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148<br />

ICT IN SCHOOLS<br />

A HANDBOOK FOR TEACHERS<br />

As soon as students start writ<strong>in</strong>g <strong>in</strong> this way, it ceases to be someth<strong>in</strong>g nonsituational<br />

<strong>and</strong> isolated, taught compulsorily <strong>and</strong> out of context (the plague of so<br />

many elementary grammar classes). It becomes storytell<strong>in</strong>g, re-enact<strong>in</strong>g of the<br />

plot of a play, a thought made visible, <strong>and</strong> a <strong>communication</strong> of created mean<strong>in</strong>g<br />

to others – activities already familiar <strong>and</strong> pleasant for all children. The itch to<br />

read aloud what has been written amid this enthusiastic exchange occurs immediately,<br />

provid<strong>in</strong>g powerful motivation to cont<strong>in</strong>ue this joyful <strong>and</strong> collaborative<br />

learn<strong>in</strong>g-by-do<strong>in</strong>g.<br />

Virtual reality of words <strong>and</strong> mean<strong>in</strong>gs<br />

Let us rem<strong>in</strong>isce for a moment about how the ABC is typically taught <strong>in</strong> an ord<strong>in</strong>ary<br />

school or k<strong>in</strong>dergarten. The teacher typically demonstrates a set of different<br />

large-sized characters, usually paired with pictures<br />

of objects designated by the words that start<br />

with the same letters. Then, the teacher writes<br />

them on the blackboard, or parades three-dimensional<br />

plastic or wooden items taken from a bag<br />

<strong>and</strong> places them upon a desktop. The student<br />

composes them <strong>in</strong>to a scrabble-like series of two<strong>and</strong><br />

three-letter words (on, at, or, dad, mum, boy,<br />

sun, sky), <strong>and</strong> reads each word aloud. After the<br />

demonstration, each student is given assorted<br />

cardboard pr<strong>in</strong>ted or wooden block characters<br />

with an assignment to build <strong>and</strong>, hopefully, write<br />

the same words on the paper. As any teacher knows, this is by no means a simple<br />

enterprise, if only because of the physical obstacles <strong>in</strong>volved.<br />

The teacher’s immediate objective is to keep 25 or 30 students’ attention. In<br />

practice, only the children sitt<strong>in</strong>g close to the teacher’s desk perceive the <strong>in</strong>tended<br />

message <strong>in</strong> its entirety. Those <strong>in</strong> the back rows <strong>in</strong>evitably miss relevant po<strong>in</strong>ts,<br />

shades, <strong>and</strong> nuances. They also are more susceptible to distractions <strong>and</strong> deviations,<br />

ambient sights <strong>and</strong> sounds, the temptation to whisper with one another, or<br />

just fall<strong>in</strong>g <strong>in</strong>to a daydream. Now <strong>and</strong> then, a boy or a girl may start to scream<br />

desperately <strong>and</strong> appeals for help because someth<strong>in</strong>g went wrong. In cop<strong>in</strong>g with<br />

these encumbrances, teachers stra<strong>in</strong> their voices <strong>and</strong> exaggerate their gestures,<br />

<strong>and</strong> periodically call by name the students who need to be woken up. And teachers<br />

barely have time to look over their shoulders at what students are scribbl<strong>in</strong>g<br />

<strong>in</strong> their workbooks, <strong>and</strong> they have even less chance to consult with or <strong>in</strong>struct the<br />

more confused <strong>and</strong> perplexed ones.

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