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GUIDE OF SÉDHIOU - Cesie

GUIDE OF SÉDHIOU - Cesie

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"When I play, I forget the pain after a while. It is like making<br />

love with God", a drummer comments with a smile.<br />

Apparently contradictory to the religious singings is the Sabar<br />

drumming as a means of e.g. celebrating the beginning of<br />

summer holidays in Sédhiou. While the drums are giving the<br />

rhythm, a group of girls<br />

and women is entering<br />

the dancing scenery<br />

barfoot and shaking<br />

certain parts of the body,<br />

especially pelvis, knees,<br />

legs and ass, in a way<br />

that makes Europeans'<br />

faces flush in the first<br />

moment. This very<br />

sexualized way of expressing themselves is seen as a normal<br />

part of their tribal past and adds another piece to the very<br />

colourful puzzle of Senegalese music.African dance has the<br />

concept of polyrhythm and total body articulation with the<br />

absence of close couple dancing as this was seen immoral in<br />

traditional societies. The national dance music in Senegal, a<br />

fusion of Western music like jazz, soul and Latin blended with<br />

traditional Sabar drumming, is called Mbalax and is played<br />

from night clubs to religious and cultural gatherings. It ows its<br />

great popularity mainly to the big African superstar Youssou<br />

N'Dour who is even more popular than the president in<br />

76

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