M3 XPanded Parameter Guide - Korg

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vi SEQ P11: Cue List. . . . . . . . . . . . . . . . . . . . . . . . . . . 278 11–1: Cue List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .278 Sequencer: Menu Command . . . . . . . . . . . . . . . 280 System Exclusive events supported in Sequencer mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311 Sampling mode. . . . . . . . . . . . . . .313 Sampling Overview . . . . . . . . . . . . . . . . . . . . . . . . 313 Sampling Page Select . . . . . . . . . . . . . . . . . . . . . . 316 Sampling P0: Recording . . . . . . . . . . . . . . . . . . . . 317 0–1: Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .317 0–2: Audio In/Setup . . . . . . . . . . . . . . . . . . . . . . . . . .321 0–3: Preference. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .323 0–4: Memory Status . . . . . . . . . . . . . . . . . . . . . . . . . .324 0–8: Control Surface . . . . . . . . . . . . . . . . . . . . . . . . . .325 Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .326 Mixer Input . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .326 RT Control (Realtime Control) . . . . . . . . . . . . . . . . .327 External . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .328 Sampling P1: Sample Edit . . . . . . . . . . . . . . . . . . 329 1–1: Sample Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . .329 Sampling P2: Loop Edit. . . . . . . . . . . . . . . . . . . . . 331 2–1: Loop Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .331 Sampling P3: Multisample Edit. . . . . . . . . . . . . . 333 3–1: Multisample Edit . . . . . . . . . . . . . . . . . . . . . . . .333 3–2: Preference. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .334 Sampling P4: Controllers . . . . . . . . . . . . . . . . . . . 335 4–1: Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .335 4–7: Pads 1–4 Setup, 4–8: Pads 5–8 Setup . . . . . . . . . . . . . . . . . . . . . . . . . .336 Sampling P5: Audio CD. . . . . . . . . . . . . . . . . . . . . 337 5–1: Ripping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .337 Sampling P8: IFX (Insert Effect). . . . . . . . . . . . . . 339 8–1: Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .339 8–2: Insert FX Setup . . . . . . . . . . . . . . . . . . . . . . . . . .340 8–3: IFX1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .341 8–4: IFX2, 8–5: IFX3, 8–6: IFX4, 8–7: IFX5 . . . . . . .342 8–8: Common FX LFO . . . . . . . . . . . . . . . . . . . . . . . .342 Sampling P9: MFX/TFX . . . . . . . . . . . . . . . . . . . . . 343 9–1: Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .343 9–2: MFX1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .344 9–3: MFX2, 9–4: TFX . . . . . . . . . . . . . . . . . . . . . . . . . .344 Sampling: Menu Command . . . . . . . . . . . . . . . . 345 Global mode . . . . . . . . . . . . . . . . . 371 Global Page Select . . . . . . . . . . . . . . . . . . . . . . . . . .371 Global P0: Basic Setup . . . . . . . . . . . . . . . . . . . . . . .372 0–1: Basic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 372 0–2: System Preference . . . . . . . . . . . . . . . . . . . . . . 374 0–3: Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376 Global P1: MIDI. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .379 1–1: MIDI Basic. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 379 1–2: MIDI Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382 1–3: External Mode 1. . . . . . . . . . . . . . . . . . . . . . . . . 385 1–4: External Mode 2. . . . . . . . . . . . . . . . . . . . . . . . . 386 Global P2: Controllers . . . . . . . . . . . . . . . . . . . . . . .387 2–1: Foot Controllers . . . . . . . . . . . . . . . . . . . . . . . . . 387 2–2: MIDI CC# Assign. . . . . . . . . . . . . . . . . . . . . . . . . 387 Global P3: Scales . . . . . . . . . . . . . . . . . . . . . . . . . . . .389 3–1: Scales. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 389 Global P4: Category . . . . . . . . . . . . . . . . . . . . . . . . .390 4–1: Program Main . . . . . . . . . . . . . . . . . . . . . . . . . . . 390 4–2: Program Sub . . . . . . . . . . . . . . . . . . . . . . . . . . . . 390 4–3: Combination Main, 4–4: Combination Sub, 4–5: KARMA GE Main, 4–6: KARMA GE Sub . . . . 390 Global P5: Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . .391 5–1: Sample Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . 391 5–2: Sample <strong>Parameter</strong>s. . . . . . . . . . . . . . . . . . . . . . 394 5–3: Driver/EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395 5–4: Voice/Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 396 5–8: Velocity Split . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397 Global: Menu Command . . . . . . . . . . . . . . . . . . . .398 Media mode . . . . . . . . . . . . . . . . . 405 Media: File . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .407 0–1: Load . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407 0–2: Save . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408 0–3: Utility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 409 0–4: Make Audio CD . . . . . . . . . . . . . . . . . . . . . . . . . 409 0–5: Play Audio CD. . . . . . . . . . . . . . . . . . . . . . . . . . . 411 0–6: Edit WAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 412 0–7: EX-USB-PCM . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413 0–8: Media Information . . . . . . . . . . . . . . . . . . . . . . 415 Media: Menu Command. . . . . . . . . . . . . . . . . . . . .416
Effect <strong>Guide</strong> . . . . . . . . . . . . . . . . . . 441 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 441 Effects in each mode . . . . . . . . . . . . . . . . . . . . . . . . . 441 Dynamic modulation (Dmod) and Tempo Synchronization. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 442 Common FX LFOs . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443 FX Control Buses . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443 Effect I/O. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 444 Insert Effects (IFX1…IFX5) . . . . . . . . . . . . . . . . . . 446 In/Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .446 Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .447 Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .450 Controlling the Insert Effects via MIDI . . . . . . . . . 451 Master Effects (MFX1, 2) . . . . . . . . . . . . . . . . . . . . 452 In/Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .452 Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .453 Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .455 Controlling the Master Effects via MIDI . . . . . . . . 455 Total Effect (TFX) . . . . . . . . . . . . . . . . . . . . . . . . . . . 456 In/Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .456 Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .456 Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .456 Using MIDI to control the Total Effect . . . . . . . . . 456 Outputs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457 Main Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457 Individual Outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . 457 Effect/Mixer Block Diagrams . . . . . . . . . . . . . . . . 458 Dynamics (Dynamic) . . . . . . . . . . . . . . . . . . . . . . . 461 000: No Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 461 001: Stereo Compressor . . . . . . . . . . . . . . . . . . . . . . 461 002: Stereo Limiter . . . . . . . . . . . . . . . . . . . . . . . . . . . 461 003: Multiband Limiter . . . . . . . . . . . . . . . . . . . . . . . 463 004: St.MasteringLimtr . . . . . . . . . . . . . . . . . . . . . . . 463 005: Stereo Gate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464 EQ and Filters (EQ/Filter). . . . . . . . . . . . . . . . . . . . 465 006: St.Parametric4EQ . . . . . . . . . . . . . . . . . . . . . . . . 465 007: St. Graphic 7EQ . . . . . . . . . . . . . . . . . . . . . . . . . . 465 008: St.Exciter/Enhncr . . . . . . . . . . . . . . . . . . . . . . . . 466 009: Stereo Isolator. . . . . . . . . . . . . . . . . . . . . . . . . . . 467 010: St. Wah/Auto Wah . . . . . . . . . . . . . . . . . . . . . . . 467 011: St. Vintage Wah . . . . . . . . . . . . . . . . . . . . . . . . . 468 012: St. Random Filter . . . . . . . . . . . . . . . . . . . . . . . . 469 013: Multi Mode Filter . . . . . . . . . . . . . . . . . . . . . . . . 470 014: St. Sub Oscillator . . . . . . . . . . . . . . . . . . . . . . . . 470 015: Talking Modulator . . . . . . . . . . . . . . . . . . . . . . . 471 016: Stereo Decimator. . . . . . . . . . . . . . . . . . . . . . . . 472 017: St. Analog Record. . . . . . . . . . . . . . . . . . . . . . . . 472 Overdrive, Amp models, and Mic models (OD Amp Mic) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473 018: OD/Hi.Gain Wah . . . . . . . . . . . . . . . . . . . . . . . . . 473 019: St. Guitar Cabinet. . . . . . . . . . . . . . . . . . . . . . . . 474 020: St. Bass Cabinet. . . . . . . . . . . . . . . . . . . . . . . . . . 474 021: Bass Amp Model. . . . . . . . . . . . . . . . . . . . . . . . . 475 022: Bass Amp+Cabinet . . . . . . . . . . . . . . . . . . . . . . 475 023: Tube PreAmp Model. . . . . . . . . . . . . . . . . . . . . 476 024: St. Tube PreAmp. . . . . . . . . . . . . . . . . . . . . . . . . 477 025: Mic Model+PreAmp . . . . . . . . . . . . . . . . . . . . . 477 Table of Contents Chorus, Flanger, and Phaser (Cho/Fln Phaser)478 026: Stereo Chorus. . . . . . . . . . . . . . . . . . . . . . . . . . . 478 027: St.HarmonicChorus . . . . . . . . . . . . . . . . . . . . . 478 028: St. Biphase Mod. . . . . . . . . . . . . . . . . . . . . . . . . 479 029: Multitap Cho/Delay . . . . . . . . . . . . . . . . . . . . . 480 030: Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 480 031: Polysix Ensemble. . . . . . . . . . . . . . . . . . . . . . . . 481 032: Stereo Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . 481 033: St. Random Flanger . . . . . . . . . . . . . . . . . . . . . 482 034: St. Env. Flanger. . . . . . . . . . . . . . . . . . . . . . . . . . 482 035: Stereo Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . 483 036: St. Random Phaser . . . . . . . . . . . . . . . . . . . . . . 483 037: St. Env. Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . 484 Modulation and Pitch Shift (Mod./P.Shift) . . . 485 038: Stereo Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . 485 039: St. Auto Fade Mod. . . . . . . . . . . . . . . . . . . . . . . 486 040: 2Voice Resonator . . . . . . . . . . . . . . . . . . . . . . . 486 041: Doppler. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487 042: Scratch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 488 043: Grain Shifter . . . . . . . . . . . . . . . . . . . . . . . . . . . . 488 044: Stereo Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . 489 045: St. Env. Tremolo . . . . . . . . . . . . . . . . . . . . . . . . . 490 046: Stereo Auto Pan. . . . . . . . . . . . . . . . . . . . . . . . . 490 047: St. Phaser + Trml . . . . . . . . . . . . . . . . . . . . . . . . 491 048: St. Ring Modulator . . . . . . . . . . . . . . . . . . . . . . 491 049: Detune . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 492 050: Pitch Shifter. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 493 051: Pitch Shifter BPM. . . . . . . . . . . . . . . . . . . . . . . . 493 052: Pitch Shift Mod. . . . . . . . . . . . . . . . . . . . . . . . . . 494 053: Organ Vib/Chorus . . . . . . . . . . . . . . . . . . . . . . . 494 054: Rotary Speaker . . . . . . . . . . . . . . . . . . . . . . . . . . 495 Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 496 055: L/C/R Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 496 056: Stereo/CrossDelay . . . . . . . . . . . . . . . . . . . . . . 496 057: St. Multitap Delay . . . . . . . . . . . . . . . . . . . . . . . 497 058: St. Mod Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . 497 059: St. Dynamic Delay . . . . . . . . . . . . . . . . . . . . . . . 498 060: St. AutoPanningDly . . . . . . . . . . . . . . . . . . . . . 499 061: Tape Echo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 500 062: Auto Reverse. . . . . . . . . . . . . . . . . . . . . . . . . . . . 500 063: Sequence BPM Dly . . . . . . . . . . . . . . . . . . . . . . 501 064: L/C/R BPM Delay . . . . . . . . . . . . . . . . . . . . . . . . 502 065: Stereo BPM Delay . . . . . . . . . . . . . . . . . . . . . . . 502 066: St.BPM Mtap Delay . . . . . . . . . . . . . . . . . . . . . . 503 067: St.BPM Mod. Delay . . . . . . . . . . . . . . . . . . . . . . 503 068: St.BPMAutoPanDly . . . . . . . . . . . . . . . . . . . . . . 504 069: Tape Echo BPM . . . . . . . . . . . . . . . . . . . . . . . . . 505 Reverb and Early Reflections (Reverb ER) . . . . 506 070: Reverb Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 506 071: Reverb SmoothHall. . . . . . . . . . . . . . . . . . . . . . 506 072: Reverb Wet Plate . . . . . . . . . . . . . . . . . . . . . . . . 506 073: Reverb Dry Plate . . . . . . . . . . . . . . . . . . . . . . . . 506 074: Reverb Room . . . . . . . . . . . . . . . . . . . . . . . . . . . 506 075: Reverb BrightRoom . . . . . . . . . . . . . . . . . . . . . 506 076: Early Reflections . . . . . . . . . . . . . . . . . . . . . . . . 507 Mono-Mono Serial (Mono-Mono) . . . . . . . . . . . 508 077: P4EQ - Exciter . . . . . . . . . . . . . . . . . . . . . . . . . . . 508 078: P4EQ - Wah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 508 079: P4EQ - Cho/Flng . . . . . . . . . . . . . . . . . . . . . . . . 509 080: P4EQ - Phaser . . . . . . . . . . . . . . . . . . . . . . . . . . . 509 vii
Page 1 and 2: E 6
Page 3 and 4: Table of Contents Program mode . .
Page 5: Sequencer mode . . . . . . . . . .
Page 9 and 10: KARMA GE guide . . . . . . . . . .
Page 11 and 12: PROG Page Select • Press the MODE
Page 13 and 14: Bank/Program Select menu: 1. Press
Page 15 and 16: 2. Specify how you want the KARMA c
Page 17 and 18: 0-6b: CCs/Notes Graphic KARMA Modul
Page 19 and 20: Note: If the EXB-FW option is insta
Page 21 and 22: default setting. For more informati
Page 23 and 24: If you connect a USB device to the
Page 25 and 26: 0-8b: Control Assign Control Assign
Page 27 and 28: Audio Play/Mute: MIX PLAY/MUTE 1...
Page 29 and 30: CC# Assign [Off, 000...119] This re
Page 31 and 32: When the switch is assigned to a tw
Page 33 and 34: Start Offset. (0...8, Absolute) Thi
Page 35 and 36: PROG P1: Basic/DT/Ctrls (Basic/Drum
Page 37 and 38: 1-2: Key Zone/Scale 1-2a 1-2b Here
Page 39 and 40: PROG P1: Basic/DT/Ctrls (Basic/Drum
Page 41 and 42: 2a). For more information, please s
Page 43 and 44: OSC1 Center Volume [0, 25, 50, 75,
Page 45 and 46: 1-6: Controllers Setup 1-6a 1-6b He
Page 47 and 48: PROG P2: OSC/Pitch These pages cont
Page 49 and 50: Layer means that the two Multisampl
Page 51 and 52: • You can set an initial positive
Page 53 and 54: damper pedal, and then press a key,
Page 55 and 56: Slope [0L (Linear), 1...9, 10E (Exp
Page 57 and 58:
PROG P3-1: Filter1 Filtering can ma
Page 59 and 60:
▼3-1-1: Menu Command • 0: Write
Page 61 and 62:
Page 63 and 64:
3-1-4: LFO Mod. (Modulation) LFO1,
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Decay [00...99] This sets the time
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PROG P3-2: Filter2 3-2-1: Filter2 T
Page 69 and 70:
4-1c: Pan Pan [Random, L001...C064.
Page 71 and 72:
4-2b: Amp Modulation You can modula
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Amp EG Curve Different curve settin
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4-8: EQ 4-5a This three-band EQ, wi
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frequencies. If it emphasizes the l
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5-8: Common LFO 5-8a 5-8b 5-8c This
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For a list of AMS sources, please s
Page 83 and 84:
AMS Mixer Shape examples +99 0 -99
Page 85 and 86:
6-2: OSC1 AMS Mix2 This is the seco
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PROG P7: KARMA These pages let you
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7-1-3: MIDI Filter 7-1 -3a 7-1 -3b
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Page 93 and 94:
0: Random: A different phrase will
Page 95 and 96:
7-1-7: Control 7-1 -7a Here you can
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synchronization with the MIDI clock
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7-1-8: Trigger 7-1 -8a Here you can
Page 101 and 102:
PROG P7-2: KARMA 2 7-2-1: GE RTP (G
Page 103 and 104:
Max (Max Value) [-8192...+8191] Thi
Page 105 and 106:
Transpose Out Thru [-0036...+0036]
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7-2-4: Names 7-2 -4a 7-2 -4b Here y
Page 109 and 110:
PROG P8: IFX (Insert Effect) These
Page 111 and 112:
Effects must be chained in ascendin
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8-8: Common FX LFO 8-8a 8-8b The tw
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TFX On/Off [Off, On] This turns tot
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Program: Menu Command ENTER + 0-9:
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Select Bank & Sample No. Select Sam
Page 121 and 122:
Sampling multiple sources simultane
Page 123 and 124:
Copy Drum Track Copy Drum Track is
Page 125 and 126:
Copy KARMA Module Copy KARMA Module
Page 127 and 128:
Capture Random Seed Capture Random
Page 129 and 130:
Swap Insert Effect Swap Insert Effe
Page 131 and 132:
COMBI Page Select • Press the MOD
Page 133 and 134:
Bank/Combination Select menu Tab Sc
Page 135 and 136:
Using the control surface to make t
Page 137 and 138:
0-5: KARMA GE 0-5a 0-5b This page g
Page 139 and 140:
Module & GE Name This indicates the
Page 141 and 142:
example, you could create and store
Page 143 and 144:
0-8b: Control Assign Control Assign
Page 145 and 146:
RT Control (Realtime Control) 0-8e
Page 147 and 148:
Tone Adjust 0-8g Tone Adjust provid
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KARMA Sliders 1-8 KARMA Slider [000
Page 151 and 152:
▼1-1: Menu Command • 0: Write C
Page 153 and 154:
When Equal Amount is Off, the indiv
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control change messages can also be
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1-6c: Realtime Modulation Slider As
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COMBI P2: EQ/Option 2-1: EQ Trim T0
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COMBI P3: Timbre Param (Timbre Para
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3-5: Pitch T01-08, 3-6: Pitch T09-1
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COMBI P4: Zone/Delay 4-1: Key Z T01
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Bottom Slope [000…120] Specifies
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COMBI P5: MIDI Filter These setting
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5-1-7: -4 T01-08, 5-1-8: -4 T09-16
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COMBI P7: KARMA Here you can make K
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5. Set KARMA Module [B] as follows.
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7-1-6: CC Offset 7-1 -6a These para
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Control Surface KARMA Page 0-8h wil
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• 3: Copy KARMA Module ☞p.115
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7-2-5: Trigger A 7-2 -5a Specifies
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7-3-5: GE RTP A (GE Real-Time Param
Page 187 and 188:
7-4-2: Dynamic MIDI 7-4 -2a 7-4 -2b
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7-4-8: Note Map 7-4 -8a Edit the Cu
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If you want to edit these routings,
Page 193 and 194:
For instance, you can save an Effec
Page 195 and 196:
8-2-8: Common FX LFO 8-2 -8a 8-2 -8
Page 197 and 198:
9-2: MFX1 9-2a Here you can edit th
Page 199 and 200:
• If IFXs is checked, the Bus Sel
Page 201 and 202:
Detune BPM Adjust Detune BPM Adjust
Page 203 and 204:
DrumKit IFX Patch This patches the
Page 205 and 206:
Sequencer mode An overview of Seque
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combination to producing a song. Fo
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0-1-2: Program T09-16 0-1 -1a 0-1 -
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With a setting of
Page 213 and 214:
0-1-3: Mixer T01-08, 0-1-4: Mixer T
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Example) When “Play Intro” is c
Page 217 and 218:
For more information, please see
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▼0-1-8: Menu Command • 0: Memor
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0-2-2c: RealTime Controls 1, 2, 3,
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Tip: On most pages, you can also to
Page 225 and 226:
Slider 1: CUTOFF (CC#74) [000…127
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assignments and values. All such ed
Page 229 and 230:
SEQ P1: DT/XY/Ctrls 1-1: Drum Track
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SEQ P1: DT/XY/Ctrls 1-2: X-Y Vol T0
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Track 2...8, 9...16 SEQ P1: DT/XY/C
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1-4(5)c: Enable Combi X-Y CC, Enabl
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Pad 2...4, 5...8 These are the same
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2-3: EQ T01-08, 2-4: EQ T09-16 2-3a
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• 10: GM Initialize ☞p.282 •
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Bend Range [PRG, -24...+00...+24] S
Page 245 and 246:
SEQ P4: Zones/Delay SEQ P4: Zones/D
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0: The volume will be at the origin
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SEQ P5: MIDI Filter Here you can se
Page 251 and 252:
5-1-5: -3 T01-08, 5-1-6: -3 T09-16
Page 253 and 254:
SEQ P5-2: MIDI Filter 2 5-2-1: -5 T
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SEQ P6: Track Edit 6-1: Track Edit
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Note: When selecting, the upper lin
Page 259 and 260:
Example) Copying the data of an ent
Page 261 and 262:
• 23: Create Exclusive Data ☞p.
Page 263 and 264:
Run [Off, On] For more information,
Page 265 and 266:
GE Select: a riff of GE category Gu
Page 267 and 268:
7-1-6: CC Offset 7-1 -6a These para
Page 269 and 270:
SEQ P7-2: KARMA 2 7-2-1: Control A
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SEQ P7-3: KARMA 3 7-3-1: GE RTP M-A
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SEQ P7-4: KARMA 4 7-4-1: Perf RTP (
Page 275 and 276:
SEQ P7-4: KARMA 4 7-4-4: Name Map A
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▼8-1-1(2): Menu Command • 0: Me
Page 279 and 280:
U00…U15: These are areas in which
Page 281 and 282:
8-2-8: Common FX LFO 8-2 -8a 8-2 -8
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9-2: MFX1 9-2a 9-2b Here you can ed
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Pattern (Pattern Bank) [Preset, Use
Page 287 and 288:
pressed). This setting is suitable
Page 289 and 290:
Step, Song, Repeat, Load FX? Step [
Page 291 and 292:
This dialog box is the same as in t
Page 293 and 294:
GM Initialize List P0 P2 P3 Page Pa
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Auto Sampling Setup This command au
Page 297 and 298:
Even if you press the SEQUENCER STA
Page 299 and 300:
8. When you are finished with step
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Pattern numbers will be displayed i
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Changing the length of a note 1. Pr
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Erasing data 1. Press the tool. 2.
Page 307 and 308:
3. In From Measure select the first
Page 309 and 310:
3. In From: Track select the copy s
Page 311 and 312:
Similarly, two or more data events
Page 313 and 314:
Example: The parameter is EQ High G
Page 315 and 316:
14. In the P6: Track Edit- Track Ed
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at which the pattern was “put.”
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4. Press the OK button to execute t
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System Exclusive events supported i
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Sampling Overview The M3 features K
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Note: Changing velocity on the keyb
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Sampling P0: Recording This page is
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Stereo A indication will appear her
Page 331 and 332:
Example 4) Applying the internal in
Page 333 and 334:
This can be set only if Trigger is
Page 335 and 336:
• 11: Convert MS To Program (Conv
Page 337 and 338:
Audio Solo: Panel-Switch Solo Mode
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Sampling P1: Sample Edit In this pa
Page 341 and 342:
Sampling P2: Loop Edit In this page
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Sampling P3: Multisample Edit In th
Page 345 and 346:
Sampling P4: Controllers 4-1: Setup
Page 347 and 348:
Sampling P5: Audio CD You can play
Page 349 and 350:
Sampling P8: IFX (Insert Effect) He
Page 351 and 352:
▼8-2: Menu Command • 0: Panel-S
Page 353 and 354:
Sampling P9: MFX/TFX Here you can s
Page 355 and 356:
Sampling: Menu Command ENTER + 0-9:
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1. Use Sample Select (0-1b) to sele
Page 359 and 360:
Move 996 to 999 Convert MS To Progr
Page 361 and 362:
If you select REC Audio Input: 1) U
Page 363 and 364:
Cut This command deletes the data b
Page 365 and 366:
The sample number cannot be specifi
Page 367 and 368:
sion: 2/3, 1/2, 1/3, 1/4 1/6. The s
Page 369 and 370:
3. Range “Start” and “End”
Page 371 and 372:
Sensitivity [00...30]: Adjusts the
Page 373 and 374:
If you save to a song that already
Page 375 and 376:
page 42) parameters “MS1”-“M4
Page 377 and 378:
immediately before the beginning of
Page 379 and 380:
Swap MFX/TFX For more information,
Page 381 and 382:
In Global mode you can make setting
Page 383 and 384:
Aftertouch Curve [1…8] This speci
Page 385 and 386:
e received. Use Set Prog User-Bank
Page 387 and 388:
If you want to use S/P DIF, set Sys
Page 389 and 390:
Global P1: MIDI 1-1: MIDI Basic 1-1
Page 391 and 392:
This parameter cannot be set if MID
Page 393 and 394:
KARMA External Example settings com
Page 395 and 396:
1-3: External Mode 1 1-3a 1-3b In t
Page 397 and 398:
Global P2: Controllers 2-1: Foot Co
Page 399 and 400:
Global P3: Scales 3-1: Scales 3-1a
Page 401 and 402:
Global P5: Drum Kit Here you can cr
Page 403 and 404:
Ram samples With Ram drum samples,
Page 405 and 406:
5-3: Driver/EQ 5-1a 5-3a Here you c
Page 407 and 408:
Send1 (to MFX1) [000...127] Send2 (
Page 409 and 410:
Change all bank references This com
Page 411 and 412:
2. Select Global P1: MIDI page. 3.
Page 413 and 414:
Reset Controller MIDI Assign This a
Page 415 and 416:
In this mode you can save internal
Page 417 and 418:
Media: File 0-1: Load 0-1b 0-1c 0-1
Page 419 and 420:
0-3: Utility 0-1b 0-1c 0-1a Here yo
Page 421 and 422:
0-5: Play Audio CD 0-5a 0-5b You ca
Page 423 and 424:
If you change Loop On/Off from Off
Page 425 and 426:
• This cannot be selected if the
Page 427 and 428:
Loading will be aborted if you pres
Page 429 and 430:
8) Load Drum Kits All drum kits in
Page 431 and 432:
1. Press the OK button to load, or
Page 433 and 434:
Press the text edit button ( ) to a
Page 435 and 436:
If the data that is loaded as a sam
Page 437 and 438:
loaded from the .PCG file. All prog
Page 439 and 440:
Save PCG & SEQ This command saves a
Page 441 and 442:
If this is Off (unchecked), system
Page 443 and 444:
Delete This command deletes the sel
Page 445 and 446:
operation may take longer than esti
Page 447 and 448:
The From field in the dialog box le
Page 449 and 450:
By repeating steps 8 and 10 you can
Page 451 and 452:
Overview The M3 provides five inser
Page 453 and 454:
Synchronizing Delay Times Delays wi
Page 455 and 456:
Audio Input *2 Input AUDIO INPUT LE
Page 457 and 458:
Routing You can use up to five chan
Page 459 and 460:
temporarily send the drum kit IFX1
Page 461 and 462:
If you are not using any Insert Eff
Page 463 and 464:
Routing If you are not using any In
Page 465 and 466:
Mixer The input levels to the maste
Page 467 and 468:
Outputs Main Outputs The main L/MON
Page 469 and 470:
459 Effect / Mixer Block Diagram in
Page 471 and 472:
Dynamics (Dynamic) 000: No Effect S
Page 473 and 474:
003: Multiband Limiter This effect
Page 475 and 476:
EQ and Filters (EQ/Filter) 006: St.
Page 477 and 478:
009: Stereo Isolator This is a ster
Page 479 and 480:
h i j Individual, LFO Type Common1,
Page 481 and 482:
f Wet/Dry Dry, 1 : 99... 99 : 1, We
Page 483 and 484:
Overdrive, Amp models, and Mic mode
Page 485 and 486:
021: Bass Amp Model This simulates
Page 487 and 488:
024: St. Tube PreAmp (Stereo Tube P
Page 489 and 490:
j Wet/Dry Dry, 1 : 99... 99 : 1, We
Page 491 and 492:
031: Polysix Ensemble This models t
Page 493 and 494:
035: Stereo Phaser This effect crea
Page 495 and 496:
Modulation and Pitch Shift (Mod./P.
Page 497 and 498:
j Wet/Dry Dry, 1 :99... 99 : 1, Wet
Page 499 and 500:
d e f MIDI Sync Off, On BPM MIDI, 4
Page 501 and 502:
L-In R-In 047: St. Phaser + Trml (S
Page 503 and 504:
050: Pitch Shifter This effect chan
Page 505 and 506:
g Wet/Dry Dry, 1 : 99... 99 : 1, We
Page 507 and 508:
057: St. Multitap Delay (Stereo Mul
Page 509 and 510:
Dry Envelope Wet Target=Output Leve
Page 511 and 512:
Input Rec Mode = Single Mode = Mult
Page 513 and 514:
066: St.BPM Mtap Delay (Stereo BPM
Page 515 and 516:
069: Tape Echo BPM This is a tape e
Page 517 and 518:
Changing these parameter values all
Page 519 and 520:
j Wet/Dry Dry,1 : 99... 99 : 1, Wet
Page 521 and 522:
083: Comp - Amp Sim (Compressor - A
Page 523 and 524:
087: Comp - Phaser (Compressor - Ph
Page 525 and 526:
090: Limiter - Cho/Flng (Limiter -
Page 527 and 528:
094: Exciter - Limiter This effect
Page 529 and 530:
098: OD/HG - Amp Sim (Overdrive/Hi.
Page 531 and 532:
102: Wah - Amp Sim (Wah - Amp Simul
Page 533 and 534:
h i j [F]Cho/Flng Wet/Dry -Wet... -
Page 535 and 536:
Wah WAH a Cho/Flng (Chorus / Flange
Page 537 and 538:
115: P4EQ // Cho/Flng (Parametric 4
Page 539 and 540:
127: Limiter // Exciter This effect
Page 541 and 542:
139: OD/HG // OD/HG (Overdrive/Hi.G
Page 543 and 544:
151: Phaser // Phaser This effect c
Page 545 and 546:
156: Vocoder This effect applies th
Page 547 and 548:
j Wet/Dry Dry, 1 : 99... 99 : 1, We
Page 549 and 550:
162: St. Pitch Shifter (Stereo Pitc
Page 551 and 552:
166: St/Cross Long Delay (Stereo/Cr
Page 553 and 554:
169: St. BPM Long Dly (Stereo BPM L
Page 555 and 556:
About the KARMA GE guide This secti
Page 557 and 558:
About KARMA Overview KARMA stands f
Page 559 and 560:
GE (Generated Effect) Group Overvie
Page 561 and 562:
Note Series Group Overview The Note
Page 563 and 564:
settings can also be used creativel
Page 565 and 566:
1: TS-Time Signature Makes the Time
Page 567 and 568:
Template for emulating the operatio
Page 569 and 570:
Rhythm Group Overview The Rhythm Gr
Page 571 and 572:
Random Weighting Parameters - Pools
Page 573 and 574:
Duration Group Overview The Duratio
Page 575 and 576:
Random Weighting Parameters - Ties
Page 577 and 578:
Random Walk Max Step [1…9] Sets t
Page 579 and 580:
Cluster Group Overview The Cluster
Page 581 and 582:
Velocity Group Overview The Velocit
Page 583 and 584:
Template Parameters The two Templat
Page 585 and 586:
Index The 1-5: Index to options all
Page 587 and 588:
WaveSeq Group Overview The WaveSeq
Page 589 and 590:
Keyboard Track (C2) [0, 1] 0: Off 1
Page 591 and 592:
of the envelope scales the duration
Page 593 and 594:
Level Combinations Sta/Att Level (S
Page 595 and 596:
Triplet Rhythms [0…8] 0: None (In
Page 597 and 598:
When the pitches of repeated notes
Page 599 and 600:
Bend Group Overview The Bend Group
Page 601 and 602:
Width % [0…100 (%)] Specifies the
Page 603 and 604:
Associated Parameters Play On/Off [
Page 605 and 606:
0: Exponential With a positive Fact
Page 607 and 608:
-1: As Stored The Resync Index sett
Page 609 and 610:
2: Retrigger All sustaining Direct
Page 611 and 612:
Bend Length [0…25] 0: 64th triple
Page 613 and 614:
Bend +12 Bend 0 Bend +12 Bend 0 Ham
Page 615 and 616:
Comparison of Exponential and Logar
Page 617 and 618:
Appendices Alternate Modulation Sou
Page 619 and 620:
2. Under Panel Switch Assign, assig
Page 621 and 622:
AMS source & value range Parameter
Page 623 and 624:
increasing velocity, the EG levels
Page 625 and 626:
Gate1, Gate1+Dmpr (Gate1, Gate1+Dam
Page 627 and 628:
Foot Switch (CC#82) You can use thi
Page 629 and 630:
Sliders 1-4 Realtime Control Slider
Page 631 and 632:
Dynamic MIDI Sources & Destinations
Page 633 and 634:
Dynamic MIDI Destinations The KARMA
Page 635 and 636:
• Drum Group: “NTT (Note Table
Page 637 and 638:
3. Notes will be added until you re
Page 639 and 640:
Create/Erase Event Edit Frequency M
Page 641 and 642:
Create/Erase Event Edit No.01: Valu
Page 643 and 644:
MIDI messages Joystick Ribbon (1):W
Page 645 and 646:
You can assign any control change n
Page 647 and 648:
Parameters controlled by MIDI CCs #
Page 649 and 650:
Messages transmitted and received b
Page 651 and 652:
X-Y Mode “XY Mode X” at CC#118,
Page 653 and 654:
Damper pedal (CC#64) [Bn, 40, vv] T
Page 655 and 656:
3. You can use data increment (CC#9
Page 657 and 658:
Program mode if the Drum Track Prog
Page 659 and 660:
649 M3 MIDI IMPLEMENTATION 12,Jan,2
Page 661 and 662:
651 Status Second Third Description
Page 663 and 664:
Media mode information AIFF and WAV
Page 665 and 666:
KSF (KORG Sample File) files There
Page 667 and 668:
Compatibility with the M3 (system v
Page 669 and 670:
About AKAI Program files AKAI forma
Page 671 and 672:
Divided files If data has to be rea
Page 673 and 674:
663
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