Teacher's Guide Cambridge Pre-U MUSIC Available for teaching ...
Teacher's Guide Cambridge Pre-U MUSIC Available for teaching ...
Teacher's Guide Cambridge Pre-U MUSIC Available for teaching ...
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<strong>Cambridge</strong> <strong>Pre</strong>-U Teacher <strong>Guide</strong><br />
The following books are useful as sources of in<strong>for</strong>mation <strong>for</strong> this topic. Some of the brief pamphlets<br />
included may be suitable <strong>for</strong> students to use (e.g. the BBC Music <strong>Guide</strong>s, which, though out of print,<br />
are still relatively easy to obtain), but otherwise this list is intended primarily <strong>for</strong> teachers.<br />
Hutchings, A. J. B. The Baroque Concerto. Faber and Faber 1959 (new edition 1978)<br />
Abraham, G. (ed) Concert Music 1630–1750 (NOHM Vol. VI). OUP 1986<br />
Buelow, G. J. (ed) The Late Baroque Era. Macmillan 1993<br />
Sadie, J. A. (ed) Companion to Baroque Music. Schirmer Books 1991<br />
Drummond, P. The German Concerto. OUP 1980<br />
Talbot, M. Vivaldi (Master Musicians Series). Dent 1978<br />
Everett, P. Vivaldi: The Four Seasons and other Concertos, Op. 8. (<strong>Cambridge</strong> Music<br />
Handbooks). CUP 1996<br />
Talbot, M. Tomaso Albinoni: the Venetian Composer and his World. OUP 1990<br />
Careri, E. Francesco Geminiani. OUP 1993<br />
Burrows, D. Handel (Master Musicians Series). OUP 1994<br />
Burrows, D. (ed) The <strong>Cambridge</strong> Companion to Handel. CUP 1997<br />
Sadie, S. Handel Concertos (BBC Music <strong>Guide</strong>s). BBC 1972<br />
Boyd. M. Bach (Master Musicians Series). 3rd (revised) edition OUP 2007<br />
Boyd, M. Bach: The Brandenburg Concertos (<strong>Cambridge</strong> Music Handbooks).<br />
CUP 1993<br />
Ottenburg, H.-G. Carl Philipp Emanuel Bach. English translation, OUP 1987<br />
Gärtner, H. John Christian Bach: Mozart’s Friend and Mentor. English translation,<br />
Amadeus <strong>Pre</strong>ss 1994<br />
Wyn Jones, D. (ed) Haydn (Ox<strong>for</strong>d Composer Companions). OUP 2002<br />
Landon, H. C. R. (ed) The Mozart Compendium. Thames & Hudson 1990<br />
Landon, H. C. R. &<br />
Mitchell, D. (eds) The Mozart Companion. Faber and Faber 1956<br />
Eisen, C. &<br />
Hutchings, A. J. B. A Companion to Mozart’s Piano Concertos. OUP 1998<br />
Irving, J. Mozart’s Piano Concertos. Ashgate 2003<br />
Radcliffe, P. Mozart Piano Concertos (BBC Music <strong>Guide</strong>s). BBC 1978<br />
Zazlaw, N. Mozart’s Piano Concertos: Text, Context, Interpretation. University of<br />
Michigan <strong>Pre</strong>ss 1995<br />
Hyatt King, A. Mozart Wind and String Concertos (BBC Music <strong>Guide</strong>s). BBC 1978<br />
Lawson, C. Mozart: Clarinet Concerto (<strong>Cambridge</strong> Music Handbooks). CUP 1999<br />
Cooper, B. (ed) The Beethoven Compendium. Thames & Hudson 1991<br />
Arnold, D. &<br />
Fortune, N. (eds) The Beethoven Companion. Faber and Faber 1971<br />
Fiske, R. Beethoven Concertos and Overtures (BBC Music <strong>Guide</strong>s). BBC 1970<br />
Stowell, R. Beethoven Violin Concerto (<strong>Cambridge</strong> Music Handbooks). CUP 1998<br />
Plantinga, L. Beethoven’s Concertos: History, Style, Per<strong>for</strong>mance. Norton 1999<br />
The examination question <strong>for</strong> Topic A will present candidates with a recording that includes two<br />
per<strong>for</strong>mances of an extract from the same work. Candidates must write a brief commentary that<br />
compares the two per<strong>for</strong>mances: the question will guide them to the issues they are expected<br />
to consider. The per<strong>for</strong>mances selected by the examiners will be sufficiently different to make it<br />
possible <strong>for</strong> candidates of all abilities to find relevant matters to write about. For example, one<br />
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