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M3 XPanded Parameter Guide - Korg

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20<br />

Program mode<br />

inverse of the diagram above. EG Sustain works differently;<br />

if it’s set to a negative value, Tone Adjust takes it from 0<br />

down to the programmed value, and then up to +99, as<br />

shown below.<br />

Relative Tone Adjust parameter scaling: EG Sustain<br />

99<br />

<strong>Parameter</strong><br />

Value<br />

00<br />

As Programmed<br />

–99<br />

–99 0<br />

+99<br />

Relative Tone Adjust Value<br />

Meta parameters don’t affect Program parameters directly.<br />

Instead, they affect the way that other Tone Adjust<br />

parameters work. For instance, Multisample Min # and<br />

Max # set the minimum and maximum values of the Tone<br />

Adjust Multisample parameter.<br />

Saving Tone Adjust Edits<br />

Tone Adjust edits are saved in two different ways,<br />

depending on whether the parameter is Relative or<br />

Absolute. (For more information, please see “Absolute<br />

(Abs), Relative (Rel), Meta parameter,” below.)<br />

Edits to Relative parameters affect the sound immediately,<br />

but don’t change the underlying Program parameter<br />

settings until the Program is saved. When the Program is<br />

saved, the <strong>M3</strong> calculates the combined effects of Tone Adjust<br />

and dedicated CC modulation (from the Real Time Sliders,<br />

for instance), and saves the results into the Program<br />

parameters directly. At that point, all of the Relative<br />

parameters are reset to 0.<br />

Edits to Absolute parameters are immediately reflected in<br />

the corresponding on-screen parameters, and vice-versa.<br />

Tone Adjust and MIDI SysEx<br />

The Tone Adjust sliders, and switches all send and receive<br />

MIDI System Exclusive messages. You can use this to record<br />

and play back Tone Adjust edits with a sequencer, including<br />

the built-in sequencer.<br />

Note: The SysEx messages are tied to the physical controls,<br />

and not to the functions to which they are assigned. For<br />

instance, let’s say that slider 1 is assigned to control Filter<br />

Resonance, and that you move slider 1 while recording into<br />

a sequencer. The sequencer will record that slider 1 has<br />

moved, and not that Filter Resonance has changed. If you<br />

later change slider 1 to control LFO1 Speed, playing back the<br />

sequence will affect the LFO, and not Filter Resonance.<br />

Interaction between Tone Adjust and MIDI CCs<br />

A number of the Common Tone Adjust parameters affect<br />

parameters which are also modulated by dedicated MIDI<br />

CCs. The specific CC numbers are noted in the descriptions<br />

for the individual Tone Adjust parameters. For more<br />

information, please see “Tone Adjust <strong>Parameter</strong>s” on<br />

page 22.<br />

Tone Adjust and the CCs work separately. It’s possible, for<br />

instance, for Tone Adjust to reduce the value of a parameter,<br />

and then for a CC to increase it again.<br />

Tone Adjust scales the parameter first, and then the CC<br />

scales the result of the Tone Adjust.<br />

0–8g: Tone Adjust<br />

Selected parameter information<br />

This status line shows detailed, read-only information about<br />

the currently selected Tone Adjust parameter.<br />

Control Assignment Value Type Stored Value<br />

Control [SW1...8, SL1...8]<br />

This is the physical controller assigned to the Tone Adjust<br />

parameter.<br />

SW: Switch<br />

SL: Slider<br />

Assignment<br />

This shows the full name of the parameter assigned to the<br />

controller. You can change this using the Assign parameter,<br />

below.<br />

Value<br />

This shows the current value of the parameter. The range of<br />

values will vary depending on the parameter assigned to the<br />

control.<br />

Type [Rel, Abs, Meta]<br />

This shows the type of the parameter, which relates to how<br />

edits to the parameter are saved. For more information,<br />

please see “Absolute (Abs), Relative (Rel), Meta parameter”<br />

on page 19.<br />

Stored Value<br />

This shows the original value of the parameter, before the<br />

effects of Tone Adjust. It applies only to Tone Adjust<br />

parameters which control a single Program parameter.<br />

If you un-assign a Relative parameter from a control, it will<br />

revert to this value.<br />

Switches 1...8<br />

Tone Adjust switches act a little differently than sliders.<br />

When a switch is assigned to a Relative parameter, or an<br />

Absolute parameter with more than two states:<br />

Switch On = On Value (see below)<br />

Switch Off = the Program’s stored value<br />

When a switch is assigned to a two-state Absolute<br />

parameter, such as Hold, the switch status directly reflects<br />

the parameter value:<br />

Switch On = On<br />

Switch Off = Off<br />

Assign<br />

On/Off<br />

Value<br />

Assign<br />

This lets you assign a Tone Adjust parameter to the switch.<br />

For a full list of the available choices, please see “Common<br />

Tone Adjust <strong>Parameter</strong>s” and “Tone Adjust <strong>Parameter</strong>s,”<br />

below.<br />

On Value [Depends on parameter]<br />

The parameter is set to this value when the switch is On.

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