ever written, the Women’s Division<br />
of the IAJF held a Shabbat dinner<br />
following services on October 29th,<br />
2010 at the Jewish Federation’s<br />
Upcoming Event<br />
On December 19, 2010 the<br />
Women’s Committee of The<br />
Iranian American Jewish Federation<br />
will be honoring two of the most<br />
distinguished members of our<br />
community, Dr. Solomom Aghai<br />
and Dr. Amonollah Refooa.<br />
Dr. Aghai has been an<br />
active member of the Iranian Jewish<br />
community for many years and was<br />
West Hollywood Temple Beth El.<br />
The event was in commemoration<br />
of the day when the great King of<br />
Persia, founder of the largest empire<br />
in the world, wrote the liberation<br />
tablets, bestowing to his people the<br />
freedom to choose their place of<br />
residence and their faith, and putting<br />
peace among nations above all<br />
other considerations. Mrs. Shahla<br />
Javdan, president of IAJF, stressed<br />
the importance of remembering<br />
this act of grace and tolerance in<br />
the current times of political and<br />
economic turmoil.<br />
The event, which was the<br />
second Shabbat reception of its kind<br />
at the Jewish Federation, was met<br />
with a great deal of interest, with a<br />
total of 320 guests attending. Rabbi<br />
one of the founders and president<br />
of IAJF for fifteen years, as well as<br />
the managing publisher of Shofar<br />
magazine.<br />
Dr. Refooah is a well known<br />
physician within the Iranian Jewish<br />
community, well respected for his<br />
knowledge and his work within the<br />
field of medicine.<br />
For more information about the<br />
Ira Rosenfeld led the services,<br />
accompanied by cantors Tannoz<br />
Bahremand Forouzanpour and<br />
Harris Shore, in a ballroom adorned<br />
with beautiful flower arrangements<br />
and decorations in remembrance of<br />
the great king. Mr. Mark Ameli,<br />
winner of the primary election and<br />
candidate for Judge of the Superior<br />
Court was a guest of honor at the<br />
reception.<br />
Guests danced to the tunes<br />
of DJ Shahrokh Sapir, followed<br />
by Mahmood Ghorbani’s beautiful<br />
voice, and Arash’s music. Ms. Orly<br />
Setareh, dance instructor, invited<br />
guests to join in a special celebration<br />
of Israeli dance following the dinner<br />
reception.<br />
event please call the IAJF office at<br />
(323)654-4700.<br />
Gentille Barkhordar Farshadfar<br />
has a BA in Electrical Engineering<br />
from UCLA and an MBA in Finance<br />
and Information Systems from USC.<br />
She has worked as a consultant and<br />
engineer for such corporations as<br />
Xerox, Capitol Records, EMI Music<br />
and IBM.<br />
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LOS ANGELES PHILANTHROPIST<br />
ESTABLSHES FOUNDATION TO COMMERCIALIZE<br />
RESEARCH AT BEN-GURION UNIVERSITY<br />
OF THE NEGEV<br />
Los Angeles philanthropist,<br />
A Dariush Fakheri, has created<br />
an innovative foundation model<br />
that will provide up to $1.2 million<br />
to help fund and commercialize<br />
research at Ben-Gurion University<br />
of the Negev in Beer-Sheva, Israel.<br />
Should the initial research<br />
projects, selected by committee,<br />
become successful, the proceeds<br />
and royalties will revert back to the<br />
foundation, dubbed “Project Jacob,”<br />
to underwrite additional projects.<br />
Dariush Fakheri, who is<br />
president of the International Judea<br />
Foundation (IJF) supplying the<br />
funding, says that, “Israel’s future<br />
and its economy are dependent on<br />
continued successful innovation.<br />
We are trying to fix the dilemma<br />
of too many incredible innovations<br />
and discoveries getting stuck in a<br />
lab due to limited resources.”<br />
Project Jacob is open to<br />
other donors who want to contribute<br />
to promising research that requires<br />
additional financial support to get<br />
it to a stage where patents can be<br />
sold.<br />
“Project Jacob” refers to<br />
the biblical Jacob, who requested to<br />
be paid in speckled goats and sheep<br />
while working for his uncle, Laban.<br />
Jacob, one of the earliest scientists,<br />
initiated a selective breeding<br />
program yielding a large flock --<br />
and consequent prosperity.<br />
“Project Jacob is a unique and<br />
innovative example of channeling<br />
philanthropy in support of research<br />
on the verge of commercialization<br />
that will help the University and<br />
impact fields like medicine and<br />
alternative energy,” explains Doron<br />
Krakow, executive vice president of<br />
American Associates, Ben-Gurion<br />
University of the Negev. “It is a new<br />
avenue through which any donor<br />
can support the commercialization<br />
of the most promising research at<br />
BGU in a targeted way.”<br />
International Judea<br />
Foundation’s initial donation<br />
will seed three projects chosen<br />
by a BGU research committee to<br />
receive funding. The organization<br />
will provide additional funding<br />
up to the $1.2 million based on<br />
successful commercialization of<br />
these projects.<br />
Among the initial projects<br />
chosen by the committee of BGU<br />
research heads and Fahkeri for<br />
Project Jacob are:<br />
Retinal Angiography<br />
System - Retinal blood flow<br />
indicates many health issues,<br />
including diabetes mellitus,<br />
macular degeneration and vascular<br />
occlusion. BGU researchers have<br />
developed an image analysis tool<br />
from a series of high-resolution<br />
angiographic images that allows for<br />
the quantification of blood flow and<br />
vessels’ permeability to help make<br />
diagnoses.<br />
Balance Training System -<br />
This robotic engineering project, a<br />
treadmill-like device, simulates real<br />
life mobility problems while walking<br />
to help improve motion stability for<br />
the elderly and disabled.<br />
Venus Catheter - This<br />
device has already been patented<br />
but needs refinements to treat<br />
thrombosis, or blood clots, which<br />
affects 15 million people each year<br />
who suffer from strokes.
MAGBIT FOUNDATION GALA 2010<br />
A STAR-STUDDED<br />
EVENING:<br />
By: Claudia N. Mikail, MD, MPH*<br />
Celebrating 62 years of Israeli<br />
independence, the Magbit<br />
Foundation held its 21st Annual<br />
Gala on May 26, 2010 at the Beverly<br />
Hilton Hotel in Beverly Hills,<br />
CA. The yearly black tie event is<br />
the foundation’s primary fundraiser,<br />
supporting interest-free loans<br />
and select scholarships for needy<br />
undergraduate and graduate students<br />
at some of Israel’s finest institutions,<br />
including Sackler School<br />
of Medicine, Technion, Tel Aviv<br />
University, Haifa University, Bar<br />
Ilan University, and more.<br />
The program began with<br />
moving renditions of the U.S. National<br />
Anthem and the Hatikvah.<br />
Dr. Behrooz Broukhim, orthopaedic<br />
surgeon, was welcomed as the<br />
organization’s new President. In his<br />
introductory address, Dr. Broukhim<br />
emphasized the organization’s<br />
unwavering dedication to higher<br />
education and described Magbit as<br />
the “mother of all charities,” citing<br />
knowledge as the underlying key<br />
to success for any community and<br />
for Israel.<br />
Mr. Parviz Nazarian was<br />
greeted as the new Chairman of the<br />
Board, and Mr. Nourollah Gabbay<br />
as the new Chairman of the Board<br />
of Trustees. The outgoing President,<br />
Mr. Bijan Nahai, and Chairman of<br />
the Board, Mayor Jimmy Delshad,<br />
were duly thanked for their efforts<br />
during their term. Prominent, longtime<br />
donors were also recognized,<br />
and new board member, Mr. Sal<br />
Gabbay, shared his thoughts on the<br />
importance of Magbit’s mission.<br />
Guests were treated to cocktails<br />
and h’or d’oeuvres, glatt kosher<br />
dinner, and star-studded entertainment<br />
by world-renowned Sephardic<br />
singer Alabina and the Gypsy<br />
Kings, who brought the audience to<br />
their feet. To conclude the festivities,<br />
the Master of Ceremonies, Mr.<br />
Doran Adhami (Magbit Treasurer),<br />
invited students and young professionals<br />
to an after party featuring<br />
DJ David, keeping everyone dancing<br />
late into the night. One young<br />
attendee exuberantly noted, “This<br />
is the ballroom where they hold the<br />
Golden Globes, right? This is like<br />
the Jewish version!”<br />
Since its inception, the<br />
Magbit Foundation has supported<br />
over 10,000 students in both Israel<br />
and the U.S., and seeks to continue<br />
its expansion. Specialized offshoots<br />
of the foundation include the Magbit<br />
Golda Group (for women) and<br />
the Young Leadership of Magbit.<br />
Further information about Magbit’s<br />
goals and accomplishments can be<br />
found at www.magbit.org.<br />
*Claudia N. Mikail, MD, MPH is a clin-<br />
ical geneticist in Los Angeles, CA, the<br />
author of a bestselling genetics textbook,<br />
and a member of the Board of Directors<br />
of the Magbit Foundation. Her website<br />
is http://geneticmed.tripod.com.<br />
Volunteers Needed<br />
The Iranian American<br />
Jewish Federation<br />
is looking for<br />
volunteers willing<br />
to share their time,<br />
creativity, and<br />
specialty in order to<br />
serve out community.<br />
For more information<br />
please call<br />
Farnoush Abrishami<br />
at<br />
323-654-4700<br />
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10<br />
Iranian Jewish Women’s<br />
Organization Women Of<br />
The Year 2010<br />
By: Delila Pouldar*<br />
from left to right: Dr. Firouzeh Rahbar Bakhshian (Mother’s of Tomorrow Board<br />
Member), Niloufar Roofian (Mother’s of Tomorrow Board Member), Mojgan Moghadam<br />
Rahbar (honoree), and Nazila Sina (Mother’s of Tomorrow Board Member)<br />
The Iranian Jewish Women’s<br />
Organization, under the presidency<br />
of Mehry Pezeshk Tahery,<br />
held their annual Woman of the<br />
Year Award ceremony on May 16,<br />
2010 at the Beverly Hills Hotel.<br />
The Shamsi Hekmat Award was<br />
presented to Mojgan Moghadam-<br />
Rahbar, Azadeh Farin-Wald and<br />
Galeet Dardashti-Weisz, for their<br />
contributions to education, social<br />
issues and women’s causes. Each of<br />
these women is an inspiration to our<br />
community.<br />
Galeet Dardashti is a vocalist,<br />
composer and lead singer of the<br />
world renowned female ensemble<br />
“Divahn”. Her work is supported<br />
by the Fulbright-Hays fellowship,<br />
The National Foundation for Jewish<br />
Culture, and The Memorial Foundation<br />
for Jewish Culture. She holds a<br />
PhD in anthropology, completing<br />
her dissertation on cultural politics<br />
of contemporary Middle Eastern<br />
Music in Israel. She is married to<br />
Mason Weisz and they live in New<br />
York with her toddler son.<br />
Mojgan Moghadam Rahbar<br />
is a journalist, editor and anchorwoman<br />
who continues to play an<br />
integral role in Iranian and American<br />
media. She is currently editorin-chief<br />
of Shofar Magazine. She<br />
lives in Los Angeles, CA with her<br />
husband, Farzin Rahbar and their<br />
three children Sabba, Daniel and<br />
Navah. Below is a summary of her<br />
acceptance speech upon receiving<br />
the Shamsi Hekmat Award:<br />
For the past 15 years, as a sign of<br />
their commitment to recognizing<br />
the value of women’s efforts in our<br />
community, the members of the<br />
Iranian Jewish Women’s Organization<br />
have honored different individuals<br />
as women of the year. In my opinion,<br />
as nominee this year, I stand<br />
for all of you: many of the ladies<br />
present here at this event, as well as<br />
those members of our community<br />
who could not be here today, share<br />
this honor with me. The success<br />
of Iranian Jews in Los Angeles is<br />
a testament to your hard work as<br />
mothers and daughters, doctors,<br />
academics and professionals. My<br />
true honor lies in representing<br />
Iranian Women, courageous individuals<br />
who have helped our<br />
community overcome racial, gender<br />
and class barriers.<br />
The Iranian woman of the<br />
previous generation, who was<br />
uprooted from her own country,<br />
and placed in a strange land with a<br />
foreign language and culture; and<br />
found her parents, children and<br />
husband in unbearable financial<br />
and social situations; was obligated<br />
to work outside of the home without<br />
any prior training, shoulder to<br />
shoulder with her husband, in order<br />
to insure the security of her family;<br />
had to take care of her elderly parents,<br />
even though she herself was<br />
trying to get use to a new way of<br />
life; the woman who - despite all adversity<br />
- insured the success of her<br />
children, the comfort of her parents,<br />
the happiness of her spouse, and<br />
even managed to find time to serve
the community at large as a volunteer<br />
in social and charitable groups.<br />
I congratulate you and stand here to<br />
honor you, my mothers.<br />
And of course my sisters:<br />
the many women of my own generation<br />
who have had the unenviable<br />
task of balancing two astonishingly<br />
different social and educational<br />
cultures, within their family and<br />
community. These were the daughters<br />
who were expected to finish their<br />
higher education, marry and have<br />
children at the proper age, be active<br />
members of their community, work<br />
outside the house<br />
and manage the<br />
family life within,<br />
raise children who<br />
will be accepted<br />
within both the<br />
American as well as<br />
the Iranian cultural<br />
spheres we inhabit.<br />
I congratulate you:<br />
in spite of the<br />
culture shock of<br />
Revolution and<br />
adaptations we were forced to<br />
undergo as adolescents, look at all<br />
that we’ve accomplished.<br />
The Iranian ladies of these<br />
two generations are pioneers within<br />
their communities: they have<br />
successfully managed to practice<br />
progressive feminism even while<br />
retaining the many positive values<br />
of our traditions. I would like to<br />
thank the ladies of IAJO for honoring<br />
the women of our community<br />
each year at this brilliant event. And<br />
I look forward to the years when<br />
our daughters will stand here and be<br />
recognized for their achievements.<br />
In order to grow intellectually and<br />
spiritually, women need role models,<br />
mentors, and heroes who inspire<br />
us and help us believe in ourselves<br />
while retaining our creative impulses.<br />
Since we are honoring the women<br />
of our community, I would like to<br />
take this opportunity to thank the<br />
women who have shaped and continue<br />
to influence my life – my female<br />
role models - with an apology<br />
to the influential gentlemen who<br />
mean so much to me as well. Which<br />
include my father and brothers, my<br />
son Danny, and my dear Farzin<br />
whose love, encouragement, and<br />
strength has defined me in so many<br />
ways.<br />
Those amazing females<br />
who have truly influenced and con-<br />
tinue to influence my life include<br />
my sister Mastaneh and my daughters<br />
Sabba and Navah, but my lifelong<br />
teacher is of course my dear mother<br />
Afsar Moghadam.<br />
The other magnificent and<br />
unique lady, who was a role model<br />
for me many years before I even had<br />
the pleasure and honor of meeting<br />
her in person, is Mrs. Pari Abasalti,<br />
editor of Rah-e-Zendegi magazine.<br />
I would like to end with one<br />
of my daughter Sabba’s favorite<br />
quotes from William Shakespeare.<br />
He writes: “All the world is a stage,<br />
and all the men and women merely<br />
players, they have their exits and<br />
their entrances; and each person in<br />
his time plays many parts…” I do<br />
believe that we are given a role to<br />
play for each stage in our life. When<br />
it comes time to move on, it can be<br />
hard getting used to the challenge of<br />
learning a new part, which at times<br />
may be comedic, tragic or absurd.<br />
But as long as we do understand<br />
that the most important part of<br />
this theatrical journey called life is<br />
contentment, kindness, and having<br />
respect and tolerance for others<br />
around us, we will be more comfortable<br />
in our own role and will seamlessly<br />
transition among our endless<br />
improvisations before finally taking<br />
a bow and making our exit.<br />
Just consider for a moment<br />
a part of my<br />
theatrical journey.<br />
Less than<br />
four years ago,<br />
while awaiting<br />
an eye operation,<br />
a doctor<br />
told me that if<br />
my cancer had<br />
metastasized into<br />
my liver, then<br />
all hope was<br />
lost. This year, I<br />
am standing here as your representative<br />
for the woman of the year! The<br />
collective strength of this community,<br />
the men and women who are my<br />
friends, family, role models and<br />
colleagues, have given me the power<br />
to overcome enormous obstacles,<br />
as they will others. Thank you; I<br />
am honored to have been chosen<br />
to represent all the women of my<br />
community.<br />
Azadeh Farin- Wald MD is<br />
one of the fewer than 200 female<br />
neurosurgeons in US.<br />
Many of us may not associate<br />
women with brain surgery. Yet,<br />
reading Dr. Farin Wald’s biography<br />
and seeing her accept the award; one<br />
was struck with how she contradicted<br />
the dichotomy of a female<br />
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12<br />
neurosurgeon and still maintained<br />
her femininity and grace.<br />
Azadeh Farin was born in<br />
Iran and moved to Los Angeles at<br />
a young age. Becoming a neurosurgeon<br />
stemmed from her curiosity<br />
as a child. As she described in a<br />
recent interview, “I realized at a<br />
young age that everything emanated<br />
from the human brain. It explained<br />
why things are the way they are.”<br />
This passion and curiosity fueled<br />
her education, and she successfully<br />
graduated top of her class from<br />
Hamilton High School. She went<br />
on to complete Yale University<br />
with honors in three years, double<br />
majoring in Molecular Biophysics<br />
and Biochemistry and Economics.<br />
Upon graduation, she worked as<br />
a business analyst at McKinsey &<br />
Co., one of the most well-known<br />
consulting firms in the country. She<br />
once again excelled and was ranked<br />
in the top 5% of her analyst class.<br />
While taking a break from her studies;<br />
Dr. Farin, even entered beauty<br />
pageants and was named Miss<br />
Greater Los Angeles USA Pageant<br />
Winner in 1998.<br />
Three years later, Dr. Farin entered<br />
the University of California,<br />
San Diego medical school to pursue<br />
her childhood calling and dream of<br />
becoming a neurosurgeon. “[Neurosurgery]<br />
was a big black box that<br />
I was eager to figure out. Almost<br />
every other organ in the human<br />
body can be replaced and yet we<br />
barely know the brain works.” As<br />
to why she chose the arduous profession<br />
that is neurosurgery, she<br />
explained how many people study<br />
the brain, but only neurosurgeons<br />
can dissect the brain, cure the patient<br />
of the disease and bring them<br />
back to life. During medical school,<br />
she researched at Columbia University<br />
where her group was the first to<br />
videotape tumor cells invading a<br />
live brain and applied this technique<br />
to medicinal implications. She went<br />
on to complete her fellowships at<br />
Olympia Medical Center and Tower<br />
Neurosurgical Spine Institute and<br />
University of California, San Francisco,<br />
and completed her residency<br />
at the University of Southern California.<br />
Today, she practices in Long<br />
Beach, CA at the second largest<br />
private hospital west of the Mississippi.<br />
She operates on all aspects of<br />
cranial surgery including aneurisms,<br />
tumors, head traumas, spinal deformities,<br />
and degenerative disease using<br />
minimally invasive techniques. She<br />
has published over 50 journals in<br />
some of the most prestigious and<br />
respected publications.<br />
Dr. Farin describes success<br />
as taking the time and energy to<br />
define a worthwhile goal and pursuing<br />
it to completion. “In some ways,<br />
I have achieved some success but it<br />
is not enough. For myself, success<br />
includes continuing to help thousands<br />
of patients, being a wife and hopefully<br />
soon a mother. Success is going<br />
above and beyond.” Her advice to<br />
young Iranian- Jewish women, who<br />
want to pursue competitive fields<br />
such as medicine, is: “do something<br />
that no matter how much time and<br />
energy you put into it, is gratifying.<br />
Find your passions and pursue them<br />
whole heartedly. Don’t pay attention<br />
to barriers, but know that everything<br />
has a cost and be realistic.<br />
The cost must be worth it.”<br />
As an Iranian- Jewish female<br />
hoping to enter the medical field,<br />
one is often questioned for her career<br />
choice and the sacrifices that<br />
it may involve. When speaking to<br />
Dr. Farin, she addressed this issue<br />
saying “Persian women have much<br />
more to offer than just good looks.”<br />
Dr. Farin is a prime example of<br />
how women have the potential to<br />
be successful professionals as well<br />
as loving wives.<br />
*Delila Pouldar is a Junior at USC<br />
majoring in Biological Sciences, with a<br />
minor in Business Administration.
On the cover:<br />
Vitreous Visions From Judaica<br />
A collection of glass arts about the Jewish Heritage<br />
By: Siena Casale*<br />
glass sculpture by Dr. Habib<br />
A Nathan adorns the cover of<br />
Shofar for this issue. Dr. Nathan is<br />
a practicing psychiatrist living in<br />
San Antonio, Texas, with his wife<br />
Manijeh. In the past decade Dr.<br />
Nathan has been<br />
able to give life<br />
to his “visions”<br />
through art and<br />
glass sculpture.<br />
A book about<br />
his art work and<br />
glass sculptures<br />
was published<br />
in July 2010,<br />
which shows<br />
Dr. Nathan’s<br />
passion of<br />
trying to commemorate the history<br />
and traditions of people of Israel<br />
through art. His Glass Sculpture Coin<br />
Collection beautifully remembers<br />
this history of Israel and its people.<br />
This remarkable collection of coins<br />
has been on display since February<br />
3, 2000 in the Jewish Federation<br />
Building in San Antonio, Texas.<br />
In an exclusive interview<br />
with Shofar Dr. Nathan explained<br />
about his motivation and love for<br />
art and the glass art in particular.<br />
What inspired you to create this<br />
exhibit of coin glass sculptures?<br />
I had decided to make an exhibit out<br />
of glass to attract young people to<br />
look at history and be proud of their<br />
Jewish heritage.<br />
How did you become interested in<br />
creating glass sculptures?<br />
I started taking<br />
a course on<br />
stain glass and<br />
after I perfected<br />
the art of stain<br />
glass, I moved<br />
to creating glass<br />
sculptures.<br />
All the works in<br />
this Collection<br />
have a vibrant<br />
color, how<br />
did you bring out the clarity and<br />
brilliance of the glass?<br />
Each coin is made of translucent<br />
glass of different hues and each is<br />
about a foot in diameter and nearly<br />
an inch thick. The coins have been<br />
installed in the exhibit with back<br />
illumination to display the clarity<br />
and brilliance of the glass.<br />
There are twelve coins in your<br />
Collection and each coin is a large<br />
scale recreation of coins used<br />
throughout the Judaic history;<br />
what research did you do to find<br />
and select these twelve coins?<br />
I had gone to the Israel Museum<br />
in Jerusalem and I spend time in<br />
the section on Jewish history and<br />
Judaic coins. I became interested in<br />
the history of the Jewish coins and<br />
continued my research by reading<br />
a number of books when I returned<br />
from my trip to Israel. Each of<br />
the twelve coins in my Collection<br />
represents a different era in Jewish life.<br />
Who did you dedicate this exhibit<br />
to and why?<br />
I dedicated my entire Exhibit to<br />
Jewish heroes and people who had<br />
died and fought for their belief in<br />
Judaism. It is their sacrifice that<br />
made possible the continuation of<br />
the Jewish religion and homeland.<br />
Would you tell us more about the<br />
coin called “The Persian Rule,”<br />
and how it relates to Iranian<br />
Jewry?<br />
Two thousand five hundred years<br />
ago, Persia was a large empire. The<br />
king would conquer different lands<br />
and rule from a distance. The Empire<br />
would print coins in different parts<br />
of the world that were conquered<br />
by the king. The coin I called the<br />
“Persian Rule,” was made in Judea<br />
for use by the people who lived<br />
in Judea.<br />
Was the coin titled “The<br />
Holocaust,” actually used by Jews<br />
in the Ghetto?<br />
Yes, when the Jews were brought to<br />
the Ghetto by the Nazis, they were<br />
forced to trade in their money for<br />
coins. Unfortunately, these coins<br />
did not have any real value.<br />
* Siena Casale is 12 years old and a 7th<br />
Grader at Lincoln Middle School.<br />
13<br />
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14<br />
30 Years After:<br />
“We have unpacked our bags.<br />
We are ready to act.”<br />
By: Nicole Behnam*<br />
“I have been impressed with the urgency of doing. Knowing is not<br />
enough; we must apply. Being willing is not enough; we must do.”<br />
Russell Taylor<br />
From left to right: Mona Shemtoub (Shofar photographer), Nicole Behnam<br />
(Shofar news correspondent), Kayvan Mottahedeh and Jennifer Shirazi (conference attendees)<br />
Have you ever asked yourself<br />
if you are truly politically<br />
inclined? Have you ever read or<br />
heard about an issue you wanted to<br />
know more about, but did not know<br />
where to seek more information?<br />
Have you wanted to make a<br />
difference but simply could not<br />
figure out how to get involved in<br />
the exertion of our city’s policies?<br />
On October 10 more than 1,300<br />
people—young professionals,<br />
students, parents, and even<br />
grandparents—attended the second<br />
biennial 30 Years After conference,<br />
where these questions, along with<br />
several others, were answered by<br />
some of the greatest thinkers and<br />
leaders in our community.<br />
There were nine different<br />
breakout sessions between the<br />
morning, afternoon, and evening<br />
plenary sessions. Topics that were<br />
discussed included the future of the<br />
Jewish community, local and state<br />
politics, philanthropy and activism,<br />
and foreign affairs related to Iran<br />
and Israel. In addition, there was a<br />
voter registration table, along with<br />
30 exhibitor booths from leading<br />
Jewish and civic organizations.<br />
“Per capita, we are<br />
arguably the most driven and<br />
successful minority in the greater<br />
LA area, if not in the state,” said<br />
Dr. Ebbie Soroudi, a supporter of<br />
30 Years After. “We are among<br />
some of the most influential group<br />
of professionals, intellectuals, and<br />
business minds. It is unfortunate we<br />
have not been more involved with<br />
politics thus far.”<br />
When Rabbi Wolpe of<br />
Sinai Temple spoke, he urged<br />
the people sitting in the Century<br />
Plaza ballroom to begin living<br />
for themselves and stop worrying<br />
about everyone else’s perception<br />
of them. He went on to dissect a<br />
rampant notion he believed many<br />
Persian Jews uphold. The notion<br />
that we are so gifted and that “[we]<br />
have succeeded beyond the dreams<br />
of any immigrant community that<br />
has ever come to this country.” And<br />
that is all true said Wolpe, who also<br />
noted the economic “fertility” of the<br />
United States 30+ years prior.<br />
“The opposite is also true,”<br />
said Wolpe. “There is a deep sense<br />
of being discriminated against,<br />
unappreciated—that people don’t<br />
realize what the Persian community<br />
is, and people condemn it from<br />
outside without understanding it.”<br />
In other words, with the tremendous<br />
pride comes tremendous insecurity.<br />
“You need not feel either,” said<br />
Wolpe. “Your accomplishments<br />
speak for themselves, and the<br />
inflation of self that sometimes<br />
masks insecurity is no longer<br />
necessary. The question is not: how<br />
[does] the world regard you? The<br />
question is: what will you do with<br />
what you have done?”<br />
Carly Fiorina, former<br />
Republican candidate for the United
States Senate<br />
emphasized the<br />
necessity of<br />
declaring that<br />
Israel is our most<br />
important friend<br />
in the middle east<br />
and that we will<br />
stand with her no<br />
matter what. “We<br />
must be clear<br />
and loud and<br />
u n e q u i v o c a l , ”<br />
said Fiorina, who<br />
also spoke about<br />
the importance<br />
of standing up for<br />
the people in Iran<br />
who are risking<br />
their lives for<br />
human rights.<br />
“We are proud that we<br />
helped further the U.S.-Israel<br />
relationship by empowering our<br />
community to become more<br />
effective Israel advocates,” said Sam<br />
Yebri, President and co-Founder of<br />
30 Years After.<br />
Meg Whitman, former<br />
Republican candidate for governor<br />
of California, also shined light on<br />
the contributions Israel has made to<br />
technological progress. Dan Senor,<br />
author of “Start-Up Nation” alluded<br />
to Meg Whitman mentioning that<br />
Israeli startups, Israeli innovations,<br />
Israeli engineers, and Israeli<br />
entrepreneurs helped transform the<br />
eBay while she was CEO of the<br />
company. In fact, this turned Senor<br />
on to a story that was the centerpiece<br />
of his book.<br />
The conference, themed<br />
“Now is our time: to learn, to act, to<br />
lead,” certainly did more than fulfill<br />
its purpose.<br />
The feedback from the<br />
conference has been consistently<br />
positive. “The most meaningful<br />
feedback comes from those who are<br />
excited to vote for the first time,”<br />
said Yebri. “Those who find a new<br />
community organization that they<br />
want to support, or those who thank<br />
us for focusing our community on<br />
doing good for others, not just well<br />
financially for ourselves.”<br />
30 Years After was<br />
established in 2008 with the initial<br />
purpose of engaging a community of<br />
new Americans to become involved<br />
in civic activities, community, and<br />
public service.<br />
Since 2008, 30 Years After<br />
has increased their media exposure,<br />
including publicity through<br />
television coverage on local evening<br />
news and international media in<br />
Europe and the Middle East. And<br />
although there were union strikes<br />
and protests outside of the Century<br />
Plaza hotel that morning, the<br />
conference was no exception to this<br />
exposure.<br />
Yebri believes that the<br />
success of the conference reflected<br />
two things: “that Iranian-American<br />
Jews have<br />
unpacked their<br />
bags and are<br />
eager to make a<br />
difference locally<br />
and nationally,<br />
and that political<br />
leaders are noticing<br />
the growing voice<br />
and power of<br />
this influential<br />
community.”<br />
Without a doubt,<br />
this group’s<br />
vision has been<br />
actualized; their<br />
goals have been<br />
fulfilled, their<br />
voices heard.<br />
*Nicole Behnam is a student at USC<br />
majoring in Public Relations and<br />
Journalism.<br />
READ SHOFAR<br />
ONLINE<br />
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all issues of<br />
Shofar Magazine<br />
On line<br />
at<br />
www.IAJF.org<br />
By clicking on<br />
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15<br />
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16<br />
Winners Of David And Dina<br />
Ramzi Memorial Fund And<br />
Shofar Magazine Writing Contest<br />
By: Nazanin Ramzi Shamtobi<br />
My late father, Davoud (David)<br />
Ramzi, was a poet and writer<br />
who dedicated much of his life<br />
to the pursuit of knowledge and<br />
growth through literature.<br />
It is in my parents’ memory<br />
that “The David and Dina Ramzi<br />
Writing Contest” was established,<br />
to acknowledge and support the<br />
innate talent and passion of those<br />
who celebrate life through the<br />
written word.<br />
Davoud Ramzi was the<br />
author of six books, three of which<br />
were published in Los Angeles. The<br />
story goes that when my parents<br />
first met, my mother was so moved<br />
by my father’s passion for poetry<br />
that she published his first book of<br />
poems called “Jedal” in 1964. This<br />
love affair with words and poems<br />
continued for both of them for the<br />
rest of their lives.<br />
As Iranian Jews, we have<br />
the unique privilege of being the<br />
recipients and treasure-keepers of<br />
our rich Jewish stories and books<br />
of philosophy and life as well as the<br />
incomparable writings of classical<br />
Persian poets like Ferdowsi, Hafez<br />
and Rumi and countless modern<br />
Iranian writers and poets who<br />
continue to express the wonder<br />
and angst of their era through the<br />
written word. It is my sincere desire<br />
that through contests like this, the<br />
young and creative members of our<br />
community will be encouraged to<br />
express themselves through writing<br />
I am delighted to present<br />
this year’s contest winners, Shahram<br />
Barkhordar and Dalit Yadegaran.<br />
When I met Dalit, she told me that<br />
winning this contest has prompted<br />
her to rethink what she wants to<br />
study in the future. She said that<br />
now more than even before she<br />
realizes how much she loves to<br />
write and is considering majoring in<br />
English literature at UCLA.<br />
What I wish for Dalit and<br />
Shahram, as well as all the other<br />
wonderful writers who submitted<br />
their poems and stories for this<br />
contest, is that they always find<br />
and hold a place for writing in their<br />
lives.<br />
I am grateful to my dear<br />
friend, Mojgan Rahbar, and the<br />
Iranian-American Jewish Federation<br />
for giving me the opportunity to use<br />
Shofar as a forum to display the<br />
works of our talented winners.<br />
Judging Panel:<br />
***Nazanin Ramzi Shamtobi<br />
received her B.A. from UCLA in<br />
Political Science with an emphasis<br />
on International Relations of the<br />
Middle East. She continued with<br />
the Masters program at UCLA<br />
in Persian Studies in the Near<br />
Eastern Languages and Cultures<br />
Department where she was an<br />
assistant professor.<br />
She is currently a master’s candidate<br />
for Spiritual and Depth Psychology<br />
at Antioch University.<br />
***Shirin Ramzi<br />
received her B.A. in English<br />
Literature at UCLA. She then<br />
received her Master’s degree<br />
in Education from Pepperdine<br />
University. Ms. Ramzi has been<br />
a dedicated teacher of English<br />
Language and Literature at Palisades<br />
High School for over a decade.<br />
Dalit Yadegaran<br />
recently graduated from Santa<br />
Monica High School and has been<br />
accepted to UCLA for the class of<br />
2014. Her winning essay is:<br />
“What influences you to wake<br />
up each morning?”<br />
How should I respond to the<br />
above question when asked by<br />
my interviewer to a prestigious<br />
Ivy League university?<br />
No, I can’t say my alarm clock. Too<br />
simple.<br />
My responsibility and determination<br />
to strive for the top of my class at<br />
school? Too cliché.<br />
My parents who nudge me around at<br />
6:50 every morning? Too common.
My passion. Yes, that feels perfect.<br />
It fits just right; as if I’ve found my<br />
perfect prom dress.<br />
My passion<br />
For life, for my best friend of 15<br />
years, for the satisfaction after<br />
cooking a homemade feast on my<br />
own, for painting and sculpting,<br />
for dancing, for being serenaded,<br />
for vivacity, for scavenger hunts<br />
around Santa Monica with 20 of<br />
my friends, for capture the flag, for<br />
the smell of a crisp new book being<br />
paralleled by a timeless classic novel<br />
with molded pages; yet rich with<br />
annotations in blue and black ink,<br />
for three day weekends, for Grammy<br />
parties and Superbowl Sunday bets,<br />
for feeling European and fabulous<br />
each time I walk out of Zara, for my<br />
first pool party, for second semester<br />
senior year, for completing my Bat<br />
Mitzvah reading and wishing my<br />
party slowed down, for boom boom<br />
Pau Gasol and the Lakers, for pathos<br />
ethos and logos, for being nice to<br />
strangers, for the voices of children<br />
living in Sderot, Israel who I met<br />
and told me how they are effected<br />
by terrorism, who catalyzed me to<br />
create my own foundation for them,<br />
for using a cell phone to text; not<br />
call, for braces; twice, for traveling<br />
from the hot springs of Costa Rica<br />
to the isolated tranquil islands of<br />
Thailand, for Nutella, for loving<br />
NYC’s excitement, for LA because<br />
we really do have everything here,<br />
for smiles and yawns which are<br />
both contagious, for mechanical<br />
pencil refills, for earning a perfect<br />
score on a research term paper<br />
which examines the ins and outs<br />
of America’s health care system<br />
as opposed to Canada’s, France’s,<br />
and Cuba’s, for “tadeeg” and<br />
“gormesabzee,” for chocolate<br />
pancakes and bagels, for all of LA<br />
commuting to Las Vegas in the<br />
winter and Palm Springs in the<br />
spring, for my incredible Maja and<br />
Faja, for Psychology Today articles,<br />
for Canons and disposable cameras,<br />
for saving the ‘How to Operate’<br />
handbook; but never opening it up,<br />
for seeing that a store in Israel has<br />
my name, for the goose bumps that<br />
form every time I drive past the<br />
federal building and see extremely<br />
dedicated individuals waving Iran’s<br />
pre-revolutionary flag as they make<br />
the peace sign with their fingers, for<br />
hikes at the crack of dawn, for runs<br />
down San Vicente whenever I get<br />
the chance, for walking into glass<br />
doors, for the first time we celebrated<br />
a birthday in a limousine, for<br />
embracing adversity and converting<br />
it into my triumph, for speaking in<br />
front of 3,000 people at once, for<br />
dressing up, for advocating, for<br />
my brother who would pick me up<br />
from school when he first got his<br />
license, for The Office, Entourage,<br />
and Gossip Girl, for the hidden and<br />
dying art behind Persian rugs, for<br />
getting on a big screen in Times<br />
Square, for loving unconditionally,<br />
for 500 Days of Summer: reality vs.<br />
expectation, for high school, for the<br />
first time I won first place after one<br />
of my hurdling events, for Caravane<br />
by Raphael, for my brother who is<br />
studying abroad in Israel, for Guetta<br />
and Bocelli, for sprints down the<br />
beach, for fistpumps and powpumps,<br />
for looking at an old picture and<br />
remembering every feeling and<br />
thought that was running through<br />
my mind at that exact moment, for<br />
Thanksgiving every week during<br />
Shabbat, for never tolerating<br />
disrespect under any circumstance,<br />
for analyzing Obama’s State of the<br />
Union address, for Fight Club, for<br />
Hakoach which will always have a<br />
strong place in my heart, for color<br />
books, for my AP Biology teacher<br />
Mr. Gaida, for basketball leagues at<br />
Westwood Recreation, for when we<br />
would all drive each other around<br />
without having had our licenses for<br />
a year, for craving a new album by<br />
JT, for Aroma and Urth, for being<br />
strong enough to make my own<br />
destiny rather than let my destiny<br />
make me, for being paralyzed by<br />
philosophy, for the fact that when<br />
two hearts race; both win, for<br />
holding onto fairytales, for replaying<br />
songs, for sleepovers, pillow fights,<br />
and no sleep, for Yoga and Pilates,<br />
for those little questions that your<br />
friends fill out and pop up on your<br />
Facebook wall; which everyone<br />
secretly loves, for reading the notes<br />
left in old yearbooks, for having an<br />
incredible sensation while watching<br />
the Olympics that for a couple of<br />
weeks we’re all united; Go World,<br />
for making the switch by going<br />
green, for the domino effect that<br />
comes from holding hands while<br />
ice skating when one person falls,<br />
for C&O’s garlic balls in Venice,<br />
for admiring the long struggle my<br />
grandparents have gone through<br />
from Iran to America and seeing<br />
everyone assimilate into the<br />
American lifestyle, for Coachella’s<br />
three day line-up, for surrounding<br />
myself with people who make me<br />
feel good, for the implications that<br />
are entailed by the letter Z, for<br />
furs; but not the type that comes<br />
from animals, for being Jewish,<br />
17<br />
<strong>166</strong>
18<br />
Persian, and proud, for sunsets<br />
and views on top of the world, for<br />
vintage pearls from the 1920’s, for<br />
contemporary art, for pasta, for<br />
iPhone applications, for dresses<br />
and up-do’s from the Elizabethan<br />
era, for pink towels, for being an<br />
idealist, for believing in mind over<br />
matter, for supernova, for leading,<br />
for learning, for winning, for life.<br />
“For Passion,” I respond to my<br />
interviewer as a shy smile steals my<br />
face.<br />
Shahram Barkhordar<br />
graduated from the University of<br />
California, Santa Barbara majoring<br />
in Religious Studies/Psychology<br />
and is now living in Los Angeles<br />
working as an administrator for<br />
a non-profit organization. His<br />
winning submission is poem titled<br />
“Here I AM.”<br />
Here I Am<br />
Here I Am.<br />
Do not be afraid.<br />
We fall, and we rise back up.<br />
We fall again, and we’ll keep getting<br />
back up.<br />
Who are we? The people, the<br />
mothers, the fathers, the sons and<br />
daughters, of history’s past…<br />
Into the night’s darkness we set out,<br />
and through the day we seek our<br />
way.<br />
And who am I, you might ask?<br />
Well…I am you.<br />
And I hear this beating, this ancestral<br />
drumming, coming to meet me, from<br />
long forgotten dreams and myths.<br />
They hunt and pursue me.<br />
But do not be afraid, Here I Am.<br />
Let me start.<br />
In the beginning, the earth was<br />
indifferent and dark, a bottomless<br />
frost covered the depths.<br />
And it was spoken, a shatter, a<br />
spark, a crackling of light.<br />
And we began to run. To search,<br />
Writers & Reporters Wanted<br />
Shofar Magazine is looking for energetic enthusiastic individuals who<br />
would be interested in submitting feature articles, short stories and attending<br />
different social events within the community and reporting them for<br />
publication.A press pass will be issued to those who qualify.<br />
For more information please contact:<br />
MMRAHBAR@AOL.COM<br />
to yearn, to crave, to know, to lust,<br />
to toil, and to understand what we<br />
were and how we got here.<br />
A germ, a seed, a beginning to an<br />
end, forced into oblivion and back<br />
again.<br />
Now grasp yourself. Understand<br />
your power. Recognize your<br />
responsibility.<br />
Perpetual motion is nothing but<br />
change. At each stop, at each glance,<br />
at each thought, we have gathered<br />
in the demons or summoned the<br />
radiant sun.<br />
Nothing stays the same forever.<br />
And yet we are just that, at once<br />
nothing and forever.<br />
Being is non-being realized.<br />
So clench your teeth, outstretch your<br />
mighty hand, look up, eyes taunting<br />
the imposing sky, and believe.<br />
You are the master of worlds,<br />
contracting into the center of being<br />
and expanding like rings of fire.<br />
The Phoenix rising in the West will<br />
send forth her wings blazing in the<br />
East.<br />
Do not be afraid. HERE I AM.
L.A. Youth Orchestra has<br />
moved to Beverly Hills<br />
By: Shirin Raban (Member of L.A.Y.O. Board of Directors)<br />
The Los Angeles Youth Orchestra has moved to Beverly Hills,<br />
and the beautiful Saban Theatre is our new home - a magnificent<br />
place for our awe-inspiring music.<br />
The Los Angeles Youth Orchestra<br />
is an Emeritus Youth Orchestra<br />
Partner of the LA Philharmonic<br />
and represents over 60 LA area<br />
schools. There are two levels of<br />
orchestra: the Concert Orchestra is<br />
for younger players with at least two<br />
years of playing experience and the<br />
Chamber Orchestra is for the more<br />
advanced students. The Orchestra<br />
also offers the opportunity to play<br />
in chamber groups at community<br />
events and salons.<br />
LAYO was established by<br />
Artistic Director, Russell Steinberg<br />
in 2000 at Milken Community High<br />
School of the Stephen S. Wise<br />
Temple. Dr. Steinberg is a composer,<br />
lecturer and educator who received<br />
a Ph.D. in music composition from<br />
Harvard University. He studied<br />
composition most notably with<br />
Leon Kirchner, Arthur Berger,<br />
Elaine Barkin, and Kenneth Klauss.<br />
His music for concert and film has<br />
been performed extensively in the<br />
United States and abroad.<br />
In its short existence of<br />
only 10 years the Los Angeles<br />
Youth Orchestra has become a<br />
musical voice that embraces the<br />
entire community. Acclaimed<br />
performances at Walt Disney<br />
Concert Hall and the Colburn<br />
School have established this<br />
ensemble as one of L.A.’s finest<br />
youth orchestras. The orchestra has<br />
been featured on CBS TV News<br />
affiliate KCAL CHANNEL 9, as<br />
well as the Los Angeles Times, the<br />
Beverly Hills Courier and several<br />
other news publications. Several<br />
of the Orchestra’s alumni students<br />
are continuing their studies at the<br />
Julliard School of Music, Cornell<br />
University, the Berklee College of<br />
Music, and UCLA.<br />
Students study established<br />
masterworks, but also have the<br />
exciting opportunity to premiere<br />
new music. Rehearsals include<br />
work as a full orchestra as well as<br />
sectional practices with professional<br />
coaches. Additionally the orchestra<br />
offers a variety of unique enrichment<br />
experiences such as working with<br />
guest artists and mentoring with<br />
major orchestras. Students aged 8<br />
to 18 with two years of instrumental<br />
instruction may audition.<br />
Recently, the orchestra<br />
has become independent and as a<br />
nonprofit institute needs to raise<br />
funds to operate and to assist<br />
deserving children with orchestra<br />
tuition support. Donors are welcome<br />
to attend rehearsals and meet the<br />
children, attend concerts, and<br />
participate in private music salons.<br />
The contributions of individual<br />
donors are what enable the orchestra<br />
to survive and continue to create the<br />
musicians of tomorrow.<br />
Los Angeles Youth Orchestra<br />
programs are performed twice a<br />
year in November and in April.<br />
This Fall of 2010, concerts are held<br />
in November at the Saban Theatre<br />
in Beverly Hills and Zipper Concert<br />
Hall at the Colburn School in Los<br />
Angeles. The program features a<br />
special performance of the Daniel<br />
Pearl commission Stories From My<br />
Favorite Planet by Russell Steinberg<br />
with guest soloist Mitchell Newman<br />
of the Los Angeles Philharmonic<br />
and guest narrator Theodore Bikel,<br />
star of stage, film, and television.<br />
Auditions for the spring semester<br />
will be held on January 8 and<br />
9, 2011. For more information<br />
regarding auditions, concerts, Board<br />
of Directors and donations please<br />
visit us at:<br />
www.LosAngelesYouthOrchestra.org<br />
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The Gondi Lunchbox Project:<br />
A Community Project for Awareness & Transformation<br />
Iranian? Jewish?<br />
Got Stories?<br />
If you are Iranian-Jewish* and have a true story or comment to share with your community about<br />
living in America, good or bad, we want to hear it! All submissions are anonymous, even to us,<br />
unless you want to be known for your work.<br />
Can’t think of a story? Here are some ideas…<br />
FAMILY interracial relationships careers SEXUALITY depression COMMUNITY inheritance<br />
DECEPTION patriotism evil eye SUPERFICIALITY religion KHASTEGARI immigration<br />
COMPETITION reputation divorce SOLIDARITY violence SOCIETY education assimilation<br />
FRAUD pressure spirituality MARRIAGE double standards MONEY parents HYPOCRISY<br />
rebellion racism suicide ACCEPTANCE blind dates DRUGS secrets faithfulness siblings<br />
discrimination HIGH EXPECTATIONS coming-of-age success MATERIALISM stigma illness<br />
SHABBAT physical abuse JEALOUSY therapy witchcraft incest TOGETHERNESS sexism rivalry<br />
addictions VIRGINITY artistic expression IMPOTENCE obsessions COHESIVENESS<br />
*At least one parent Jewish and one of Iranian descent.<br />
What is The Gondi Lunchbox Project?<br />
It is a community-based project committed to bringing awareness and transformation to the Jewish Iranian-<br />
American communities nationwide by gathering and compiling our anonymous real-life experiences, stories and<br />
commentaries. For more information, please see our website, www.gondilunchbox.com.<br />
Why is this important to our community?<br />
Honesty, openness and sharing beget awareness. And awareness leads to individual and communal growth,<br />
action and transformation.<br />
How can you make a difference?<br />
Submit your story today!<br />
The Gondi Lunchbox Project is taking submissions, written or oral, in English or Farsi, authored or anonymous.<br />
DEADLINE TO SUBMIT: December 31, 2010<br />
Send your submission to: gondilunchbox@gmail.com OR<br />
The Gondi Lunchbox Project, P.O. Box 67948, Century City, CA 90067-0998 OR on our website.<br />
www.GondiLunchbox.com
What’s the Fuss About<br />
Clean Tech?<br />
By: Richard Bookbinder and Bobby Shamsian*<br />
“A new “green wave” is spreading, and many of us are looking for<br />
ways to understand what is taking place.”<br />
As we’ve learned over a long<br />
time, history is a wonderful<br />
guide. There has always been an<br />
event or series of events that have<br />
lead to new policies.<br />
Look at four dates in history:<br />
•May 4, 1904:Construction began<br />
on the Panama Canal.<br />
•May 6, 1954: Construction began<br />
on the U.S. Interstate Highway System.<br />
•May 25, 1962:An ambitious effort<br />
began to place a man on the Moon<br />
by the end of the decade.<br />
Each of these events<br />
addressed a concern for national<br />
security. The Panama Canal was<br />
necessary to move Navy ships from<br />
the East Coast to the West quickly.<br />
The Highway System was essential<br />
in moving troops across the country<br />
swiftly in the event of a military<br />
attack. Finally, placing a man on<br />
the Moon was our way of taking the<br />
lead in the “space race.”<br />
The fourth date is July 11,<br />
2008 and should still be fresh in the<br />
mind of all consumers: crude oil<br />
traded at an all time high of $147<br />
per barrel.<br />
Remember the Presidential<br />
campaign season of 2008?<br />
Remember “Drill, baby, drill?”<br />
The recent massive oil spill and<br />
resulting destruction in the Gulf<br />
of Mexico has certainly thrust a<br />
monkey wrench into offshore oil<br />
exploration.<br />
But, what has happened<br />
since July of 2008? And, why<br />
should we be paying attention to<br />
this debate?<br />
While scientists have<br />
debated the issue of global warming<br />
and climate change for years, the<br />
record spike in oil prices provided<br />
new impetus to develop alternative<br />
methods of cleaner energy sources<br />
for power: wind, solar, geothermal,<br />
and biomass just to mention a few.<br />
So where are we today?<br />
•World populations are growing and<br />
putting strains on global economies<br />
and resources.<br />
•CO2 emissions are increasing and<br />
many parts of the world are ahead<br />
of the United States in efforts to<br />
reduce the pollutants.<br />
•There is a growing awareness of<br />
global warming, and it is being led<br />
by corporate leaders. And, if you<br />
have school age children, just try to<br />
discard the plastic bottle. See what<br />
they tell Mom and Dad! Colleges are<br />
also on the forefront of the effort by<br />
offering programs in environmental<br />
science.<br />
•Global economic stimulus<br />
programs have pumped nearly<br />
$500 billion into new methods of<br />
renewable and clean energy.<br />
•The BP spill is highlighting the<br />
need for cleaner sources of energy.<br />
This new “green wave”<br />
is spreading, and many of us are<br />
looking for ways to understand<br />
what is taking place.<br />
The most recent<br />
development on the green wave is<br />
Senators Kerry and Lieberman’s<br />
comprehensive plan for a national<br />
energy policy. In the corporate<br />
arena, energy producers like Duke<br />
Power and PG&E are diversifying<br />
investments in renewable energy,<br />
energy efficiency and smart grid<br />
transmission. Nike and Apple<br />
are incorporating sustainability<br />
into their business models. Even<br />
pension giants CalPERS and the<br />
New York State Retirement System<br />
are adopting standards for their<br />
investment managers to incorporate<br />
sustainability and renewable energy<br />
investments in their portfolios. With<br />
new renewable portfolio emission<br />
limit standards being implemented<br />
by over thirty states, Washington is<br />
finally stepping in line.<br />
The developing opportunities<br />
in clean tech are taking place all over<br />
the world. European institutional<br />
investors have been investing in<br />
these asset classes for years. China<br />
is emerging as a major leader with<br />
its installations of solar and wind<br />
energy, and much of Asia is building<br />
new manufacturing facilities that<br />
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22<br />
utilize clean energy sources.<br />
Let’s look at a few sectors,<br />
and consider the power grid. To<br />
replace and upgrade an aging 50<br />
year-old electric transmission<br />
system is estimated to cost nearly<br />
$25 billion per year for the next 20<br />
years; that’s half a trillion dollars!<br />
For anyone in the Northeast who<br />
remembers the blackout from 2003,<br />
this is no laughing matter. But, soon<br />
enough, there will be wind turbines<br />
offshore Cape Cod producing clean<br />
power.<br />
The same holds true<br />
for water. The management<br />
consulting firm, McKinsey and<br />
Co., recently estimated that, “By<br />
2030, under an average economic<br />
growth scenario…global water<br />
requirements would grow…a full<br />
40% above current accessible.”<br />
Much of the new technology can<br />
be described as “low tech” and has<br />
been developed by necessity. Israel<br />
developed the modern efficient<br />
technology of drip irrigation on<br />
a Kibbutz in 1959, and exported<br />
the process to other parts of the<br />
world. U.S. farmers are migrating<br />
to new methods to achieve water<br />
conversation.<br />
Scientists, historians, and<br />
economists share one commonality:<br />
they are all great at interpreting past<br />
history. But as history has taught us,<br />
it’s important to maintain focus on<br />
the future by looking at today. Two<br />
facts are clear: natural resources<br />
are being depleted and have been<br />
seriously damaged in the Gulf.<br />
Companies that have solutions<br />
are likely to be at the center of the<br />
change. It’s time to move to the next<br />
step.<br />
*Richard Bookbinder, is a Managing<br />
Member and Bobby Shamsian the<br />
Vice President of TerraVerde Capital<br />
Management LLC.<br />
(www.terraverdecap.com)<br />
Study Finds Genetic Links<br />
Among Jewish People<br />
Thanks in large part to a<br />
generous gift from the Iranian<br />
American Jewish Federation of<br />
NY to the Albert Einstein College<br />
of Medicine, geneticists at Einstein<br />
and NYU School of Medicine have<br />
created the first comprehensive<br />
genetic map of major Jewish<br />
populations. This historic finding<br />
indicates that Jews from different<br />
regions of the world share genetic<br />
traits that date back over 2,500<br />
years. The Jewish HapMap Project<br />
published in the American Journal of<br />
Human Genetics and subsequently<br />
covered in major media outlets<br />
worldwide, demonstrated that Jews<br />
are genetically linked to a common<br />
Middle Eastern ancestry dating<br />
back approximately 2,500 years.<br />
This discovery opens a new door<br />
for medical research.<br />
“By providing a<br />
comprehensive genetic fingerprint<br />
of various Jewish subpopulations, it<br />
can help us understand genetic links<br />
to heart disease, cancer, diabetes<br />
and other common diseases,” said<br />
co-author Edward Burns, M.D.,<br />
Executive Dean and Professor<br />
of Pathology and Medicine at<br />
Einstein.<br />
“The study supports the<br />
idea of a Jewish people linked by<br />
a shared genetic history,” said Dr.<br />
Harry Ostrer of NYU. “Yet the<br />
admixture with European people<br />
explains why so many European<br />
and Syrian Jews have blue eyes and<br />
blond hair.”<br />
“The goal of the study was<br />
to determine a genomic baseline,”<br />
said lead author Gil Atzmon, Ph.D.,<br />
Assistant Professor of Medicine<br />
and Genetics at Einstein. “With this<br />
established, we’ll be able to more<br />
easily identify genes associated with<br />
complex disorders like diabetes that<br />
are determined by multiple variants<br />
across the genome. Armed with<br />
this information, we will be better<br />
positioned to treat patients.”<br />
Published as “Abraham’s<br />
Children in the Genome Era:<br />
Major Jewish Diaspora Populations<br />
Comprise Distinct Genetic Clusters<br />
with Shared Middle Eastern<br />
Ancestry,” the study has generated<br />
a great deal of excitement in the<br />
major media and Jewish press.<br />
You can read more about it here:<br />
http://www.einstein.yu.edu/home/<br />
addCoverage.asp?id=205.<br />
Funding for the Jewish<br />
HapMap was made possible by the<br />
IAJF and other concerned members<br />
of the Jewish community. Your<br />
continued support is vital to helping<br />
Einstein and NYU continue this<br />
research. For more information,<br />
please contact Janet Heit at 718-<br />
430-2790 or Janet.Heit@einstein.<br />
yu.edu.<br />
The IAJF’s partnership in<br />
this pioneering genetic research<br />
project studying Iranian Jews for<br />
the first time ever, and other Jewish<br />
populations, demonstrates IAJF’s<br />
visionary leadership and care for<br />
the community.
Team Talia<br />
By: Hayley Tizabi*<br />
“As the parents of a child with Type I Diabetes, we were initially<br />
overwhelmed by the diagnosis. The fact is that as many as 3 million<br />
Americans are born with, Type One diabetes, a disease most often<br />
diagnosed in childhood that strikes suddenly, lasts a lifetime, and<br />
carries the constant threat of long-term complications.”<br />
In 2005, at age 3, our daughter<br />
Talia was diagnosed with<br />
Juvenile, or Type 1 Diabetes. Within<br />
days, she became subject to a still<br />
ongoing pattern of finger pricks,<br />
insulin injections and an entirely<br />
new approach to eating. At the<br />
same time, my husband and I were<br />
quickly forced to become experts in<br />
each of these fields.<br />
As the parents of a child with<br />
Type I Diabetes, we were initially<br />
overwhelmed by the diagnosis.<br />
Aside from requiring significant<br />
changes that affect Talia, there is<br />
constant concern over what Talia’s<br />
blood sugar levels are in the middle<br />
of night and at school/camp, where<br />
we can’t always be there to keep<br />
watch. After an initial period of<br />
adjustment, we proactively decided<br />
to keep our approach a positive one<br />
by looking for the good in all this and<br />
more importantly, by never letting<br />
diabetes define Talia. For example,<br />
our family of five now takes a much<br />
healthier approach to eating and at<br />
7 years old, Talia demonstrates her<br />
maturity by making healthy choices<br />
and by showing her teachers how<br />
she tests her blood sugar by herself.<br />
It is extremely important<br />
for us to demonstrate to Talia that<br />
she, as well as the millions of Type<br />
I diabetics are well supported in<br />
their fight to find a cure. Perhaps<br />
the most consistent example of this<br />
is our family’s annual participation<br />
in the Juvenile Diabetes Research<br />
Foundation (JDRF) Walk to Cure<br />
Diabetes. The JDRF’s mission<br />
is to find a cure for diabetes and<br />
its complications by supporting<br />
research that has made significant<br />
strides in just the past few years.<br />
The fact is that as many as<br />
3 million Americans are born with<br />
Type 1 diabetes, a disease most<br />
often diagnosed in childhood that<br />
strikes suddenly, lasts a lifetime,<br />
and carries the constant threat of<br />
long-term complications including<br />
heart disease, stroke, blindness,<br />
kidney failure, and even sometimes<br />
amputation.<br />
The Walk draws people<br />
together for a healthy activity for a<br />
worthy cause. Taking place each year<br />
on the grounds of Dodgers Stadium<br />
(this year on 11/7 at 10am), The Walk<br />
is a good time for families, friends,<br />
companies and their employees.<br />
Above all, it’s an event people that<br />
people feel good about supporting<br />
simply by being there.<br />
Over the past few years, we<br />
have been blessed by our friends and<br />
family who make up the core of our<br />
team, TEAM TALIA. Together, we<br />
have raised more than $10,000 to<br />
support diabetes research. Far more<br />
important than the dollar amount<br />
raised is the support and comfort<br />
we have received from the sheer<br />
number of participants in the Walk<br />
itself. As Talia grows older, she is<br />
increasingly aware of the support<br />
she has and that makes dealing with<br />
diabetes far more tolerable.<br />
Talia never fails to warm<br />
our hearts. One day, while driving<br />
to school I looked in my rear view<br />
mirror and she was deep in thought.<br />
She asked me “Mommy, do dreams<br />
ever come true”. “Of course they<br />
do” I said “What is your dream,<br />
Talia?” Silence. “I dream that one<br />
day when I grow up I will be an<br />
artist ... or a gymnast ...or a teacher<br />
..... or a Mommy like you... and that<br />
I won’t have diabetes anymore!”<br />
I have no idea what<br />
wondrous dream Talia will have<br />
next. Her mind never stops and<br />
neither does her loving heart.<br />
Whatever she decides upon,<br />
knowing our daughter, it will be big<br />
and powerful and touch upon the<br />
lives of others.<br />
*Hayley Tizabi is the dedicated wife of<br />
Ray Tizabi and mother of 3 incredible<br />
children. Working in Radiadtion<br />
Oncology in Santa Monica, California.<br />
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24<br />
Adult Children And<br />
Their Parents<br />
By: Mastaneh Moghadam, LCSW*<br />
“Making the decision to have a child is momentous. It is to decide<br />
forever to have your heart go walking around outside your body.”<br />
~Elizabeth Stone<br />
Every single one of us is a<br />
product of Parents. Parents,<br />
who have at the very least, given us<br />
life, fed us, clothed and sheltered us.<br />
Hopefully, they have also nurtured<br />
us, educated us, protected us, taught<br />
us right from wrong, sat up with us<br />
when we were sick, laughed with<br />
us, cried with us, and have done<br />
their best to love and support us.<br />
So, now that we are older…what<br />
are we to do with them? Do we<br />
thank them and bid them farewell?<br />
Do we show our appreciation by<br />
living our lives the way they want<br />
us to? Do we listen to them or run<br />
from them? Become their friends or<br />
their enemies?<br />
Ideally, the hope is that<br />
every child has been raised in a<br />
healthy family environment with a<br />
great deal of love and balance. The<br />
parents in this family have given their<br />
children equal amounts of attention,<br />
freedom to express emotions,<br />
age appropriate responsibilities,<br />
and respect. They have modeled<br />
appropriate boundaries and have<br />
earned their children’s trust by<br />
offering them a sense of security<br />
and consistency. The parents<br />
have allowed their children to<br />
experience life by making their<br />
own decisions, their own mistakes,<br />
and allowing them the freedom<br />
to be the individuals that they can<br />
be. And having experienced such<br />
a solid childhood, ideally as adults,<br />
our relationships with our parents<br />
include mutual love, respect, trust,<br />
and appreciation. We accept them<br />
as individuals with their own<br />
opinions and imperfections, goals,<br />
and values and in return, they do<br />
the same for us. They listen to our<br />
ideas without judgment, they share<br />
their wisdom without enforcing<br />
their beliefs upon us, they value<br />
the people that we are and support<br />
our decisions, weather they agree<br />
with it or not. We look forward to<br />
calling them, speaking with them,<br />
sharing new experiences with them<br />
and reminiscing through old times.<br />
They have become our friends, our<br />
confidants, and our biggest fans…<br />
and we all live happily ever after…<br />
does this sound like a fairy tale to<br />
you? Is this (or at least something<br />
almost like this) your reality?<br />
For many of us our<br />
childhoods were filled with<br />
imbalance and (at times) chaos.<br />
We may have grown up with<br />
parents whose own personal<br />
weaknesses and personality flaws<br />
lead to family structures where noncommunication<br />
and secrecy were the<br />
norm; anger and judgment ruled the<br />
house. Where power structures were<br />
unequal, rules and expectations were<br />
inconsistent, and respect was nonexistent.<br />
Where love and attention<br />
was a commodity that was hard to<br />
come by and interdependency was<br />
encouraged. And now, as adults,<br />
our relationships with our parents<br />
seem to be filled with feelings of<br />
resentment and anger, sprinkled<br />
with guilt. We find ourselves in a<br />
cycle of power struggles, and fights<br />
over control. We may find ourselves<br />
constantly looking to our parents to<br />
be saved or to save them, neither of<br />
which feels satisfying nor makes<br />
us happy. We may decide to “give<br />
in” and just do as they say and in<br />
essence become a martyr to their<br />
needs. Or, at the other extreme,<br />
make sure to do everything the<br />
opposite of what they want, often<br />
destroying ourselves just to see<br />
them suffer. Does this sound like<br />
anyone’s reality?<br />
Perhaps, for most of us, the<br />
reality of our relationship with our<br />
parents lies somewhere in between<br />
these two scenarios. However, if<br />
you find yourself drawing parallels<br />
to the later more than to the former,<br />
you may be wondering what has<br />
lead you there. Well…you’re<br />
Iranian. No, no – while that is not<br />
entirely the reason why, we do have<br />
to take a minute and look at our<br />
culture of origin.<br />
The Iranian Culture’s<br />
values and norms are historically<br />
more oriented towards the<br />
concept of collectivism rather<br />
than individualism. Collectivism
encourages compliance, conformity,<br />
and cooperation for the greater<br />
good of the whole group. The<br />
American culture stresses the idea<br />
of autonomy for the individual,<br />
self-assertion, nonconformity and<br />
healthy competition. Iranians in<br />
general value discreteness and<br />
secrecy, particularly regarding<br />
personal matters due to the notion<br />
of “Aberoo” or saving face and<br />
the importance of keeping a good<br />
“reputation” in front of others,<br />
versus Western cultures that tend to<br />
value expression of feelings.<br />
So here we are some thirty<br />
years into our collective migration<br />
from a culture that stressed to our<br />
grand-parents and our parents this<br />
“Collectivism” approach to child<br />
rearing – yet we go to school and<br />
socialize with teachers, neighbors,<br />
friends, and mentors that interact<br />
with us based on the “Individualism”<br />
approach to child rearing. Yet we<br />
all sit and wonder why we have<br />
difficulty communicating with our<br />
parents.<br />
Of course, every child from<br />
every culture (immigrant and nonimmigrant)<br />
feels a certain level of<br />
disconnect from his/her parents,<br />
that’s normal and to be expected.<br />
With us Iranians, however, the past<br />
30 years feels more like a 90-year<br />
stretch when it comes to the shift in<br />
culture and values from our parent’s<br />
generation to our own.<br />
In many immigrant<br />
communities – and certainly<br />
Iranians are no exception, we see a<br />
great number of what Psychologists<br />
describe as a “Parentified” child.<br />
The parentification could be<br />
physical (i.e. when a child is given<br />
the responsibility of looking after<br />
the physical needs of the parent<br />
and/or siblings, (this can include<br />
duties such as grocery shopping,<br />
paying bills, supervising homework,<br />
coordinating medical care, etc.),<br />
and/or emotional (i.e. when a child<br />
is given the responsibility of looking<br />
after the emotional and psychological<br />
needs of the parents/siblings – such<br />
as when parents begin to confide in<br />
the child, discussing their problems<br />
and their issues, using the child<br />
as a surrogate for a spouse or a<br />
therapist). The Parentified child will<br />
generally suffer from having his or<br />
her own emotional needs neglected.<br />
They often struggle with lingering<br />
resentment, explosive anger and<br />
difficulty in forming trusting<br />
relationships with peers, often<br />
following them into adulthood.<br />
We often find the parentified<br />
child in an enmeshed family<br />
dynamic. Enmeshed families are<br />
characterized by an extreme sense<br />
of closeness, so much so that almost<br />
any expression of independence is<br />
seen as disloyalty to the family.<br />
Where does one person’s business/<br />
identity/life, end and another begin?<br />
Within the enmeshed family,<br />
boundaries are virtually nonexistent.<br />
When we are made privy<br />
to all of our parents struggles and<br />
invited into them and even made<br />
responsible for them; when we are<br />
asked to comfort or give advice to<br />
our parents on a regular basis; when<br />
we are relied upon by our parents,<br />
to the point where we begin to<br />
define ourselves as essential for<br />
their every happiness – we are in<br />
an enmeshed family.<br />
When it comes to adult<br />
relationships with our parents we<br />
often have to ask ourselves if we<br />
have been given the opportunity to<br />
learn about ourselves and experience<br />
ourselves as the individuals that we<br />
are. Have we had the opportunity to<br />
devise our own opinions and values,<br />
make our own decisions, and make<br />
our own mistakes? Do our parents<br />
accept us as adults with rights to<br />
our own chosen life-style? Do we<br />
accept our parents as individuals or<br />
are we judgmental of their choices<br />
and decisions? Do we interfere with<br />
and try to control their lives? And<br />
if the answer to these questions is<br />
negative, then who do we get to<br />
blame? Who do we hold responsible<br />
for this? Well, my friends, the<br />
answer to this…if you are an adult<br />
and care to be treated as one…is<br />
OURSELVES. Children blame<br />
their parents for their shortcomings,<br />
but as adults, we are the ones who<br />
need to take responsibility for<br />
them. Blaming our parents for the<br />
unsatisfactory state of our lives<br />
and for our circumstances solves<br />
nothing. Working hard to truly<br />
get to know ourselves and making<br />
a point to set clear and effective<br />
boundaries with our parents, and<br />
defining our lives, warts and all,<br />
by our own standards is what truly<br />
makes us grown-up; grown-ups who<br />
are worthy of having a mutually<br />
respectful relationship with our<br />
parents as well as with our own<br />
children.<br />
*Mastaneh Moghadam is the Iranian<br />
Outreach Coordinator at Jewish Family<br />
Service of Los Angeles. She also<br />
has a private practice working with<br />
individuals, couples, families, and<br />
children in private practice in Sherman<br />
Oaks, CA.<br />
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26<br />
Our Films Are Not Just Selected<br />
They Are Chosen!<br />
“The Los Angeles<br />
Jewish Film Festival”<br />
By: Tannaz Kamran- Rahbar<br />
Photos by: Jasmine Daghighian*<br />
The Opening Night Gala of The Los Angeles Jewish Film Festival<br />
was held on May 8, 2010. This exciting evening featured many<br />
famous and familiar faces from the Hollywood landscape who<br />
attended to support the creative efforts of Global Jewish Film<br />
Artists. There was also a sprinkling of interesting characters and<br />
personalities, such as a pair of huge sumo wrestlers, who walked the<br />
red carpet as human props for the movie “A Matter of Size.”<br />
he Los Angeles Jewish Film<br />
TFestival (LAJFF) builds<br />
community awareness, appreciation<br />
and pride in the diversity of the<br />
Jewish people through film. The<br />
mission of LAJFF is to preserve<br />
and celebrate our rich Jewish<br />
heritage; to cultivate Jewish values<br />
and the quality of Jewish life in our<br />
community (not only for the affiliated<br />
but unaffiliated); and to create and<br />
maintain a sense of community by<br />
providing important and exciting<br />
programming for individuals,<br />
families and organizations. In<br />
attendance, were actress Shirley<br />
Jones, Comedian Marty Ingels,<br />
Social Media and Networking<br />
Expert Peter Shankman, Actor<br />
Yuval David, Consul General of<br />
Israel, Jacob Dayan, and filmmaker<br />
Antwone Fisher.<br />
“A Matter of Size” was the<br />
opening selection on that evening,<br />
Written and Directed by Erez<br />
Tadmor and Sharon Maymon. This<br />
utterly charming film was filmed<br />
in the earthy parts of Ramle and<br />
brought out both intense laughter and<br />
tears from the audience. The central<br />
message to this piece is that size,<br />
well, does matter! The challenge<br />
we face in life, first and foremost,<br />
is the fight for “Self Acceptance”.<br />
We all struggle with some parts<br />
of ourselves, whether private or<br />
transparent to the world, physical<br />
or emotional. Sometimes when<br />
we need support and understanding<br />
from those around us, we find<br />
nothing but criticism and guilt trips<br />
imposed by the self proclaimed<br />
“Know It Alls” who find our misery<br />
the perfect opportunity to feed their<br />
own ego.<br />
This story revolves around<br />
Hertzel, a seriously overweight man<br />
who has struggled with his weight<br />
since childhood. He lives in Ramle<br />
with his co-dependent Jewish-<br />
Mother who instinctively feeds him<br />
with an overabundance of fattening<br />
foods, and at the same time ridicules<br />
and chides her son for being fat, lazy,<br />
and a geek. Hertzel is humiliated<br />
and thrown out of his weight loss<br />
support group for gaining more<br />
weight, and loses his job for the<br />
same reason. Determined to prove<br />
that he is still worthy, he is drawn to<br />
the world of Sumo Wrestling, where<br />
he finds the comfort and respect he<br />
desperately needs for being who<br />
he is. The owner of the Japanese<br />
restaurant where he finds work as a<br />
dishwasher is an ex Sumo Master,<br />
and together they start a team with<br />
some other large friends. “There<br />
they discover the one activity<br />
where girth is a virtue and fat guys<br />
can be rock stars!” This film is<br />
an inspirational story about selfacceptance,<br />
self-love, and finding<br />
beauty and yes, LOVE, within<br />
yourself and others, regardless<br />
of what society dictates. We are
not born with these convictions;<br />
we must rather fight to the end to<br />
achieve them.<br />
Some other movies featured<br />
at this year’s LAJFF were:<br />
Holy Rollers, also featured on<br />
the Jimmy Kimmel Live show,<br />
The Yankles, Anita, Bride Flight,<br />
The Loners and Seven Minutes in<br />
Heaven. There is also an evening<br />
featuring “Student Film Showcase”<br />
Where Jewish student films from<br />
day and high schools throughout Los<br />
Angeles are presented, celebrating<br />
the “burgeoning talent of our future<br />
generation of filmmakers.<br />
*Jasmine Daghighian is a recent graduate<br />
of the USC School of Cinematic Arts.<br />
She is currently working as a filmmaker<br />
and photographer is Los Angeles, Ca<br />
Neman Hall features:<br />
Exquisite Ballroom with seating<br />
for 450 guests<br />
Kosher Kitchen Facilities<br />
(Outside Caterers Accepted)<br />
Sanctuary and Chuppah Area<br />
Private Bridal Room<br />
Bedekn and tish area available<br />
Large Dance floor<br />
Valet Parking Service<br />
for viewing of venue please contact<br />
Irma Smith<br />
Direct Line : (323) 656-2142<br />
Iranian American Jewish Center<br />
1317 N. Crescent Hights Blvd.<br />
West Hollywood, CA 90046<br />
27<br />
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<strong>166</strong><br />
28<br />
The Barber of O.C.<br />
By: Sabrina Azadi*<br />
“Adults tend to lie when confronted with a newly born, hairy baby<br />
girl. They give the mother false hopes that the beard, neck and<br />
forehead hair on her bundle of joy will miraculously metamorphose<br />
from coarse black to blonde and eventually fall off!”<br />
Eight months into our marriage,<br />
my husband suggested that I<br />
should go and see a barber. He said<br />
it gently without giving me cause for<br />
alarm. He didn’t use the word hair<br />
stylist, hairdresser or beautician. I<br />
wonder why? I thought barbers cut<br />
hair, give shaves and trim beards,<br />
often with mechanical tools. Maybe<br />
I’m being sensitive but to me the<br />
word has a distinct masculine<br />
connotation. Isn’t it derived from<br />
the word barbaric? Doesn’t the word<br />
barbaric mean someone uncouth<br />
and often bearded? It’s possible; it<br />
has an entirely different root word,<br />
which I’m unaware of.<br />
Maybe its origin relates to<br />
Barbarella, the Queen of the Galaxy.<br />
She’s the fantasy space traveler,<br />
with a mane of bouncy hair. She has<br />
various intergalactic adventures and<br />
fights off evil with her shiny space<br />
gun wearing skin-tight cat suits and<br />
metallic knee high boots. Maybe<br />
he’s trying to tell me my hair needs<br />
more volume. I can easily fix that<br />
with my “big sexy spray and play”<br />
hairspray. Even though he wasn’t<br />
looking at the hair on my head<br />
when he mentioned it, I’m sure<br />
that’s what he was thinking; more<br />
bounce and body. I prefer to believe<br />
the latter derivation.<br />
What’s All The Fuzz For?<br />
Darwin has a lot of<br />
explaining to do when it comes to<br />
female body hair. It must have some<br />
benefit. Evolutionary science tells<br />
me so. If it didn’t it would have shed<br />
by now. My fuzz must serve some<br />
purpose. Maybe it’s protecting me<br />
from bacteria, spread of disease and<br />
harmful UV rays. That’s now all<br />
taken care of with penicillin, hand<br />
sanitizer and sunscreen. Whoever’s<br />
making the decisions must see how<br />
futile it is. Surely they must know<br />
we’re taking it all off. Why don’t<br />
they bring the human conveyor belt<br />
to a halt? Don’t they realize that<br />
faulty batches are going out? Why<br />
has natural selection turned a blind<br />
eye to the plight of over protected<br />
women?<br />
It’s too late for me. My<br />
concern is for future generations.<br />
Every day thousands of baby girls<br />
are born with what society tells me is<br />
a genetic deviance. These girls will<br />
spend a great deal of time and money<br />
on removing excess hair. Forget the<br />
rashes, cuts and the in growing hairs.<br />
It’s the psychological damage that<br />
leaves the worst scars. I knew a girl<br />
that was driven to therapy because<br />
of her deep shadowy facial hair. Her<br />
brother had given her the nickname<br />
Mach 3 when she was three years<br />
old. Twenty years later, despite<br />
hopeful family predictions, the hair<br />
had not fallen-out. She wasn’t even<br />
Persian.<br />
Baby Barbarella<br />
Misguided information from family<br />
and friends creates anxiety. Adults<br />
tend to lie when confronted with a<br />
newly born, hairy baby girl. Female<br />
family members are particularly<br />
prone to well-meaning deception.<br />
They give the mother false hopes that<br />
the beard, neck and forehead hair on<br />
her bundle of joy will miraculously<br />
metamorphose from coarse black
to blonde and eventually fall off.<br />
Just like the belly-button does.<br />
They call it baby fluff. This is myth<br />
number 1. No one has the fortitude<br />
to tell the truth. It’s misleading and<br />
unkind. They recall imaginary cases<br />
when it’s happened to the baby of<br />
a distant cousin back home or a<br />
friend of a friend that they’re no<br />
longer in touch with.<br />
Their examples<br />
are always vague<br />
and never taken<br />
from the immediate<br />
family gene pool.<br />
Frankly they would<br />
be better off telling<br />
the mother the truth<br />
and allowing her to<br />
make the necessary<br />
provisions and<br />
preparations both<br />
emotionally and<br />
financially for<br />
herself and daddy’s<br />
furry little princess.<br />
No matter<br />
how cute her<br />
dimples are when<br />
she smiles the<br />
velvety moustache<br />
is distracting, so the<br />
baby is adorned with<br />
a huge bow, gold<br />
hoop earring and a<br />
shiny name bracelet<br />
specifically to<br />
publicize: “I’m not<br />
a boy!” The color<br />
blue is boycotted.<br />
The parents invest<br />
heavily in everything pink.<br />
Moo-Mitzvah?<br />
Growing up, Baby Barbarella knows<br />
she’s not like the rest of the girls and<br />
feels more comfortable with other<br />
Persian Princesses or girls from the<br />
Mediterranean community. Who<br />
else can understand what it’s like<br />
to have sideburns and lose a front<br />
tooth? When she’s old enough to<br />
say moo (hair) she’s given a pink<br />
Gillette ladies razor with a tiny bow<br />
tied around it along with a can of<br />
what looks like Barbie’s whipping<br />
cream. Here begins what will be a<br />
lifetime ritual. This is the point of<br />
no return. There should be a Bat-<br />
Mitzvah or some other formal entry<br />
into this coming of age but instead<br />
it’s done quietly, discreetly and only<br />
in the presence of other women.<br />
This secret female society will play<br />
an important role in her life. The<br />
initiation, is usually suggested by an<br />
aunt, cousin or a close family friend.<br />
There will always be a debate as for<br />
the best course of action. Should she<br />
start shaving right away or would it<br />
be wiser for her to wax, and prevent<br />
thicker hair growing back, or<br />
maybe her condition is better suited<br />
to threading?<br />
Which brings<br />
me to myth<br />
number 2:<br />
when you<br />
shave, wax<br />
or thread hair<br />
on any part<br />
of your body,<br />
it will grow<br />
back looking<br />
exactly how<br />
it looked<br />
before, maybe<br />
even worse.<br />
The pain you<br />
e x p e r i e n c e<br />
during your<br />
method of<br />
hair removal<br />
doesn’t give<br />
you any<br />
r e - g r o w t h<br />
advantages.<br />
Trust me, I<br />
know.<br />
*Sabrina Azadi<br />
is a freelance-fashion writer, jewelry<br />
designer and former magazine editor.<br />
She has written for publications such<br />
as the Los Angeles Times, Coast<br />
Magazine and Beverly Hills Times<br />
Magazine among others. Her blog is:<br />
www.PersianOrange.blogspot.com.<br />
29<br />
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30<br />
What Do You Want To Be<br />
When You Grow Up?<br />
By: Ben Nabati<br />
“Individuals in our collective age group, those born roughly<br />
1975-1990 are estimated to have nearly a dozen jobs before<br />
they turn 40.”<br />
The editor of Shofar Magazine<br />
asked if I could write a “Top<br />
10”career choice list for our younger<br />
readers. After giving it some thought,<br />
I came up with five worthwhile<br />
ones! The editor suggested heavy<br />
amounts of research in order to<br />
write the article. Remiss on that<br />
account as well! But, I can assure<br />
you a genuine, informed and mature<br />
discussion of potential career paths.<br />
I may add a sixth for good cheer!<br />
So, whither shall you start<br />
your journey into the vaunted ‘Real<br />
World’? Will you end where you<br />
begin? Likely not! Individuals in<br />
our collective age group (Those born<br />
roughly 1975-1990 are estimated<br />
to have nearly a dozen jobs before<br />
they turn 40). Of course, there are<br />
the traditional career professions<br />
like medicine and law. These paths<br />
offer relative career security, which<br />
Ben Franklin will tell you, has a dear<br />
price: “He who sacrifices freedom<br />
for security deserves neither.”<br />
So let’s get started:<br />
Without hesitation, healthcare<br />
comprises nearly 20% of the<br />
American economy. Now, that<br />
doesn’t necessarily mean, go sign<br />
up to take your MCAT. There are<br />
countless peripheral opportunities<br />
related to the healthcare industry,<br />
such as pharmaceuticals, medical<br />
technology, medical billing and<br />
facility administration, just to name<br />
a few. There’s a cornucopia (No,<br />
that’s not a ligament!) of options<br />
in the healthcare industry. Don’t<br />
automatically think you have to<br />
serve the general public directly,<br />
such as a doctor or nurse would.<br />
Sometimes serving providers can be<br />
wildly lucrative, say, on a business<br />
to business level.<br />
Next is Sex. Yes, I said<br />
it. Sex OR anything dealing with<br />
it. You can lump most forms of<br />
entertainment with sex, plus many<br />
other industries: Certain types of<br />
clothes, makeup, fitness and other<br />
hype. I’m not knocking it by any<br />
stretch, and many of you will find my<br />
groupings absurd. I’m attempting<br />
to impart a way of thinking: Think<br />
of the end-user and how you’re<br />
impacting that individual’s life.<br />
Start and work onward from there.<br />
In this case, things that get people<br />
excited about how they look or<br />
smell relates to sex. Controversial,<br />
but correct.<br />
Thirdly, something less<br />
jarring: Energy-efficiency and<br />
‘Green’ Enterprises. Federal and<br />
state governments and utilities are<br />
providing much sponsorship and<br />
direction toward energy-, water-<br />
and vital-resource-conservation<br />
and management. The writer is<br />
personally involved in this industry<br />
and sees a very bright future ahead.<br />
Taxes, taxes, taxes. The<br />
‘Tax Man’ isn’t going away. If<br />
anything, he’s become more<br />
emboldened. Taxes will be a<br />
decisive factor in society for the<br />
remainder of human civilization. If<br />
you can provide value in that arena<br />
to help people ‘You-Know-What’,<br />
you can’t go wrong.<br />
Seen a fight lately? Of<br />
course you have. We live in a<br />
conflicted, licentious society.<br />
People are always disputing various<br />
things. One option that has gained in<br />
popularity in business and medical<br />
industry circles is mediation. It’s<br />
a more efficient way of resolving<br />
disputes. That said, I think that<br />
other professionals that can get<br />
people through difficult challenges<br />
(For example, Marriage and Family<br />
Counselors, Nutritionists and other<br />
Consultants) will have a promising<br />
future. The benefit to this service<br />
is the savings in time, money<br />
and aggravation your clients will<br />
experience compared to dealing<br />
with lawyers and trials.<br />
And now for the bonus;<br />
The Sixth, as promised. The<br />
Sixth resides within you. By far,<br />
the road to riches in America is a<br />
wonderfully-executed, brilliant idea<br />
that sees the light of day. America<br />
is in the business of business. So
if your life’s passion leads you to<br />
discover some incredibly different<br />
way to achieve some relevant and<br />
worthwhile objective, then DO IT.<br />
And don’t look back.<br />
No matter what you do, I<br />
will share a few things that my 20s<br />
have taught me. I made some major<br />
bone-head no-no’s in my career path,<br />
so I plead humility on every count.<br />
But I learned from those errors<br />
and turned stumbling blocks into<br />
stepping stones. I recommend it.<br />
I also recommend reading<br />
The Alchemist by Paulo Coelho.<br />
It’s a wonderful story about -- you<br />
know what? Just read it.<br />
Jewelry designer and fashion<br />
columnist Sabrina Azadi inspired<br />
by her love of antique crystal<br />
doorknobs has created the Freedom<br />
by Sabrina Azadi jewelry line.<br />
The sparkling Austrian<br />
crystals set against contrasting<br />
leather cords expressing a distinct<br />
organic style that’s fresh and<br />
minimalist, yet sophisticated with<br />
an edge. “Wearing crystals make<br />
me feel powerful, it’s as if they are<br />
somehow magical,” she says.<br />
Each eye catching jewelry<br />
collection is named after a place<br />
that she loves, collections include:<br />
St. Barts, South Beach, Malibu and<br />
Crystal Cove. She also believes<br />
Finally, learn about<br />
yourself. Focus on your strengths<br />
and work to develop them. I took<br />
a strengths-inventory survey in<br />
one of my college classes and after<br />
learning my strengths, my state<br />
of mind has constantly gravitated<br />
toward positivity and confidence.<br />
It’s always about what I CAN<br />
do with what I have, rather than<br />
what I CANNOT achieve because<br />
of what I lack. As the righteous<br />
Lao Tzu said, “Knowing others is<br />
intelligence; knowing yourself is<br />
true wisdom. Mastering others is<br />
strength; mastering yourself is true<br />
power.” Nosce te Ipsum!<br />
“Freedom” A Unique Line<br />
Of Jewelry<br />
If it’s a framework you<br />
need to retain the gems I impart, I<br />
offer one here: Research, Respond,<br />
and Resonate. Research: Do your<br />
homework, especially on yourself<br />
and WHO you are (Not just WHAT<br />
you are.). Respond: Be True to<br />
yourself and others. Respond is<br />
the root of ‘Responsibility’. And<br />
finally, Resonate: Make sure that<br />
what you do resonates with your<br />
true inner core. You owe it to<br />
yourself and society to maintain<br />
concordance between your inner<br />
direction and outer machinations.<br />
Onward and Upward!<br />
that when it comes to jewelry, “you<br />
must wear the piece and not let it<br />
wear you.” This is why her jewelry<br />
can be worn with an elegant cocktail<br />
dress or a pair of jeans.<br />
Sabrina was born in Iran,<br />
raised and educated in London. She<br />
has also lived in Miami where she<br />
worked as an editor for a fashion<br />
magazine. She now lives in Orange<br />
County with her husband. Her last<br />
name “Azadi” means freedom in<br />
Farsi.<br />
To see the Freedom<br />
collection please visit Azadi’s<br />
website: www.SabrinaAzadi.com<br />
31<br />
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32<br />
Rap, Torah, Rumi<br />
What do they have in common?<br />
By: Mahbod Moghadam*<br />
“Although rap music creates a lot of problems - teaching violence,<br />
promoting gangs, etc. - perhaps it is useful as a way of getting young<br />
people to explore the Torah. Start with rap, work your way towards<br />
the Torah, and follow if with some poetry by Rumi!”<br />
About a year ago, Shofar<br />
Magazine broke the story<br />
that a new website called “Rap<br />
Exegesis” claimed to be the Talmud<br />
of Rap Music. Thankfully, Shofar<br />
Magazine called these hooligans<br />
out for their insult to Judaism and<br />
forced them to change their name to<br />
Rap Genius (http://rapgenius.com).<br />
Although rap music and the Torah<br />
have a lot in common (both advocate<br />
violence, both involve gangs, etc...)<br />
they both also have nice things about<br />
them too! They foster community<br />
building, they celebrate poetry...<br />
However, the Torah is still<br />
wayyyy cooler than Rap.<br />
That’s why the editors<br />
of Rap Genius have decided to<br />
explain the Torah on Rap Genius!<br />
You can check out the first chapter<br />
of Genesis, already explained:<br />
http://rapgenius.com/lyrics/Moses/<br />
Genesis-chapter-1.<br />
Apparently, the Rap Genius<br />
editors went on Birthright Israel this<br />
summer or something like that...<br />
Because they also decided to make a<br />
map of the history of Judaism called<br />
“The Jew Map” (http://thejewmap.<br />
com). The Jew Map was inspired<br />
by the “Rap Map” (http://map.<br />
rapgenius.com), which is a Google<br />
Map showing the history of rap<br />
music.<br />
(photo of Shyne’s pilgrimage to Jerusalem after converting to Judaism in prison from<br />
http://www.vosizneias.com/wp-content/uploads/2010/11/shyne5-512x268.jpg)<br />
Although rap music creates a lot<br />
of problems - teaching violence,<br />
promoting gangs, etc. - perhaps it<br />
is useful as a way of getting young<br />
people to explore the Torah. Start<br />
with rap, work your way towards<br />
the Torah.<br />
Then again, maybe rap<br />
music and Judaism are not so far<br />
apart to begin with! (Isn’t Judaism<br />
really just a big gang?) Jerry Heller<br />
- the original agent who made Dr<br />
Dre and Ice Cube famous - was<br />
(you guessed it!) JEWISH! Drake<br />
- one of the most popular rappers<br />
right now - is (half) JEWISH!<br />
Even the rapper Shyne<br />
converted to Judaism after studying<br />
Kabbalah for three years (during<br />
his prison sentence for attempted<br />
murder.. but whatever, better than<br />
nothing..)<br />
Maybe these Rap Genius<br />
kids need some meditation and<br />
mysticism to wake them up from<br />
their stupor. Luckily, they are also<br />
beginning to explain poetry on their<br />
site, including the poems of Rumi,<br />
the great Sufi mystic/Persian poet.<br />
Check it out!<br />
PERSIAN MOMS: They<br />
need your help explaining the<br />
Rumi, and the nice part of Rap<br />
Genius is that anyone can add<br />
explanations. Please help these<br />
children learn some manners and<br />
gain some perspective. Shofar<br />
Magazine sincerely hopes these<br />
talented, confused children will<br />
become aghebat bekheir in the end.<br />
(To quote the Book of Ecclesiastes:<br />
“This too shall pass...”)<br />
*Mahbod Moghadam is a Persian<br />
Lawyer in California, and co founder<br />
of Rapgenius.com.
Alice Dancing Under<br />
the Gallows<br />
By: Sanam Shamtobi*<br />
“In a time when genocide is still a reality, Alice’s protest that “hatred only brings<br />
hatred” is an ever-relevant message whose power cannot be underestimated.”<br />
It is possible that in the last few<br />
weeks, you received an email<br />
with a video about the oldest living<br />
holocaust survivor. As you clicked<br />
the link, you may have thought, “I’ve<br />
seen enough of these documentaries<br />
to know what’s coming,” and from<br />
the first moment is started, you<br />
realized that this is something<br />
different. Alice Herz-Sommer, at<br />
almost 106 years old, is sitting in<br />
her London flat, simply beaming<br />
about the “phenomenal” power of<br />
Beethoven, concluding that “Music<br />
is G-d,” and declaring, “Everyday<br />
in life is beautiful.”<br />
By 1942, Alice had gained<br />
a notable reputation as a concert<br />
pianist, often playing with the<br />
Czech Philharmonic as a featured<br />
soloist. She was happily married,<br />
had a son named Raffi and enjoyed<br />
the company of family friends<br />
such as Franz Kafka and Gustav<br />
Mahler. That same year, Alice was<br />
imprisoned in the Theresienstadt<br />
concentration camp, where she<br />
would continue playing piano, as<br />
part of the Nazi agenda to deceive<br />
the international community and<br />
show how “well” the Jews were<br />
doing under Nazi rule. As Alice<br />
sees it, she was kept alive because<br />
of the power of music.<br />
After her liberation, Alice<br />
sought refuge in Israel and remained<br />
fiercely devoted to teaching and<br />
playing piano as well as inspiring<br />
her son to a career as a successful<br />
cellist. Upon turning 100, she<br />
moved to England to be close<br />
to her family, but tragedy struck<br />
when Raffi suddenly passed away.<br />
With such immense sadness and<br />
grief, Alice again found a means of<br />
survival in her music as it gave her<br />
space to mourn, reason, and heal.<br />
The documentary “Alice<br />
Dancing Under the Gallows,” is an<br />
outstanding piece that offers any<br />
human being a moment of escape<br />
into the mind of a woman who<br />
refuses to hate. Even today, after all<br />
the time Alice has had to reflect on<br />
her history, her ultimate conclusion<br />
is that she is “richer than other<br />
people.” Interview after interview<br />
reveals how Alice’s music was not<br />
only a personal source of comfort,<br />
but “moral support” for the other<br />
prisoners at Theresienstadt,<br />
allowing them to feel “magic” if<br />
only for a few moments. Nearly<br />
65 years later, Alice maintains her<br />
ability to captivate and enchant<br />
an audience as she unwaveringly<br />
glows with a devotion to optimism,<br />
beauty, passion and the divinity of<br />
allowing music, but above all else,<br />
love into our hearts.<br />
In a time when genocide<br />
is still a reality, Alice’s protest<br />
that “hatred only brings hatred” is<br />
an ever-relevant message whose<br />
power cannot be underestimated.<br />
With the collection of Holocaust<br />
testimonials that we have at our<br />
disposal and the immense suffering<br />
that man in general has endured, the<br />
stories of extreme heartache and<br />
torment should have been enough to<br />
prevent malice to exist on any level.<br />
Perhaps the steadfastly profound<br />
Alice, reassuring us that life and<br />
our fellow men are truly beautiful<br />
will help us learn this lesson a bit<br />
better.<br />
The film is directed by<br />
Oscar winning director Malcolm<br />
Clarke and produced by Caroline<br />
Stoessinger, Nick Reed, Chris<br />
Branch, Larry Abramson and<br />
Jasmine Daghighian. For more<br />
information on the film visit: www.<br />
nickreedent.com<br />
*Sanam Shamtobi received her BA in<br />
English Literature and Art History from<br />
USC in June 2010.<br />
She is currently pursuing a PhD in<br />
Clinical Psychology and fulfilling her<br />
dream of going to cooking school.<br />
33<br />
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34<br />
Dear sisters,<br />
I am a young man starting my<br />
career in a law firm. Even though<br />
I feel confident of my abilities,<br />
I find myself unable to sleep at<br />
night due to worries about my job<br />
and my future. My friend told me<br />
about the Eastern Philosophy of<br />
Zen meditation and recommended<br />
I start taking special Meditation<br />
classes to teach me to relax. Can<br />
you please explain to me what Zen<br />
is all about and how it can benefit<br />
me at this time in my life?<br />
Thank you<br />
=======================<br />
Dear anxious young attorney:<br />
Zen and Eastern Philosophy tries<br />
to bring home this obvious point:<br />
that life does not exist anywhere<br />
else but at this very second, called<br />
the Present Moment. The past is<br />
only a day-dream of our mind, and<br />
the potential future is nothing but a<br />
story we have made up, a fantasy of<br />
sorts.<br />
While we all understand<br />
this fact with our logical minds, we<br />
live our daily life carrying with us<br />
self-made stories of the past and<br />
Dear Sisters<br />
“Dear Sisters” is a new section in Shofar Magazine written by Dr. Dorit Halavy Miller and Dr. Farnaz<br />
Halavy Galdjie, Licensed Clinical Psychologists. Please e-mail your questions to Dorit@talktherapy911.<br />
com. This page is not intended for making final decisions, and is not a substitute for therapy. For further<br />
guidance, please contact your mental health professional.<br />
made-up stories of the future. If we<br />
get confronted with this dilemma,<br />
we might say: “yes, it is true that the<br />
past is only our version of events<br />
passed, and the future is nothing but<br />
our stories of potential events in the<br />
future, and that both have no reality<br />
in the present. BUT, we must learn<br />
from our past so that we can create<br />
the most desired life for ourselves<br />
and our loved ones in the future.”<br />
That is how we all live our life from<br />
day to day; Learning from our past<br />
and projecting our lessons into the<br />
future. Trying desperately to avoid<br />
the “bad” and searching frantically<br />
to create more of the “good” stuff<br />
in our lives.<br />
Zen practice does not<br />
advocate for us to stop doing that.<br />
Our survival depends on doing<br />
exactly that. The problem is that<br />
when we do this automatically and<br />
without awareness, we forget and<br />
fail to see that the ONLY thing that is<br />
real is THE PRESENT MOMENT.<br />
This very second, this is the ONLY<br />
dimension in which life is actually<br />
taking place in, goes by us unnoticed<br />
(for the most part). And<br />
since we all agree that the life takes<br />
place ONLY in the NOW, we can<br />
then conclude that most of us miss<br />
out on LIFE (the present moment),<br />
as we obsessively dwell on the past<br />
and worry about the future.<br />
The NOW is swallowed up<br />
when we rehash angry or painful<br />
events from our past and imagine<br />
anxiety provoking scenarios of our<br />
potential future. One can write a<br />
book on all the thoughts which take<br />
place in one’s mind about him/her<br />
past and future; all the anger and rage<br />
and hurts and disappointments with<br />
self and others, the wrong-doings of<br />
self and others and the regrets and<br />
judgments of self and others. All the<br />
projected fears of “what if” this or<br />
that happens. Every possible fear,<br />
from loss of money to loss of health<br />
and love, to eventually, the biggest<br />
loss of all: loss of life.<br />
The only reason we all<br />
do this (without exception) is:<br />
SURVIVAL. We, humans, are hardwired<br />
to be searching continually<br />
for whatever keeps us safe and<br />
secure. More money, more love,<br />
more social acceptance and friends,<br />
the more – the better, or so we think<br />
(unconsciously). The problem is<br />
not that we attempt to secure our<br />
survival, the problem is that we<br />
do so automatically and without<br />
awareness and hence, without limit.
Like a dog which will not stop<br />
eating until it kills him. We too,<br />
follow our instinct to the point of<br />
making ourselves sick, emotionally<br />
and physically. We work and stress<br />
beyond what is healthy. Some<br />
people destroy their families and<br />
take their own life when they lose<br />
money (although they have enough<br />
left to live a good life).<br />
The problem is that while<br />
we obsessively and blindly try to<br />
secure our survival, we miss out<br />
on life as it takes place right here<br />
and right now. While we are busy<br />
rejecting what we don’t like and<br />
frantically searching for what we do<br />
– life is unfolding and passing by us<br />
; in its own shape or form; whether<br />
we like it or not. Your life is what<br />
it is right now – right at this very<br />
moment – including all that you do<br />
like or all that you don’t, all that you<br />
do accept and all that you reject.<br />
And if you are not aware and awake<br />
enough to experience it – you will<br />
simply miss out on your life!<br />
So try and train your mind<br />
to become more mindful of itself.<br />
Try to remind yourself to interrupt<br />
the continuous chatter of your mind<br />
whenever possible and simply watch<br />
your mind. Become alert and awake<br />
of all that is taking place right now,<br />
including your thoughts and feelings.<br />
Instead of getting lost in your<br />
stories, observe them. See them for<br />
what they are: stories. You cannot<br />
stop your mind from spinning tales<br />
of the past and the future, but you<br />
can become an observant of them,<br />
rather than getting lost in them.<br />
This way, your stories will have less<br />
emotional charge on your physical<br />
being. This way, you will, in time,<br />
learn to become quiet enough inside<br />
of your mind so that you can take in<br />
all the joy and pleasures that life is<br />
offering you every day.<br />
A Poem By Rumi<br />
Not Christian or Jew or Muslim,<br />
Not Hindu, Buddhist, Sufi, or Zen.<br />
Not any Religion or Cultural System.<br />
I am Not from the East or the West,<br />
Not out of the Ocean or up from the Ground,<br />
Not Natural or Ethereal,<br />
Not composed of Elements at All.<br />
I do not Exist, am not an Entity<br />
in this World or the Next,<br />
did not descend from Adam and Eve<br />
Or any Origin Story.<br />
My place is placeless,<br />
A trace of the traceless.<br />
Neither Body or Soul.<br />
I belong to the Beloved,<br />
I have seen the two Worlds as One,<br />
and that One call to and Know,<br />
First, Last, Outer, Inner,<br />
Only that breath-breathing<br />
HUMAN BEING. RUMI<br />
35<br />
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36<br />
The Chosen Taco!<br />
By: Tannaz Sassooni*<br />
“Offering a fusion of two of LA’s most quintessential ethnic cuisines<br />
‘Mexican and Jewish” Takosher deliciously fills a neglected niche in the<br />
food truck scene.”<br />
An exciting trend has taken<br />
over the Los Angeles food<br />
scene, and most everyone’s getting<br />
involved. At lunchtime, dinnertime,<br />
and especially late at night, on the<br />
busiest pedestrian streets of the<br />
city, you’ll find long lines of people<br />
eagerly waiting their turn to taste<br />
the flavor explosions on offer at a<br />
variety of food trucks. The food is<br />
part of the draw, but just as important<br />
is the fun factor: food trucks force<br />
us out of the isolation of our cars<br />
and give us a rare opportunity to<br />
socialize with our city’s diverse<br />
citizenry. You may not hang out in<br />
the same places as the people in line<br />
with to you, you may even live in<br />
completely different parts of town.<br />
But you find yourself bonding over<br />
the delicious treats that await you --<br />
after all, everyone can appreciate a<br />
Korean fusion burrito, Vietnamese<br />
spring rolls hot out of the fryer,<br />
or sweet potato fries topped with<br />
tomatillo chicken, right?<br />
Well, not exactly everyone.<br />
The sizable number of Angelenos<br />
who maintain a kosher diet can’t<br />
join in the fun, with trucks offering<br />
menu items like Korean spicy pork<br />
burritos or cheeseburger dumplings.<br />
Enter Takosher, the nation’s first<br />
glatt kosher taco truck. Offering<br />
a fusion of two of LA’s most<br />
quintessential ethnic cuisines -<br />
- Mexican and Jewish -- Takosher<br />
deliciously fills a neglected niche in<br />
the food truck scene.<br />
But what is a Jewish-<br />
Mexican fusion taco? The best<br />
example might be the brisketaco.<br />
At first glance, it looks totally<br />
authentic: shredded meat in small<br />
lightly grilled corn tortillas topped<br />
with chopped onions and cilantro,<br />
and it even riffs off the traditional<br />
suadero taco, which also features<br />
brisket. But the flavors here are<br />
pure Ashkenazi family dinner. Slow<br />
braised in a sauce of chili, raisins,<br />
and sauerkraut, the tender meat is<br />
sweet and tangy.<br />
Another unorthodox option<br />
is the latketaco. While you can<br />
occasionally find potato tacos at<br />
Mexican taquerías around town,<br />
Takosher packs theirs with crispy<br />
potato mini-fritters, and tops them<br />
with an apple jalapeño chutney,<br />
demonstrating how well the flavors<br />
of a traditional Hanukkah favorite<br />
can satisfy anyone’s late-night<br />
hankering for salty, sweet, and<br />
fried.<br />
Carne asada, citruschipotle<br />
chicken (cheekily called<br />
“The Chosen Chicken”), and the<br />
“Fujita” -- tofu prepared fajitastyle<br />
-- round out the taco selection.<br />
Though there’s no cheese or sour<br />
cream to be found at this taco truck,<br />
Takosher keeps things bright with<br />
fresh homemade salsas and a crisp<br />
jicama cucumber slaw. They also<br />
feature a selection of kosher sodas.
While Takosher takes<br />
its glatt kosher certification<br />
very seriously, it maintains that<br />
sense of playful irreverence that<br />
typifies LA’s gourmet food trucks,<br />
demonstrated here by the slightly<br />
tweaked catchphrases splashed<br />
across the bright blue truck: “The<br />
Chosen Taco”, and “Why Is This<br />
Taco Different From All Other<br />
Tacos?” But, as anyone who<br />
keeps kosher knows all too well,<br />
dining at kosher restaurants comes<br />
at a premium, and Takosher is no<br />
different. Paying $3.50 for a taco<br />
may come as a shock to those used to<br />
the rock-bottom prices at traditional<br />
taco trucks, but kosher certification<br />
and kosher ingredients are costly,<br />
and Takosher’s commitment to<br />
high-quality ingredients and unique<br />
recipes help to justify a larger<br />
pricetag. After all, you can’t expect<br />
the Chosen Taco to come cheap.<br />
Takosher’s commitment to<br />
kashrut goes beyond the letter of the<br />
dietary laws. According to Lowell<br />
Bernstein, one of the owners,<br />
“Takosher really focuses on eating<br />
with purpose, using food as a conduit<br />
or tool not only to nourish ourselves<br />
physically and emotionally, but to<br />
nourish our sense of community.”<br />
And it goes beyond just food. “We<br />
recycle, we donate food, we work<br />
with non-profit organizations, we<br />
are working to develop relationships<br />
with schools.” Bernstein, along<br />
with owners Moises Baqueiro and<br />
Chris Martin, strive to run their<br />
company with ‘fitness’, the literal<br />
translation of kashrut, in mind.<br />
“We respect what we create and<br />
who creates it. We go the extra mile<br />
to create a cohesive and pleasant<br />
work environment for all of our<br />
team members. We purchase local<br />
whenever possible.”<br />
You can find the truck<br />
all over town: serving the late<br />
night post-Shabbat crowd in Pico-<br />
Robertson on a Saturday night, at<br />
Jewish and non-Jewish events, and<br />
at private parties (don’t you wish<br />
you had a taco truck at your Bar<br />
Mitzvah?). Track the Takosher<br />
schedule at www.takosher.com.<br />
*Tannaz Sassooni is a freelance<br />
writer, currently working on an<br />
Iranian Jewish cookbook. She<br />
works as a technical director at<br />
Dream Works Animation.<br />
37<br />
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38<br />
Book Review:<br />
Briefly Noted<br />
By: Mojgan Moghadam Rahbar<br />
Bone Worship, by Elizabeth<br />
Eslami (Pegasus; $15.95). In her<br />
debut novel, Iranian American<br />
author Eslami writes about her life<br />
and experiences as the daughter of<br />
an American mother and Iranian<br />
father. Jasmin Fahroodi returns<br />
home after spending four years at<br />
a top American university without<br />
graduating, due to her failing<br />
grades. Throughout her childhood<br />
and in college she has found it<br />
hard to make friends and express<br />
herself. Jasmin believes that most<br />
of this awkwardness is because of<br />
her father’s discomfited behavior<br />
which she believes extends from his<br />
cultural background. Dr. Fahroodi<br />
enjoys a certain amount of respect<br />
from his patients and colleagues at<br />
the small town where he practices<br />
medicine, but he is not able to make<br />
friends with any of his associates no<br />
matter what country they are from.<br />
Jasmin’s brother has left the family<br />
in pursuit of his own dreams which<br />
did not meet with their father’s<br />
stern conviction that he should<br />
study to become a doctor. Upon<br />
returning home her father believes<br />
that the only path open to her, after<br />
failing school and choosing not to<br />
pursue medicine, is to get married.<br />
So, he goes in a serious search for<br />
Khastegars who would date and<br />
perhaps marry his daughter. The<br />
relationship between Jasmin and<br />
her father is full of ambiguity and<br />
she believes that her father’s lack of<br />
affection stems from his different<br />
culture. Dr. Fahroodi does not like<br />
to talk about his days in Iran or<br />
his family so it is even harder for<br />
Jasmin to understand him. This is<br />
perhaps why she believes that all<br />
the strange behaviors that her father<br />
shows are because of his Iranian<br />
culture. There are some parts of<br />
the book that make it hard for an<br />
Iranian to identify with Jasmin or<br />
her father. For example, one of her<br />
Iranian khastegars is named Omar.<br />
As far as I know Iranians are not too<br />
fond of Omar in a historical sense<br />
and there is no way that any Iranian<br />
would call their son by that name.<br />
So, sometimes it is hard to believe<br />
if the book is representing a true<br />
Iranian American conflict or just a<br />
limited perception of one individual<br />
who cannot explain the strangeness<br />
of her father and the only reason<br />
she can come up with is that he was<br />
born and raised in another country.<br />
Traditions Linger, by Leah R.<br />
Baer PhD (Mazda Publishers;<br />
$35). As an American Jew, Baer<br />
was very interested to know about<br />
the life and traditions of the Iranian<br />
Jewry while studying in a special<br />
exchange program at Ferdowsi<br />
University in Mashhad, Iran in the<br />
summer of 1978. She was surprised<br />
to find how different the cultural and<br />
traditional beliefs and ceremonies<br />
of Iranian Jews were compared to<br />
those of European heritage. These<br />
interests prompted her to research<br />
and write about the history and life<br />
of Iranian Jews in Iran and follow<br />
the cultural changes that have taken<br />
place within this community in<br />
the United States. Baer has done<br />
a wonderful job of explaining the<br />
complicated history of Iranian<br />
Jews in a brief and easy to follow<br />
narrative and describe the sense of<br />
cultural identity that each Iranian<br />
American Jew feels and wants to<br />
hold on to.