31.07.2013 Views

MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

MARGINAL ANNOTATION IN MEDIEVAL ROMANCE MANUSCRIPTS

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

classified as “Narrative Reading Aids,” subtype “Summation,” 482 the question of what<br />

precisely Cok takes it upon himself to summarize has deep implications for his views on<br />

the meaning and, presumably, the value or pleasure of the text. 483 Cok is, after all, far<br />

from annotating MS 80 comprehensively – itself, perhaps, at least some indication of the<br />

attitude he brought toward annotation. Cok is certainly capable of sustained systems of<br />

annotation. British Library Add. 10392 is remarkable for the thorough consistency both<br />

of Cok’s programs of notae and of his systems of headings, numberings and<br />

organizational subordination. That he does not bring this same comprehensive approach<br />

to CCCC MS 80 may be interpreted either as an indication of the lesser status he affords<br />

this manuscript and its contents of “frivolous,” albeit pious, romance, or alternatively<br />

merely as evidence of a more casual approach taken to a manuscript not his own, in<br />

which he acted primarily as reader rather than scribe. In MS 80, his annotations are<br />

irregular but detailed, reflecting a style of reading in which he lavishes close attention on<br />

stepping through the minutiae of narrative structure within a local context, but in which<br />

such attention is paid only to certain passages and, within a passage, only to certain<br />

aspects of that passage. When Cok does annotate, he does so densely: an stretch of heavy<br />

annotation between ff. 21r-25r totals 25 separate notes in Cok’s hand, in a distribution<br />

ranging from one note on f. 22r to five notes each on ff. 21r and 24v. Following this<br />

passage, however, Cok’s hand does not appear again until another three notes on the recto<br />

482 Grindley, “Reading Piers Plowman,” esp. 82, 86-87. Most romance annotations, when they are<br />

substantive and directly textually-related, are of this Summation type and, as here, tend also to be within<br />

Grindley’s categories of Textually-Gleaned or Paraphrased Marginal Rubrics.<br />

483 Throughout this chapter, I quote – in full or in part – those notes most relevant to the immediate<br />

discussion, for ease of reference. For the complete picture of his contribution to the manuscript, however,<br />

please refer to my a full transcription of all John Cok’s notes in MS 80, which can be found in Appendix C.<br />

276

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!